Let’s hold a moment of silence for the presence wasted in writer and director Harry Owens’ feature debut, The Unsettling. Leading performances are admirable, but the tediously sluggish narrative is an ambiguous slog that culminates with the impact of a handkerchief slap. Owens’ themes feel indebted to Remi Weekes’ His House and Nikyatu Jusu’s Nanny — aligned with African horror tales on American soil — only to abandon subplot roots in a finale stricken by amnesia. The Unsettling is an unfortunate example of contemporary “Trauma Horror” trends and slow-burn A24 genre signatures, underselling both before rolling credits on what feels like unfinished business.
Abena (Zephani Idoko) and Kwame (Bambadjan Bamba) are a Ghanaian couple who’ve just suffered the loss of their daughter. Kwame books a Los Angeles vacation thanks to his friend Charley’s gracious deal on a quaint rental somewhere in the suburbs, away from tragic reminders of their lost child.
Abena (Zephani Idoko) and Kwame (Bambadjan Bamba) are a Ghanaian couple who’ve just suffered the loss of their daughter. Kwame books a Los Angeles vacation thanks to his friend Charley’s gracious deal on a quaint rental somewhere in the suburbs, away from tragic reminders of their lost child.
- 2/10/2023
- by Matt Donato
- bloody-disgusting.com
CNN Films will premiere “Now More Than Ever: The History of Chicago” on Sunday, and viewers will see just about every format of film in the documentary reflecting on the band’s 50-year career. “My cinematographer John Honoré and I decided to utilize every format from 8mm all the way up to modern digital cameras,” Pardini told TheWrap. “This was meant to highlight the different eras of the band and we shot all of the recreation scenes on 35mm and 16mm film with the aid of Panavision’s cameras.” Chicago was the best-selling American band of the 1970s and remains one of the.
- 12/30/2016
- by Brian Flood
- The Wrap
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