Iranian avant-garde theatre director Homayoun Ghanizadeh, after years of staging plays, decided to try his hand also at a different medium, to a maverick and pleasingly dotty result. “The Hairy Tale” (Maskharehbaz) however is not his first rendezvous with the tenth muse, as he starred in Mani Haghighi’s “The Dragon Arrives!” (2016), which screened in Berlinale’s main competition and in 2018 he directed the short movie “Irreversible”.
“A Hairy Tale” screened at the 35th Warsaw Film Festival
Ghanizadeh’s debut feature, which premiered internationally at the 35th Warsaw Film Festival where it was awarded for the script, in the catalogue description is labeled as a “black comedy”. The director skillfully juggles with dark humor paraphernalia and joins them with a dream-like convention, use of specific camera angles, CGI and color palette, drawing parallels with Jean-Pierre Jeunet. But behind the facade of entertaining form, he sneaks in the bitter observations and addresses important social issues.
“A Hairy Tale” screened at the 35th Warsaw Film Festival
Ghanizadeh’s debut feature, which premiered internationally at the 35th Warsaw Film Festival where it was awarded for the script, in the catalogue description is labeled as a “black comedy”. The director skillfully juggles with dark humor paraphernalia and joins them with a dream-like convention, use of specific camera angles, CGI and color palette, drawing parallels with Jean-Pierre Jeunet. But behind the facade of entertaining form, he sneaks in the bitter observations and addresses important social issues.
- 11/8/2019
- by Joanna Kończak
- AsianMoviePulse
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