Alexander Rodnyansky and theatre director Ivan Vyrypaev, both vocal critics of Putin and the invasion of Ukraine, have been accused of ‘spreading false information’ about the Russian army
A Moscow court has ordered the arrest of prominent film producer Alexander Rodnyansky and theatre director Ivan Vyrypaev for “spreading false information” about the Russian army.
The initial court hearings against Rodnyansky and Vyrypaev were held on 27 April, but not reported by the court until Wednesday.
A Moscow court has ordered the arrest of prominent film producer Alexander Rodnyansky and theatre director Ivan Vyrypaev for “spreading false information” about the Russian army.
The initial court hearings against Rodnyansky and Vyrypaev were held on 27 April, but not reported by the court until Wednesday.
- 5/18/2023
- by Staff and agencies
- The Guardian - Film News
A Moscow court has ordered the arrest of Oscar-nominated film producer Alexander Rodnyansky and theater director Ivan Vyrypaev, accusing the two of “spreading false information” about Russia’s war in Ukraine.
According to the Associated Press, both men — who each reside outside Russia — will be placed in custody once they are either detained by Russian authorities or extradited from abroad.
A source close to Rodnyansky said the producer is currently in Cannes, but he could not immediately be reached for comment.
Rodnyansky currently splits his time between Ukraine, Europe and L.A., where his production shingle Ar Content is based. The Kyiv-born producer, who spent nearly three decades living and working in Russia, fled the country just days after its invasion of Ukraine, after receiving a tip that his outspoken criticism of the war had landed him in the Kremlin’s crosshairs.
In Oct. 2022, Russia’s Ministry of Justice declared him a “foreign agent.
According to the Associated Press, both men — who each reside outside Russia — will be placed in custody once they are either detained by Russian authorities or extradited from abroad.
A source close to Rodnyansky said the producer is currently in Cannes, but he could not immediately be reached for comment.
Rodnyansky currently splits his time between Ukraine, Europe and L.A., where his production shingle Ar Content is based. The Kyiv-born producer, who spent nearly three decades living and working in Russia, fled the country just days after its invasion of Ukraine, after receiving a tip that his outspoken criticism of the war had landed him in the Kremlin’s crosshairs.
In Oct. 2022, Russia’s Ministry of Justice declared him a “foreign agent.
- 5/17/2023
- by Christopher Vourlias
- Variety Film + TV
A Russian court has issued a warrant for the arrest of prominent international film producer Alexander Rodnyansky as well as theater director Ivan Vyrypaev for “spreading false information about the war” in Ukraine.
The court document states that it plans to arrest the two – both of whom live outside of Russia right now – once Russian authorities detain them or are able to get them extradited.
Rodnyansky, who has long been known for working with Russia’s grassroot filmmakers such as Leviathan and Loveless helmer Andrey Zvyaginstev and Kira Kovalenko, who won Un Certain Regard in Cannes in 2021, spoke with Deadline today when he first learned of the news and said he is probably “not the first and definitely not the last” of people who will be targeted for standing up to the Russian regime.
“This is crazy – I’m just laughing about it,” said the Kyiv-born media mogul. “They have arrested me in absentia,...
The court document states that it plans to arrest the two – both of whom live outside of Russia right now – once Russian authorities detain them or are able to get them extradited.
Rodnyansky, who has long been known for working with Russia’s grassroot filmmakers such as Leviathan and Loveless helmer Andrey Zvyaginstev and Kira Kovalenko, who won Un Certain Regard in Cannes in 2021, spoke with Deadline today when he first learned of the news and said he is probably “not the first and definitely not the last” of people who will be targeted for standing up to the Russian regime.
“This is crazy – I’m just laughing about it,” said the Kyiv-born media mogul. “They have arrested me in absentia,...
- 5/17/2023
- by Diana Lodderhose
- Deadline Film + TV
“An intellectual today in Russia cannot afford to be silent,” said Vladimir Mirzoev.
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war
Mansky and Khamatova are signatories along with other filmmakers including Ivan Vyrypaev (Euphoria), Tofig Shahverdiev (Our Whole Life Is A Crime), and Andrey Smirnov (A Frenchman), as well as film critic Anton Dolin to an online appeal published by journalist and author Mikhail Zygar...
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war
Mansky and Khamatova are signatories along with other filmmakers including Ivan Vyrypaev (Euphoria), Tofig Shahverdiev (Our Whole Life Is A Crime), and Andrey Smirnov (A Frenchman), as well as film critic Anton Dolin to an online appeal published by journalist and author Mikhail Zygar...
- 2/27/2022
- by Geoffrey Macnab¬Martin Blaney
- ScreenDaily
“An intellectual today in Russia cannot afford to be silent,” said Vladimir Mirzoev.
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war
Mansky and Khamatova are signatories along with other filmmakers including Ivan Vyrypaev (Euphoria), Tofig Shahverdiev (Our Whole Life Is A Crime), and Andrey Smirnov (A Frenchman), as well as film critic Anton Dolin to an online appeal published by journalist and author Mikhail Zygar...
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war
Mansky and Khamatova are signatories along with other filmmakers including Ivan Vyrypaev (Euphoria), Tofig Shahverdiev (Our Whole Life Is A Crime), and Andrey Smirnov (A Frenchman), as well as film critic Anton Dolin to an online appeal published by journalist and author Mikhail Zygar...
- 2/27/2022
- by Martin Blaney¬Geoffrey Macnab
- ScreenDaily
“An intellectual today in Russia cannot afford to be silent,” said Vladimir Mirzoev.
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as leading independent producer Artem Vasilyev of Moscow-based Metrafilms, filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war.
“This is all wrong,” Vasilyev told Screen of his opinion of the invasion. “I know many people in the Ukrainian film community and I am shocked that the situation has developed in this way.”
Additionally,...
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as leading independent producer Artem Vasilyev of Moscow-based Metrafilms, filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war.
“This is all wrong,” Vasilyev told Screen of his opinion of the invasion. “I know many people in the Ukrainian film community and I am shocked that the situation has developed in this way.”
Additionally,...
- 2/27/2022
- by Martin Blaney¬Geoffrey Macnab
- ScreenDaily
Slate is led by Roman Vasyanov’s ‘The Dorm’, which has secured a world sales agent.
Russian production outfit MetraFilms is showcasing multiple projects at the EFM, led by Roman Vasyanov’s The Dorm, on which New Europe Film Sales has boarded world sales.
The Dorm marks the directorial debut of Vasyanov, who is best known as David Ayer’s cinematographer on End Of Watch, Fury, Suicide Squad and Bright.
Vasyanov’s debut, which he also co-wrote, is an adaptation of Alexei Ivanov’s novel Dorm To Blood. Set in the Soviet Union of 1984, it follows five students whose friendship...
Russian production outfit MetraFilms is showcasing multiple projects at the EFM, led by Roman Vasyanov’s The Dorm, on which New Europe Film Sales has boarded world sales.
The Dorm marks the directorial debut of Vasyanov, who is best known as David Ayer’s cinematographer on End Of Watch, Fury, Suicide Squad and Bright.
Vasyanov’s debut, which he also co-wrote, is an adaptation of Alexei Ivanov’s novel Dorm To Blood. Set in the Soviet Union of 1984, it follows five students whose friendship...
- 3/2/2021
- by Geoffrey Macnab
- ScreenDaily
Demon, from late director Marcin Wrona, among those in competition.Scroll down for full competition list
The 31st Warsaw Film Festival (Oct 8-19) has revealed the 16 films selected for its international competition, which will vye for the main award - Warsaw Grand Prix, Best Director Award and Special Jury Award.
The titles include Demon, from Marcin Wrona, the 42-year-old Polish who died in Gdynia on Saturday (Sept 19). The death was likely a suicide, according to reports.
Other films in competition include Hany Abu-Assad’s The Idol, Gabriel Mascaro’s Neon Bull and Alex van Warmerdam’s Schneider vs. Bax.
This year’s festival will include 111 full-length films from 57 countries, comprising 90 features, 18 documentaries and three animations as well as 66 short films.
The winners of Short Film Competition will be put forward to compete for the Oscar.
The festival will open with Men and Chicken by Anders Thomas Jensen, whose film Adam’s Apples won theAudience Award at Wff...
The 31st Warsaw Film Festival (Oct 8-19) has revealed the 16 films selected for its international competition, which will vye for the main award - Warsaw Grand Prix, Best Director Award and Special Jury Award.
The titles include Demon, from Marcin Wrona, the 42-year-old Polish who died in Gdynia on Saturday (Sept 19). The death was likely a suicide, according to reports.
Other films in competition include Hany Abu-Assad’s The Idol, Gabriel Mascaro’s Neon Bull and Alex van Warmerdam’s Schneider vs. Bax.
This year’s festival will include 111 full-length films from 57 countries, comprising 90 features, 18 documentaries and three animations as well as 66 short films.
The winners of Short Film Competition will be put forward to compete for the Oscar.
The festival will open with Men and Chicken by Anders Thomas Jensen, whose film Adam’s Apples won theAudience Award at Wff...
- 9/23/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Russia will present a total of six pictures at the 5th Beijing International Film Festival, to be held April 16th–23rd. Sergey Mokritsky’s "The Battle For Sevastopol" and Ramil Salakhutdinov’s "White, White Night" are included in the main competition while Andrey Konchalovsky’s "The Postman’s White Nights," Alexander Mitta’s "Chagall – Malevich" and Mikhail Kosyrev-Nesterov’s "Journey to the Mother" will be screened in the festival’s sidebar. Roman Prygunov’s "Downshifter" has been selected for the Gala Premiere section.
Among the Beijing festival jury members is Fedor Bondarchuk, the prominent Russian filmmaker, actor, producer, and Chairman of the Lenfilm studio Board of Directors. Roskino provides Public Relations support for the heavy Russian presence at the 5th International Festival in Beijing.
Katya Mtsitouridze, Roskino CEO: “From this year on, the Beijing Festival will be curated by Marco Mueller, previously at the helm of the Venice Festival. It is his ardent love of Russian culture that we have to credit for launching international careers of such stellar young filmmakers as Ivan Vyrypaev, Kirill Serebrennikov, Alexey German Jr., and Alexey Fedorchenko. Venice has also honored many a luminary from Russia, ranging from Nikita Mikhalkov to Alexey Balabanov. Alexander Sokurov’s Faust even took the Golden Lion in 2011. This tradition lives on as we can see already, in Marco Mueller’s first year, six Russian movies at Beijing. The governments of our countries are currently collaborating to expand the Russian quotas in Chinese theatres, and Roskino’s first business trip to Beijing, with any luck, should be the next step in this direction. Over the last couple of years, China has made tremendous progress undermining, by its rapid growth, the Hollywood monopoly in the film industry. There is still plenty of room for improvement for us.”
Alyona Shumakova, member of the Selection Committee, Beijing International Film Festival: “We were faced with the tall order of presenting Russian film as a vital artistic force which reflects, at the same time, a dramatically changed reality. It is also worth bearing in mind that the huge audience of these films will consist mostly of regular moviegoers, besides the usual festival crowd of film buffs. We are, mind you, dealing with a country that knows very little about Russian cinema and has yet to develop a concrete image of it. I believe that our picks, with their magnificent visuals and emotional intensity, more than rise to the challenge and accurately reflect the new world we live in.”
At the 2014 Cannes Iff, "The Battle for Sevastopol" was first pitched to industry professionals and international press at the Russian Pavilion opening ceremony. A Russian–Ukrainian co-production, this period drama tells the story of Lyudmila Pavlichenko, a legendary WWII sniper. The wide release in Russia is scheduled for April 2nd, to commemorate the 70th anniversary of the Liberation. The protagonist is played by the masterful thespian Yulia Peresild.
Sergei Mokritsky, director: “As I was making a movie about the most lethal female sniper of WWII, I didn’t even dare dream of an international premiere in Beijing. It is an honor as well as a huge responsibility. Overall, China is the closest in spirit, and yet most mysterious country for me as it is for every Russian. I’m really looking forward to the Chinese reception of my movie, because what I aspired to with it was a blend of Soviet war-film mythology, modern cinematic language, and typically Slavic zest for life.”
Ramil Salakhutdinov’s "White, White Night" tells the story of a young man who suddenly goes missing when he travels to Saint Petersburg for a concert. Sent over from Moscow, the private eye hired to locate him meets a lot of people during investigation, and gradually immerses himself in the bleak present-day atmosphere of the city he once lived in. Against his better judgment, the sleuth takes the guy under his wing, which ultimately validates him and boosts his own sense of self-worth. The movie first played in competition at the 2014 edition of Kinotavr.
Ramil Salakhutdinov, director: “I strove to understand––to feel––what it’s like to live in our trying times, in an era of profound change.”
Alexey German Jr., creative director: “It’s a huge victory for Ramil. He’s a wonderful filmmaker, a magnificent actor, and an artist of incredibly fine sensibilities. His recognition by the Biff proves yet again that Salakhutdinov’s work is appreciated internationally.”
Andrey Konchalovskiy's "The Postman’s White Nights" will play in the festival’s sidebar.
In 2014, the film was awarded Silver Lion for Best Director at the Venice Film Festival. It recounts the life of a real man, village postman Alexey Tryapitsyn, who resides in the Arkhangelsk region and portrays himself on screen. Though a work of fiction rather than a documentary, the film has only one professional actress in its cast.
Mikhail Kosyrev-Nesterov’s drama "Journey to the Mother" is also playing in the festival’s parallel section. It is the story of a Russian guy who goes to France to see his mother, and meets his sister for the first time. The film’s leading actress is Adele Exarchopoulos, the star of Palme d’Or-winning "Blue Is the Warmest Color" and co-recipient of the Cannes festival’s highest honor.
Aleksandr Mitta’s "Chagall – Malevich" will play in the Special Screenings section. Set during Marc Chagall’s “Vitebsk period,” the story of an all-consuming love between the great artist and his wife Bella plays out against the backdrop of a historic duel he fought with Kazimir Malevich, his genius contemporary and fierce opponent.
Roman Prygunov’s "Downshifter" is set to bow internationally in the Gala Premiere section of the festival.
A sequel to the highest grossing Russian movie of 2012, "Downshifter" continues with the adventures of Max Andreev, a senior executive forced by the vicissitudes of his life to wipe the slate clean. The star of the production is Danila Kozlovsky, one of the most acclaimed actors of his generation. Made for $4M, the movie recouped its budget over the first weekend in theaters. Fedor Bondarchuk, who produced the box-office smash, currently predicts a final take north of $9M.
Russian filmmaker and producer Fedor Bondarchuk, whose historical drama "Stalingrad" was a runaway success in China in 2013, has been appointed a jury member for the 5 Beijing International Festival. He will share his duty with such directors as Ki-duk Kim (South Korea) and Fernando Meirelles (Brazil); screenwriter Robert Mark Kamen (USA); producer and director Peter Chan (Thailand); and Chinese actress, star of "Cloud Atlas," Zhou Xun. French director and producer Luc Besson, whose output in both capacities has long transcended the confines of local fame, will serve as President of the Jury. The festival program comprises 930 films from 90 countries. The festival’s top prize Tiantan is awarded in ten categories, including Best Film, Best Director, Best Actress, and Best Actor.
Fedor Bondarchuk, producer, filmmaker: “ I’m honored and humbled to be invited to serve as a jury member for the Beijing Iff. The strategic partnership between Russia and China is now reinforced not only in politics and economy but also in the cultural sphere, of which film is an integral part. Stalingrad’s impressive Chinese grosses show enormous demand for Russian filmmaking.”
Marco Mueller, Chief Adviser for the Beijing Iff: “Ever since Stalingrad dominated the Chinese box office in 2013 (it was the highest-grossing foreign film of the year, apart from the American “commercial heavy artillery”), the interest in Russian film has reached a new level in the country. I think that from this year on, our festival’s appreciation of Russian film will also move to the next level. This year our program boasts an amazing selection, and Fedor Bondarchuk has every chance to achieve cult status in China––he is, after all, already on the jury! I would also like to note that our cooperation with China is off to a highly professional start as the Russian presence at the festival is supported by the government-owned Roskino. It is this level of commitment that allows us to make serious plans for the future.”...
Among the Beijing festival jury members is Fedor Bondarchuk, the prominent Russian filmmaker, actor, producer, and Chairman of the Lenfilm studio Board of Directors. Roskino provides Public Relations support for the heavy Russian presence at the 5th International Festival in Beijing.
Katya Mtsitouridze, Roskino CEO: “From this year on, the Beijing Festival will be curated by Marco Mueller, previously at the helm of the Venice Festival. It is his ardent love of Russian culture that we have to credit for launching international careers of such stellar young filmmakers as Ivan Vyrypaev, Kirill Serebrennikov, Alexey German Jr., and Alexey Fedorchenko. Venice has also honored many a luminary from Russia, ranging from Nikita Mikhalkov to Alexey Balabanov. Alexander Sokurov’s Faust even took the Golden Lion in 2011. This tradition lives on as we can see already, in Marco Mueller’s first year, six Russian movies at Beijing. The governments of our countries are currently collaborating to expand the Russian quotas in Chinese theatres, and Roskino’s first business trip to Beijing, with any luck, should be the next step in this direction. Over the last couple of years, China has made tremendous progress undermining, by its rapid growth, the Hollywood monopoly in the film industry. There is still plenty of room for improvement for us.”
Alyona Shumakova, member of the Selection Committee, Beijing International Film Festival: “We were faced with the tall order of presenting Russian film as a vital artistic force which reflects, at the same time, a dramatically changed reality. It is also worth bearing in mind that the huge audience of these films will consist mostly of regular moviegoers, besides the usual festival crowd of film buffs. We are, mind you, dealing with a country that knows very little about Russian cinema and has yet to develop a concrete image of it. I believe that our picks, with their magnificent visuals and emotional intensity, more than rise to the challenge and accurately reflect the new world we live in.”
At the 2014 Cannes Iff, "The Battle for Sevastopol" was first pitched to industry professionals and international press at the Russian Pavilion opening ceremony. A Russian–Ukrainian co-production, this period drama tells the story of Lyudmila Pavlichenko, a legendary WWII sniper. The wide release in Russia is scheduled for April 2nd, to commemorate the 70th anniversary of the Liberation. The protagonist is played by the masterful thespian Yulia Peresild.
Sergei Mokritsky, director: “As I was making a movie about the most lethal female sniper of WWII, I didn’t even dare dream of an international premiere in Beijing. It is an honor as well as a huge responsibility. Overall, China is the closest in spirit, and yet most mysterious country for me as it is for every Russian. I’m really looking forward to the Chinese reception of my movie, because what I aspired to with it was a blend of Soviet war-film mythology, modern cinematic language, and typically Slavic zest for life.”
Ramil Salakhutdinov’s "White, White Night" tells the story of a young man who suddenly goes missing when he travels to Saint Petersburg for a concert. Sent over from Moscow, the private eye hired to locate him meets a lot of people during investigation, and gradually immerses himself in the bleak present-day atmosphere of the city he once lived in. Against his better judgment, the sleuth takes the guy under his wing, which ultimately validates him and boosts his own sense of self-worth. The movie first played in competition at the 2014 edition of Kinotavr.
Ramil Salakhutdinov, director: “I strove to understand––to feel––what it’s like to live in our trying times, in an era of profound change.”
Alexey German Jr., creative director: “It’s a huge victory for Ramil. He’s a wonderful filmmaker, a magnificent actor, and an artist of incredibly fine sensibilities. His recognition by the Biff proves yet again that Salakhutdinov’s work is appreciated internationally.”
Andrey Konchalovskiy's "The Postman’s White Nights" will play in the festival’s sidebar.
In 2014, the film was awarded Silver Lion for Best Director at the Venice Film Festival. It recounts the life of a real man, village postman Alexey Tryapitsyn, who resides in the Arkhangelsk region and portrays himself on screen. Though a work of fiction rather than a documentary, the film has only one professional actress in its cast.
Mikhail Kosyrev-Nesterov’s drama "Journey to the Mother" is also playing in the festival’s parallel section. It is the story of a Russian guy who goes to France to see his mother, and meets his sister for the first time. The film’s leading actress is Adele Exarchopoulos, the star of Palme d’Or-winning "Blue Is the Warmest Color" and co-recipient of the Cannes festival’s highest honor.
Aleksandr Mitta’s "Chagall – Malevich" will play in the Special Screenings section. Set during Marc Chagall’s “Vitebsk period,” the story of an all-consuming love between the great artist and his wife Bella plays out against the backdrop of a historic duel he fought with Kazimir Malevich, his genius contemporary and fierce opponent.
Roman Prygunov’s "Downshifter" is set to bow internationally in the Gala Premiere section of the festival.
A sequel to the highest grossing Russian movie of 2012, "Downshifter" continues with the adventures of Max Andreev, a senior executive forced by the vicissitudes of his life to wipe the slate clean. The star of the production is Danila Kozlovsky, one of the most acclaimed actors of his generation. Made for $4M, the movie recouped its budget over the first weekend in theaters. Fedor Bondarchuk, who produced the box-office smash, currently predicts a final take north of $9M.
Russian filmmaker and producer Fedor Bondarchuk, whose historical drama "Stalingrad" was a runaway success in China in 2013, has been appointed a jury member for the 5 Beijing International Festival. He will share his duty with such directors as Ki-duk Kim (South Korea) and Fernando Meirelles (Brazil); screenwriter Robert Mark Kamen (USA); producer and director Peter Chan (Thailand); and Chinese actress, star of "Cloud Atlas," Zhou Xun. French director and producer Luc Besson, whose output in both capacities has long transcended the confines of local fame, will serve as President of the Jury. The festival program comprises 930 films from 90 countries. The festival’s top prize Tiantan is awarded in ten categories, including Best Film, Best Director, Best Actress, and Best Actor.
Fedor Bondarchuk, producer, filmmaker: “ I’m honored and humbled to be invited to serve as a jury member for the Beijing Iff. The strategic partnership between Russia and China is now reinforced not only in politics and economy but also in the cultural sphere, of which film is an integral part. Stalingrad’s impressive Chinese grosses show enormous demand for Russian filmmaking.”
Marco Mueller, Chief Adviser for the Beijing Iff: “Ever since Stalingrad dominated the Chinese box office in 2013 (it was the highest-grossing foreign film of the year, apart from the American “commercial heavy artillery”), the interest in Russian film has reached a new level in the country. I think that from this year on, our festival’s appreciation of Russian film will also move to the next level. This year our program boasts an amazing selection, and Fedor Bondarchuk has every chance to achieve cult status in China––he is, after all, already on the jury! I would also like to note that our cooperation with China is off to a highly professional start as the Russian presence at the festival is supported by the government-owned Roskino. It is this level of commitment that allows us to make serious plans for the future.”...
- 4/9/2015
- by Sydney Levine
- Sydney's Buzz
From what I can gather, Ivan Vyrypayev's film is 10 little vignettes which are musical and possibly "videos". They are based on a provocation by the established rules, morals and laws, namely, the Ten Commandments. Listed as avant-garde, there is also heavy mention of rap, although that's nowhere to be found in the trailer.
Here's a vague English synopsis I found:
Film about the youth of the XXIth century. Ten innovative musico-dramatic pop videos with variations in rap style as if they were the Ten Commandments. But the film rejects all moral implications and subjects all its action to the need for oxygen.
Trailer after ze break! Do Not Miss This!
Embedded video stripped, see full HTML version.
Here's a vague English synopsis I found:
Film about the youth of the XXIth century. Ten innovative musico-dramatic pop videos with variations in rap style as if they were the Ten Commandments. But the film rejects all moral implications and subjects all its action to the need for oxygen.
Trailer after ze break! Do Not Miss This!
Embedded video stripped, see full HTML version.
- 7/14/2009
- QuietEarth.us
Moscow -- For a second year running, Kinotavr, Russia's main film festival, ended with a surprise victory by a first-time director.
As the 20th edition came to a close Sunday in the Black Sea resort of Sochi, the festival jury gave the top award to "Volchok" (Spinning Top), the debut feature by Vasili Sigarev, who was previously known as a playwright. The drama about a complicated relationship between mother and daughter in a Russian provincial town also collected the screenplay prize.
Last year's winner, "Shultes" by Bakur Bakuradze, was also the director's debut feature. Overall, the festival was regarded as a victory for the younger generation of local filmmakers, who took practically all the main prizes.
Ivan Vyrypayev picked up the best director's award for his sophomore feature, "Kislorod" (Oxygen), a sophisticated musical youth drama loosely based on the Ten Commandments, which was also awarded for best music.
"Spinning Top...
As the 20th edition came to a close Sunday in the Black Sea resort of Sochi, the festival jury gave the top award to "Volchok" (Spinning Top), the debut feature by Vasili Sigarev, who was previously known as a playwright. The drama about a complicated relationship between mother and daughter in a Russian provincial town also collected the screenplay prize.
Last year's winner, "Shultes" by Bakur Bakuradze, was also the director's debut feature. Overall, the festival was regarded as a victory for the younger generation of local filmmakers, who took practically all the main prizes.
Ivan Vyrypayev picked up the best director's award for his sophomore feature, "Kislorod" (Oxygen), a sophisticated musical youth drama loosely based on the Ten Commandments, which was also awarded for best music.
"Spinning Top...
- 6/15/2009
- The Hollywood Reporter - Movie News
Moscow -- Kinotavr, Russia's main film festival, will kick off its 20th edition in the Black Sea resort of Sochi on Sunday, featuring mostly films that were made before the global downturn hit the local film industry.
Festival organizers admit that the wide choice of movies for the main competition is unlikely to last, as the film industry struggles to stay afloat.
"This year, we selected 12 feature films out of 62 that were submitted," Sitora Aliyeva, the festival's programming director, told The Hollywood Reporter, adding that the selection committee is unlikely to have that many movies to choose from next year, given a sharp decline in local production.
According to Aliyeva, the economic downturn also hit the festival itself. "Our budget was cut roughly by half," she said. "The program is one day shorter and the number of guests and journalists has declined."
Among the features selected for the main competition...
Festival organizers admit that the wide choice of movies for the main competition is unlikely to last, as the film industry struggles to stay afloat.
"This year, we selected 12 feature films out of 62 that were submitted," Sitora Aliyeva, the festival's programming director, told The Hollywood Reporter, adding that the selection committee is unlikely to have that many movies to choose from next year, given a sharp decline in local production.
According to Aliyeva, the economic downturn also hit the festival itself. "Our budget was cut roughly by half," she said. "The program is one day shorter and the number of guests and journalists has declined."
Among the features selected for the main competition...
- 6/5/2009
- by By Vladimir Kozlov
- The Hollywood Reporter - Movie News
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