Kate’s Classical Corner: Hannibal, Ep. 3.08, “The Great Red Dragon”
As a classical musician, I can’t help but be influenced in my interpretation of Hannibal by its amazing score and soundtrack, composed and compiled by music supervisor Brian Reitzell. This is not intended to be a definitive reading of Reitzell or showrunner Bryan Fuller’s intentions in regards to the music, but rather an exploration of how these choices affect my appreciation of the given episode. Read my review of “The Great Red Dragon” here.
Classical pieces featured:
Alleluia from Exsultate, jubilate, K. 165, by Wolfgang Amadeus Mozart (1773): Hannibal experiences his arrest from his mind palace
This famous movement from Mozart’s solo motet, beautifully performed here by boy soprano Aiden Glenn (the piece was originally composed for a castrato), is a fitting choice to represent how Hannibal elects to experience his arrest and incarceration at the Baltimore State Hospital for the Criminally Insane.
As a classical musician, I can’t help but be influenced in my interpretation of Hannibal by its amazing score and soundtrack, composed and compiled by music supervisor Brian Reitzell. This is not intended to be a definitive reading of Reitzell or showrunner Bryan Fuller’s intentions in regards to the music, but rather an exploration of how these choices affect my appreciation of the given episode. Read my review of “The Great Red Dragon” here.
Classical pieces featured:
Alleluia from Exsultate, jubilate, K. 165, by Wolfgang Amadeus Mozart (1773): Hannibal experiences his arrest from his mind palace
This famous movement from Mozart’s solo motet, beautifully performed here by boy soprano Aiden Glenn (the piece was originally composed for a castrato), is a fitting choice to represent how Hannibal elects to experience his arrest and incarceration at the Baltimore State Hospital for the Criminally Insane.
- 7/26/2015
- by Kate Kulzick
- SoundOnSight
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