translation by Lukasz Mankowski
Takahisa Zeze is a Japanese film director and screenwriter first known for his soft-core pornographic pink films of the 1990s. Along with fellow directors, Kazuhiro Sano, Toshiki Sato, and Hisayasu Sato, he is known as one of the “Four Heavenly Kings of Pink”. Eventually, he moves away from the particular industry, directing movies such as “Heaven Story” which took the Fipresci and Netpac award in Berlin, and “The Chrysanthemum and the Guillotine”.
On the occasion of “In the Wake” screening at Toronto Japanese Film Festival, we speak with him about adapting Shichiri Nakayama’s novel, the Fukushima disaster and its connection with social welfare, the main characters and the casting, his past and present in cinema, and his latest project
“In the Wake” screened at Toronto Japanese Film Festival
Why did you decide to adapt Shichiri Nakayama’s novel “Mamorarenakatta Monotachi e”?
It all starts with...
Takahisa Zeze is a Japanese film director and screenwriter first known for his soft-core pornographic pink films of the 1990s. Along with fellow directors, Kazuhiro Sano, Toshiki Sato, and Hisayasu Sato, he is known as one of the “Four Heavenly Kings of Pink”. Eventually, he moves away from the particular industry, directing movies such as “Heaven Story” which took the Fipresci and Netpac award in Berlin, and “The Chrysanthemum and the Guillotine”.
On the occasion of “In the Wake” screening at Toronto Japanese Film Festival, we speak with him about adapting Shichiri Nakayama’s novel, the Fukushima disaster and its connection with social welfare, the main characters and the casting, his past and present in cinema, and his latest project
“In the Wake” screened at Toronto Japanese Film Festival
Why did you decide to adapt Shichiri Nakayama’s novel “Mamorarenakatta Monotachi e”?
It all starts with...
- 7/17/2022
- by Panos Kotzathanasis
- AsianMoviePulse
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