On June 9th at the Bloor Cinema, you can catch a three-pronged program of ghastly shorts entitled The Night Shift. Part of the Cfc Worldwide Short Film Festival (running from the 5th to the 10th) and co-presented by Fantasia, it showcases the latest and gnarliest in international work, from Toronto to Estonia. The full program is below; for more on the fest, visit their site.
Dependents
Reliant on others for support and sustenance: brother, mummy, granny, zombie
Requiem For A C.H.U.D.
D: Stephen Strubbs | Canada | 2011 | 6 minutes | Fiction | Toronto Premiere
A Cannibalistic Humanoid Underground Dweller seeks retribution after a traumatic death in the family. Forget an eye for an eye…
I Am Your Grandma
D: Jillian Mayer | United States | 2011 | 1 minute | Experimental | Canadian Premiere
In the future, you get love by video. An uproarious vlog dedicated to an unborn grandchild.
Odette
D: Nicolas Bacon | Canada | 2011 | 10 minutes | Fiction | Toronto Premiere
A whiny,...
Dependents
Reliant on others for support and sustenance: brother, mummy, granny, zombie
Requiem For A C.H.U.D.
D: Stephen Strubbs | Canada | 2011 | 6 minutes | Fiction | Toronto Premiere
A Cannibalistic Humanoid Underground Dweller seeks retribution after a traumatic death in the family. Forget an eye for an eye…
I Am Your Grandma
D: Jillian Mayer | United States | 2011 | 1 minute | Experimental | Canadian Premiere
In the future, you get love by video. An uproarious vlog dedicated to an unborn grandchild.
Odette
D: Nicolas Bacon | Canada | 2011 | 10 minutes | Fiction | Toronto Premiere
A whiny,...
- 5/25/2012
- by Simon Howell
- SoundOnSight
Toronto -- British Columbia director Carl Bessai's small-town drama "Cole" grabbed the best Canadian feature trophy at the Atlantic Film Festival, which wrapped Sept. 26.
The low-budget indie, which stars Richard de Klerk as a would-be writer romancing a rich city girl, played by Kandyse McClure ("Battlestar Galactica"), bowed at the Toronto International Film Festival before shifting to Halifax on the festival circuit.
Other Atlantic festival winners include comedy writer Nathan Fielder ("Important Things With Demetri Martin") earning the Rex Tasker Documentary Award for his debut feature "Love and Cameras in America," a portrait of the 2008 U.S. presidential election.
And Christopher Ball won the Ed Higginson Cinematography Award for his camera work on Nance Ackerman's "Four Feet Up," a documentary about child poverty in rural Nova Scotia.
Also receiving hardware in Halifax was Joel MacKenzie winning for best Atlantic short film for "Super Science," and Joel MacLeod and Adam...
The low-budget indie, which stars Richard de Klerk as a would-be writer romancing a rich city girl, played by Kandyse McClure ("Battlestar Galactica"), bowed at the Toronto International Film Festival before shifting to Halifax on the festival circuit.
Other Atlantic festival winners include comedy writer Nathan Fielder ("Important Things With Demetri Martin") earning the Rex Tasker Documentary Award for his debut feature "Love and Cameras in America," a portrait of the 2008 U.S. presidential election.
And Christopher Ball won the Ed Higginson Cinematography Award for his camera work on Nance Ackerman's "Four Feet Up," a documentary about child poverty in rural Nova Scotia.
Also receiving hardware in Halifax was Joel MacKenzie winning for best Atlantic short film for "Super Science," and Joel MacLeod and Adam...
- 9/27/2009
- by By Etan Vlessing
- The Hollywood Reporter - Movie News
CANNES -- Blood seeps from beneath a locked door at a comfortable suburban Australian high school and the question of what happened and who is inside is answered in flashbacks in Murali K. Thalluri's gripping "2:37".
The focus is on seven youngsters of various types from the hunky jock with his pretty but needy girlfriend, a brother and sister whose lives are made tense by an overbearing father, a gay dope-smoker, a kid with a bladder problem, and a sweet-faced people pleaser.
Their stories are revealed in well-staged scenes interspersed with one-off interviews as each student tells about life in school from his or her perspective. The sense that one of them has committed suicide grows through the film as each one's problems are revealed. Thalluri was 20 years old when he made the picture and being not long out of high school has perhaps helped him craft such an absorbing drama.
The stories of each of the youngsters lean towards the melodramatic and the notion that everyone in the school has a story like theirs is pretty scary. But the young actors are believable -- Teressa Palmer and Frank Sweet as the tense siblings; Sam Harris as the athlete and Marni Spilane as his girlfriend; Joel Mackenzie as the picked-upon gay; Charles Baird as the patient boy with a faulty urethra; and Clementine Mellor as a girl who's always willing to help others.
The buzz of school life can easily obscure alienation and loneliness,
the film observes, and if its depiction is a little too pat, it's nonetheless worthwhile.
The focus is on seven youngsters of various types from the hunky jock with his pretty but needy girlfriend, a brother and sister whose lives are made tense by an overbearing father, a gay dope-smoker, a kid with a bladder problem, and a sweet-faced people pleaser.
Their stories are revealed in well-staged scenes interspersed with one-off interviews as each student tells about life in school from his or her perspective. The sense that one of them has committed suicide grows through the film as each one's problems are revealed. Thalluri was 20 years old when he made the picture and being not long out of high school has perhaps helped him craft such an absorbing drama.
The stories of each of the youngsters lean towards the melodramatic and the notion that everyone in the school has a story like theirs is pretty scary. But the young actors are believable -- Teressa Palmer and Frank Sweet as the tense siblings; Sam Harris as the athlete and Marni Spilane as his girlfriend; Joel Mackenzie as the picked-upon gay; Charles Baird as the patient boy with a faulty urethra; and Clementine Mellor as a girl who's always willing to help others.
The buzz of school life can easily obscure alienation and loneliness,
the film observes, and if its depiction is a little too pat, it's nonetheless worthwhile.
- 5/20/2006
- The Hollywood Reporter - Movie News
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