A Texas mother pushes her reluctant teen daughter to follow in her footsteps as a beauty queen. Yes, we’ve seen so many versions of this story before — but luckily, the Miss Juneteenth competition is no typical beauty pageant. It commemorates the day in 1865, some two years after the Emancipation Proclamation, when slaves in Texas were finally freed. And the movie that bears its name, set to be released on VOD on June 19th during one of the greatest racial-justice protests in history, bristles with timeliness as it celebrates young...
- 6/17/2020
- by Peter Travers
- Rollingstone.com
Editor Augustine Frizzell makes her feature directorial comedy with the loose comedy Never Goin’ Back, starring Maia Mitchell and Cami Morrone as two best friends whose planned week off at the beach will not be canceled despite being burgled, behind on rent and the fact that they might lose their jobs. Dp Greta Zozula already spoke to some of the challenges of production here; editor Courtney Ware offers more insight on cutting a comedy alongside the shoot. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired […]...
- 1/30/2018
- by Filmmaker Staff
- Filmmaker Magazine - Blog
On the heels of the 39th edition of the Toronto Int. Film Festival (Sept 4-14), Ifp’s Independent Film Week is where a plethora of fiction, non-fiction and new this year, web-based series from the likes of Desiree Akhavan and Calvin Reeder find future coin. Sectioned off as projects at the very beginning of financing to those that are nearing completion, there happens to be tons of Sundance alumni in the names below. Among those that caught our attention we have Medicine for Melancholy‘s Barry Jenkins’ sophomore feature, produced by Bad Milo!‘s Adele Romanski, Moonlight is about “two Miami boys navigate the temptations of the drug trade and their burgeoning sexuality in this triptych drama about black queer youth”. Concussion‘s Stacie Passon digs into the thriller genre with Strange Things Started Happening. Produced by vet Mary Jane Skalski (Mysterious Skin), this is about “a woman who has...
- 7/24/2014
- by Eric Lavallee
- IONCINEMA.com
Top brass at the Independent Filmmaker Project announced on Monday (9) the 10 narrative features selected for the 2014 Independent Filmmaker Labs.
The creative teams of the selected films, chosen from a nationwide pool of more than 150 submissions, are attending the first session of the program – The Time Warner Foundation Completion Labs – taking place this week in New York.
The 2014 Labs mark the 10th anniversary edition of the mentorship programme.
The scheme was established in 2005 by Filmmaker Magazine’s editor-in-chief Scott Macaulay as a three-day event for eight narrative projects and has evolved under the leadership of head of programming Amy Dotson and senior director of programming Milton Tabbot into a year-round process for 20 projects – 10 documentaries and 10 narratives.
The ninth documentary lab took place recently (pictured).
As an extension of the Labs programme, Ifp has launched First Run to host week-long theatrical releases at the Made In NY Media Center by Ifp this autumn.
“We are thrilled...
The creative teams of the selected films, chosen from a nationwide pool of more than 150 submissions, are attending the first session of the program – The Time Warner Foundation Completion Labs – taking place this week in New York.
The 2014 Labs mark the 10th anniversary edition of the mentorship programme.
The scheme was established in 2005 by Filmmaker Magazine’s editor-in-chief Scott Macaulay as a three-day event for eight narrative projects and has evolved under the leadership of head of programming Amy Dotson and senior director of programming Milton Tabbot into a year-round process for 20 projects – 10 documentaries and 10 narratives.
The ninth documentary lab took place recently (pictured).
As an extension of the Labs programme, Ifp has launched First Run to host week-long theatrical releases at the Made In NY Media Center by Ifp this autumn.
“We are thrilled...
- 6/9/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Top brass at the Independent Filmmaker Project announced on Monday (9) the 10 narrative features selected for the 2014 Independent Filmmaker Labs.
The creative teams of the selected films, chosen from a nationwide pool of more than 150 submissions, are attending the first session of the program – The Time Warner Foundation Completion Labs – taking place this week in New York.
The 2014 Labs mark the 10th anniversary edition of the mentorship programme.
The scheme was established in 2005 by Filmmaker Magazine’s editor-in-chief Scott Macaulay as a three-day event for eight narrative projects and has evolved under the leadership of head of programming Amy Dotson and senior director of programming Milton Tabbot into a year-round process for 20 projects – 10 documentaries and 10 narratives.
The ninth documentary lab took place recently (pictured).
As an extension of the Labs programme, Ifp has launched First Run to host week-long theatrical releases at the Made In NY Media Center by Ifp this autumn.
“We are thrilled...
The creative teams of the selected films, chosen from a nationwide pool of more than 150 submissions, are attending the first session of the program – The Time Warner Foundation Completion Labs – taking place this week in New York.
The 2014 Labs mark the 10th anniversary edition of the mentorship programme.
The scheme was established in 2005 by Filmmaker Magazine’s editor-in-chief Scott Macaulay as a three-day event for eight narrative projects and has evolved under the leadership of head of programming Amy Dotson and senior director of programming Milton Tabbot into a year-round process for 20 projects – 10 documentaries and 10 narratives.
The ninth documentary lab took place recently (pictured).
As an extension of the Labs programme, Ifp has launched First Run to host week-long theatrical releases at the Made In NY Media Center by Ifp this autumn.
“We are thrilled...
- 6/9/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Opening with Jim Jarmusch’s Only Lovers Left Alive the latest edition of the American Film Festival in Wroclaw, Poland (22-27 October 2013) has screened some of the most important American independent films of the year. Being the only festival of its class in Eastern and Central Europe the festival has become the most important venue to connect American filmmakers with European buyers and audiences through programs like U.S. in Progress Wrocław (23-25 October 2013).
This year's program taking place at the New Horizons cinema presented 80 movies out of which 42 are Polish premieres, 3 are European premieres and 1 is a World Premiere. Among them 10 documentaries and 17 feature films competed for cash prizes in the audience-vote competitions.
The first competitive section - Spectrum ($10,000 audience award for the Best Narrative Feature) included films that have been well-received here in the U.S such as A Teacher by Hannah Fidell, Blue Caprice by Alexandre Moors, Afternoon Delight by Jill Soloway, Short Term 12 by Destin Cretton, The Spectacular Now by James Ponsoldt, and Bluebird by Lance Edmands. The second competition - American Docs ($5,000 audience award for Best Documentary Feature) had a selection of films depicting varied current issues in American society including Gore Vidal: The United States of Amnesia by Nicholas Wrathall, The Armstrong Lie by Alex Gibney, Our Nixon by Penny Lane, Northern Light by Nick Bentgen, Big Joy: The Adventures of James Broughton by Eric Slade and Stephen Silha and Before You Know It by Pj Raval.
The American Film Festival also ran a retrospective of Shirley Clarke and presented Polish premieres of high-profile films such as As I Lay Dying by James Franco, Quentin Dupieux’s Wrong Cops, Jeffrey Friedman and Rob Epstein’s Lovelace, Much Ado About Nothing by Joss Whedon, Touchy Feely by Lynn Shelton, At Any Price by Ramin Bahrani, and Maladies by Carter. The festival also screened Joseph Gordon-Levitt's Sundance hit Don Jon along several U.S. in Progress participants and festival hits like I Used to be Darker by Matt Porterfier and Hide Your Smiling Faces by Daniel Patrick Carbone. Lastly, a special section titled 'Masterpieces of American Cinema 90 Years of Warner Bros." showed 14 digitally-remastered productions by the studio from The Jazz Singer by Alan Crosland (1927) through A Clockwork Orange ,The Exorcist and Christopher Nolan’s Inception
The festival will close on October 27th with Steven Soderbergh's Emmy Award-winning film Behind the Candelabra.
All competitions titles:
Spectrum
American Milkshake by David Andalman, Mariko Munro, USA 2012, 82'
Blue Highway by Kyle Smith, USA 2013, 70'
Coldwater by Vincent Grashaw, USA 2013, 104'
The Spectacular Now by James Ponsoldt, USA 2013, 95'
Drinking Buddies by Joe Swanberg, USA 2013, 90'
Lily by Matt Creed, USA 2013, 85'
A Teacher by Hannah Fidell, USA 2013, 75'
Blue Caprice by Alexandre Moors, USA 2013, 93'
Pearblossom Hwy by Mike Ott, USA 2012, 78'
Afternoon Delight by Jill Soloway, USA 2013, 105'
Stand Clear of the Closing Doors by Sam Fleischner, USA 2013, 102'
Short Term 12 by Destin Cretton, USA 2013, 96'
The Cold Lands by Tom Gilroy, USA 2013, 100'
In a World... by Lake Bell, USA 2013, 93'
A Song Still Inside by Gregory Collins, USA 2013, 82'
Bluebird by Lance Edmands, USA 2013, 90'
American Docs
Big Easy Express by Emmett Malloy, USA 2012
Off Label by Michael Palmieri, Donal Mosher, USA 2012
Gore Vidal: The United States of Amnesia by Nicholas Wrathall, USA, Italy 2013
Fall and Winter by Matt Anderson, USA 2013
The Armstrong Lie by Alex Gibney, USA 2013
Lenny Cooke by Ben Safdie, Joshua Safdie, USA 2012
Our Nixon by Penny Lane, USA 2013
Northern Light by Nick Bentgen, USA 2013
Big Joy: The Adventures of James Broughton by Eric Slade, Stephen Silha, USA 2013
Before You Know It by Pj Raval, USA 2012
U.S. Progress Projects
This year 6 projects in the final production stages were chosen to take part in the two-day workshop knows as U.S. in Progress Wroclaw (23-25 October, 2013). The event presents the American independent projects to European buyers, post-production houses and festivals in order to help them achieve completion and to foster the circulation and distribution of these films in Europe.
Selected from over 40 submission the chosen projects are the dramas Lake Los Angeles by Mike Ott (produced by Athina Rachel Tsangari), Happy Baby by Stephen Elliott (produced by Jessica Caldwell ) and Some Beasts by Cameron Nelson (produced by Ashley Maynor and Courtney Ware), crime story Wild Canaries by Lawrence Michael Levine (produced by Sophia Takal, Kim Sherman and McCabe Walsh), frontier black comedy Sun Belt Express by Evan Wolf Buxbaum (producers: Noah Lang and Iyabo Boyd) and Summer of Blood – a New York vampire comedy by director-producer Onur Tukel.
The prizes are awarded by a jury of professionals and include post-production services from European partner companies worth almost $60.000 and promotional services from other partners. Us in Progress’ partners are: Platige Image (Warsaw), Di Factory (Warsaw), Alvernia Studios (Krakow), composer Maciej Zielinski of Soundflower Studio (Warsaw), Soundplace (Warsaw), DCinex (Belgium), Vsi (Paris), Europa Distribution, Cicae and Cannes Marche du Film’s Producers Network.
U.S. in Progress Wrocław (formerly Gotham in Progress) was started in 2011 by the New Horizons Association and Black Rabbit Film. Previous films presented at the event included, among others: I Used To Be Darker by Matt Porterfield, American Milkshake by David Andalman (both shown at Sundance Ff in 2013), Hide Your Smiling Faces by Daniel Carbone (Berlinale Generation, Tribeca), Bluebird by Lance Edmands (Tribeca, Karlovy Vary), Jason Cortlund & Julia Halperin’s Now, Forager: a Film About Love and Fungi (Rotterdam, New Directors/New Films, Gotham Awards nominee), Amy Seimetz’s Sun Don’t Shine (SXSW, Edinburgh Iff, Gotham Awards nominee) and Devyn Waitt’s Not Waving But Drowning (Sarasota Ff).
U.S. in Progress Wrocław is supported by the City of Wrocław, American Embassy in Warsaw and Polish Ministry of Culture and National Heritage.
For more information on the American Film Festival and the U.S. in Progress projects visit Here...
This year's program taking place at the New Horizons cinema presented 80 movies out of which 42 are Polish premieres, 3 are European premieres and 1 is a World Premiere. Among them 10 documentaries and 17 feature films competed for cash prizes in the audience-vote competitions.
The first competitive section - Spectrum ($10,000 audience award for the Best Narrative Feature) included films that have been well-received here in the U.S such as A Teacher by Hannah Fidell, Blue Caprice by Alexandre Moors, Afternoon Delight by Jill Soloway, Short Term 12 by Destin Cretton, The Spectacular Now by James Ponsoldt, and Bluebird by Lance Edmands. The second competition - American Docs ($5,000 audience award for Best Documentary Feature) had a selection of films depicting varied current issues in American society including Gore Vidal: The United States of Amnesia by Nicholas Wrathall, The Armstrong Lie by Alex Gibney, Our Nixon by Penny Lane, Northern Light by Nick Bentgen, Big Joy: The Adventures of James Broughton by Eric Slade and Stephen Silha and Before You Know It by Pj Raval.
The American Film Festival also ran a retrospective of Shirley Clarke and presented Polish premieres of high-profile films such as As I Lay Dying by James Franco, Quentin Dupieux’s Wrong Cops, Jeffrey Friedman and Rob Epstein’s Lovelace, Much Ado About Nothing by Joss Whedon, Touchy Feely by Lynn Shelton, At Any Price by Ramin Bahrani, and Maladies by Carter. The festival also screened Joseph Gordon-Levitt's Sundance hit Don Jon along several U.S. in Progress participants and festival hits like I Used to be Darker by Matt Porterfier and Hide Your Smiling Faces by Daniel Patrick Carbone. Lastly, a special section titled 'Masterpieces of American Cinema 90 Years of Warner Bros." showed 14 digitally-remastered productions by the studio from The Jazz Singer by Alan Crosland (1927) through A Clockwork Orange ,The Exorcist and Christopher Nolan’s Inception
The festival will close on October 27th with Steven Soderbergh's Emmy Award-winning film Behind the Candelabra.
All competitions titles:
Spectrum
American Milkshake by David Andalman, Mariko Munro, USA 2012, 82'
Blue Highway by Kyle Smith, USA 2013, 70'
Coldwater by Vincent Grashaw, USA 2013, 104'
The Spectacular Now by James Ponsoldt, USA 2013, 95'
Drinking Buddies by Joe Swanberg, USA 2013, 90'
Lily by Matt Creed, USA 2013, 85'
A Teacher by Hannah Fidell, USA 2013, 75'
Blue Caprice by Alexandre Moors, USA 2013, 93'
Pearblossom Hwy by Mike Ott, USA 2012, 78'
Afternoon Delight by Jill Soloway, USA 2013, 105'
Stand Clear of the Closing Doors by Sam Fleischner, USA 2013, 102'
Short Term 12 by Destin Cretton, USA 2013, 96'
The Cold Lands by Tom Gilroy, USA 2013, 100'
In a World... by Lake Bell, USA 2013, 93'
A Song Still Inside by Gregory Collins, USA 2013, 82'
Bluebird by Lance Edmands, USA 2013, 90'
American Docs
Big Easy Express by Emmett Malloy, USA 2012
Off Label by Michael Palmieri, Donal Mosher, USA 2012
Gore Vidal: The United States of Amnesia by Nicholas Wrathall, USA, Italy 2013
Fall and Winter by Matt Anderson, USA 2013
The Armstrong Lie by Alex Gibney, USA 2013
Lenny Cooke by Ben Safdie, Joshua Safdie, USA 2012
Our Nixon by Penny Lane, USA 2013
Northern Light by Nick Bentgen, USA 2013
Big Joy: The Adventures of James Broughton by Eric Slade, Stephen Silha, USA 2013
Before You Know It by Pj Raval, USA 2012
U.S. Progress Projects
This year 6 projects in the final production stages were chosen to take part in the two-day workshop knows as U.S. in Progress Wroclaw (23-25 October, 2013). The event presents the American independent projects to European buyers, post-production houses and festivals in order to help them achieve completion and to foster the circulation and distribution of these films in Europe.
Selected from over 40 submission the chosen projects are the dramas Lake Los Angeles by Mike Ott (produced by Athina Rachel Tsangari), Happy Baby by Stephen Elliott (produced by Jessica Caldwell ) and Some Beasts by Cameron Nelson (produced by Ashley Maynor and Courtney Ware), crime story Wild Canaries by Lawrence Michael Levine (produced by Sophia Takal, Kim Sherman and McCabe Walsh), frontier black comedy Sun Belt Express by Evan Wolf Buxbaum (producers: Noah Lang and Iyabo Boyd) and Summer of Blood – a New York vampire comedy by director-producer Onur Tukel.
The prizes are awarded by a jury of professionals and include post-production services from European partner companies worth almost $60.000 and promotional services from other partners. Us in Progress’ partners are: Platige Image (Warsaw), Di Factory (Warsaw), Alvernia Studios (Krakow), composer Maciej Zielinski of Soundflower Studio (Warsaw), Soundplace (Warsaw), DCinex (Belgium), Vsi (Paris), Europa Distribution, Cicae and Cannes Marche du Film’s Producers Network.
U.S. in Progress Wrocław (formerly Gotham in Progress) was started in 2011 by the New Horizons Association and Black Rabbit Film. Previous films presented at the event included, among others: I Used To Be Darker by Matt Porterfield, American Milkshake by David Andalman (both shown at Sundance Ff in 2013), Hide Your Smiling Faces by Daniel Carbone (Berlinale Generation, Tribeca), Bluebird by Lance Edmands (Tribeca, Karlovy Vary), Jason Cortlund & Julia Halperin’s Now, Forager: a Film About Love and Fungi (Rotterdam, New Directors/New Films, Gotham Awards nominee), Amy Seimetz’s Sun Don’t Shine (SXSW, Edinburgh Iff, Gotham Awards nominee) and Devyn Waitt’s Not Waving But Drowning (Sarasota Ff).
U.S. in Progress Wrocław is supported by the City of Wrocław, American Embassy in Warsaw and Polish Ministry of Culture and National Heritage.
For more information on the American Film Festival and the U.S. in Progress projects visit Here...
- 10/26/2013
- by Carlos Aguilar
- Sydney's Buzz
Pierogis and paczkis aside, another thing we like about the Polish is the Wroclaw’s Us in Progress initiative, which is already at year three (fifth edition if you include the Paris) and reported by Screen Daily, have selected the lucky six projects (October 23rd-25th) where filmmaker/producing teams will take part in what is essentially: first looks of U.S. indie films for European buyers with a cash prize (post production coin) decided by a jury. Among the noteworthy names we have the likes of Littlerock‘s Mike Ott, Gabi on the Roof in July‘s Lawrence Levine and Onur Tukel (writer on Michael Tully’s Septien, director behind 2012′s Richard’s Wedding). Here is our researched look at the six (of which we can expect a couple of items to end up at Sundance next January).
Happy Baby
Director/Writer: Stephen Elliott
Producer: Jessica Caldwell (Electrick Children...
Happy Baby
Director/Writer: Stephen Elliott
Producer: Jessica Caldwell (Electrick Children...
- 9/27/2013
- by Eric Lavallee
- IONCINEMA.com
Six projects selected for this year’s works-in-progress event targeted at Us independent filmmakers and European buyers.
Poland’s Us in Progress Wrocław event has announced the six projects that will feature in its 2013 edition.
The two-day works-in-progress event presents Us films in the final stages of production stages to European buyers, post-production houses and festivals in order to help them achieve completion and to foster the circulation and distribution of Us indie films in Europe.
The invite-only screenings and one-to-one meetings will take place as part of of the 4th American Film Festival in Wrocław, Poland (Oct 23-25).
The films, selected from around 40 submissions, include:
Lake Los Angeles by Mike Ott (produced by Athina Rachel Tsangari),
Happy Baby by Stephen Elliott (produced by Jessica Caldwell )
Some Beasts by Cameron Nelson (produced by Ashley Maynor and Courtney Ware)
Wild Canaries by Lawrence Michael Levine (produced by Sophia Takal, Kim Sherman and McCabe Walsh)
Sun Belt Express by [link...
Poland’s Us in Progress Wrocław event has announced the six projects that will feature in its 2013 edition.
The two-day works-in-progress event presents Us films in the final stages of production stages to European buyers, post-production houses and festivals in order to help them achieve completion and to foster the circulation and distribution of Us indie films in Europe.
The invite-only screenings and one-to-one meetings will take place as part of of the 4th American Film Festival in Wrocław, Poland (Oct 23-25).
The films, selected from around 40 submissions, include:
Lake Los Angeles by Mike Ott (produced by Athina Rachel Tsangari),
Happy Baby by Stephen Elliott (produced by Jessica Caldwell )
Some Beasts by Cameron Nelson (produced by Ashley Maynor and Courtney Ware)
Wild Canaries by Lawrence Michael Levine (produced by Sophia Takal, Kim Sherman and McCabe Walsh)
Sun Belt Express by [link...
- 9/27/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.