Sean Baker’s latest venture, ‘Anora’, has officially set its US release date for this fall. Neon, which has previously championed indie hits like ‘Parasite’, made the announcement amidst much anticipation. Neon’s Winning Streak at Cannes The studio continues its remarkable run at Cannes, having secured the prestigious Palme d’Or five times in a row. The streak began with Bong Joon-ho’s revolutionary ‘Parasite’ in 2019 Bong Joon-ho explains his unique writing process for ‘Parasite,’ and looks to keep the momentum going with ‘Anora’. Sean Baker, the mastermind behind films such as Tangerine and The Florida Project, reaffirms his standing with this...
- 6/4/2024
- by Steve Delikson
- TVovermind.com
Sean Baker’s screwball sex worker comedy Anora, which won the Palme d’Or at the 2024 Cannes Film Festival, will receive a fall theatrical release by distributor Neon.
Baker’s film about a young sex worker’s romantic entanglement with the son of a Russian oligarch will get a theatrical release starting Oct. 18, The Hollywood Reporter has confirmed. The fall release places Anora in contention for awards consideration.
The fall release for a top Cannes award winner has worked for Neon before, having had an impressive track record releasing earlier Palme d’Or winners like Parasite in 2019, Triangle of Sadness in 2022 and last year Anatomy of a Fall.
Baker’s past credits include The Florida Project and Red Rocket. The director’s low-budget features about people overlooked by society have become critical hits and awards season contenders.
The Hollywood Reporter‘s chief film critic David Rooney writes of Anora in...
Baker’s film about a young sex worker’s romantic entanglement with the son of a Russian oligarch will get a theatrical release starting Oct. 18, The Hollywood Reporter has confirmed. The fall release places Anora in contention for awards consideration.
The fall release for a top Cannes award winner has worked for Neon before, having had an impressive track record releasing earlier Palme d’Or winners like Parasite in 2019, Triangle of Sadness in 2022 and last year Anatomy of a Fall.
Baker’s past credits include The Florida Project and Red Rocket. The director’s low-budget features about people overlooked by society have become critical hits and awards season contenders.
The Hollywood Reporter‘s chief film critic David Rooney writes of Anora in...
- 6/4/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Sean Baker’s “Anora” is betting big with a fall release date.
The feature, which won the Palme d’Or at Cannes 2024, will be released October 18 from Neon, IndieWire can confirm. The limited release window makes “Anora” primed for the fall festival circuit, with possible inclusions at Telluride, TIFF, and NYFF, which concludes right before “Anora” will hit theaters.
“Anora” stars “Once Upon a Time in Hollywood” breakout Mikey Madison as an exotic dancer and sex worker who marries the son of a Russian oligarch (Mark Eydelshteyn). Writer/director Baker previously helmed Oscar-nominated film “The Florida Project,” groundbreaking iPhone movie “Tangerine,” and Simon Rex’s career-best “Red Rocket.”
The release of “Anora” on October 18 proves that Neon has high hopes for the Palme d’Or winner. Neon has released a trio of Palme d’Or winners before, all in October and all going on to be Oscar-nominated.
Neon released “Parasite...
The feature, which won the Palme d’Or at Cannes 2024, will be released October 18 from Neon, IndieWire can confirm. The limited release window makes “Anora” primed for the fall festival circuit, with possible inclusions at Telluride, TIFF, and NYFF, which concludes right before “Anora” will hit theaters.
“Anora” stars “Once Upon a Time in Hollywood” breakout Mikey Madison as an exotic dancer and sex worker who marries the son of a Russian oligarch (Mark Eydelshteyn). Writer/director Baker previously helmed Oscar-nominated film “The Florida Project,” groundbreaking iPhone movie “Tangerine,” and Simon Rex’s career-best “Red Rocket.”
The release of “Anora” on October 18 proves that Neon has high hopes for the Palme d’Or winner. Neon has released a trio of Palme d’Or winners before, all in October and all going on to be Oscar-nominated.
Neon released “Parasite...
- 6/4/2024
- by Samantha Bergeson
- Indiewire
“Anora,” Sean Baker’s comic look at an exotic dancer and sex worker who marries the son of a Russian oligarch, will hit theaters next fall. The film will open in limited release on Oct. 18 from Neon.
It’s a lucky time of year for the indie studio. Neon previously launched “Parasite” on Oct. 11, debuted “Triangle of Sadness” on Oct. 7 and opened “Anatomy of a Fall” on Oct 13. Like “Anora,” all three of those films premiered at Cannes and won the Palme d’Or, the festival’s top honor. “Anora” was the first U.S. film to earn the prize since 2011’s “Tree of Life” from director Terrence Malick.
In a rave review for Variety, Peter Debruge enthused that the film was the “uncut gem of this year’s Cannes competition,” adding that it is “a rowdy Safdie-style movie about two cultures (Russian and American), two languages (Russian and English...
It’s a lucky time of year for the indie studio. Neon previously launched “Parasite” on Oct. 11, debuted “Triangle of Sadness” on Oct. 7 and opened “Anatomy of a Fall” on Oct 13. Like “Anora,” all three of those films premiered at Cannes and won the Palme d’Or, the festival’s top honor. “Anora” was the first U.S. film to earn the prize since 2011’s “Tree of Life” from director Terrence Malick.
In a rave review for Variety, Peter Debruge enthused that the film was the “uncut gem of this year’s Cannes competition,” adding that it is “a rowdy Safdie-style movie about two cultures (Russian and American), two languages (Russian and English...
- 6/4/2024
- by Brent Lang
- Variety Film + TV
Filmmaking as an art can be as extensive and taxing as it can be intricate, and Bong Joon-ho’s meteoric success, Parasite, is no exception. From charting the storyline and compiling the script to interviewing locals around Seoul and consolidating everything into a screenplay, no stone was left unturned for the 2019 dark comedy and thriller.
Amongst the movie crew resided Bong’s trusted comrade Han Jin Won, who would soon end up as the film’s screenwriter, toiling away for hours every day for an impeccable execution of the screenplay.
Parasite (2019) (Credit: Neon)
But little did he know, working on Parasite was not going to be how the Oscar-winning director had made it look like.
How Parasite Director Bong Joon-ho Tricked the Film’s Screenwriter
Han Jin Won – who had previously worked as a production assistant on a Bong Joon-ho-helmed dystopian series, Snowpiercer – was handed a fragmented treatment for Parasite...
Amongst the movie crew resided Bong’s trusted comrade Han Jin Won, who would soon end up as the film’s screenwriter, toiling away for hours every day for an impeccable execution of the screenplay.
Parasite (2019) (Credit: Neon)
But little did he know, working on Parasite was not going to be how the Oscar-winning director had made it look like.
How Parasite Director Bong Joon-ho Tricked the Film’s Screenwriter
Han Jin Won – who had previously worked as a production assistant on a Bong Joon-ho-helmed dystopian series, Snowpiercer – was handed a fragmented treatment for Parasite...
- 6/3/2024
- by Khushi Shah
- FandomWire
It’s a fairly rare weekend at the box office when there are five new wide releases, but it’s even rare when none of those movies even crack the top six. Read on for the weekend box office report.
After one of the worst Memorial Day weekends in decades, the transition weekend between May and June wasn’t going to be much better with none of the new releases opening in more than 2,000 theaters. That wasn’t helped by the fact that Disney, the one major studio in the mix, decided to dump their latest well-reviewed movie into a few hundred theaters with very little fanfare.
After settling for second place over Memorial Day, Sony Pictures’ animated “The Garfield Movie” moved into first place with an estimated $14 million, down just 42% from its three-day opening weekend, to bring its domestic total to $51.6 million. Overseas, the Chris Pratt-starring family film...
After one of the worst Memorial Day weekends in decades, the transition weekend between May and June wasn’t going to be much better with none of the new releases opening in more than 2,000 theaters. That wasn’t helped by the fact that Disney, the one major studio in the mix, decided to dump their latest well-reviewed movie into a few hundred theaters with very little fanfare.
After settling for second place over Memorial Day, Sony Pictures’ animated “The Garfield Movie” moved into first place with an estimated $14 million, down just 42% from its three-day opening weekend, to bring its domestic total to $51.6 million. Overseas, the Chris Pratt-starring family film...
- 6/2/2024
- by Edward Douglas
- Gold Derby
Pablo Berger’s Oscar-nominated Spanish film hits theaters this week, and TheWrap is here to fill you in with all the details on how to watch.
“Robot Dreams,” adapted from Sara Varon’s 2007 graphic novel of the same name, follows the journey of a lonely dog named Dog in 1980s New York who resorts to creating his own robot companion.
The silent animated musical was written and directed by Pablo Berger, and was produced by Berger, Ibon Cormenzana, Ignasi Estapé, Sandra Tapia, Jérôme Vidal, Sylvie Pialat and distributed by Neon.
Here’s everything you need to know about how to watch.
When does “Robot Dreams” come out?
“Robot Dreams” releases in theaters on Friday, May 31.
Is “Robot Dreams” streaming?
Not yet, but it will be. “Robot Dreams” will be available to stream on Apple TV+ sometime after its theatrical release.
Check out the links below for “Robot Dreams” showtimes and tickets near you.
“Robot Dreams,” adapted from Sara Varon’s 2007 graphic novel of the same name, follows the journey of a lonely dog named Dog in 1980s New York who resorts to creating his own robot companion.
The silent animated musical was written and directed by Pablo Berger, and was produced by Berger, Ibon Cormenzana, Ignasi Estapé, Sandra Tapia, Jérôme Vidal, Sylvie Pialat and distributed by Neon.
Here’s everything you need to know about how to watch.
When does “Robot Dreams” come out?
“Robot Dreams” releases in theaters on Friday, May 31.
Is “Robot Dreams” streaming?
Not yet, but it will be. “Robot Dreams” will be available to stream on Apple TV+ sometime after its theatrical release.
Check out the links below for “Robot Dreams” showtimes and tickets near you.
- 5/31/2024
- by Raquel 'Rocky' Harris
- The Wrap
No one really expected this year’s Cannes Film Festival to replicate the stellar showing of last year at the Oscars, when official selections Killers of the Flower Moon, Anatomy of a Fall, and The Zone of Interest took an unprecedented three of the 10 Best Picture nominations and a total of 20 noms and three wins among them. How many times can the French catch lightning in a bottle like that achievement? Who thought 2019 could be equaled or topped, when Parasite became the first Palme d’Or winner to take the Best Picture Oscar since Marty did it in 1955 and where Quentin Tarantino’s Once Upon a Time in Hollywood (also an official selection that year) went on to 10 Oscar nominations and two wins?
Cannes largely had been thought too risky, too early for serious launches of potential Oscar nominees and winners, except for those hoping to land a spot in...
Cannes largely had been thought too risky, too early for serious launches of potential Oscar nominees and winners, except for those hoping to land a spot in...
- 5/28/2024
- by Pete Hammond
- Deadline Film + TV
‘Immaculate’ Director Addresses Criticism of Film’s Dark Visuals on Streaming: “It’s a Real Problem”
The filmmaker behind the recent Sydney Sweeney horror movie Immaculate is addressing criticism about scenes from the film appearing to be overly dark when viewed on certain streaming platforms.
Michael Mohan took to X (formerly Twitter) on Monday after a social media user complained that the Neon film’s visuals were “comically dark” and shared screenshots showing that it was difficult to see what was happening as the movie was streaming. In his response, Mohan made it clear that he empathized with the concerns and had not intended for the film to look so dark.
“I know, man,” Mohan replied. “This was absolutely not done intentionally. We have no control over the compression specs of each platform.”
He continued, “It’s a real problem that truly bums me out, and after comparing them all, iTunes is the closest to what we wanted / brighter than the rest.”
I know, man. This was absolutely not done intentionally.
Michael Mohan took to X (formerly Twitter) on Monday after a social media user complained that the Neon film’s visuals were “comically dark” and shared screenshots showing that it was difficult to see what was happening as the movie was streaming. In his response, Mohan made it clear that he empathized with the concerns and had not intended for the film to look so dark.
“I know, man,” Mohan replied. “This was absolutely not done intentionally. We have no control over the compression specs of each platform.”
He continued, “It’s a real problem that truly bums me out, and after comparing them all, iTunes is the closest to what we wanted / brighter than the rest.”
I know, man. This was absolutely not done intentionally.
- 5/28/2024
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
The big winners out of the 2024 Cannes Film Festival suggest bright times ahead for indie and international moviegoing. Sean Baker’s “Anora” winning the Palme was a kind of apotheosis for the self-made indie filmmaker. And Neon already has the movie for U.S. distribution — the company’s fifth Palme d’Or winner in a row. Meanwhile, other Cannes winners like “Emilia Pérez” (Netflix), “All We Imagine as Light” (Sideshow/Janus), and “The Seed of the Sacred Fig” (Neon) have homes awaiting them on the other side of their journeys out of Cannes and into the world.
But in a compressed time for film sales across fiction and nonfiction titles, that means plenty of movies that premiered at Cannes are still searching for a home. And what a world where the latest film from two-time Palme d’Or winner Francis Ford Coppola is among them (“Megalopolis”). Same with David Cronenberg...
But in a compressed time for film sales across fiction and nonfiction titles, that means plenty of movies that premiered at Cannes are still searching for a home. And what a world where the latest film from two-time Palme d’Or winner Francis Ford Coppola is among them (“Megalopolis”). Same with David Cronenberg...
- 5/28/2024
- by Ryan Lattanzio and David Ehrlich
- Indiewire
Update: Comscore has just released the official box office results for the 4-day Memorial Day holiday weekend, and despite some box office pundits predicting that The Garfield Movie would top Furiosa, in the end the George Miller epic was able to hold on to a narrow lead. Comscore has Furiosa: A Mad Max Saga earning $32 million compared to Garfield‘s $31.1 million. However, it should be noted that The Garfield Movie only cost about a third of what Furiosa did, so it’s unlikely distributor Sony Pictures will chalk up a loss on this one.
Furiosa will depend heavily on foreign receipts if it’s going to break even, with the movie grossing $33 million internationally. Mad Max: Fury Road made a total of $379 million worldwide, a number that the prequel will likely have a hard time equalling unless word of mouth and repeat business are strong. The silver lining for...
Furiosa will depend heavily on foreign receipts if it’s going to break even, with the movie grossing $33 million internationally. Mad Max: Fury Road made a total of $379 million worldwide, a number that the prequel will likely have a hard time equalling unless word of mouth and repeat business are strong. The silver lining for...
- 5/27/2024
- by Chris Bumbray
- JoBlo.com
Warner Bros.’ “Furiosa” pulled out to a narrow lead over Sony/Alcon/Dneg’s “The Garfield Movie,” though that is not much of a victory as the $32 million extended opening earned by the “Mad Max” prequel is part of the worst Memorial Day weekend box office results seen since the 1990s.
“Furiosa” scored the lowest total for a No. 1 Memorial Day film since “Casper” in 1995, while the overall estimated 4-day total of $128 million is a sharp 37% drop from last year’s Memorial Day weekend.
It’s a drop that can be attributed to an industry-wide slump as Hollywood and exhibitors weather weeks of reduced theatrical output due to delays caused by last year’s strikes, including Marvel Studios’ “Deadpool & Wolverine,” which has enjoyed exceptional presales but moved from May to late July and left theaters without their customary comic book film boost to kick off the summer.
As for “Furiosa,...
“Furiosa” scored the lowest total for a No. 1 Memorial Day film since “Casper” in 1995, while the overall estimated 4-day total of $128 million is a sharp 37% drop from last year’s Memorial Day weekend.
It’s a drop that can be attributed to an industry-wide slump as Hollywood and exhibitors weather weeks of reduced theatrical output due to delays caused by last year’s strikes, including Marvel Studios’ “Deadpool & Wolverine,” which has enjoyed exceptional presales but moved from May to late July and left theaters without their customary comic book film boost to kick off the summer.
As for “Furiosa,...
- 5/27/2024
- by Jeremy Fuster
- The Wrap
The Sci-Fi genre consists of some of the most inventive and life-changing films because by the very definition of the word the creators have to invent a fictional future or technology and while some of the films in this genre give us spectacle others give us a story that makes us think about the future and how our world is changing for better or for worse. So, today we thought of listing the best new sci-fi films you can watch at home right now and in this list, we didn’t include any film released before 2023.
The Creator (Hulu & Rent on Prime Video) Credit – 20th Century Fox
The Creator is a sci-fi action film directed by Gareth Edwards from a screenplay co-written by Edwards and Chris Weitz. The 2023 film is set in the year 2055 after an A.I. created by the United States goes rogue and detonates a nuclear warhead...
The Creator (Hulu & Rent on Prime Video) Credit – 20th Century Fox
The Creator is a sci-fi action film directed by Gareth Edwards from a screenplay co-written by Edwards and Chris Weitz. The 2023 film is set in the year 2055 after an A.I. created by the United States goes rogue and detonates a nuclear warhead...
- 5/26/2024
- by Kulwant Singh
- Cinema Blind
As Neon was justly feted this weekend for a fifth consecutive Cannes Palme d’Or winner (Anora), it also had a nice showing at home with a terrific expansion for indie Babes.
The feature directorial debut of Pamela Adlon jumped from a 12-screen opening last week to 590 and hit no. 9 at the domestic box office with an estimated $1.06 million three-day weekend and cume of circa $1.29 million. Over the four days, including the Memorial Day holiday, the gross approaches $1.23 million and the cume $1.46 million.
The film follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau) who grew up together in NYC but are now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one-night stand, their complex friendship faces its greatest challenge. Co-written by Glazer and Josh Rabinowitz.
Noting that Neon’s La Chimera, Alice Rohrwacher...
The feature directorial debut of Pamela Adlon jumped from a 12-screen opening last week to 590 and hit no. 9 at the domestic box office with an estimated $1.06 million three-day weekend and cume of circa $1.29 million. Over the four days, including the Memorial Day holiday, the gross approaches $1.23 million and the cume $1.46 million.
The film follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau) who grew up together in NYC but are now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one-night stand, their complex friendship faces its greatest challenge. Co-written by Glazer and Josh Rabinowitz.
Noting that Neon’s La Chimera, Alice Rohrwacher...
- 5/26/2024
- by Jill Goldsmith
- Deadline Film + TV
Cannes awards have become hugely influential in subsequent awards races, especially the Oscars. The top honor, the Palme d’Or, confers prestige and a stamp of approval — this year from the Competition jury led by multi hyphenate Greta Gerwig — that awards voters take seriously.
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
- 5/26/2024
- by Anne Thompson
- Indiewire
Suppose anyone talks about the hottest actresses working in the industry right? In that case, the name that will frequently come up is Sydney Sweeney and the biggest reason for that is just how freaking gorgeous the actress is, but other than that she has also starred in some films and TV shows that appreciate her beauty on screen. Sweeney has captivated the audience through her Instagram and projects to the point that her fans are excited to see her in anything. So, if you are a fan of Sweeney here are the hottest movies and TV shows of her career.
7. Madame Web (Netflix & Rent on Prime Video) Credit – Sony Pictures
Madame Web the film doesn’t deserve to be on this list and the only reason it is on this list is because of Sydney Sweeney’s looks during its promotion. The Sony Marvel film is the biggest disaster...
7. Madame Web (Netflix & Rent on Prime Video) Credit – Sony Pictures
Madame Web the film doesn’t deserve to be on this list and the only reason it is on this list is because of Sydney Sweeney’s looks during its promotion. The Sony Marvel film is the biggest disaster...
- 5/26/2024
- by Kulwant Singh
- Cinema Blind
It just had to be, didn’t it.
U.S. distributor Neon only had two movies in the Competition: Anora and The Seed of the Sacred Fig. Neither could have fared any better with the critics and both won prizes tonight.
It was Sean Baker’s Anora that stormed to the top prize on the Riviera, making it a remarkable five Palme d’Or wins in a row for Tom Quinn’s outfit Neon.
“The future of cinema is where it started: in a movie theater,” said Baker, accepting his Palme d’Or. You can watch the acceptance speech below.
Justine Triet’s Anatomy Of A Fall won last year, following the US distributor’s previous acquisitions Triangle Of Sadness, Titane and Parasite.
Palme d'Or X five. Merci, Cannes. pic.twitter.com/FimbVR1kUw
— Neon (@neonrated) May 25, 2024
New York-set romantic dramedy Anora is about a stripper from Brooklyn who transforms...
U.S. distributor Neon only had two movies in the Competition: Anora and The Seed of the Sacred Fig. Neither could have fared any better with the critics and both won prizes tonight.
It was Sean Baker’s Anora that stormed to the top prize on the Riviera, making it a remarkable five Palme d’Or wins in a row for Tom Quinn’s outfit Neon.
“The future of cinema is where it started: in a movie theater,” said Baker, accepting his Palme d’Or. You can watch the acceptance speech below.
Justine Triet’s Anatomy Of A Fall won last year, following the US distributor’s previous acquisitions Triangle Of Sadness, Titane and Parasite.
Palme d'Or X five. Merci, Cannes. pic.twitter.com/FimbVR1kUw
— Neon (@neonrated) May 25, 2024
New York-set romantic dramedy Anora is about a stripper from Brooklyn who transforms...
- 5/25/2024
- by Andreas Wiseman
- Deadline Film + TV
Sean Baker’s “Anora” has won the Palme d’Or at the 2024 Cannes Film Festival, a jury headed by Greta Gerwig announced on Saturday.
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
- 5/25/2024
- by Steve Pond
- The Wrap
The hype out of the 2024 Cannes Film Festival, for those far-flung and on the ground, tells one story: This was among the weaker lineups in recent memory.
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
- 5/25/2024
- by Harrison Richlin
- Indiewire
The Seed of the Sacred Fig, the new film from Iranian dissident director Mohammad Rasoulof, may or may not be honored tonight when the Cannes jury hands out its awards. But at the press conference for the film on Saturday, Rasoulof displayed his own heroism.
The director used his press conference to call out Iran’s authoritarian regime and to rally his fellow filmmakers to resist.
“My only message to Iranian cinema is don’t be afraid of intimidation and censorship in Iran,” said Rasoulof. “[The regime is] afraid. They’re afraid, and they want us to feel afraid; they want to discourage us. But don’t let yourself be intimidated … but don’t fear the authorities. You have to believe in your liberty. We have to fight for a dignified life.”
Rasoulof embodies this fight. The director fled Iran by foot a few weeks ago, escaping after the regime sentenced him to 8 years in prison.
The director used his press conference to call out Iran’s authoritarian regime and to rally his fellow filmmakers to resist.
“My only message to Iranian cinema is don’t be afraid of intimidation and censorship in Iran,” said Rasoulof. “[The regime is] afraid. They’re afraid, and they want us to feel afraid; they want to discourage us. But don’t let yourself be intimidated … but don’t fear the authorities. You have to believe in your liberty. We have to fight for a dignified life.”
Rasoulof embodies this fight. The director fled Iran by foot a few weeks ago, escaping after the regime sentenced him to 8 years in prison.
- 5/25/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Cannes Film Festival will crown its Competition winners tomorrow night and the consensus seems to be building around a few titles.
All films have now been seen and it’s fair to say that things really heated up in the back nine. The Competition section took a few days to catch fire sparking rumor that this was unlikely to be a vintage crop of movies but Emilia Perez‘s bow last Saturday finally kicked the contest into another gear and since then multiple films have fared well among critics. There have been some notable highs on trade jury grids. The Palme d’Or winner is often not the movie with the highest final score on such lists but the impressively high numbers reveal a range of critically appreciated movies this edition.
One of the trends to emerge from this year’s lineup is the foregrounded position of women within the most buzzed-about films.
All films have now been seen and it’s fair to say that things really heated up in the back nine. The Competition section took a few days to catch fire sparking rumor that this was unlikely to be a vintage crop of movies but Emilia Perez‘s bow last Saturday finally kicked the contest into another gear and since then multiple films have fared well among critics. There have been some notable highs on trade jury grids. The Palme d’Or winner is often not the movie with the highest final score on such lists but the impressively high numbers reveal a range of critically appreciated movies this edition.
One of the trends to emerge from this year’s lineup is the foregrounded position of women within the most buzzed-about films.
- 5/24/2024
- by Andreas Wiseman
- Deadline Film + TV
Mohammad Rasoulof’s “The Seed of the Sacred Fig” has a lot going for it on the way to a potential Palme d’Or win: strong reviews, an anguished political call-out against Iranian oppression, and Rasoulof’s own status as an exile who just fled his home country and was finally able to attend Cannes after all. (Read our interview with the director here.)
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
- 5/24/2024
- by Ryan Lattanzio
- Indiewire
“Screen Talk: went live at the American Pavilion in Cannes this year and drew a lively crowd. Anne Thompson raved about one of the big-epic Hollywood titles playing out of competition, George Miller’s prequel “Furiosa” (Warner Bros.), starring Anya Taylor-Joy in the title role, which opens May 14, while both Thompson and cohost Ryan Lattanzio panned Kevin Costner’s old-fashioned three-hour Western “Horizon: An American Saga – Chapter One” (Warner Bros.).
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
- 5/24/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
This afternoon, Iranian filmmaker Mohammad Rasoulof debuted his latest feature, The Seed of the Sacred Fig, in Competition here at the Cannes Film Festival to a nearly 15-minute standing ovation.
The fact that the filmmaker was in attendance is especially poignant after he fled his home country through what he described to Deadline as a “complicated” and “anguishing” journey across Europe to a safe house in Germany. Back in Iran, Rasoulof is wanted by authorities who have sentenced him to eight years in prison alongside a series of physical punishments including flogging for “signing statements and making films and documentaries.”
Emotions running high during ‘Sacred Fig’ ovation #Cannes2024 pic.twitter.com/KvaA2VU9Sk
— Deadline Hollywood (@Deadline) May 24, 2024
Rasoulof appealed his sentence, and during the lengthy legal process put together a plan to flee Iran, which he told us all together took 28 days on the road.
Best known for his forceful,...
The fact that the filmmaker was in attendance is especially poignant after he fled his home country through what he described to Deadline as a “complicated” and “anguishing” journey across Europe to a safe house in Germany. Back in Iran, Rasoulof is wanted by authorities who have sentenced him to eight years in prison alongside a series of physical punishments including flogging for “signing statements and making films and documentaries.”
Emotions running high during ‘Sacred Fig’ ovation #Cannes2024 pic.twitter.com/KvaA2VU9Sk
— Deadline Hollywood (@Deadline) May 24, 2024
Rasoulof appealed his sentence, and during the lengthy legal process put together a plan to flee Iran, which he told us all together took 28 days on the road.
Best known for his forceful,...
- 5/24/2024
- by Nancy Tartaglione
- Deadline Film + TV
Mohammad Rasoulof has arrived. The dissident Iranian director is at the Cannes Film Festival to present his new film, The Seed of the Sacred Fig, in competition, just weeks after he dramatically escaped Iran on foot, fleeing an eight-year prison sentence.
Details of the director’s harrowing escape were made public last week after he was safely away, ensconced in an undisclosed location in Germany. He made the decision to leave, to abandon his homeland and walk across the mountainous borderland after the authorities sentenced him to a lengthy prison term.
His sentence also included a fine, the confiscation of property, and a flogging as punishment for bottles of wine the police discovered during a raid on his apartment.
Rasoulof had been arrested and imprisoned in Tehran’s notorious Evin jail in July 2022 for signing a petition calling on security forces to “Lay Down Your Arms” and exercise restraint in response to street protests.
Details of the director’s harrowing escape were made public last week after he was safely away, ensconced in an undisclosed location in Germany. He made the decision to leave, to abandon his homeland and walk across the mountainous borderland after the authorities sentenced him to a lengthy prison term.
His sentence also included a fine, the confiscation of property, and a flogging as punishment for bottles of wine the police discovered during a raid on his apartment.
Rasoulof had been arrested and imprisoned in Tehran’s notorious Evin jail in July 2022 for signing a petition calling on security forces to “Lay Down Your Arms” and exercise restraint in response to street protests.
- 5/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
On Friday Iranian filmmaker Mohammad Rasoulof will debut his latest feature The Seed of the Sacred Fig in Cannes after fleeing his home country through what he described to Deadline as a “complicated” and “anguishing” journey across Europe to a safe house in Germany.
Rasoulof spoke to us this morning on the ground in Cannes, where he covertly arrived earlier this week. Back in Iran, the filmmaker is wanted by authorities who have sentenced him to eight years in prison alongside a series of physical punishments including flogging for “signing statements and making films and documentaries.”
“I was in the middle of shooting The Seed of the Sacred Fig when I found out that my prison sentence was confirmed. I knew I would be arrested and, of course, it’s very hard to go on working when you have this idea in your mind,” Rasoulof told us.
Rasoulof appealed his...
Rasoulof spoke to us this morning on the ground in Cannes, where he covertly arrived earlier this week. Back in Iran, the filmmaker is wanted by authorities who have sentenced him to eight years in prison alongside a series of physical punishments including flogging for “signing statements and making films and documentaries.”
“I was in the middle of shooting The Seed of the Sacred Fig when I found out that my prison sentence was confirmed. I knew I would be arrested and, of course, it’s very hard to go on working when you have this idea in your mind,” Rasoulof told us.
Rasoulof appealed his...
- 5/23/2024
- by Zac Ntim
- Deadline Film + TV
If Mark Eidelstein’s career takes off in Hollywood, he can thank his decision to record a self tape of himself fully naked.
In Sean Baker’s raucous comedy “Anora,” the young Russian actor plays Ivan, the hilariously energetic, fast-living son of an oligarch happily spending his parents’ millions while decamped in their New York mansion who then falls in love with Mikey Madison’s Manhattan sex worker Ani. It’s a wild ride from start to finish, awash in drugs, sex, violence, gangsters, Vegas weddings and a lounge full of expensive ornaments getting smashed to pieces.
Put forward by Yura Borisov, his co-star on on Russian sci-fi “Guest From the Future,” who had just been cast as a reluctant heavy in “Anora,” Eidelstein was sent a script like nothing he’d ever seen before, littered in what he describes as “flash, flash, flash, bam, bam, action, action, action.” It...
In Sean Baker’s raucous comedy “Anora,” the young Russian actor plays Ivan, the hilariously energetic, fast-living son of an oligarch happily spending his parents’ millions while decamped in their New York mansion who then falls in love with Mikey Madison’s Manhattan sex worker Ani. It’s a wild ride from start to finish, awash in drugs, sex, violence, gangsters, Vegas weddings and a lounge full of expensive ornaments getting smashed to pieces.
Put forward by Yura Borisov, his co-star on on Russian sci-fi “Guest From the Future,” who had just been cast as a reluctant heavy in “Anora,” Eidelstein was sent a script like nothing he’d ever seen before, littered in what he describes as “flash, flash, flash, bam, bam, action, action, action.” It...
- 5/22/2024
- by Alex Ritman
- Variety Film + TV
Anora writer-director Sean Baker said sex workers should be decriminalised in a lively press conference on Wednesday.
The American writer-director was talking to reporters after Tuesday’s well-received world premiere of his Competition film starring Mikey Madison as an exotic dancer who falls for the son of a Russian oligarch.
“It’s important to experience what sex work is right now and how it applies to capitalist society,” said Baker. “It’s a career, a job, and one that should be in my opinion respected and at the same time decriminalised and not in any way regulated because it’s...
The American writer-director was talking to reporters after Tuesday’s well-received world premiere of his Competition film starring Mikey Madison as an exotic dancer who falls for the son of a Russian oligarch.
“It’s important to experience what sex work is right now and how it applies to capitalist society,” said Baker. “It’s a career, a job, and one that should be in my opinion respected and at the same time decriminalised and not in any way regulated because it’s...
- 5/22/2024
- ScreenDaily
The previous teasers for The Blackcoat's Daughter director Osgood Perkins' next feature, Longlegs, have been very effective in building an aura of unsettling dread around the mysterious horror flick, but this latest trailer really takes things to another level.
Though the movie is still playing things relatively close to the chest when it comes to revealing specific plot details, this footage does give us a little more to go on, as rookie FBI agent Lee Harker (It Follows star Maika Monroe) becomes obsessed with tracking down a sadistic serial killer (Nicolas Cage) who targets families - and might just have supernatural abilities.
Harker has a personal connection to the killer (did she survive an earlier attack?), which leads her down an even darker path and into the world of the Occult.
Say your prayers, check out the new trailer and poster below along with the initial social media reactions, and...
Though the movie is still playing things relatively close to the chest when it comes to revealing specific plot details, this footage does give us a little more to go on, as rookie FBI agent Lee Harker (It Follows star Maika Monroe) becomes obsessed with tracking down a sadistic serial killer (Nicolas Cage) who targets families - and might just have supernatural abilities.
Harker has a personal connection to the killer (did she survive an earlier attack?), which leads her down an even darker path and into the world of the Occult.
Say your prayers, check out the new trailer and poster below along with the initial social media reactions, and...
- 5/21/2024
- ComicBookMovie.com
Sean Baker returned to the Cannes Film Festival on Tuesday with Anora, his New York-set romantic dramedy about a stripper from Brooklyn who transforms into a modern Cinderella when she meets the son of a Russian oligarch.
The film, playing in the official competition three years after Baker’s success in Cannes with the Simon Rex-starring Red Rocket, scored an 10-minute ovation after the mid-afternoon world premiere screening wrapped at the Palais de Festivals.
The pic centers on Anora, who meets, falls in love with and marries the son of a Russian oligarch. Complications most certainly arise when his parents find out and try to get the marriage annulled.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
Better Things and Scream actress Mikey Madison plays the eponymous Anora alongside Yuriy Borisov, who previously appeared in Cannes pics Petrov’s Flu and Compartment No.6 both in 2021. The cast also includes Mark Eydelshteyn,...
The film, playing in the official competition three years after Baker’s success in Cannes with the Simon Rex-starring Red Rocket, scored an 10-minute ovation after the mid-afternoon world premiere screening wrapped at the Palais de Festivals.
The pic centers on Anora, who meets, falls in love with and marries the son of a Russian oligarch. Complications most certainly arise when his parents find out and try to get the marriage annulled.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
Better Things and Scream actress Mikey Madison plays the eponymous Anora alongside Yuriy Borisov, who previously appeared in Cannes pics Petrov’s Flu and Compartment No.6 both in 2021. The cast also includes Mark Eydelshteyn,...
- 5/21/2024
- by Patrick Hipes and Zac Ntim
- Deadline Film + TV
Sean Baker’s “Anora,” a hilarious yet touching drama in which a sex worker falls in love with the son of a Russian oligarch, energized Cannes Film Festival with a 7.5-minute standing ovation on Tuesday.
As the crowd applauded, the indie maverick director and Cannes darling said into the microphone, “Thank you to the Cannes Film Festival for making dreams come true … And also thank you to all of you for coming out and seeing our film on the best screen in the world. Long live cinema!”
The ovation wasn’t the only chance for applause — the audience erupted into cheers numerous times during the two-hour film, including on several occasions during one wild scene in which the oligarch’s associates raid his son’s mansion.
In the film, Mikey Madison plays Anora, a 23-year-old working at a strip club outside of New York City. Her luck changes when she...
As the crowd applauded, the indie maverick director and Cannes darling said into the microphone, “Thank you to the Cannes Film Festival for making dreams come true … And also thank you to all of you for coming out and seeing our film on the best screen in the world. Long live cinema!”
The ovation wasn’t the only chance for applause — the audience erupted into cheers numerous times during the two-hour film, including on several occasions during one wild scene in which the oligarch’s associates raid his son’s mansion.
In the film, Mikey Madison plays Anora, a 23-year-old working at a strip club outside of New York City. Her luck changes when she...
- 5/21/2024
- by Ellise Shafer and Brent Lang
- Variety Film + TV
Neon has picked up the North American rights to Sentimental Value, the upcoming film from Norwegian director Joachim Trier that reteams him with Renate Reinsve, star of Trier’s 2021 hit The Worst Person in the World.
Trier and Worst Person in the World co-writer Eskil Vogt penned the screenplay to Sentimental Value, a family drama about two sisters forced to deal with their estranged father after the death of their mother. Sentimental Value is set to begin principal photography in August in Norway and France. Neon is planning a 2025 theatrical release.
Maria Ekerhovd, who made The Hollywood Reporter‘s 2024 list of the 40 most powerful women in international film, is producing Sentimental Value for Mer Film in Norway, alongside Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production and Janine Jackowski and Jonas Dornbach for Komplizen Film.
Trier and Worst Person in the World co-writer Eskil Vogt penned the screenplay to Sentimental Value, a family drama about two sisters forced to deal with their estranged father after the death of their mother. Sentimental Value is set to begin principal photography in August in Norway and France. Neon is planning a 2025 theatrical release.
Maria Ekerhovd, who made The Hollywood Reporter‘s 2024 list of the 40 most powerful women in international film, is producing Sentimental Value for Mer Film in Norway, alongside Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production and Janine Jackowski and Jonas Dornbach for Komplizen Film.
- 5/21/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Maika Monroe and Nicolas Cage star in summer horror movie Longlegs, and a full trailer for the film has landed. Here…
We reported last week that the full trailer for Osgood Perkins’ Longlegs had emerged in US cinemas and made its way onto social media. Well, US distibutor Neon has now released the full trailer online and it seems to differ from the one that leaked on social media.
Take a look at the full trailer below:
Well, that was rather creepy. Osgood Perkins has been creating a steady reputation as the master of dread with his previous films, but Longlegs looks like it takes that creep-factor to a whole new level.
Nicolas Cage is said to be playing the titular serial killer that Maika Monroe’s FBI agent is hunting and we certainly hear him in the trailer, but we haven’t actually got a look of him yet.
We reported last week that the full trailer for Osgood Perkins’ Longlegs had emerged in US cinemas and made its way onto social media. Well, US distibutor Neon has now released the full trailer online and it seems to differ from the one that leaked on social media.
Take a look at the full trailer below:
Well, that was rather creepy. Osgood Perkins has been creating a steady reputation as the master of dread with his previous films, but Longlegs looks like it takes that creep-factor to a whole new level.
Nicolas Cage is said to be playing the titular serial killer that Maika Monroe’s FBI agent is hunting and we certainly hear him in the trailer, but we haven’t actually got a look of him yet.
- 5/21/2024
- by Simon Brew
- Film Stories
Amid a generally positive market the familiar gripe of high asking prices has sent a clear message that buyers and sellers are finding it increasingly tough to reconcile their respective financial models.
The tension remains particularly acute on A-list market packages, where independent producers have fought (and paid) to attract and hold on to talent in a post-strike world where hefty offers from studios and streamers, driven by talent agents, have been hard to resist.
The ripple effect has forced sales agents to push up their asks in order to recoup financiers’ investments. Sales estimates set more than a year ago,...
The tension remains particularly acute on A-list market packages, where independent producers have fought (and paid) to attract and hold on to talent in a post-strike world where hefty offers from studios and streamers, driven by talent agents, have been hard to resist.
The ripple effect has forced sales agents to push up their asks in order to recoup financiers’ investments. Sales estimates set more than a year ago,...
- 5/21/2024
- ScreenDaily
Nicolas Cage is one of the most respected and talented actors in Hollywood. His works have become ingrained in the very fabric of cinema, establishing him as a true legend. A lot of his success can be credited to his diversity as an actor, being able to star in any genre under the sun. From action to romance, science fiction to drama, no classification is too caging for him.
Nicolas Cage and Pedro Pascal in The Unbearable Weight of Massive Talent
Despite this, there is still one beloved genre the actor has been absent from; horror. While he has been in some memorable films, they always tie in with other genres like comedy or thrillers. Serious supernatural films are rarely seen from Cage. That was, until now.
Nicolas Cage’s New Film Is Bone-Chilling
The trailer for Nicolas Cage’s upcoming film, Longlegs, was recently released, and it is safe...
Nicolas Cage and Pedro Pascal in The Unbearable Weight of Massive Talent
Despite this, there is still one beloved genre the actor has been absent from; horror. While he has been in some memorable films, they always tie in with other genres like comedy or thrillers. Serious supernatural films are rarely seen from Cage. That was, until now.
Nicolas Cage’s New Film Is Bone-Chilling
The trailer for Nicolas Cage’s upcoming film, Longlegs, was recently released, and it is safe...
- 5/20/2024
- by Ananya Godboley
- FandomWire
As far as individual authors go, Stephen King is certainly in the top of the list of authors whose works have been adapted. He is right there with Agatha Christie, Edgar Allan Poe, Arthur Conan Doyle, and other authors whose works have been adapted often and in many forms. But unlike the aforementioned authors, King’s adaptations are usually original, while the other authors have seen their works adapted and remade more than once. In light of that fact, we can confirm that King’s story, “The Monkey,” had been adapted into a film this spring and the movie was presented to buyers at Cannes this year!
Knowing how popular King’s adaptations are, it was a sure thing that someone would buy the movie, and as it happens, Neon managed to nab the distribution rights for the upcoming movie and they have confirmed that a 2025 release date is currently planned.
Knowing how popular King’s adaptations are, it was a sure thing that someone would buy the movie, and as it happens, Neon managed to nab the distribution rights for the upcoming movie and they have confirmed that a 2025 release date is currently planned.
- 5/19/2024
- by Arthur S. Poe
- Fiction Horizon
Mubi has secured a multi-territory deal for Magnus von Horn’s The Girl With The Needle, which premiered in Competition at Cannes earlier this week.
The arthouse distributor, producer and streamer has picked up rights for North America, UK-Ireland, Latin America, Germany, Austria, Italy, Turkey and India. International sales of the film are handled by Mubi-owned The Match Factory, which is working on deals for further territories.
It marks Mubi’s third acquisition of titles competing for this year’s Palme d’Or after picking up worldwide rights to Coralie Fargeat’s body horror The Substance and UK rights to Andrea Arnold’s Bird,...
The arthouse distributor, producer and streamer has picked up rights for North America, UK-Ireland, Latin America, Germany, Austria, Italy, Turkey and India. International sales of the film are handled by Mubi-owned The Match Factory, which is working on deals for further territories.
It marks Mubi’s third acquisition of titles competing for this year’s Palme d’Or after picking up worldwide rights to Coralie Fargeat’s body horror The Substance and UK rights to Andrea Arnold’s Bird,...
- 5/19/2024
- ScreenDaily
Raoul Peck’s life is as fascinating as his films, filled with unexpected twists and turns. From his early stints as a cab driver and journalist, to a minister of culture post in his native Haiti, to teaching, to founding his Velvet Film production shingle to his breakthrough when he earned an Oscar nomination as producer/director with the James Baldwin doc, “I Am Not Your Negro,” the common denominator is Peck’s drive to make life better through his work. “I went into film because there were things I wanted to say, to express or deconstruct,” he explained. “And there is a fight to be had about the state of the world and wherever I’m living.”
On May 20, Peck will have his third Cannes premiere with the Special Screenings doc “Ernest Cole: Lost and Found.” It chronicles the life of a South African photographer — another of Peck’s...
On May 20, Peck will have his third Cannes premiere with the Special Screenings doc “Ernest Cole: Lost and Found.” It chronicles the life of a South African photographer — another of Peck’s...
- 5/19/2024
- by Gregg Goldstein
- Variety Film + TV
The Cannes Market has responded quickly to reports of long lines to access the Palais and brought in measures to alleviate delays.
Organisers have added an extra Fast Track line at the Jetée Albert-Edouard and doubled existing entrance routes at the Main Entrance and Mediterranean Access.
The move comes after market attendees reported long lines and missed meetings during the first four days.
Cannes visitors generally acknowledge that security needs to be tight, but several have voiced their frustrations after lengthy experiences.
Ida Martins of Cologne-based Media Luna said she had “lost a lot of meetings because people cannot come in”. She added,...
Organisers have added an extra Fast Track line at the Jetée Albert-Edouard and doubled existing entrance routes at the Main Entrance and Mediterranean Access.
The move comes after market attendees reported long lines and missed meetings during the first four days.
Cannes visitors generally acknowledge that security needs to be tight, but several have voiced their frustrations after lengthy experiences.
Ida Martins of Cologne-based Media Luna said she had “lost a lot of meetings because people cannot come in”. She added,...
- 5/18/2024
- ScreenDaily
Neon has acquired the North American rights to “The Seed of the Sacred Fig,” directed by Mohammad Rasoulof. The thriller is set to premiere In Competition in Cannes on May 24, and marks Rasoulof’s first return to the Cannes Film Festival, after being barred from traveling. Neon is planning a North American theatrical release later this year.
The film — which stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani and Niousha AkhshiVardoogh — follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise.
The deal was negotiated by Neon’s VP of Acquisitions Sarah Colvin with Films Boutique / Parallel 45’s Jean-Christophe Simon and Film Boutique’s Julien Razafindranaly on behalf of the filmmakers.
The film — which stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani and Niousha AkhshiVardoogh — follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise.
The deal was negotiated by Neon’s VP of Acquisitions Sarah Colvin with Films Boutique / Parallel 45’s Jean-Christophe Simon and Film Boutique’s Julien Razafindranaly on behalf of the filmmakers.
- 5/18/2024
- by Selena Kuznikov
- Variety Film + TV
Buyers at the Cannes Market were going bananas for Stephen King adaptation The Monkey, with the bidding war eventually being won out by Neon. While no financial details were made available, Deadline reports that the studio is aiming for a 2025 release.
Filming on The Monkey – which was first published in 1980 and subsequently reprinted in the essential King short story collection Skeleton Crew – wrapped in March. Directed by Oz Perkins (son of Anthony and whose Longlegs is also being distributed by Neon), the movie is notably produced by James Wan and features a cast of Theo James, Elijah Wood, Tatiana Maslany, Sarah Levy, Rohan Campbell, Christian Convery, and Colin O’Brien.
For those unfamiliar with Stephen King’s short story, The Monkey has the following plot: “When twin brothers Hal and Bill discover their father’s old monkey toy in the attic, a series of gruesome deaths starts occurring all around them.
Filming on The Monkey – which was first published in 1980 and subsequently reprinted in the essential King short story collection Skeleton Crew – wrapped in March. Directed by Oz Perkins (son of Anthony and whose Longlegs is also being distributed by Neon), the movie is notably produced by James Wan and features a cast of Theo James, Elijah Wood, Tatiana Maslany, Sarah Levy, Rohan Campbell, Christian Convery, and Colin O’Brien.
For those unfamiliar with Stephen King’s short story, The Monkey has the following plot: “When twin brothers Hal and Bill discover their father’s old monkey toy in the attic, a series of gruesome deaths starts occurring all around them.
- 5/18/2024
- by Mathew Plale
- JoBlo.com
Neon has grabbed North American rights to The Seed of the Sacred Fig, the latest film from Iranian filmmaker Mohammad Rasoulof.
The thriller is set to debut in competition in Cannes on May 24 and marks Rasoulof’s first return to Cannes after being barred from traveling to serve on last year’s Un Certain Regard jury by Iranian officials. The film stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani, and Niousha AkhshiVardoogh. Neon has said it is planning a North American theatrical release in 2024.
The Seed of the Sacred Fig follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise. Step by step,...
The thriller is set to debut in competition in Cannes on May 24 and marks Rasoulof’s first return to Cannes after being barred from traveling to serve on last year’s Un Certain Regard jury by Iranian officials. The film stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani, and Niousha AkhshiVardoogh. Neon has said it is planning a North American theatrical release in 2024.
The Seed of the Sacred Fig follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise. Step by step,...
- 5/18/2024
- by Zac Ntim
- Deadline Film + TV
Neon has pounced in Cannes on Stephen King adaptation The Monkey in a US pre-buy based on a promo.
Osgood Perkins directs and adapted horror maestro King’s short story about estranged twin brothers who reunite to destroy a deadly monkey toy discovered in childhood.
Theo James will play the brothers in later years and Christian Convery portrays the young twins. The cast includes Tatiana Maslany and Elijah Wood.
Production recently wrapped and Neon plans a 2025 theatrical release.
James Wan and Michael Clear are peroducing for Atomic Monster, with Dave Caplan for the film’s financier C2 Motion Picture Group,...
Osgood Perkins directs and adapted horror maestro King’s short story about estranged twin brothers who reunite to destroy a deadly monkey toy discovered in childhood.
Theo James will play the brothers in later years and Christian Convery portrays the young twins. The cast includes Tatiana Maslany and Elijah Wood.
Production recently wrapped and Neon plans a 2025 theatrical release.
James Wan and Michael Clear are peroducing for Atomic Monster, with Dave Caplan for the film’s financier C2 Motion Picture Group,...
- 5/18/2024
- ScreenDaily
Exclusive: Following a multi-buyer tug of war, horror movie The Monkey, the adaptation of the Stephen King short story, is heading to Neon for domestic here at the Cannes market.
Theo James (The White Lotus) stars in the movie with Tatiana Maslany (She–Hulk: Attorney at Law), Elijah Wood (The Lord Of The Rings), Christian Convery (Sweet Tooth), Colin O’Brien (Wonka), Rohan Campbell (The Hardy Boys) and Sarah Levy (Schitt’s Creek). Osgood Perkins (Longlegs) directs and adapted the King story.
Multiple U.S. distributors came in hot for the project after its newest promo on the Croisette and we hear a deal settled in the high seven figures.
As we previously reported, the team behind the movie includes genre supremo James Wan, creator of the The Conjuring Universe and co-creator of the Saw and Insidious franchises. Filming wrapped this spring and Neon is planning a theatrical release in 2025.
In The Monkey,...
Theo James (The White Lotus) stars in the movie with Tatiana Maslany (She–Hulk: Attorney at Law), Elijah Wood (The Lord Of The Rings), Christian Convery (Sweet Tooth), Colin O’Brien (Wonka), Rohan Campbell (The Hardy Boys) and Sarah Levy (Schitt’s Creek). Osgood Perkins (Longlegs) directs and adapted the King story.
Multiple U.S. distributors came in hot for the project after its newest promo on the Croisette and we hear a deal settled in the high seven figures.
As we previously reported, the team behind the movie includes genre supremo James Wan, creator of the The Conjuring Universe and co-creator of the Saw and Insidious franchises. Filming wrapped this spring and Neon is planning a theatrical release in 2025.
In The Monkey,...
- 5/18/2024
- by Andreas Wiseman and Diana Lodderhose
- Deadline Film + TV
Babes by Pamela Adlon, co-written and starring Ilana Glazer, debuts in limited release with films by Hang Song-soo and Bertrand Bonello and docs on a controversial Venice Biennale, ground-breaking female clerics, and the Blue Angels Navy Squadron. A trio of festival favorites expand. While eyes now are on fare at Cannes — where Neon has been making high-profile moves — each week Stateside remains a test of indie film’s theatrical boundaries in a post-Covid, streaming-centric marketplace.
There have been notable hits. A24’s I Saw The TV Glow by Jane Schoenbrun is having a nice run so far as is Evil Does Not Exist — Sideshow/Janus Films’ second outing with Ryusuke Hamaguchi after Oscar-winning Drive My Car. (That 2021 Japanese film about a...
There have been notable hits. A24’s I Saw The TV Glow by Jane Schoenbrun is having a nice run so far as is Evil Does Not Exist — Sideshow/Janus Films’ second outing with Ryusuke Hamaguchi after Oscar-winning Drive My Car. (That 2021 Japanese film about a...
- 5/17/2024
- by Jill Goldsmith
- Deadline Film + TV
Léa Seydoux’s latest feature will be distributed by Neon.
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
Neon has taken North American rights to Arthur Harari’s upcoming French feature The Unknown (L’Inconnue) starring Léa Seydoux and will release the film in the US and Canada in 2026.
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé which is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé which is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
- 5/17/2024
- ScreenDaily
Neon has taken North American rights to Arthur Harari’s upcoming French feature The Unknown (L’Inconnue) starring Léa Seydoux and will release the film in the US and Canada in 2026.
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
- 5/17/2024
- ScreenDaily
Neon has picked up North American rights to The Unknown, the next feature from Anatomy of a Fall writer Arthur Harari.
Léa Seydoux is set to star in the film, which Neon has said it will release in U.S. and Canadian theaters in 2026. Harari also serves as director on the pic, which will be produced by bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
The Unknown is the third feature both written and directed by Harari. His previous feature as writer-director was 2021’s critically acclaimed Onoda: 10,000 Nights in the Jungle which opened Un Certain Regard at Cannes that year and went on to win the Best Original Screenplay César. He wrote the screenplay for Sibyl (2019), directed by Justine Triet, which was in the Official Competition at Cannes that year.
The deal was negotiated by Neon’s President of Acquisitions & Production Jeff Deutchman with producer Nicolas Anthomé...
Léa Seydoux is set to star in the film, which Neon has said it will release in U.S. and Canadian theaters in 2026. Harari also serves as director on the pic, which will be produced by bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
The Unknown is the third feature both written and directed by Harari. His previous feature as writer-director was 2021’s critically acclaimed Onoda: 10,000 Nights in the Jungle which opened Un Certain Regard at Cannes that year and went on to win the Best Original Screenplay César. He wrote the screenplay for Sibyl (2019), directed by Justine Triet, which was in the Official Competition at Cannes that year.
The deal was negotiated by Neon’s President of Acquisitions & Production Jeff Deutchman with producer Nicolas Anthomé...
- 5/17/2024
- by Zac Ntim
- Deadline Film + TV
Neon is plunging into the great unknown with Léa Seydoux and filmmaker Arthur Harari. The indie outfit has landed North American rights to The Unknown, and appropriate for its title, its logline is currently unknown.
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
- 5/17/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
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