Andrew Bujalski has been a fixture of American independent cinema for the past two decades. After helping to pioneer the “mumblecore” movement with his 2002 debut “Funny Ha Ha,'” the writer/director has continued to be a sporadic presence on the festival circuit with films like “Mutual Appreciation” and “Support the Girls.” But while his latest film, “There There,” shares a lo-fi, dialogue-driven aesthetic with his other films, it is also his most technically ambitious undertaking to date.
The film is comprised of a series of conversations between an ensemble cast, but due to Covid restrictions (the film was shot over a six-month period in 2021), no two actors were ever in the same room during their scenes. Bujalski worked with one actor at a time, essentially turning the film into a series of monologues that gave his script and the actors nowhere to hide.
“To me, this was an essential cinema experiment,...
The film is comprised of a series of conversations between an ensemble cast, but due to Covid restrictions (the film was shot over a six-month period in 2021), no two actors were ever in the same room during their scenes. Bujalski worked with one actor at a time, essentially turning the film into a series of monologues that gave his script and the actors nowhere to hide.
“To me, this was an essential cinema experiment,...
- 10/18/2022
- by Christian Zilko
- Indiewire
If Karen Skloss’ feature narrative debut The Honor Farm possesses anything it’s an abundance of style. This is a gorgeously shot prom night turned mushroom trip romp of millennial excess caught in the throes of dream. We meet Lucy (Olivia Grace Applegate) walking through the woods in her dress — trees covered in toilet paper and forests of white light and ribbons manifesting a border between danger and safety. The evil (assumedly) arrives in the form of a person adorned by a stag’s head (the eyes blink); her salvation a boy with what we hope is love in his heart. It’s fantasy seeping into reality or perhaps just a series of quick visions devoid of truth beyond emotion rendered as experience. And as soon as it arrives it’s gone.
From disorienting, flickering beauty comes a dentist’s chair in stark contrast. Prom hasn’t happened yet as...
From disorienting, flickering beauty comes a dentist’s chair in stark contrast. Prom hasn’t happened yet as...
- 7/22/2017
- by Jared Mobarak
- The Film Stage
Stars: Olivia Applegate, Katie Folger, Dora Madison, Will Brittain, Louis Hunter, Jonny Mars, Liam Aiken, Mackenzie Astin, Josephine McAdam, Christina Parrish, Michael Eric Reid | Written by Karen Skloss, Jasmine Skloss Harrison, Jay Tonne, Jr. | Directed by Karen Skloss
The gown, the hairstyling, the limousine, the prom date – all the familiar details that make up graduation night, that inevitable ritual of passage into adulthood. Lucy (Olivia Grace Applegate) still does not have peace of mind – “Do you ever feel like you’re just going through the motions?” she asks her best friend, while they retouch their makeup. When her date turns out to be a total disappointment, abruptly ending the fairy tale, the fantasy seems to have evaporated. But then some classmates, who’ve arrived in a hearse, extend her a most intriguing invitation: a magic-mushroom trip out in the wilderness, in an abandoned prison farm (haunted, according to urban legend...
The gown, the hairstyling, the limousine, the prom date – all the familiar details that make up graduation night, that inevitable ritual of passage into adulthood. Lucy (Olivia Grace Applegate) still does not have peace of mind – “Do you ever feel like you’re just going through the motions?” she asks her best friend, while they retouch their makeup. When her date turns out to be a total disappointment, abruptly ending the fairy tale, the fantasy seems to have evaporated. But then some classmates, who’ve arrived in a hearse, extend her a most intriguing invitation: a magic-mushroom trip out in the wilderness, in an abandoned prison farm (haunted, according to urban legend...
- 7/17/2017
- by Phil Wheat
- Nerdly
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