Just for the pleasure of watching Nana Patekar and Dimple Kapadia together, this quaint and sincere look at love across three generations is well worth a dekko.
Dimple Kapadia, exuding a warmth that pervades the screen plays a feisty Parsi woman who isn't deterred let alone defeated by attempts to dismantle her dream, namely a strategic café where Mumbai-wallahs meet like they still do in cafés all over Kolkata for a bit of a brainy pow-wow and buttery pao.
It all adds up. The feisty Parsi lady and the cranky sullen unhappy-with-life lawyer (Nana Patekar) who helps her keep her property and not-so-promptly falls in love with the lady.
You get the picture? Rajen Makhijana, Sameer Siddiqui and Kabir Sadanand's screenplay cruises the realm of the known but still provides elements of freshness in the way the predictable characters are framed and photographed. Dop Pushan Kriplani adds a afterglow to the already-seen characters' lives.
Dimple Kapadia, exuding a warmth that pervades the screen plays a feisty Parsi woman who isn't deterred let alone defeated by attempts to dismantle her dream, namely a strategic café where Mumbai-wallahs meet like they still do in cafés all over Kolkata for a bit of a brainy pow-wow and buttery pao.
It all adds up. The feisty Parsi lady and the cranky sullen unhappy-with-life lawyer (Nana Patekar) who helps her keep her property and not-so-promptly falls in love with the lady.
You get the picture? Rajen Makhijana, Sameer Siddiqui and Kabir Sadanand's screenplay cruises the realm of the known but still provides elements of freshness in the way the predictable characters are framed and photographed. Dop Pushan Kriplani adds a afterglow to the already-seen characters' lives.
- 4/4/2010
- Bollyspice
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