Mumbai, March 12 (Ians) Devoleena Bhattacharjee on Tuesday unveiled the motion poster of her upcoming period drama ‘Bengal 1947: An Untold Love Story’, which is set against the backdrop of historical partition.
The film promises a blend of period drama and romance, and delves into the intricacies of a unique love story, brought to life by writer-director Akashaditya Lama.
Devoleena, who is known for participating in the controversial reality show ‘Bigg Boss’, took to Instagram and shared the first look of the movie.
The motion poster reads as: “Amidst the turmoil and chaos of a nation’s partition, witness the epic love story.”
The post is captioned: “Partition Drama ‘Bengal 1947’ First Look Out Now… 29 March Release in cinemas… #Bengal1947 explores the partition of India in 1947, focusing specifically on the impact on Bengal.”
“Directed by #AkashadityaLama Produced by Comfed Productions led by the two-time National Award-Winning director #SatishPande, who started his career...
The film promises a blend of period drama and romance, and delves into the intricacies of a unique love story, brought to life by writer-director Akashaditya Lama.
Devoleena, who is known for participating in the controversial reality show ‘Bigg Boss’, took to Instagram and shared the first look of the movie.
The motion poster reads as: “Amidst the turmoil and chaos of a nation’s partition, witness the epic love story.”
The post is captioned: “Partition Drama ‘Bengal 1947’ First Look Out Now… 29 March Release in cinemas… #Bengal1947 explores the partition of India in 1947, focusing specifically on the impact on Bengal.”
“Directed by #AkashadityaLama Produced by Comfed Productions led by the two-time National Award-Winning director #SatishPande, who started his career...
- 3/12/2024
- by Agency News Desk
- GlamSham
Namaste, Sat Sri Akaal, Assalamualaikum and welcome to My Christmas/New Year’s present to all you Bollywood fanatics. The 2015 countdown of the Top Grossing Films.
Now for the countdown. Bear in mind that this countdown is based on pure fact and figures. This is a countdown based on what you the viewer have voted for with your feet, as you the viewer have taken the time out from your lives to see these films in your droves. You may agree with some of them you may not agree with some of them – but come what may, these are your top ten grossers for 2015.
10. Gabbar is Back
Starring – Akshay Kumar, Shruti Hassan, Suman Talwar, Jaideep Ahlawat, Sunil Grover
Director – Krish
Producer – Sanjay Leela Bhansali, Viacom 18 Motion Pictures, Shabina Khan
Music – Chirantan Bhatt, Yo Yo Honey Singh, Manj Musik
Release Date – May 1st
Okay I will be honest. I was surprised...
Now for the countdown. Bear in mind that this countdown is based on pure fact and figures. This is a countdown based on what you the viewer have voted for with your feet, as you the viewer have taken the time out from your lives to see these films in your droves. You may agree with some of them you may not agree with some of them – but come what may, these are your top ten grossers for 2015.
10. Gabbar is Back
Starring – Akshay Kumar, Shruti Hassan, Suman Talwar, Jaideep Ahlawat, Sunil Grover
Director – Krish
Producer – Sanjay Leela Bhansali, Viacom 18 Motion Pictures, Shabina Khan
Music – Chirantan Bhatt, Yo Yo Honey Singh, Manj Musik
Release Date – May 1st
Okay I will be honest. I was surprised...
- 1/25/2016
- by Rima Bhatia
- Bollyspice
Ajay Devgn, who rarely does any special appearances or any voice overs, will be doing the voice over for the second time in Samir Karnik’s Tusshar Kapoor starrer Chaar Din Ki Chandni. Incidentally, the first time he did, was also for Karnik’s Yamla Pagla Deewana.
Karnik says, “Ajay Devgn did the voice over for our last film Yamla Pagla Deewana and it turned out to be a hit. I have high regards for him. Ajay has a fabulous voice. He comes in the opening sequence of the film and introduces the characters and setting.”
After the success of Yamla Pagla Deewana, Samir Karnik is now ready with his next directorial venture Chaar Din Ki Chandni for release on 8th March 2012. The film stars Tusshar Kapoor, Kulraj Randhawa, Anupam Kher, Om Puri, Johny Lever, Mukul Dev, Anita Raj, Sushant Singh and Chandrachur Singh and others.
The film is produced...
Karnik says, “Ajay Devgn did the voice over for our last film Yamla Pagla Deewana and it turned out to be a hit. I have high regards for him. Ajay has a fabulous voice. He comes in the opening sequence of the film and introduces the characters and setting.”
After the success of Yamla Pagla Deewana, Samir Karnik is now ready with his next directorial venture Chaar Din Ki Chandni for release on 8th March 2012. The film stars Tusshar Kapoor, Kulraj Randhawa, Anupam Kher, Om Puri, Johny Lever, Mukul Dev, Anita Raj, Sushant Singh and Chandrachur Singh and others.
The film is produced...
- 2/28/2012
- by BollySpice Editors
- Bollyspice
After the success of Yamla Pagla Deewana, Samir Karnik is now ready with his directorial venture Chaar Din Ki Chandni for release on 9th March 2012. The film stars Tusshar Kapoor, Kulraj Randhawa, Anupam Kher, Om Puri, Johny Lever, Mukul Dev, Anita Raj, Sushant Singh and Chandrachur Singh and others.
The film is produced by Samir Karnik under the banner Top Angle Productions, the co-producer and associate director is Ashish Kathpal. The Story is by Babaji, Lyrics by Sandeep Shrivastav, Music by Sandesh Sandhilya, Rdb, Anaya, Shiv Hari, Abhishek Ray and Dr. Zeus. Cinematography is by Kabir Lal, Art Director is Jitendra Kava, Choreographed by Bosco Caesor, the Editor is Mukesh Thakur, action by Analasru, Screenplay and dialogues by Amit Masurkar and Nishant Hada.
Chaar Din Ki Chandni is a comedy laced with romance and is set against the backdrop of Rajasthan at a four-day wedding. A complete family entertainer, it...
The film is produced by Samir Karnik under the banner Top Angle Productions, the co-producer and associate director is Ashish Kathpal. The Story is by Babaji, Lyrics by Sandeep Shrivastav, Music by Sandesh Sandhilya, Rdb, Anaya, Shiv Hari, Abhishek Ray and Dr. Zeus. Cinematography is by Kabir Lal, Art Director is Jitendra Kava, Choreographed by Bosco Caesor, the Editor is Mukesh Thakur, action by Analasru, Screenplay and dialogues by Amit Masurkar and Nishant Hada.
Chaar Din Ki Chandni is a comedy laced with romance and is set against the backdrop of Rajasthan at a four-day wedding. A complete family entertainer, it...
- 1/14/2012
- by Sunny Malik
- Bollyspice
After the successful Yamla Pagla Deewana, Samir Karnik is now ready with his next directorial venture Chaar Din Ki Chandni. The film stars Tusshar Kapoor, Kulraj Randhawa, Anupam Kher, Om Puri, Johny Lever, Mukul Dev, Anita Raj, Sushant Singh and Chandrachur Singh amongst others. Chaar Din Ki Chandni is a comedy laced with romance and is set against the backdrop of Rajasthan at a four-day wedding. A complete family entertainer, it revolves around a Rajput family and a family from Punjab, who are caught in a situation which creates a comedy of errors. Chaar Din Ki Chandni is produced by Samir Karnik under the banner Top Angles Production while the co-producer and associate director is Ashish Kathpal. Other important credits include story by Babaji, lyrics by Sandeep Shrivastav, music by Sandesh Shandilya, Rdb, Anaya, Shiv Hari, Abhishek Ray and Dr.Zeus. Cinematography is by Kabir Lal, editing by Mukesh Thakur,...
- 11/17/2011
- by Bollywood Hungama News Network
- BollywoodHungama
After the successful Yamla Pagla Deewana, Samir Karnik is now ready with his next directorial venture Chaar Din Ki Chandni. The film stars Tusshar Kapoor, Kulraj Randhawa, Anupam Kher, Om Puri, Johny Lever, Mukul Dev, Anita Raj, Sushant Singh and Chandrachur Singh amongst others. Chaar Din Ki Chandni is a comedy laced with romance and is set against the backdrop of Rajasthan at a four-day wedding. A complete family entertainer, it revolves around a Rajput family and a family from Punjab, who are caught in a situation which creates a comedy of errors. Chaar Din Ki Chandni is produced by Samir Karnik under the banner Top Angles Production while the co-producer and associate director is Ashish Kathpal. Other important credits include story by Babaji, lyrics by Sandeep Shrivastav, music by Sandesh Shandilya, Rdb, Anaya, Shiv Hari, Abhishek Ray and Dr.Zeus. Cinematography is by Kabir Lal, editing by Mukesh Thakur,...
- 11/17/2011
- by Bollywood Hungama News Network
- BollywoodHungama
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
Director Tigmanshu Dhulia and music composer Abhishek Ray have had a long working relationship. But when Ray was approached to score for his latest film, Shagird, the brief intrigued him more than any anything else. “Greed is the central idea of the film and there aren’t many songs on the insatiable craving for money. That’s how the central song ‘Kaisi talab hai…’ happened,” he says, adding that the entire film has used music a lot to define certain scenes and Nana Patekar’s character. “He is this huge fan of old Hindi retro music. So in any scene, if he’s about ...
- 5/15/2011
- Hindustan Times - Cinema
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