Like Loy Arcenas, Maribel Legarda has several years' worth of theater experience to guide her first foray into filmmaking. Unlike Arcenas, whose first film is from an original screenplay by Rody Vera, Legarda chose to adapt for the screen an award-winning stageplay by Allan Lopez. Interestingly, Nino, Arcenas' first film embraces theatricality, limiting most of its moments within the striking dialogues spewed by the characters with such exaggerated extravagance. Legarda's Melodrama Negra, on the other hand, abandons theatricality in favor of gloss, spectacle and other cinematic excesses. Remnants of the material and Legarda's stage roots linger, creating an uneasy mix of both theatrical and cinematic excesses. Melodrama Negra opens with three wandering ghosts (Gee Canlas, Gerald Napoles and Bong Cabrera), wondering what they need...
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- 12/26/2012
- Screen Anarchy
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