David Mitchell leads new BBC crime drama Ludwig, and the first details of the show have landed.
David Mitchell has become a familiar face in UK comedy, whether trying to discern who’s telling the truth in Would I Lie To You? or as the uptight Mark Corrigan alongside long time comedy partner Robert Webb in Jesse Armstrong and Sam Bain’s Peep Show.
He also took on the role of William Shakespeare in Ben Elton’s sitcom Upstart Crow, and reprised the role for a stage adaptation that opened in 2020 and then again when the play was restaged in 2022
Just as Alan Davies took a left turn from stand-up comedy to drama in David Renwick’s superb Jonathan Creek, Mitchell is now moving into the realm of crime drama to play the title role in six part BBC series Ludwig.
The synopsis reads as follows:
When John ‘Ludwig’ Taylor’s (David Mitchell) identical twin,...
David Mitchell has become a familiar face in UK comedy, whether trying to discern who’s telling the truth in Would I Lie To You? or as the uptight Mark Corrigan alongside long time comedy partner Robert Webb in Jesse Armstrong and Sam Bain’s Peep Show.
He also took on the role of William Shakespeare in Ben Elton’s sitcom Upstart Crow, and reprised the role for a stage adaptation that opened in 2020 and then again when the play was restaged in 2022
Just as Alan Davies took a left turn from stand-up comedy to drama in David Renwick’s superb Jonathan Creek, Mitchell is now moving into the realm of crime drama to play the title role in six part BBC series Ludwig.
The synopsis reads as follows:
When John ‘Ludwig’ Taylor’s (David Mitchell) identical twin,...
- 1/11/2024
- by Jake Godfrey
- Film Stories
David Mitchell is returning to the BBC for genre-bending detective comedy Ludwig, which features on a five-strong comedy slate alongside Hulu co-production Dinosaur and a show from The Duchess star Michelle de Swarte.
Unveiling his first major comedy slate at this afternoon’s BBC Comedy Festival in Cardiff, the corporation’s Comedy Director Jon Petrie said the shows reflect “the depth and range of our offerings which champion British creativity.”
The slate is led by Ludwig, Peep Show star Mitchell’s first BBC project since Upstart Crow, which follows the eponymous protagonist as he takes on the identity of his brother, Dci James Taylor, who has disappeared off the face of the earth. Mitchell’s Ludwig lives in quiet solitude, designing puzzles for a living under his nom-de-plume, and he struggles to adapt to being a twin who happens to be a successful Dci leading Cambridge’s busy inner-city major crimes team.
Unveiling his first major comedy slate at this afternoon’s BBC Comedy Festival in Cardiff, the corporation’s Comedy Director Jon Petrie said the shows reflect “the depth and range of our offerings which champion British creativity.”
The slate is led by Ludwig, Peep Show star Mitchell’s first BBC project since Upstart Crow, which follows the eponymous protagonist as he takes on the identity of his brother, Dci James Taylor, who has disappeared off the face of the earth. Mitchell’s Ludwig lives in quiet solitude, designing puzzles for a living under his nom-de-plume, and he struggles to adapt to being a twin who happens to be a successful Dci leading Cambridge’s busy inner-city major crimes team.
- 5/24/2023
- by Max Goldbart
- Deadline Film + TV
In today’s TV news roundup, Netflix unveiled the trailer for “Deaf U,” and Amazon Prime Video set a premiere date for “Truth Seekers.”
Dates
Netflix announced that “David Attenborough: A Life on Our Planet,” a documentary on broadcaster David Attenborough and his past experiences visiting the wild places on Earth, will come to the platform on Oct. 4. Attenborough, who lent his voice to the likes of “Planet Earth” and “The Blue Planet,” has traveled the globe over his decades documenting nature. The documentary aims to address challenges life on our planet faces while also offering a message of hope. It is directed by Alastair Fothergill, Jonnie Hughes and Keith Scholey. Watch a trailer below.
Netflix also shared the upcoming dates for new seasons of “Carmen Sandiego” and “The Last Kids on Earth,” as well as premiere dates for “The Cabin with Bert Kreischer” and “Dream Home Makeover.” Season 3 of animated series “Carmen Sandiego,...
Dates
Netflix announced that “David Attenborough: A Life on Our Planet,” a documentary on broadcaster David Attenborough and his past experiences visiting the wild places on Earth, will come to the platform on Oct. 4. Attenborough, who lent his voice to the likes of “Planet Earth” and “The Blue Planet,” has traveled the globe over his decades documenting nature. The documentary aims to address challenges life on our planet faces while also offering a message of hope. It is directed by Alastair Fothergill, Jonnie Hughes and Keith Scholey. Watch a trailer below.
Netflix also shared the upcoming dates for new seasons of “Carmen Sandiego” and “The Last Kids on Earth,” as well as premiere dates for “The Cabin with Bert Kreischer” and “Dream Home Makeover.” Season 3 of animated series “Carmen Sandiego,...
- 9/23/2020
- by Eli Countryman
- Variety Film + TV
Dawn French is to star in Doc Martin-style drama Glass Houses for ITV.
The British commercial broadcaster has ordered the six-part series from Genial Productions, the nascent ITV-backed producer formed by The Durrells and Men Behaving Badly writer Simon Nye and ex-Tiger Aspect boss Sophie Clarke-Jervoise.
Created and written by Shameless and Cold Feet writer Mark Brotherhood, Glass Houses is set in a picturesque small coastal town with a close-knit community. It follows the stories and fall out for Maggie Connors, played by French, who doesn’t pay attention to the cautionary adage that ‘those in glass houses shouldn’t throw stones’.
Connors is a central character in town who makes it her business to know a bit about everyone’s lives. When a radio journalist interviews her for a small reportage piece about local life she gives him far more detail (and embellishment) about the locals and their...
The British commercial broadcaster has ordered the six-part series from Genial Productions, the nascent ITV-backed producer formed by The Durrells and Men Behaving Badly writer Simon Nye and ex-Tiger Aspect boss Sophie Clarke-Jervoise.
Created and written by Shameless and Cold Feet writer Mark Brotherhood, Glass Houses is set in a picturesque small coastal town with a close-knit community. It follows the stories and fall out for Maggie Connors, played by French, who doesn’t pay attention to the cautionary adage that ‘those in glass houses shouldn’t throw stones’.
Connors is a central character in town who makes it her business to know a bit about everyone’s lives. When a radio journalist interviews her for a small reportage piece about local life she gives him far more detail (and embellishment) about the locals and their...
- 3/1/2019
- by Peter White
- Deadline Film + TV
Screen Australia says it has not mismanaged its finances by spending its annual production funding in just six months - a state of affairs which it says reflects the strength of the local film industry.
The government screen agency revealed in mid-December 2012 that it had spent its entire annual $42 million drama production allocation due to the unprecedented number of quality feature film and television projects seeking support. The shock announcement was reminiscent of the agency's abrupt decision to cut its investment cap in 2009 while several films were mid-financed. That decision.threw several major Australian productions into dissaray including The Tree and the biggest box office hit of.2010, Tomorrow When the War Began (Omnilab Media had to increase its investment at the last minute to ensure production).
Overspending on such a scale has never occurred before, even going back to the era of Screen Australia.s predecessor funding arm, the Film Finance Corporation.
The government screen agency revealed in mid-December 2012 that it had spent its entire annual $42 million drama production allocation due to the unprecedented number of quality feature film and television projects seeking support. The shock announcement was reminiscent of the agency's abrupt decision to cut its investment cap in 2009 while several films were mid-financed. That decision.threw several major Australian productions into dissaray including The Tree and the biggest box office hit of.2010, Tomorrow When the War Began (Omnilab Media had to increase its investment at the last minute to ensure production).
Overspending on such a scale has never occurred before, even going back to the era of Screen Australia.s predecessor funding arm, the Film Finance Corporation.
- 2/6/2013
- by Brendan Swift
- IF.com.au
David Michod
David Michod’s new film has received funding from Screen Australia, as part of almost $20m of investment from the screen agency.
The investment is expected to trigger $100m worth of production across four feature films, five TV dramas and three children’s dramas.
The Rover is written and directed by Michod, with a story by Michod and Joel Edgerton.
The film has cast Guy Pearce and Robert Pattinson in the lead roles.
Michod will also produce the film alongside his Animal Kingdom producing partner Liz Watts for Porchlight Films and David Linde, Ep on Crouching Tiger, Hidden Dragon for his Lava Bear Films.
The film will be distributed by Village Roadshow with international sales by FilmNation.
The Rover, set in the Australian desert in the dangerous near-future sees Eric, a man who has lost almost everything in life, have his car stolen by a gang of criminals.
David Michod’s new film has received funding from Screen Australia, as part of almost $20m of investment from the screen agency.
The investment is expected to trigger $100m worth of production across four feature films, five TV dramas and three children’s dramas.
The Rover is written and directed by Michod, with a story by Michod and Joel Edgerton.
The film has cast Guy Pearce and Robert Pattinson in the lead roles.
Michod will also produce the film alongside his Animal Kingdom producing partner Liz Watts for Porchlight Films and David Linde, Ep on Crouching Tiger, Hidden Dragon for his Lava Bear Films.
The film will be distributed by Village Roadshow with international sales by FilmNation.
The Rover, set in the Australian desert in the dangerous near-future sees Eric, a man who has lost almost everything in life, have his car stolen by a gang of criminals.
- 7/26/2012
- by Colin Delaney
- Encore Magazine
Screen Australia will invest almost $20 million across 12 screen projects including futuristic Western The Rover, starring Robert Pattinson and Guy Pearce.
The film is the latest collaboration between producer Liz Watts and writer-director David Michôd, following the success of their crime-thriller Animal Kingdom in 2010. FilmNation Entertainment acquired the majority of worldwide rights to The Rover at the Cannes Film Festival earlier this year while Village Roadshow will distribute the film in Australia.
Screen Australia has also backed three other feature films: drama Felony, written by Joel Edgerton and directed by Matthew Saville (Noise); Healing, a redemptive prison drama starring Don Hany (East West 101) and Hugo Weaving; and Aim High in Creation, a hybrid documentary-drama about the late Kim Jong-il from writer/director Anna Broinowski (Forbidden Lie$).
Screen Australia chief executive Ruth Harley said the four Australian features have huge potential. "The Rover is a powerful, well-crafted script from a talented team with an impressive cast,...
The film is the latest collaboration between producer Liz Watts and writer-director David Michôd, following the success of their crime-thriller Animal Kingdom in 2010. FilmNation Entertainment acquired the majority of worldwide rights to The Rover at the Cannes Film Festival earlier this year while Village Roadshow will distribute the film in Australia.
Screen Australia has also backed three other feature films: drama Felony, written by Joel Edgerton and directed by Matthew Saville (Noise); Healing, a redemptive prison drama starring Don Hany (East West 101) and Hugo Weaving; and Aim High in Creation, a hybrid documentary-drama about the late Kim Jong-il from writer/director Anna Broinowski (Forbidden Lie$).
Screen Australia chief executive Ruth Harley said the four Australian features have huge potential. "The Rover is a powerful, well-crafted script from a talented team with an impressive cast,...
- 7/25/2012
- by Brendan Swift
- IF.com.au
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