Adapted from the novel by Jennifer E. Smith, director Michael Lewen’s “Hello, Goodbye and Everything in Between” captures adolescent interactions and intelligence through an empathetic lens. But even though this Netflix original doesn’t condescend to its targeted teen audience, it fails to surmount basic issues dealing with narrative credulity and the outcome’s predictability.
The story centers on two modern-minded teens who enter a 10-month-long dating compact as an obligatory starter romance, agreeing to break up the night before leaving for college. But would real teens remotely act this way? Or are the adult creators transposing their own ideas onto teen turf?
Cautious high school senior Clare (Talia Ryder) thinks she’s risk-averse. All the moving around when she was young, due to her parents’ divorce, made her plunge head first into her textbooks. Determined not to be distracted by boys or friendships, she concentrated instead on securing...
The story centers on two modern-minded teens who enter a 10-month-long dating compact as an obligatory starter romance, agreeing to break up the night before leaving for college. But would real teens remotely act this way? Or are the adult creators transposing their own ideas onto teen turf?
Cautious high school senior Clare (Talia Ryder) thinks she’s risk-averse. All the moving around when she was young, due to her parents’ divorce, made her plunge head first into her textbooks. Determined not to be distracted by boys or friendships, she concentrated instead on securing...
- 7/6/2022
- by Courtney Howard
- Variety Film + TV
Director Julia Hart has quietly crafted a Disney+ franchise that continues to unfold in creative and charming ways. Her adaptation of “Stargirl” debuted on the streamer just as lockdown began; now with “Hollywood Stargirl,” the second film in the series, it’s clear the writer-director’s voice has taken shape in the same assured way as that of her young heroine. Hart and co-writer Jordan Horowitz’s follow-up goes blessedly off-book, diverging greatly from author Jerry Spinelli’s source novel “Love, Stargirl” to deliver its own unique view on how artistic passion evolves and inspires. The sequel shifts perspective from the original, which captured the eponymous teen’s triumphs through a male protagonist’s lens, and better foregrounds her sparkle and shine.
Sentimental songbird Stargirl Caraway (Grace VanderWaal) is once again on the move, traveling from the subdued suburban haunts of Mica, Arizona to the hustle and bustle of Los Angeles.
Sentimental songbird Stargirl Caraway (Grace VanderWaal) is once again on the move, traveling from the subdued suburban haunts of Mica, Arizona to the hustle and bustle of Los Angeles.
- 6/1/2022
- by Courtney Howard
- Variety Film + TV
Opposition to the Academy’s plan to award eight Oscars prior to the live telecast continues to grow, with more than 350 new names — including more than a dozen Oscar-winning editors, cinematographers and production designers — added to the petition sent last week to Academy president David Rubin urging a reversal of the plan.
Among the industry professionals signing are Oscar-winning cinematographers John Seale (“The English Patient”), John Toll (“Braveheart”) and Dean Semler (“Dances With Wolves”), and Oscar-winning editors Richard Chew and Paul Hirsch (“Star Wars”), Mikkel Neilsen (“The Sound of Metal”), Pietro Scalia (“JFK”) and Zach Staenberg (“The Matrix”).
Oscar-winning production designers Hannah Beachler (“Black Panther”), Barbara Ling (“Once Upon a Time in Hollywood”), Adam Stockhausen (“Grand Budapest Hotel”) and David and Sandy Wasco (“La La Land”) also signed on.
Cinematography will be presented during the live show, but editing and production design are among the eight awards to be presented during the 4 p.
Among the industry professionals signing are Oscar-winning cinematographers John Seale (“The English Patient”), John Toll (“Braveheart”) and Dean Semler (“Dances With Wolves”), and Oscar-winning editors Richard Chew and Paul Hirsch (“Star Wars”), Mikkel Neilsen (“The Sound of Metal”), Pietro Scalia (“JFK”) and Zach Staenberg (“The Matrix”).
Oscar-winning production designers Hannah Beachler (“Black Panther”), Barbara Ling (“Once Upon a Time in Hollywood”), Adam Stockhausen (“Grand Budapest Hotel”) and David and Sandy Wasco (“La La Land”) also signed on.
Cinematography will be presented during the live show, but editing and production design are among the eight awards to be presented during the 4 p.
- 3/17/2022
- by Jon Burlingame
- Variety Film + TV
So, are you a film fan that gets a bit of seasonal movie overload this time of year? You’re thinking, “Enough with the couples making ‘goo-goo’ eyes while whipping up a snowman!” or perhaps, with all that’s happening you can’t get your “jolly” on. In the mood for a gritty action thriller, set in those “down and dirty” 1970s, complete with pistol-packin’ polyester-wearing thugs? Well, Santa’s cinema elves have fashioned a stocking-stuffer just for you. So, is this a follow-up to the crime epic from last year’s holiday season, with more “digitally de-aged” Bobby D and Al P? Nope, it’s not needed this time around, because the lead is one of our newer rising stars, though she’s best known as the lead in a celebrated TV sitcom. Her? This gets a bit more interesting. What happens amidst the usual gangster mayhem when she...
- 12/11/2020
- by Jim Batts
- WeAreMovieGeeks.com
Rachel Brosnahan stars as a young wife and mother who has almost no idea where she’s going next in Amazon’s “I’m Your Woman,” and director Julia Hart excitingly puts the audience in a similarly unpredictable position. It’s a road trip, it’s a story of a woman in trouble, and it’s about fleeing the scene of the crime, but the film refuses to follow the established path audiences might be expecting.
Many contemporary filmmakers shoot for that gritty yet personal sweet spot of 1970s “New Hollywood” honesty and intensity, but few have captured it with the finesse of Hart, who shares screenwriting credit with her husband Jordan Horowitz. A talented filmmaker who’s not being talked about nearly enough — her last two credits were the incisive and humane “Miss Stevens” and the arthouse superhero saga “Fast Color,” both acclaimed yet underseen — Hart has created a film...
Many contemporary filmmakers shoot for that gritty yet personal sweet spot of 1970s “New Hollywood” honesty and intensity, but few have captured it with the finesse of Hart, who shares screenwriting credit with her husband Jordan Horowitz. A talented filmmaker who’s not being talked about nearly enough — her last two credits were the incisive and humane “Miss Stevens” and the arthouse superhero saga “Fast Color,” both acclaimed yet underseen — Hart has created a film...
- 12/11/2020
- by Alonso Duralde
- The Wrap
What kinds of collaborations with directors do today’s top cinematographers prefer? When looking for their next project, is there something specific they are looking for – the script, the director, an element of surprise? How do they decide who to hire as camera operators?
These were just some of the questions answered by four of filmdom’s best lensers during Gold Derby’s Meet the Btl Experts panel, conducted virtually by this writer. Watch our full group interview with Bryce Fortner (“I’m Your Woman”), Shelly Johnson (“Greyhound”), Martin Ruhe (“The Midnight Sky”) and Lorenzo Senatore (“The Outpost”) above.
All four of our panelists also took part in separate individual interviews that delved deeper into their own films. Watch each of these by clicking on their names below.
Shelly Johnson is best-known for such films as “Bill and Ted Face the Music,” “Captain America: The First Avenger,” “The Expendables 2,” “Jurassic Park III” and “The Wolfman.
These were just some of the questions answered by four of filmdom’s best lensers during Gold Derby’s Meet the Btl Experts panel, conducted virtually by this writer. Watch our full group interview with Bryce Fortner (“I’m Your Woman”), Shelly Johnson (“Greyhound”), Martin Ruhe (“The Midnight Sky”) and Lorenzo Senatore (“The Outpost”) above.
All four of our panelists also took part in separate individual interviews that delved deeper into their own films. Watch each of these by clicking on their names below.
Shelly Johnson is best-known for such films as “Bill and Ted Face the Music,” “Captain America: The First Avenger,” “The Expendables 2,” “Jurassic Park III” and “The Wolfman.
- 12/9/2020
- by Paul Sheehan
- Gold Derby
Cinematographer Bryce Fortner says he was not tempted to use period lenses when shooting “I’m Your Woman,” despite it being set in 1975. He explained his equipment choices for this Amazon Prime feature during Gold Derby’s Meet the Btl Experts panel conducted virtually by this writer (watch above). “We thought about using lenses from that era but it was important to the director, Julia Hart, that it didn’t feel like a museum film. We wanted it to be something where the audience was experiencing what was happening as opposed to looking back on a moment in time.”
“I’m Your Woman,” which streams on Amazon Prime, is a throwback to the crime dramas of the 1970s, albeit with a twist. The focus of the action is on suburban housewife Jean (Rachel Brosnahan) whose life is up-ended when her criminal husband Cal (Bill Heck), turns on his partners and she and...
“I’m Your Woman,” which streams on Amazon Prime, is a throwback to the crime dramas of the 1970s, albeit with a twist. The focus of the action is on suburban housewife Jean (Rachel Brosnahan) whose life is up-ended when her criminal husband Cal (Bill Heck), turns on his partners and she and...
- 12/9/2020
- by Paul Sheehan
- Gold Derby
Four top film cinematographers will reveal the secrets behind their crafts when they join Gold Derby’s special “Meet the Btl Experts” Q&a event with key 2021 Oscar contenders this month. Each person will participate in two video discussions to be published on Wednesday, December 2, at 5:00 p.m. Pt; 8:00 p.m. Et. We’ll have a one-on-one with our executive editor Paul Sheehan and a group chat with Paul and all of the DPs together.
RSVP today by clicking here to book your reservations. We’ll send you a reminder a few before the start of the show so you won’t miss watching.
This “Meet the Btl Experts” panel welcomes the following 2021 guild and Oscar contenders:
“Greyhound” (Apple TV+): Shelly Johnson
Johnson’s career has included such projects as “Bill and Ted Face the Music,” “The Expendables 2,” “Captain America: The First Avenger,” “The Wolfman” and “Jurassic Park III.
RSVP today by clicking here to book your reservations. We’ll send you a reminder a few before the start of the show so you won’t miss watching.
This “Meet the Btl Experts” panel welcomes the following 2021 guild and Oscar contenders:
“Greyhound” (Apple TV+): Shelly Johnson
Johnson’s career has included such projects as “Bill and Ted Face the Music,” “The Expendables 2,” “Captain America: The First Avenger,” “The Wolfman” and “Jurassic Park III.
- 11/25/2020
- by Chris Beachum
- Gold Derby
You’ll be halfway through “I’m Your Woman” before its premise is clear, but the mystery is as gripping as its payoff. Director Julia Hart’s fourth feature pairs an engrossing turn from Rachel Brosnahan with a tense ‘70s-set script constructed with jigsaw precision. The full picture may amount to a contrived gangster story, but Hart (who scripted with her partner Jordan Horowitz) approaches that formula from the inside out.
“I’m Your Woman” owes much to Brosnahan’s evolving performance as she goes from terrified housewife to trenchant survivalist over the course movie, and the movie consolidates the strengths of Hart’s previous work. Like her breakout Civil War script “The Keeping Room,” it finds women trapped in a man’s world, and forced to resort to violence as a means of escape. And like the lo-fi superhero drama “Fast Color,” its heroine goes on the lam before she truly understands what’s chasing her,...
“I’m Your Woman” owes much to Brosnahan’s evolving performance as she goes from terrified housewife to trenchant survivalist over the course movie, and the movie consolidates the strengths of Hart’s previous work. Like her breakout Civil War script “The Keeping Room,” it finds women trapped in a man’s world, and forced to resort to violence as a means of escape. And like the lo-fi superhero drama “Fast Color,” its heroine goes on the lam before she truly understands what’s chasing her,...
- 10/16/2020
- by Eric Kohn
- Indiewire
Maybe it’s the fault of “The Fault in Our Stars” that we assume, in the flourishing modern era of the young-adult genre, that one of the story’s romantic leads has to die in order to advance the dramatic stakes. Fortunately, that’s not the case with director Julia Hart’s “Stargirl.” Adapted by Hart, Kristin Hahn and Jordan Horowitz from Jerry Spinelli’s novel of the same name, this tale of two teens falling in love and struggling to find balance in their polar opposite identities may prove difficult viewing for cynics or those with a low tolerance for the overtly saccharine.
Sixteen-year-old Leo Borlock (Graham Verchere) is about to realize there are no perks of being a wallflower. Since the death of his father and a traumatic bullying incident, he’s felt that the key to surviving adolescence is fitting in without disrupting the norm. That means...
Sixteen-year-old Leo Borlock (Graham Verchere) is about to realize there are no perks of being a wallflower. Since the death of his father and a traumatic bullying incident, he’s felt that the key to surviving adolescence is fitting in without disrupting the norm. That means...
- 3/13/2020
- by Courtney Howard
- Variety Film + TV
The Rachel Brosnahan-led indie “I’m Your Woman” has rounded out its cast and filming has commenced in Pittsburgh, Pa.
The actress, who is the streamer’s most decorated star thanks to her Emmy and Golden Globe-winning work on “The Marvelous Mrs. Maisel,” welcomes a slew of actors on the drama about a woman and her child on the run from the sins of her husband.
Marsha Stephanie Blake, British actor Arinzé Kene and Bill Heck (“The Ballad of Buster Scruggs”) have all joined the project in key roles. Frankie Faison, Marceline Hugot (“Julie & Julia”), and James McMenamin (“Orange is the New Black”) have signed on for supporting roles.
The film is directed by Julia Hart, and co-written by Hart and husband Jordan Horowitz. Hart was writer-director on the 2016 SXSW player “Miss Stevens,” starring Lily Rabe and then-undiscovered talents Timothee Chalamet and Lili Reinhart. She also helmed this...
The actress, who is the streamer’s most decorated star thanks to her Emmy and Golden Globe-winning work on “The Marvelous Mrs. Maisel,” welcomes a slew of actors on the drama about a woman and her child on the run from the sins of her husband.
Marsha Stephanie Blake, British actor Arinzé Kene and Bill Heck (“The Ballad of Buster Scruggs”) have all joined the project in key roles. Frankie Faison, Marceline Hugot (“Julie & Julia”), and James McMenamin (“Orange is the New Black”) have signed on for supporting roles.
The film is directed by Julia Hart, and co-written by Hart and husband Jordan Horowitz. Hart was writer-director on the 2016 SXSW player “Miss Stevens,” starring Lily Rabe and then-undiscovered talents Timothee Chalamet and Lili Reinhart. She also helmed this...
- 10/29/2019
- by Matt Donnelly
- Variety Film + TV
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