Not many directors start out with a voice wholly their own, but Katsuhito Ishii's “Promise of August” is a strikingly unique debut from one of Japan's more singular auteurs. It has its fair share of freshman missteps, and there's an unpolished quality to the plotting and performances, but it establishes itself from the opening frame as an off-kilter comedy with a genuine point of view; a confident beginning to a decades-long career.
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on Terracotta
Released three years before Ishii's first feature, “Shark Skin Man and Peach Hip Girl,” it clocks in at only fifty minutes. It this sense, it feels like a novella from a young writer, focused more on creating a mood and documenting the oddities of human behavior than telling a complete story. The threadbare narrative follows three young women as they search the countryside for a weed crop promised by a “marijuana...
Buy This Title
on Terracotta
Released three years before Ishii's first feature, “Shark Skin Man and Peach Hip Girl,” it clocks in at only fifty minutes. It this sense, it feels like a novella from a young writer, focused more on creating a mood and documenting the oddities of human behavior than telling a complete story. The threadbare narrative follows three young women as they search the countryside for a weed crop promised by a “marijuana...
- 5/3/2023
- by Henry McKeand
- AsianMoviePulse
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