Paris-based Playtime has unveiled a strong Cannes film market sales slate, which includes competition titles “About Dry Grasses” and “Homecoming.”
“About Dry Grasses” is by Turkish auteur Nuri Bilge Ceylan, who won the Palme d’Or in 2014 for “Winter Sleep.” The film follows Samet, a young art teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia. After a turn of events he can hardly make sense of, he loses his hopes of escaping the grim life he seems to be stuck in, and hopes that his encounter with fellow teacher Nuray will help him overcome his angst. Deniz Celiloğlu, Merve Dizdar and Musab Ekici are among the cast.
“Homecoming,” by French director Catherine Corsini who won the 2021 Queer Palm for “The Divide,” follows Khédidja, who minds a wealthy Parisian family’s children for a summer in Corsica. She brings along her own two...
“About Dry Grasses” is by Turkish auteur Nuri Bilge Ceylan, who won the Palme d’Or in 2014 for “Winter Sleep.” The film follows Samet, a young art teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia. After a turn of events he can hardly make sense of, he loses his hopes of escaping the grim life he seems to be stuck in, and hopes that his encounter with fellow teacher Nuray will help him overcome his angst. Deniz Celiloğlu, Merve Dizdar and Musab Ekici are among the cast.
“Homecoming,” by French director Catherine Corsini who won the 2021 Queer Palm for “The Divide,” follows Khédidja, who minds a wealthy Parisian family’s children for a summer in Corsica. She brings along her own two...
- 5/2/2023
- by Naman Ramachandran and Elsa Keslassy
- Variety Film + TV
Un silence
Working at approximately a film per every three years pace, Joachim Lafosse who last gave us the relationship drama The Restless (a Main Competition title at the tail-end of Cannes in 2021 starring Leila Bekhti and Damien Bonnard), turns to difficult abuse terrain for his tenth feature. Formerly titled “Le Fils de la loi” and co-written with Thomas Van Zuylen, the Belgian filmmaker enlisted Daniel Auteuil, Emmanuelle Devos, Larisa Faber and Salomé Dewaels for what will be a difficult film about the inability to speak out but also the power of remaining silent. Production on Un silence took place in August, and he reteamed with cinematographer Dp Jean-François Hensgens.…...
Working at approximately a film per every three years pace, Joachim Lafosse who last gave us the relationship drama The Restless (a Main Competition title at the tail-end of Cannes in 2021 starring Leila Bekhti and Damien Bonnard), turns to difficult abuse terrain for his tenth feature. Formerly titled “Le Fils de la loi” and co-written with Thomas Van Zuylen, the Belgian filmmaker enlisted Daniel Auteuil, Emmanuelle Devos, Larisa Faber and Salomé Dewaels for what will be a difficult film about the inability to speak out but also the power of remaining silent. Production on Un silence took place in August, and he reteamed with cinematographer Dp Jean-François Hensgens.…...
- 1/13/2023
- by Eric Lavallée
- IONCINEMA.com
There is an intoxicating smugness to Xavier Giannoli’s new adaptation of Honoré de Balzac’s “Illusions perdue,” as though this filmmaker couldn’t wait to shove this movie right in the faces of every human being on television, or on Twitter, or indeed who has ever criticized a movie, complained about the news, or whined about anything even remotely related to popular culture in the last 20 years.
Balzac got there first. Balzac said it better. And Giannoli damn well knows it.
Giannoli’s film, “Lost Illusions,” is a sexy and mean-spirited social satire about a young poet named Lucien who follows his heart, and his wealthy married lover, Louise, to Paris in the mid-19th century. Promptly discarded for fear of scandal, Lucien is left destitute and gets the only writing job he can find, releasing controversial hot takes for a local rag.
Also Read:
Black Comedy ‘Bye Bye...
Balzac got there first. Balzac said it better. And Giannoli damn well knows it.
Giannoli’s film, “Lost Illusions,” is a sexy and mean-spirited social satire about a young poet named Lucien who follows his heart, and his wealthy married lover, Louise, to Paris in the mid-19th century. Promptly discarded for fear of scandal, Lucien is left destitute and gets the only writing job he can find, releasing controversial hot takes for a local rag.
Also Read:
Black Comedy ‘Bye Bye...
- 6/9/2022
- by William Bibbiani
- The Wrap
Update: Xavier Giannoli’s Illusions Perdues (Lost Illusions) leads nominations for the 2022 César Awards, France’s equivalent to the Oscar. The Venice premiere scored 15 mentions, followed by Leos Carax’s Annette, which opened the Cannes Film Festival last year and has 11 nominations. They are followed by Valérie Lemercier’s Aline, the musical dramedy inspired by the life of Céline Dion which also debuted in Cannes and has 10 nods. (Scroll down for the full list of nominations.)
Interestingly, the three films that France shortlisted for the International Feature Academy Award race came in on the lower end. Cédric Jiminez’s Bac Nord (The Stronghold) took seven nominations, while Audrey Diwan’s Venice Golden Lion winner Happening settles for four, tying Cannes Palme d’Or winner Titane.
The latter was France’s eventual entry to the Oscars, but did not make the shortlist. It was also shut out of the Best Film category at the Césars today.
Interestingly, the three films that France shortlisted for the International Feature Academy Award race came in on the lower end. Cédric Jiminez’s Bac Nord (The Stronghold) took seven nominations, while Audrey Diwan’s Venice Golden Lion winner Happening settles for four, tying Cannes Palme d’Or winner Titane.
The latter was France’s eventual entry to the Oscars, but did not make the shortlist. It was also shut out of the Best Film category at the Césars today.
- 1/26/2022
- by Nancy Tartaglione
- Deadline Film + TV
Period drama has a bad name, especially period drama drawn from literary classics, but there is a European tradition of grand historical films that match their sources’ canonical status with the cinematic strengths of narrative sweep and visual opulence. Think The Leopard as a peerless example: Visconti’s masterpiece is a tribute to Giuseppe di Lampedusa’s novel, but a tribute paid between equals. Xavier Giannoli’s Lost Illusions (Les Illusions Perdues), in competition at the Venice Film Festival, stands proudly with that tradition.
Lost Illusions takes as its text the novel by Honoré de Balzac, originally written as a serial between 1837 and 1843. A young aspiring poet arrives in Paris from the unspeakably unfashionable provincial town of Angoulème, hoping for recognition in the capital’s literary circle. Lucien (appropriately dewy Benjamin Voisin) is fresh-faced and full of sincerity; he believes in a cult of beauty, the purity of literature and...
Lost Illusions takes as its text the novel by Honoré de Balzac, originally written as a serial between 1837 and 1843. A young aspiring poet arrives in Paris from the unspeakably unfashionable provincial town of Angoulème, hoping for recognition in the capital’s literary circle. Lucien (appropriately dewy Benjamin Voisin) is fresh-faced and full of sincerity; he believes in a cult of beauty, the purity of literature and...
- 9/7/2021
- by Stephanie Bunbury
- Deadline Film + TV
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