Playground Films has optioned Hilary Bell’s Sydney Theatre Company stage play Splinter and Fiona Wright’s novel Small Acts of Disappearance.
David Barker and Melissa Anastasi are currently adapting both works; Splinter into a feature film, and Small Acts of Disappearance into an eight-part TV dramedy.
Splinter centres around an abducted child, mysteriously returned to her parents nine months after her disappearance, unable, or unwilling, to speak. A modern-day gothic, it follows the unravelling of the parents’ relationship in the aftermath of their trauma.
Anastasi, whose short film Chlorine recently won an Australian Directors’ Guild Award will direct, with Barker to produce. The project is currently in script development in consultation with Bell.
“The first time I read Splinter I was immediately struck by the power of the text, which explores themes of obsession, grief, childhood and identity, with the underlying disquiet of a classic gothic mystery. It’s...
David Barker and Melissa Anastasi are currently adapting both works; Splinter into a feature film, and Small Acts of Disappearance into an eight-part TV dramedy.
Splinter centres around an abducted child, mysteriously returned to her parents nine months after her disappearance, unable, or unwilling, to speak. A modern-day gothic, it follows the unravelling of the parents’ relationship in the aftermath of their trauma.
Anastasi, whose short film Chlorine recently won an Australian Directors’ Guild Award will direct, with Barker to produce. The project is currently in script development in consultation with Bell.
“The first time I read Splinter I was immediately struck by the power of the text, which explores themes of obsession, grief, childhood and identity, with the underlying disquiet of a classic gothic mystery. It’s...
- 11/13/2020
- by Jackie Keast
- IF.com.au
‘Sweet River.’
English actor Lisa Kay, Martin Sacks and Geneviève Lemon lead the cast of Sweet River, a psychological thriller which is now shooting in Byron Bay.
The screenplay by Marc Furmie and Eddie Baroo, based on an original story by the director Justin McMillan, is set in a fictional sugar cane town which harbours a dark secret.
The Brisbane-based Kay, who starred in Neighbours and Home and Away after moving to Australia, plays Hanna Montague, whose son Joey was abducted by a serial killer and is presumed dead.
Searching for his body, she moves in to a cottage on a sugar cane farm. John and Ellenor Drake, live in the neighbouring farmhouse and own the surrounding sugar cane fields.
Both women have something in common: Ellenor’s daughter lost her life in a bus crash which killed several other children. As Hanna investigates her son’s disappearance amid some unexplained encounters with the supernatural,...
English actor Lisa Kay, Martin Sacks and Geneviève Lemon lead the cast of Sweet River, a psychological thriller which is now shooting in Byron Bay.
The screenplay by Marc Furmie and Eddie Baroo, based on an original story by the director Justin McMillan, is set in a fictional sugar cane town which harbours a dark secret.
The Brisbane-based Kay, who starred in Neighbours and Home and Away after moving to Australia, plays Hanna Montague, whose son Joey was abducted by a serial killer and is presumed dead.
Searching for his body, she moves in to a cottage on a sugar cane farm. John and Ellenor Drake, live in the neighbouring farmhouse and own the surrounding sugar cane fields.
Both women have something in common: Ellenor’s daughter lost her life in a bus crash which killed several other children. As Hanna investigates her son’s disappearance amid some unexplained encounters with the supernatural,...
- 11/5/2019
- by The IF Team
- IF.com.au
‘Pimped’
David Barker’s psychological thriller Pimped, which explores what might happen if two men lured a woman who proved to be stronger, smarter and more cunning than them, won the Australian feature award at Monster Fest: The Homecoming.
Staged at Cinema Nova from November 22-25, the seventh edition of Monster Fest drew nearly 2,900 patrons, a record for the event.
The Golden Monster award for best feature went to director Jonas Åkerlund’s Lords of Chaos, which is set in Oslo in 1987 and stars Rory Culkin as a teenager who forms the aptly-titled black metal band Mayhem with his equally fanatical mates. They begin burning down churches throughout the countryside and stealing tombstones for their record store, leading to violence. It has yet to find a local distributor.
Robbie Studsor’s Burning Kiss, the saga of a detective (Richard Mellik) who seeks vengeance from a hit-and-run that killed his wife and left him wheelchair-bound,...
David Barker’s psychological thriller Pimped, which explores what might happen if two men lured a woman who proved to be stronger, smarter and more cunning than them, won the Australian feature award at Monster Fest: The Homecoming.
Staged at Cinema Nova from November 22-25, the seventh edition of Monster Fest drew nearly 2,900 patrons, a record for the event.
The Golden Monster award for best feature went to director Jonas Åkerlund’s Lords of Chaos, which is set in Oslo in 1987 and stars Rory Culkin as a teenager who forms the aptly-titled black metal band Mayhem with his equally fanatical mates. They begin burning down churches throughout the countryside and stealing tombstones for their record store, leading to violence. It has yet to find a local distributor.
Robbie Studsor’s Burning Kiss, the saga of a detective (Richard Mellik) who seeks vengeance from a hit-and-run that killed his wife and left him wheelchair-bound,...
- 11/26/2018
- by The IF Team
- IF.com.au
Andrena Finlay.
After 36 years as one of Australia’s most successful producers, Andrena Finlay is pursuing a new passion: imparting her knowledge and expertise to emerging producers.
Via her firm Screen Arts Business Consulting (Screen ABC), she is running workshops in Sydney and November and December and as well as offering guidance to individual producers. She is also willing to consult for established producers.
“I still love producing but I want to impart my knowledge to up-and-comers,” says Finlay, who has produced 10 features including Goddess, Paws, Me Myself I, Razzle Dazzle, Frauds and Emma’s War, as well as three shorts and two television films
“My skills have always been on the business side of producing. There are two sides of the creative coin: The script and casting; and how you set and structure a budget which the market can support, and how you raise the finance.
“I see a...
After 36 years as one of Australia’s most successful producers, Andrena Finlay is pursuing a new passion: imparting her knowledge and expertise to emerging producers.
Via her firm Screen Arts Business Consulting (Screen ABC), she is running workshops in Sydney and November and December and as well as offering guidance to individual producers. She is also willing to consult for established producers.
“I still love producing but I want to impart my knowledge to up-and-comers,” says Finlay, who has produced 10 features including Goddess, Paws, Me Myself I, Razzle Dazzle, Frauds and Emma’s War, as well as three shorts and two television films
“My skills have always been on the business side of producing. There are two sides of the creative coin: The script and casting; and how you set and structure a budget which the market can support, and how you raise the finance.
“I see a...
- 10/8/2018
- by The IF Team
- IF.com.au
Flickerfest has revealed the 53 films selected to screen as part of the festival's competitive program in its 25th anniversary year.
The films were chosen from more than 2300 entries.
This year.s official Australian Competition features 18 world premieres, six Australian premieres and 10 Nsw premieres..
Twenty-one female directors are represented across the official Australian competition.
The best of the australian films will be shown over seven sessions.
They will be competing for prizes across all areas of the filmmaking craft including the Academy Accredited Virgin Australia Award for Best Australian Film, the Canon Award for Best Direction and the Yoram Gross Award for Best Australian Animation.
Flickerfest is Australia.s only Academy accredited and BAFTA recognised festvial and runs from Friday January 8-17. .
Festival director Bronwyn Kidd, steering her 19th festival, said she was thrilled that Flickerfest was once again a platform for the Australia's most exciting, creative and talented short filmmakers.
The films were chosen from more than 2300 entries.
This year.s official Australian Competition features 18 world premieres, six Australian premieres and 10 Nsw premieres..
Twenty-one female directors are represented across the official Australian competition.
The best of the australian films will be shown over seven sessions.
They will be competing for prizes across all areas of the filmmaking craft including the Academy Accredited Virgin Australia Award for Best Australian Film, the Canon Award for Best Direction and the Yoram Gross Award for Best Australian Animation.
Flickerfest is Australia.s only Academy accredited and BAFTA recognised festvial and runs from Friday January 8-17. .
Festival director Bronwyn Kidd, steering her 19th festival, said she was thrilled that Flickerfest was once again a platform for the Australia's most exciting, creative and talented short filmmakers.
- 12/14/2015
- by Inside Film Correspondent
- IF.com.au
Would lower ticket prices encourage more people to see Australian films in cinemas?
That question has been raised several times in the debate over the inability of. local films to connect with moviegoers. The answer is a resounding yes, according to some respondents to the latest informal survey on social media.
However exhibitors and distributors have rejected calls for variable pricing for Australian films. .If you ask people about value/price, they always say that items are too expensive, however Gold Class and other added-value offerings continue to be extremely successful,. Paramount Pictures MD Mike Selwyn tells If. .Cinema is good value entertainment considering the quality of the infrastructure in Australia..
Producer Annie Kinnane asked on Facebook, .If Australian films at the cinemas had a ticket price of $15 compared to the big American films at $19.50 would you see that as a way of supporting our Aussie film industry - or...
That question has been raised several times in the debate over the inability of. local films to connect with moviegoers. The answer is a resounding yes, according to some respondents to the latest informal survey on social media.
However exhibitors and distributors have rejected calls for variable pricing for Australian films. .If you ask people about value/price, they always say that items are too expensive, however Gold Class and other added-value offerings continue to be extremely successful,. Paramount Pictures MD Mike Selwyn tells If. .Cinema is good value entertainment considering the quality of the infrastructure in Australia..
Producer Annie Kinnane asked on Facebook, .If Australian films at the cinemas had a ticket price of $15 compared to the big American films at $19.50 would you see that as a way of supporting our Aussie film industry - or...
- 11/6/2014
- by Don Groves
- IF.com.au
Producer Annie Kinnane expresses a common complaint in the industry: Often by the time she and her friends hear about a new Australian film it.s been yanked off screens before they had a chance to see it.
Instead of just griping, she.s doing her bit to increase awareness by launching a Facebook page this week, entitled Australian Films You Will Want to See.
She.s encouraging her Fb friends and the wider industry to post an item as soon as they.ve seen a film they can recommend.
That initiative is in a similar vein to When Did You Last Pay to See an Australian Film at the Cinema?, a Fb page created earlier this month by My Mistress producer Leanne Tonkes.
Tonkes is asking her industry peers to nominate the last Aussie film they paid to see, as opposed to freebie previews, Aacta, funding body or post house screenings,...
Instead of just griping, she.s doing her bit to increase awareness by launching a Facebook page this week, entitled Australian Films You Will Want to See.
She.s encouraging her Fb friends and the wider industry to post an item as soon as they.ve seen a film they can recommend.
That initiative is in a similar vein to When Did You Last Pay to See an Australian Film at the Cinema?, a Fb page created earlier this month by My Mistress producer Leanne Tonkes.
Tonkes is asking her industry peers to nominate the last Aussie film they paid to see, as opposed to freebie previews, Aacta, funding body or post house screenings,...
- 10/22/2014
- by Don Groves
- IF.com.au
Producer Annie Kinnane expresses a common complaint in the industry: Often by the time she and her friends hear about a new Australian film it.s been yanked off screens before they had a chance to see it.
Instead of just griping, she.s doing her bit to increase awareness by launching a Facebook page this week, entitled Australian Films You Will Want to See.
She.s encouraging her Fb friends and the wider industry to post an item as soon as they.ve seen a film they can recommend.
That initiative is not unlike When Did You Last Pay to See an Australian Film at the Cinema?, a Fb page created earlier this month by My Mistress producer Leanne Tonkes.
Tonkes is asking her industry peers to nominate the last Aussie film they paid to see, as opposed to freebie previews, Aacta, funding body or post house screenings, and...
Instead of just griping, she.s doing her bit to increase awareness by launching a Facebook page this week, entitled Australian Films You Will Want to See.
She.s encouraging her Fb friends and the wider industry to post an item as soon as they.ve seen a film they can recommend.
That initiative is not unlike When Did You Last Pay to See an Australian Film at the Cinema?, a Fb page created earlier this month by My Mistress producer Leanne Tonkes.
Tonkes is asking her industry peers to nominate the last Aussie film they paid to see, as opposed to freebie previews, Aacta, funding body or post house screenings, and...
- 10/22/2014
- by Don Groves
- IF.com.au
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