Dylan Heath and Lola.
Filmmakers Addison Heath and Jasmine Jakupi were two days away from flying to the Us to shoot crime comedy An American Masquerade when travel restrictions scuttled that plan.
Frustrated after spending nearly $10,000 on new camera equipment, they decided to write and direct Good Girl Lola, a fast-turnaround, found footage/horror/comedy/Western, with Covid-19 as a kind of unseen monster.
To circumvent the safe distancing rules, they are filming virtually all the scenes in the living room of the Melbourne house they share with Addison’s brother, actor/producer Dylan Heath.
It’s a 10-day shoot, probably followed by two pick-up days. Dop Jakupi, who is using Blackmagic and GoPro cameras and green screen, tells If: “Even in quarantine we can still be creative.”
Partners in Black Forest Films, they are editing in-house and will engage a post house to complete.
In a case of art imitating life,...
Filmmakers Addison Heath and Jasmine Jakupi were two days away from flying to the Us to shoot crime comedy An American Masquerade when travel restrictions scuttled that plan.
Frustrated after spending nearly $10,000 on new camera equipment, they decided to write and direct Good Girl Lola, a fast-turnaround, found footage/horror/comedy/Western, with Covid-19 as a kind of unseen monster.
To circumvent the safe distancing rules, they are filming virtually all the scenes in the living room of the Melbourne house they share with Addison’s brother, actor/producer Dylan Heath.
It’s a 10-day shoot, probably followed by two pick-up days. Dop Jakupi, who is using Blackmagic and GoPro cameras and green screen, tells If: “Even in quarantine we can still be creative.”
Partners in Black Forest Films, they are editing in-house and will engage a post house to complete.
In a case of art imitating life,...
- 5/3/2020
- by The IF Team
- IF.com.au
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