While far from light viewing, this period drama written by Christos Tsiolkas and director Aaron Wilson is a pleasure
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Films are often praised for being visually interesting, but rarely for being verbally interesting – in fact vococentrism is often discouraged, particularly through the famous screenwriting dictum “show, don’t tell”. Director Aaron Wilson’s absorbing period drama Little Tornadoes, however, manages a very compelling and unusual blend of pictures and an almost novelistic screenplay – the kind one might expect from Australian author Christos Tsiolkas, who co-wrote it with Wilson.
Assisted by the timeless qualities of rural locations, Wilson and the talented cinematographer Stefan Duscio illustrate an early 1970s Aussie setting with an eye for lived-in period details. In tone and setting, Little Tornadoes couldn’t be further from an ostentatious historical piece, bunkering down as it does into the...
Get our weekend culture and lifestyle email and listen to our podcast
Films are often praised for being visually interesting, but rarely for being verbally interesting – in fact vococentrism is often discouraged, particularly through the famous screenwriting dictum “show, don’t tell”. Director Aaron Wilson’s absorbing period drama Little Tornadoes, however, manages a very compelling and unusual blend of pictures and an almost novelistic screenplay – the kind one might expect from Australian author Christos Tsiolkas, who co-wrote it with Wilson.
Assisted by the timeless qualities of rural locations, Wilson and the talented cinematographer Stefan Duscio illustrate an early 1970s Aussie setting with an eye for lived-in period details. In tone and setting, Little Tornadoes couldn’t be further from an ostentatious historical piece, bunkering down as it does into the...
- 5/11/2022
- by Luke Buckmaster
- The Guardian - Film News
Controversial drama “Nitram” dominated the prizes at the Australian Academy of Cinema & Television Arts (Aacta) film awards on Wednesday. Leaving little room for celebration of any other achievement in the past year, “Nitram” swept to eight awards.
These included the most major prizes — best film, best directing and best original screenplay — as well as all four acting prizes.
The film painstakingly depicts the build-up to a real-life mass shooting that took place in Tasmania. Many people had questioned whether the events were too painful to be retold and whether making a film would make a hero of the perpetrator. “Nitram” deflected those criticisms by spelling the shooter’s name backwards and by avoiding any on-screen violence.
“Nitram” premiered in competition in Cannes in July and won the lucrative top prize at August’s CinefestOZ festival. It is now streaming on Stan, the Ott that was a backer of the project.
These included the most major prizes — best film, best directing and best original screenplay — as well as all four acting prizes.
The film painstakingly depicts the build-up to a real-life mass shooting that took place in Tasmania. Many people had questioned whether the events were too painful to be retold and whether making a film would make a hero of the perpetrator. “Nitram” deflected those criticisms by spelling the shooter’s name backwards and by avoiding any on-screen violence.
“Nitram” premiered in competition in Cannes in July and won the lucrative top prize at August’s CinefestOZ festival. It is now streaming on Stan, the Ott that was a backer of the project.
- 12/8/2021
- by Patrick Frater
- Variety Film + TV
Co-written with Christos Tsiolkas, Aaron Wilson’s 1970s-set Little Tornadoes depicts a newly-single father’s efforts to weather the turbulence of change – in his life and in the world around him.
Introverted Leo (Mark Leonard Winter) is a steelworker at his small town’s local plant. After his wife abandons him without explanation, leaving him to care for their two young children, he is bereft–barely able to cook a decent meal or keep the household running. So when a recently-arrived Italian colleague suggests that his sister, Maria (Silvia Colloca), act as surrogate homemaker, Leo reluctantly accepts. But can one woman’s warm, nurturing presence fill the void left by another, and can Leo yield to the winds of change?
Producers include Ian Anderson, Katrina Fleming, Christian Pazzaglia, Susan Schmidt and Wilson. Stefan Duscio is the cinematographer, composer Robert Mackenzie, editor Cindy Clarkson and production designer Tim Burgin.
Little Tornadoes...
Introverted Leo (Mark Leonard Winter) is a steelworker at his small town’s local plant. After his wife abandons him without explanation, leaving him to care for their two young children, he is bereft–barely able to cook a decent meal or keep the household running. So when a recently-arrived Italian colleague suggests that his sister, Maria (Silvia Colloca), act as surrogate homemaker, Leo reluctantly accepts. But can one woman’s warm, nurturing presence fill the void left by another, and can Leo yield to the winds of change?
Producers include Ian Anderson, Katrina Fleming, Christian Pazzaglia, Susan Schmidt and Wilson. Stefan Duscio is the cinematographer, composer Robert Mackenzie, editor Cindy Clarkson and production designer Tim Burgin.
Little Tornadoes...
- 7/29/2021
- by The IF Team
- IF.com.au
At six of the last eight Oscars, Best Cinematography has gone hand-in-hand with Best Director: Claudio Miranda and Ang Lee for “Life of Pi” (2013); Emmanuel Lubezki and Alfonso Cuaron for “Gravity” (2014); Lubezki and Alejandro G. Inarritu for both “Birdman” (2015) and “The Revenant” (2016); Linus Sandgren and Damien Chazelle for “La La Land” (2017); and Cuaron doing double duty on “Roma” (2019). Will that trend hold true this year? (Scroll down for the most up-to-date 2021 Oscars predictions for Best Cinematography.)
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception...
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception...
- 3/4/2021
- by Paul Sheehan
- Gold Derby
If there is one thing that has continually distinguished Universal Pictures it is its monster legacy, a genre of films the studio has done since its beginnings with classics featuring Frankenstein, Dracula, The Mummy and The Invisible Man. The latter is the latest to attempt a reboot as Universal continues efforts to revive its prized franchises, albeit with mixed results in recent years. But with this critically acclaimed effort, it has succeeded beyond all expectations.
Director-writer Leigh Whannell explains just how when he joined his star Elisabeth Moss in conversation during Universal’s panel at Deadline’s Contenders Film award-season presentation.
“The trick was not to think about that legacy,” he says. “With this I felt a bit more freedom because the original is a much older film shot in black and white and only with effects available at that time. I felt that if I approached this as the...
Director-writer Leigh Whannell explains just how when he joined his star Elisabeth Moss in conversation during Universal’s panel at Deadline’s Contenders Film award-season presentation.
“The trick was not to think about that legacy,” he says. “With this I felt a bit more freedom because the original is a much older film shot in black and white and only with effects available at that time. I felt that if I approached this as the...
- 1/24/2021
- by Pete Hammond
- Deadline Film + TV
The barren earth surrounding a drought-stricken Aussie town provides fertile ground for mystery, suspense and punchy emotional drama in “The Dry.” This enthralling adaptation of Jane Harper’s international bestseller stars a spot-on Eric Bana as a city detective whose investigation of an apparent murder-suicide in his hometown triggers renewed suspicion about his involvement in a mysterious death that’s haunted the community for two decades. Expertly directed and co-written by respected filmmaker Robert Connolly, “The Dry” has all the character intrigue, clever plot twists and red herrings to keep viewers guessing. It should become a sizeable summer hit when released in local cinemas on Jan. 1. Broad international streaming exposure is assured.
Headlining his first Aussie feature since 2007’s “Romulus, My Father,” Bana is perfectly cast as Federal Agent Aaron Falk. A dedicated detective based in Melbourne, Aaron hasn’t set foot in hometown Kiewarra since departing abruptly following the...
Headlining his first Aussie feature since 2007’s “Romulus, My Father,” Bana is perfectly cast as Federal Agent Aaron Falk. A dedicated detective based in Melbourne, Aaron hasn’t set foot in hometown Kiewarra since departing abruptly following the...
- 1/22/2021
- by Richard Kuipers
- Variety Film + TV
‘Babyteeth’ is the feature debut of established theatre and TV director Shannon Murphy.
Shannon Murphy’s drama Babyteeth has swept the board at the Australian Academy of Cinema and Television Arts (Aacta) awards, winning nine prizes including best film and all four acting awards.
The Australian title – which premiered in Competition at the Venice Fil Festival in 2019 – was nominated for 13 awards, also taking home best direction for Murphy, best screenplay for Rita Kalnejais, best original score for Amanda Brown and best casting for Kirsty McGregor and Stevie Ray.
Other film winners included Universal Pictures’ The Invisible Man, which picked up best cinematography,...
Shannon Murphy’s drama Babyteeth has swept the board at the Australian Academy of Cinema and Television Arts (Aacta) awards, winning nine prizes including best film and all four acting awards.
The Australian title – which premiered in Competition at the Venice Fil Festival in 2019 – was nominated for 13 awards, also taking home best direction for Murphy, best screenplay for Rita Kalnejais, best original score for Amanda Brown and best casting for Kirsty McGregor and Stevie Ray.
Other film winners included Universal Pictures’ The Invisible Man, which picked up best cinematography,...
- 11/30/2020
- by Ben Dalton
- ScreenDaily
Cate Blanchett-produced mini series “Stateless” and Shannon Murphy’s feature film directing debut “Babyteeth” dominated proceedings at the Australian Academy of Cinema and Television Arts Awards (Aacta Awards).
At a ceremony on Monday night at The Star in Sydney, immigration drama “Stateless” grabbed 13 awards including best telefeature or miniseries, best screenplay in television and all four acting awards across television drama. Outback detective series, “Mystery Road” was named best drama. In film, “Babyteeth” received nine awards on Monday including best film and best direction for Murphy.
Neither Russell Crowe, recently named as president of Aacta, nor Nicole Kidman, appointed as VP, were able to attend. Crowe however sent a video message that encouraged ambition, spoke of green shoots both after the wildfires and the Covid crisis, and hope that the recent production sector recovery can be made sustainable.
“I want to encourage the federal government to use this time...
At a ceremony on Monday night at The Star in Sydney, immigration drama “Stateless” grabbed 13 awards including best telefeature or miniseries, best screenplay in television and all four acting awards across television drama. Outback detective series, “Mystery Road” was named best drama. In film, “Babyteeth” received nine awards on Monday including best film and best direction for Murphy.
Neither Russell Crowe, recently named as president of Aacta, nor Nicole Kidman, appointed as VP, were able to attend. Crowe however sent a video message that encouraged ambition, spoke of green shoots both after the wildfires and the Covid crisis, and hope that the recent production sector recovery can be made sustainable.
“I want to encourage the federal government to use this time...
- 11/30/2020
- by Patrick Frater
- Variety Film + TV
Matchbox Pictures/Dirty Films’ Stateless dominated the Aacta Industry Awards on Friday evening, scooping up all of the television drama prizes.
The six gongs the ABC production received were for: cinematography, for the work of Bonnie Elliott; costume design, to Mariot Kerr; editing, to Mark Atkin; production design, to Melinda Doring; score, to composer Cornel Wilczek, and sound, going to Tom Heuzenroeder, Pete Smith, Michael Darren and Des Kenneally.
This year’s craft and technical awards were a little different thanks to Covid-19, presented virtually in a ceremony hosted by Claire Hooper.
Presenters included Rachel Griffiths, Ed Kavalee, Rhys Nicholson, Dilruk Jayasinha, Celia Pacquola and Bernard Curry.
In film, The Invisible Man and True History of the Kelly Gang each scooped three awards, and Babyteeth two.
Kirsty McGregor and Stevie Ray took home Best Casting for assembling the cast of Babyteeth, which boasts Eliza Scanlen, Toby Wallace, Ben Mendelsohn and Essie Davis.
The six gongs the ABC production received were for: cinematography, for the work of Bonnie Elliott; costume design, to Mariot Kerr; editing, to Mark Atkin; production design, to Melinda Doring; score, to composer Cornel Wilczek, and sound, going to Tom Heuzenroeder, Pete Smith, Michael Darren and Des Kenneally.
This year’s craft and technical awards were a little different thanks to Covid-19, presented virtually in a ceremony hosted by Claire Hooper.
Presenters included Rachel Griffiths, Ed Kavalee, Rhys Nicholson, Dilruk Jayasinha, Celia Pacquola and Bernard Curry.
In film, The Invisible Man and True History of the Kelly Gang each scooped three awards, and Babyteeth two.
Kirsty McGregor and Stevie Ray took home Best Casting for assembling the cast of Babyteeth, which boasts Eliza Scanlen, Toby Wallace, Ben Mendelsohn and Essie Davis.
- 11/27/2020
- by Jackie Keast
- IF.com.au
Have you ever wondered about the old Punch and Judy puppet shows? Probably not, but still, the new film Judy and Punch hopes that you at least have pondered the time period that produced those violent puppet shows. For better or worse, the movie takes on the vibe of that sort of a show. The result is a flick that has manic moments of inspiration, needless violence, and a lack of a defining characteristic. In getting to the punch (no pun intended) at the admittedly well executed conclusion, too many odd paths are taking. It all just makes for a sometimes interesting mess that falls short of being recommendation worthy. The movie initially seems to be outlining how the Punch and Judy shows came to be, but it then takes a turn. At the start, we see Judy (Mia Wasikowska) and Punch (Damon Herriman) operating a puppet show in the small town of Seaside,...
- 6/5/2020
- by Joey Magidson
- Hollywoodnews.com
The reimagined adaptation of H.G. Wells’ The Invisible Man, starring Elizabeth Moss, is now available to watch on streaming services, with the disc edition coming May 26. Our friends at Universal Home Entertainment have provided us with a copy of the $K Ultra HD, Blu-ray, and Digital HD to give away.
In order to win, we want the best, most inspirational (not salacious) use of invisibility. Be creative, have some fun. Your submission must be in by 11:59 p.m., Tuesday, May 26. The contest is open to North American readers only and the judgment of the ComicMix judges will be final.
The Invisible Man follows a modern tale of obsession inspired by Universal’s classic monster character. Cecilia Kass (Elisabeth Moss) slowly begins to rebuild her life after the death of her abusive ex-boyfriend (Oliver Jackson-Cohen). But before long, she begins to question whether or not he is truly gone.
In order to win, we want the best, most inspirational (not salacious) use of invisibility. Be creative, have some fun. Your submission must be in by 11:59 p.m., Tuesday, May 26. The contest is open to North American readers only and the judgment of the ComicMix judges will be final.
The Invisible Man follows a modern tale of obsession inspired by Universal’s classic monster character. Cecilia Kass (Elisabeth Moss) slowly begins to rebuild her life after the death of her abusive ex-boyfriend (Oliver Jackson-Cohen). But before long, she begins to question whether or not he is truly gone.
- 5/19/2020
- by Robert Greenberger
- Comicmix.com
The Invisible Man, an intense, modern-day psychological thriller, becomes available to own for the first time on Digital May 12, 2020 and on 4K Uhd, Blu-ray and DVD on May 26, 2020 from Universal Pictures Home Entertainment. From iconic producer Jason Blum and director Leigh Whannel, this psychological thriller modernizes Universal’s shapeshifting, classic monster against a backdrop of an empowered woman facing her tormentor. “A cutting, contemporary work of socially conscious horror”, The Invisible Man comes home with never-before-seen bonus content.
The Invisible Man follows a modern tale of obsession inspired by Universal’s classic monster character. Cecilia Kass (Elisabeth Moss) slowly begins to rebuild her life after the death of her abusive ex-boyfriend (Oliver Jackson-Cohen). But before long, she begins to question whether or not he is truly gone. In addition to the feature, The Invisible Man delivers up twenty minutes of exclusive bonus content, including a chance to better get acquainted...
The Invisible Man follows a modern tale of obsession inspired by Universal’s classic monster character. Cecilia Kass (Elisabeth Moss) slowly begins to rebuild her life after the death of her abusive ex-boyfriend (Oliver Jackson-Cohen). But before long, she begins to question whether or not he is truly gone. In addition to the feature, The Invisible Man delivers up twenty minutes of exclusive bonus content, including a chance to better get acquainted...
- 4/9/2020
- by ComicMix Staff
- Comicmix.com
In the annals of great cinematic monsters, H.G. Wells’ original creation The Invisible Man stands with the best of them as a classic figure that represents the long history of fear in cinema. The 2020 incarnation of The Invisible Man also draws from an extended history of horror, a fear that is almost burned into our DNA.
The Invisible Man is so gripping, so arresting, and so terrifying because it embodies the real-life horror that many people, especially women, encounter on a daily basis. It applies an all-too-familiar Hollywood horror to an all-too-familiar horrific reality. When you look at the number of women that are abused by romantic partners, the rate of women’s deaths caused by abusive partners, those numbers are staggering. Look up any statistic on assault and stalking, and you will be even more terrified to hear of how underreported these crimes are. This chilling reality is...
The Invisible Man is so gripping, so arresting, and so terrifying because it embodies the real-life horror that many people, especially women, encounter on a daily basis. It applies an all-too-familiar Hollywood horror to an all-too-familiar horrific reality. When you look at the number of women that are abused by romantic partners, the rate of women’s deaths caused by abusive partners, those numbers are staggering. Look up any statistic on assault and stalking, and you will be even more terrified to hear of how underreported these crimes are. This chilling reality is...
- 2/28/2020
- by Caitlin Kennedy
- DailyDead
Back in 2000, director Paul Verhoeven couldn’t hide the fact that his homage to the classic 1933 thriller “The Invisible Man” starring Claude Rains in his first American screen appearance lived up to its title — namely, “Hollow Man” was indeed hollow, man. Kevin Bacon just couldn’t quite pull off the modern-day version based on H.G. Wells’ classic novel about a man who is chosen as the first person to try out an invisibility serum and ends up going on a killing spree.
But the version of the tale that officially opens February 28 is a 21st-century update that has been getting surprisingly strong reviews, with a 91% positive score on Rotten Tomatoes and 70 ranking on Metascore. Many critics credit the film’s success to a fully committed performance by Elisabeth Moss of TV’s “Mad Men” and “The Handmaid’s Tale” as well as the ability of writer-director Leigh Whannell (co-creator of...
But the version of the tale that officially opens February 28 is a 21st-century update that has been getting surprisingly strong reviews, with a 91% positive score on Rotten Tomatoes and 70 ranking on Metascore. Many critics credit the film’s success to a fully committed performance by Elisabeth Moss of TV’s “Mad Men” and “The Handmaid’s Tale” as well as the ability of writer-director Leigh Whannell (co-creator of...
- 2/28/2020
- by Susan Wloszczyna
- Gold Derby
Writer-Director Leigh Whannell's "The Invisible Man" is a science-fiction horror thriller. It is contemporary, relevant and a completely reinvented adaptation of Hg Wells' novel of the same name and a reboot of "The Invisible Man" film series.
The narrative begins on an unsteady note. In the dead of the night, a petrified Cecilia Kass (Elisabeth Moss), suffering from Ptsd, stealthily escapes the prison-like complex where she lives with her husband Adrian Griffin (Oliver Jackson-Cohen), a brilliant scientist and wealthy tech entrepreneur.
Heading to nearby San Francisco, Cecilia counts on her sister Emily Kass (Harriet Dyer) and their childhood friend James (Aldis Hodge) for support.
In fact, she temporarily puts up with James and his teen daughter Sydney (Storm Reid) where she confides in them, that she was in a coercive relationship with her husband, who was in total control of everything, of what she said or thought, and hence her desperate need to escape.
The narrative begins on an unsteady note. In the dead of the night, a petrified Cecilia Kass (Elisabeth Moss), suffering from Ptsd, stealthily escapes the prison-like complex where she lives with her husband Adrian Griffin (Oliver Jackson-Cohen), a brilliant scientist and wealthy tech entrepreneur.
Heading to nearby San Francisco, Cecilia counts on her sister Emily Kass (Harriet Dyer) and their childhood friend James (Aldis Hodge) for support.
In fact, she temporarily puts up with James and his teen daughter Sydney (Storm Reid) where she confides in them, that she was in a coercive relationship with her husband, who was in total control of everything, of what she said or thought, and hence her desperate need to escape.
- 2/28/2020
- GlamSham
Finding the next great horror movie within a classic Universal monster? Especially after the quick collapse of the Dark Universe, that wouldn’t have seemed incredibly likely, even just a year or so ago. However, in Blumhouse we trust. In the hands of filmmaker Leigh Whannell and producer Jason Blum, The Invisible Man manages to surprise in all of the best ways. Notably, Whannell not just makes this a timely tale about believing women, he employs one of the best actresses in the business with Elisabeth Moss. That choice alone goes a long way, but almost every single element here works far better than expected. In fact, this may well be the best film of the year so far. Without question, it’s in the top two or three, representing the next fright flick that should not only be a huge hit, but deserves awards attention as well. This film...
- 2/26/2020
- by Joey Magidson
- Hollywoodnews.com
The last time Universal tried to reinvent its classic monster series, it came up with 2017’s The Mummy, starring Tom Cruise, who probably wished his face was covered in bandages to disguise his participation. But hold off on the doomsaying regarding the studio’s “Dark Universe” reboot. Leigh Whannell’s The Invisible Man is The Australian writer-director co-created the Saw and Insidious franchises with James Wan; proved he had real directing chops with 2018’s Upgrade, a futuristic action thriller that went beyond the call of genre duty. He doesn’t...
- 2/25/2020
- by Peter Travers
- Rollingstone.com
The old Universal Horror movies didn’t get much better than James Whale’s “The Invisible Man,” a cackling madman of a film, which followed the horrible misadventures of a scientist who turned himself invisible and wreaked havoc on the world, mostly because he could.
It’s wicked, it’s fun, and in many respects it’s the polar opposite of Leigh Whannell’s absolutely terrifying new reboot, a movie that cares a hell of a lot more about the title villain’s victims than it does about the old invisible bastard.
Whannell’s fiendish reinterpretation of H.G. Wells’ original story casts Elizabeth Moss as Cecilia Kass, a woman who flees her rich, abusive boyfriend at the beginning of the film, and suffers from paranoia and agoraphobia as she struggles to reclaim her life. The only way Cecilia believes Adrian Griffin will ever let her go is if he’s dead,...
It’s wicked, it’s fun, and in many respects it’s the polar opposite of Leigh Whannell’s absolutely terrifying new reboot, a movie that cares a hell of a lot more about the title villain’s victims than it does about the old invisible bastard.
Whannell’s fiendish reinterpretation of H.G. Wells’ original story casts Elizabeth Moss as Cecilia Kass, a woman who flees her rich, abusive boyfriend at the beginning of the film, and suffers from paranoia and agoraphobia as she struggles to reclaim her life. The only way Cecilia believes Adrian Griffin will ever let her go is if he’s dead,...
- 2/25/2020
- by William Bibbiani
- The Wrap
In the very first few moments of The Invisible Man (2020), without any exposition or any sort of narrative cues, Leigh Whannell manages to ratchet up the tension to unbearable levels in such a beautifully simplistic way, that I couldn’t help but be in awe of just how effortlessly he had managed to bring us right into the tormented world of Cecilia Kass (Elisabeth Moss), as she desperately attempts to flee her oppressively cruel boyfriend, Adrian Griffin (Oliver Jackson-Cohen), who has cut her off from the rest of the world. Cecilia manages to break free of Adrian and his abuse, but that’s only the beginning of the horrors that await Cecilia as she tries to put the pieces of her life back together here.
Cecilia’s journey takes an abrupt turn when she learns that Adrian has inexplicably killed himself, and left her a hefty portion of his fortune.
Cecilia’s journey takes an abrupt turn when she learns that Adrian has inexplicably killed himself, and left her a hefty portion of his fortune.
- 2/25/2020
- by Heather Wixson
- DailyDead
It’s time for genre lovers to converge on Montreal for one of the best film festivals, pound for pound, in North America: Fantasia International Film Festival. With over 130 features from all across the globe, their 23rd year of fun has something for everyone.
Twenty years after Fantasia debuted Ringu to North American audiences, director Hideo Nakata returns to the franchise’s iconic character for an Opening Night celebration (July 11) with his latest J-horror Sadako. Combine that with a Special Screening of Fox Searchlight’s Ready or Not (July 27) and Closing Night film Promare (August 1) for a trio of hotly-anticipated films spanning the entire three-week event.
Fill out the rest of your schedule with a stellar line-up including the Imogen Poots and Jesse Eisenberg-starring Vivarium, the world premiere of Hirotaka Adachi’s Stare, an advance screening of Abner Pastoll’s A Good Woman Is Hard to Find, Gabriela Amaral...
Twenty years after Fantasia debuted Ringu to North American audiences, director Hideo Nakata returns to the franchise’s iconic character for an Opening Night celebration (July 11) with his latest J-horror Sadako. Combine that with a Special Screening of Fox Searchlight’s Ready or Not (July 27) and Closing Night film Promare (August 1) for a trio of hotly-anticipated films spanning the entire three-week event.
Fill out the rest of your schedule with a stellar line-up including the Imogen Poots and Jesse Eisenberg-starring Vivarium, the world premiere of Hirotaka Adachi’s Stare, an advance screening of Abner Pastoll’s A Good Woman Is Hard to Find, Gabriela Amaral...
- 7/1/2019
- by Jared Mobarak
- The Film Stage
Stripped-down creature feature “Sweetheart” stars Kiersey Clemons as a shipwreck survivor on an uninhabited island that unfortunately turns out to have one frequent, unfriendly, nonhuman visitor. The sparing glimpses of the scaly whatsis and near-complete lack of dialogue (to a point) make this a reasonably offbeat wade into a familiar Black Lagoon. But despite decent suspense, “Sleight” director J.D. Dillard’s good-looking second feature is a chiller that’s not quite original or stylish enough to be memorable.
Clemons’ Jenn washes onto her isle barely conscious, though in better shape than a fellow passenger (Benedict Samuel) on her storm-downed pleasure cruise, who quickly expires. The situation is dire, but the heroine proves resourceful, quickly figuring out how to spear-fish and make a fire. She also finds signs of prior habitation: A campsite whose vacationers oddly left their gear behind — and more disturbingly, an apparent group gravesite.
The first sign that...
Clemons’ Jenn washes onto her isle barely conscious, though in better shape than a fellow passenger (Benedict Samuel) on her storm-downed pleasure cruise, who quickly expires. The situation is dire, but the heroine proves resourceful, quickly figuring out how to spear-fish and make a fire. She also finds signs of prior habitation: A campsite whose vacationers oddly left their gear behind — and more disturbingly, an apparent group gravesite.
The first sign that...
- 2/12/2019
- by Dennis Harvey
- Variety Film + TV
When Tom Hanks was stranded on an island alone in Cast Away, he got the better end of the deal than what Kiersey Clemons faces in Sweetheart. Not only must she try to survive with limited resources on a deserted island, but her character Jen must also fight for her life against a cruel, otherworldly creature. Perhaps just a touch too minimalistic as it proceeds, Sweetheart can feel held back in taking its limited conceit to more daring places, but in that sense it’s the quintessential Blumhouse production. Jd Dillard’s Sleight follow-up occupies one location with little required for design and all contained within a brisk 82 minutes–each of which feature Clemons, in an immensely strong showcase for her talents.
Locked into Jen’s perspective, the film begins as she washes ashore alongside one of her friends, who is bleeding out after being impaled by a sea shell.
Locked into Jen’s perspective, the film begins as she washes ashore alongside one of her friends, who is bleeding out after being impaled by a sea shell.
- 2/1/2019
- by Jordan Raup
- The Film Stage
If her most recent performances have proven anything, regardless of what era she might find herself in, Mia Wasikowska is fed up with the patriarchy. After outsmarting the male leads in last year’s Sundance premieres Piercing and Damsel, the actress heads to the medieval era in Judy & Punch, which serves up a heaping of darkly comedic Australian revenge. Putting a modern, live-action spin on this fable-esque puppet tale, director Mirrah Foulkes crafts a vibrant, brutal directorial debut, even if the ultimate catharsis leaves something to be desired.
With opening typeface straight from The Witch, we’re introduced to the town of Seaside, which is nowhere near the sea. A marionette show from Punch (Damon Herriman), the self-proclaimed “greatest puppeteer of his generation,” and his wife Judy (Wasikowska), who is actually the brains behind the operation, is the town’s main attraction–at least when it’s not stoning day.
With opening typeface straight from The Witch, we’re introduced to the town of Seaside, which is nowhere near the sea. A marionette show from Punch (Damon Herriman), the self-proclaimed “greatest puppeteer of his generation,” and his wife Judy (Wasikowska), who is actually the brains behind the operation, is the town’s main attraction–at least when it’s not stoning day.
- 1/30/2019
- by Jordan Raup
- The Film Stage
Though Sundance is always awash in empowerment tales both fictive and non, this year the climate of political discord seems to have inspired an even larger batch than usual, particularly those that address misogyny. And there’s unlikely to be another such title in 2019 that thinks so far outside the creative box to score its points as “Judy & Punch,” Aussie thesp-turned-writer-director Mirrah Foulkes’ first feature.
Located somewhere on the fanciful continuum between Wiccan fable and Monty Python farce, this is a tale of domestic-violence revenge set in a satirical-whimsical land of never-was. The core narrative is rather simple, and the political metaphor not especially subtle. But the overall concept, from Foulkes and her trio of story collaborators, has a bracingly original air, from the film’s period anachronisms to its impressive design elements. Slick as a mid-budget mainstream popcorn fantasy (though in spirit anything but), it’s a sure bet for lively distribution bidding; still,...
Located somewhere on the fanciful continuum between Wiccan fable and Monty Python farce, this is a tale of domestic-violence revenge set in a satirical-whimsical land of never-was. The core narrative is rather simple, and the political metaphor not especially subtle. But the overall concept, from Foulkes and her trio of story collaborators, has a bracingly original air, from the film’s period anachronisms to its impressive design elements. Slick as a mid-budget mainstream popcorn fantasy (though in spirit anything but), it’s a sure bet for lively distribution bidding; still,...
- 1/29/2019
- by Dennis Harvey
- Variety Film + TV
Judy and Punch
Australian actress Mirrah Foulkes makes her directorial debut with Judy and Punch, produced by Nash Edgerton, Michelle Bennett and Danny Gabai of Corner Stone Films. Cinematographer Stefan Duscio lensed the film with a cast headlined by Mia Wasikowska, joined by Damon Herriman, Benedict Hardie and Tom Budge. Foulkes starred in Nash Edgerton’s Animal Kingdom (2010), Joel Edgerton’s The Gift (2015) and Jane Campion’s first season of Top of the Lake (2013).
Gist: Foulkes adapts the famed 16th century puppet show Punch and Judy for a live-action, feminist reinterpretation. Famed puppeteers Judy and Punch struggle to provide for their child in the landlocked town of Seaside, trying to provide pleasant escapism within a town gripped by witch hunts.…...
Australian actress Mirrah Foulkes makes her directorial debut with Judy and Punch, produced by Nash Edgerton, Michelle Bennett and Danny Gabai of Corner Stone Films. Cinematographer Stefan Duscio lensed the film with a cast headlined by Mia Wasikowska, joined by Damon Herriman, Benedict Hardie and Tom Budge. Foulkes starred in Nash Edgerton’s Animal Kingdom (2010), Joel Edgerton’s The Gift (2015) and Jane Campion’s first season of Top of the Lake (2013).
Gist: Foulkes adapts the famed 16th century puppet show Punch and Judy for a live-action, feminist reinterpretation. Famed puppeteers Judy and Punch struggle to provide for their child in the landlocked town of Seaside, trying to provide pleasant escapism within a town gripped by witch hunts.…...
- 1/2/2019
- by Nicholas Bell
- IONCINEMA.com
There are good modern B movies – those films that still borrow the old termite-art terminology of back-half programming, because what does "double feature" even mean anymore, but have kept the phrase's shorthand description for guttery, grungy giddiness alive – and then there's Upgrade. There are sublimely ridiculous Robocop rip-offs and bottom-shelf Black Mirror outtakes, and then there's Upgrade. There are sci-fi parables that know how to meld tech-paranoia with body horror, and then there's Upgrade. There are films whose performances run the gamut from unbelievably charismatic to "Unclean! Unclean!", and then there's Upgrade.
- 6/2/2018
- Rollingstone.com
Leigh Whannell has been one of the leading voices in modern horror ever since Saw arrived on the scene in 2004. For his second time taking the directorial reins, Whannell ventures into the realm of science fiction with Upgrade, his beautifully brutal action flick that turns Logan Marshall-Green into a living, breathing weapon hell-bent on revenge after an accident and a run-in with some hired thugs leaves him paralyzed and grieving his wife, who is killed by the group of unknown assailants.
Clearly influenced by films like The Terminator, Videodrome, The Matrix, RoboCop, and there may even be a little bit of Johnny Mnemonic in there as well (hey, a girl can dream, can’t she?), Whannell transports us into the future where technology has taken over nearly ever facet of our lives, but Grey Trace (Marshall-Green) still clings to his analog-loving existence by working on classic cars and expressing his...
Clearly influenced by films like The Terminator, Videodrome, The Matrix, RoboCop, and there may even be a little bit of Johnny Mnemonic in there as well (hey, a girl can dream, can’t she?), Whannell transports us into the future where technology has taken over nearly ever facet of our lives, but Grey Trace (Marshall-Green) still clings to his analog-loving existence by working on classic cars and expressing his...
- 3/13/2018
- by Heather Wixson
- DailyDead
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The Railway Man.s Garry Phillips won the Gold Tripod for best feature at the Australian Cinematographers Society (Acs) national awards, an event dedicated to the memory of Andrew Lesnie. Phillips also got the Acs.s highest honour, the Milli Award, for which all Golden Tripod recipients were eligible.
Ben Nott received an award of distinction in the feature category for Predestination. Adam Arkapaw.s True Detectives episode 4 was feted for best telefeature, miniseries, TV drama or comedy, and Andrew Commis got the award. of distinction for Devil's Playground. Best dramatised documentary was Jim Frater.s The War That Changed Us episode 1. Joel Lawrence won the best international news award for Tsunami Anniversary. The audience at the awards, which were presented on Saturday night at Moma, stood for a minute's silence for Oscar-winner Lesnie, 59, who died last Monday. . National president Ron Johanson said, .We need to acknowledge the love and...
Ben Nott received an award of distinction in the feature category for Predestination. Adam Arkapaw.s True Detectives episode 4 was feted for best telefeature, miniseries, TV drama or comedy, and Andrew Commis got the award. of distinction for Devil's Playground. Best dramatised documentary was Jim Frater.s The War That Changed Us episode 1. Joel Lawrence won the best international news award for Tsunami Anniversary. The audience at the awards, which were presented on Saturday night at Moma, stood for a minute's silence for Oscar-winner Lesnie, 59, who died last Monday. . National president Ron Johanson said, .We need to acknowledge the love and...
- 5/3/2015
- by Inside Film Correspondent
- IF.com.au
Adrien Brody stars in the spine-tingling supernatural thriller Backtrack. The movie will have its World Premiere in the Midnight Section at the 2015 Tribeca Film Festival on Saturday, April 18.
In the film, trouble psychotherapist Peter Bowers (Adrien Brody) is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.
Check out the new clip.
Starring Adrien Brody, Sam Neill, Robin McLeavy, Jenni Baird, & Bruce Spence, Backtrack is written & directed by Michael Petroni.
Petroni is an AFI alumnus. After winning AFI Screenplay of the Year for Till Human Voices Wake Us, he made it into a feature starring Guy Pearce and Helena Bonham Carter. Fox 2000 is currently producing Petroni’s script Afterlife with Kevin Lima directing.
In the film, trouble psychotherapist Peter Bowers (Adrien Brody) is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.
Check out the new clip.
Starring Adrien Brody, Sam Neill, Robin McLeavy, Jenni Baird, & Bruce Spence, Backtrack is written & directed by Michael Petroni.
Petroni is an AFI alumnus. After winning AFI Screenplay of the Year for Till Human Voices Wake Us, he made it into a feature starring Guy Pearce and Helena Bonham Carter. Fox 2000 is currently producing Petroni’s script Afterlife with Kevin Lima directing.
- 3/30/2015
- by Michelle McCue
- WeAreMovieGeeks.com
Writer-director Aaron Wilson.s debut feature Canopy has been lavishly praised by reviewers after its world premiere at the Toronto International Film Festival.
Set during the Japanese invasion of Singapore in WW11, the thriller follows an Australian fighter pilot (Khan Chittenden) who is shot down in combat and is forced to navigate through enemy territory in search of sanctuary. Taiwanese actor Mo Tzu-Yi plays a Singapore-Chinese resistance fighter who joins him in the struggle to survive.
Virtually dialogue-free, the film produced by Katrina Fleming won plaudits for the high level of suspense, the two lead.s performances, Stefan Duscio.s photography and sound design by Rodney Lowe and Nic Buchanan.
The international sales rep, Odin.s Eye Entertainment.s Michael Favelle, told If from Toronto, .We.ve had lots of interest and are fielding offers. We had to turn away people at the first press and industry screening as we were way over capacity.
Set during the Japanese invasion of Singapore in WW11, the thriller follows an Australian fighter pilot (Khan Chittenden) who is shot down in combat and is forced to navigate through enemy territory in search of sanctuary. Taiwanese actor Mo Tzu-Yi plays a Singapore-Chinese resistance fighter who joins him in the struggle to survive.
Virtually dialogue-free, the film produced by Katrina Fleming won plaudits for the high level of suspense, the two lead.s performances, Stefan Duscio.s photography and sound design by Rodney Lowe and Nic Buchanan.
The international sales rep, Odin.s Eye Entertainment.s Michael Favelle, told If from Toronto, .We.ve had lots of interest and are fielding offers. We had to turn away people at the first press and industry screening as we were way over capacity.
- 9/10/2013
- by Don Groves
- IF.com.au
Writer-director Aaron Wilson.s debut feature Canopy has been lavishly praised by reviewers after its world premiere at the Toronto International Film Festival.
Set during the Japanese invasion of Singapore in WW11, the thriller follows an Australian fighter pilot (Khan Chittenden) who is shot down in combat and is forced to navigate through enemy territory in search of sanctuary. Taiwanese actor Mo Tzu-Yi plays a Singapore-Chinese resistance fighter who joins him in the struggle to survive.
Virtually dialogue-free, the film produced by Katrina Fleming won plaudits for the high level of suspense, the two lead.s performances, Stefan Duscio.s photography and sound design by Rodney Lowe and Nic Buchanan.
The international sales rep, Odin.s Eye Entertainment.s Michael Favelle, told If from Toronto, .We.ve had lots of interest and are fielding offers. We had to turn away people at the first press and industry screening as we were way over capacity.
Set during the Japanese invasion of Singapore in WW11, the thriller follows an Australian fighter pilot (Khan Chittenden) who is shot down in combat and is forced to navigate through enemy territory in search of sanctuary. Taiwanese actor Mo Tzu-Yi plays a Singapore-Chinese resistance fighter who joins him in the struggle to survive.
Virtually dialogue-free, the film produced by Katrina Fleming won plaudits for the high level of suspense, the two lead.s performances, Stefan Duscio.s photography and sound design by Rodney Lowe and Nic Buchanan.
The international sales rep, Odin.s Eye Entertainment.s Michael Favelle, told If from Toronto, .We.ve had lots of interest and are fielding offers. We had to turn away people at the first press and industry screening as we were way over capacity.
- 9/10/2013
- by Don Groves
- IF.com.au
With Tiff getting ready to kick off in just over 24 hours, the final decisions on schedules are being made, and one that may be worth carving out some time for is Aaron Wilson's "Canopy." With a number of shorts and a documentary under his belt, this marks his feature debut, and it's an assured outing that takes a simple premise and turns it into a unique cinematic experience. It's 1942 Singapore, war is waging, and crashing into the thick, lush jungle is an Australian fighter pilot (played by Khan Chittenden) who finds himself fighting for his survival against the elements and Japanese soldiers. He doesn't have a gun, only a first aid kit, a compass and a small amount of provisions. And what follows is a journey, where night and day, dream and reality blend together in an environment that seemingly can't be tamed by the humans that have invaded it.
- 9/4/2013
- by Kevin Jagernauth
- The Playlist
Clemenger Bbdo Melbourne was named agency of the year at the Melbourne Advertising & Design Club Awards tonight.
The agency won top honours for the second year running. However, rival Gpy&R Melbourne – which won more lions at Cannes this year than any Australian agency – did not enter for the second consecutive year. Last year, Patts Ecd Ben Coulson cited cost reasons for not supporting the event, which is Melbourne’s top awards show.
The awards list in full:
The Adstream Award for Agency of the Year
Winner
Clemenger Bbdo Melbourne
The Madc Award for Best in Show
Winner
Guilt Trips V/Line Agency McCann
The Madc Award for Lifetime Achievement
Winner
Scott Whybin, Whybin Tbwa
The Blackley Award for Creative Leader of the Year
Winner
Jason Williams, Leo Burnett
The Madc Award for Client of the Year
Winner
Carlton United Brewers
The Exit Films Award for Best Junior
Winners
Jono...
The agency won top honours for the second year running. However, rival Gpy&R Melbourne – which won more lions at Cannes this year than any Australian agency – did not enter for the second consecutive year. Last year, Patts Ecd Ben Coulson cited cost reasons for not supporting the event, which is Melbourne’s top awards show.
The awards list in full:
The Adstream Award for Agency of the Year
Winner
Clemenger Bbdo Melbourne
The Madc Award for Best in Show
Winner
Guilt Trips V/Line Agency McCann
The Madc Award for Lifetime Achievement
Winner
Scott Whybin, Whybin Tbwa
The Blackley Award for Creative Leader of the Year
Winner
Jason Williams, Leo Burnett
The Madc Award for Client of the Year
Winner
Carlton United Brewers
The Exit Films Award for Best Junior
Winners
Jono...
- 10/4/2012
- by Robin Hicks
- Encore Magazine
Chrysler has unveiled a new ad to mark the launch of its new ‘timeless’ 300 model.
The ad, created by CumminsRoss with a 1960′s party theme, broke during the State of Origin final last night on Nine.
Online and outdoor will run in support of the TV work.
“The 300 was an American icon developed in the 50′s and remains iconic today. It’s American motoring at its best with class and style in abundance. Timeless, classic design that’s otherwise missing from the segment in this market,” said Sam Tabart, director of marketing for Fiat Chrysler Group Australia.
The Chrysler 300 is available in Australia from July 2012.
Credits:
Agency: CumminsRoss
Agency CEO: Sean Cummins
Creative Team: Jason Ross, Steve Callen
Agency Producer: Susannah George
Group Account Director: Magdalina Triantafyllidis
Integration Manager: Andrew Stone
Director of Marketing for Fiat Chrysler Group Australia: Sam Tabart
Advertising Manager: Sandra Kirwan
Production Company: The Directors Group...
The ad, created by CumminsRoss with a 1960′s party theme, broke during the State of Origin final last night on Nine.
Online and outdoor will run in support of the TV work.
“The 300 was an American icon developed in the 50′s and remains iconic today. It’s American motoring at its best with class and style in abundance. Timeless, classic design that’s otherwise missing from the segment in this market,” said Sam Tabart, director of marketing for Fiat Chrysler Group Australia.
The Chrysler 300 is available in Australia from July 2012.
Credits:
Agency: CumminsRoss
Agency CEO: Sean Cummins
Creative Team: Jason Ross, Steve Callen
Agency Producer: Susannah George
Group Account Director: Magdalina Triantafyllidis
Integration Manager: Andrew Stone
Director of Marketing for Fiat Chrysler Group Australia: Sam Tabart
Advertising Manager: Sandra Kirwan
Production Company: The Directors Group...
- 7/5/2012
- by Robin Hicks
- Encore Magazine
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