It’s hard to encapsulate the half-sunny, half-funeral vibe of “Leonor Will Never Die”, a touching end-of-life drama that’s also a loving homage to kitschy Filipino action cinema. Writer-director Martika Ramirez Escobar pays tribute to her title character, a fictional Pinoy genre filmmaker who, at the end of her life, wakes up inside one of her unproduced screenplays.
Escobar’s debut feature frequently shifts between sad, dimly lit conversations with Leonor (Sheila Francisco) and her concerned loved ones, particularly her adult son Rudie (Bong Cabrera), and scenes within “Return of the Owl,” Leonor’s unfinished dream project, which follows the generic adventures of tough guy construction worker Ronwaldo (Rocky Salumbides).
Some psychedelic transitions, including trippy dream sequences and photo montages, help to establish the slippery nature of Leonor’s subjective reality. A few sequences from “Return of the Owl” also seem credible, but even they ultimately feel monotonous and...
Escobar’s debut feature frequently shifts between sad, dimly lit conversations with Leonor (Sheila Francisco) and her concerned loved ones, particularly her adult son Rudie (Bong Cabrera), and scenes within “Return of the Owl,” Leonor’s unfinished dream project, which follows the generic adventures of tough guy construction worker Ronwaldo (Rocky Salumbides).
Some psychedelic transitions, including trippy dream sequences and photo montages, help to establish the slippery nature of Leonor’s subjective reality. A few sequences from “Return of the Owl” also seem credible, but even they ultimately feel monotonous and...
- 12/2/2022
- by Simon Abrams
- The Wrap
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