In the post-apocalyptic nightmare of After Blue, humanity—or what’s left of it—roams a former paradise turned wasteland. The Armageddon that wrecked the Earth in some undetermined past left no machines behind, no screens, and, perhaps most conspicuously, no men. In the distant planet the human race fled to, and which writer-director Bertrand Mandico’s film is named after, “they were the first to die,” we’re warned early on: “their hairs grew inside them, and killed them.” As it was for its predecessor, The Wild Boys, After Blue is suffused in a feverish ecstasy, that wild excitement that comes from a watching one world crumble and another jutting into being from scratch, a vision of a clean slate in which everything—and everyone—can be reinvented, and every norm challenged.
At its heart is Roxy (Paula Luna Breitenfelder), a teenage girl living with her mother Zora (Elina Löwensohn...
At its heart is Roxy (Paula Luna Breitenfelder), a teenage girl living with her mother Zora (Elina Löwensohn...
- 8/10/2021
- by Leonardo Goi
- The Film Stage
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