Exclusive: A longtime passion project imagined by the late Steve McQueen has been revived.
Two decades after the iconic actor’s son Chad McQueen and family friend/Warner Bros exec Lance Sloan began development on the film Yucatan, Gareth Dunnet-Alcocer has been set as the screenwriter of the project that is now in early development at Netflix, we understand. Robert Downey Jr. and Susan Downey remain attached as producers under their Team Downey banner.
Both Netflix and Team Downey declined to comment.
McQueen’s vision involved a story about a renegade salvage expert’s search for Mayan treasure in the Yucatan Peninsula with him taking the lead. Details regarding where Dunnet-Alcocer will take the story are under wraps. Mexican writer Dunnet-Alcocer is working fresh with McQueen’s script, which was discovered years after his 1980 death as part of a collection of notebooks he left behind in a pair of trunks.
Two decades after the iconic actor’s son Chad McQueen and family friend/Warner Bros exec Lance Sloan began development on the film Yucatan, Gareth Dunnet-Alcocer has been set as the screenwriter of the project that is now in early development at Netflix, we understand. Robert Downey Jr. and Susan Downey remain attached as producers under their Team Downey banner.
Both Netflix and Team Downey declined to comment.
McQueen’s vision involved a story about a renegade salvage expert’s search for Mayan treasure in the Yucatan Peninsula with him taking the lead. Details regarding where Dunnet-Alcocer will take the story are under wraps. Mexican writer Dunnet-Alcocer is working fresh with McQueen’s script, which was discovered years after his 1980 death as part of a collection of notebooks he left behind in a pair of trunks.
- 5/10/2024
- by Rosy Cordero
- Deadline Film + TV
It was reported last month that Kathryn Bigelow had dropped out of directing an adaptation of the apocalyptic David Koepp novel “Aurora” for Netflix as new film chief Dan Lin was starting his role. But one of Lin’s first green lights will reportedly be a different Bigelow film with a similarly apocalyptic bent.
According to a report in Puck, “The Hurt Locker” director Bigelow has been tapped to direct a thriller about the White House’s real-time response efforts to an incoming ballistic missile attack on American soil. The script for the film is written by Noah Oppenheim, and the project is expected to be formally announced when Netflix hosts its Upfronts presentation to advertisers next week.
Puck also reported that despite the green light, Bigelow was “visibly annoyed” in regards to notes from Lin asking for the film to cut its budget and length. The report adds that...
According to a report in Puck, “The Hurt Locker” director Bigelow has been tapped to direct a thriller about the White House’s real-time response efforts to an incoming ballistic missile attack on American soil. The script for the film is written by Noah Oppenheim, and the project is expected to be formally announced when Netflix hosts its Upfronts presentation to advertisers next week.
Puck also reported that despite the green light, Bigelow was “visibly annoyed” in regards to notes from Lin asking for the film to cut its budget and length. The report adds that...
- 5/10/2024
- by Brian Welk
- Indiewire
Netflix believes in the power of faith-based film… and in the power of Tyler Perry.
Netflix has extended its creative deal with mega-producer Tyler Perry, in which he’s meant to write, direct, and produce films and series for the streamer, to now include faith-based movies. Perry and Netflix as part of the deal will recruit one of the original hit makers in the current wave of faith-based movies, DeVon Franklin (“Miracles from Heaven”).
Together, Franklin and Perry will produce several faith-based films for Netflix as part of a new multiyear and multi-picture first-look film deal, Netflix announced on May 6.
The first project under the deal will be “R&b,” a modern-day retelling of the story of Ruth and Boaz, one of the Bible’s iconic love stories. Set in Tennessee, “R&b” tells the story of a young woman who escapes the Atlanta music scene to care for an...
Netflix has extended its creative deal with mega-producer Tyler Perry, in which he’s meant to write, direct, and produce films and series for the streamer, to now include faith-based movies. Perry and Netflix as part of the deal will recruit one of the original hit makers in the current wave of faith-based movies, DeVon Franklin (“Miracles from Heaven”).
Together, Franklin and Perry will produce several faith-based films for Netflix as part of a new multiyear and multi-picture first-look film deal, Netflix announced on May 6.
The first project under the deal will be “R&b,” a modern-day retelling of the story of Ruth and Boaz, one of the Bible’s iconic love stories. Set in Tennessee, “R&b” tells the story of a young woman who escapes the Atlanta music scene to care for an...
- 5/6/2024
- by Brian Welk
- Indiewire
Indian auteur Sanjay Leela Bhansali (Slb) was hosted by Netflix’s co-ceo Ted Sarandos in Los Angeles for a dinner. The intimate dinner was hosted to celebrate the release of Netflix’s highly-anticipated title ‘Heeramandi: The Diamond Bazaar’, which also marks the streaming debut of Bhansali.
The two were joined by ‘SNL’ star Bill Hader, Golden Globe-winning actress Ali Wong, filmmaker J. J. Abrams, Katie McGrath (Co-CEO of Bad Robot Productions) and Dan Lin, Chairman Netflix films.
For the occasion, Slb wore his signature black kurta which he paired with a white pyjama. Ted was dressed in black shirt which he paired with denims and a pair of suede leather shoes.
‘Heeramandi: The Diamond Bazaar’ is one of the biggest bets of Netflix in recent times. The streaming show, which features an ensemble star cast tells the story of two rival courtesans and how they vow to destroy each other in order to seek revenge.
The two were joined by ‘SNL’ star Bill Hader, Golden Globe-winning actress Ali Wong, filmmaker J. J. Abrams, Katie McGrath (Co-CEO of Bad Robot Productions) and Dan Lin, Chairman Netflix films.
For the occasion, Slb wore his signature black kurta which he paired with a white pyjama. Ted was dressed in black shirt which he paired with denims and a pair of suede leather shoes.
‘Heeramandi: The Diamond Bazaar’ is one of the biggest bets of Netflix in recent times. The streaming show, which features an ensemble star cast tells the story of two rival courtesans and how they vow to destroy each other in order to seek revenge.
- 5/1/2024
- by Agency News Desk
- GlamSham
Greta Gerwig might be honouring her two-film commitment to Netflix’s planned Narnia franchise in one big lump.
Before Barbie became the phenomenon that it did last summer, Greta Gerwig had already agreed her next move: a two-film deal with Netflix to kick off the streaming platform’s latest attempt to launch a big splashy franchise, this time with a series of adaptations of Cs Lewis’ beloved Narnia books.
News of Gerwig’s deal with Netflix first emerged towards the end of 2022, a good half a year before Barbie would release to huge acclaim and transform her from a respected director of impressive indie breakouts (Ladybird) and charming literary adaptations (Little Women) into a coveted studio director of blockbuster films with mass market appeal.
To be fair to Netflix, though, the folks there managed to tie Gerwig up before the success of Barbie and as such, they find themselves with...
Before Barbie became the phenomenon that it did last summer, Greta Gerwig had already agreed her next move: a two-film deal with Netflix to kick off the streaming platform’s latest attempt to launch a big splashy franchise, this time with a series of adaptations of Cs Lewis’ beloved Narnia books.
News of Gerwig’s deal with Netflix first emerged towards the end of 2022, a good half a year before Barbie would release to huge acclaim and transform her from a respected director of impressive indie breakouts (Ladybird) and charming literary adaptations (Little Women) into a coveted studio director of blockbuster films with mass market appeal.
To be fair to Netflix, though, the folks there managed to tie Gerwig up before the success of Barbie and as such, they find themselves with...
- 4/29/2024
- by Dan Cooper
- Film Stories
Netflix is pivoting to lower-budget filmmaking projects, moving away from the high-octane big-budget action flicks, the New York Times reports. That would be a piece of great news for filmmakers as it opens up more opportunities to screen your next project on the Netflix platform.
Netflix and independent filmmaker Enough with the mega-budget projects
The story begins with Mark Wahlberg. According to Bi in 2020, Netflix paid Wahlberg a whopping $30 million to star in “Spenser Confidential,” which clocks in at 24 on the highest-paid film roles of all time. Critics panned the action thriller, an adaptation of Robert P. Barker’s 2013 novel “Wonderland.” It scored a dismal 36% on Rotten Tomatoes despite the hefty investment. That caused some turbulence in the screening giant, in which Netflix’s previous film chief, Scott Stuber, left the company in January following clashes with bosses over what kinds of films to produce. Before Stuber’s exit, Netflix...
Netflix and independent filmmaker Enough with the mega-budget projects
The story begins with Mark Wahlberg. According to Bi in 2020, Netflix paid Wahlberg a whopping $30 million to star in “Spenser Confidential,” which clocks in at 24 on the highest-paid film roles of all time. Critics panned the action thriller, an adaptation of Robert P. Barker’s 2013 novel “Wonderland.” It scored a dismal 36% on Rotten Tomatoes despite the hefty investment. That caused some turbulence in the screening giant, in which Netflix’s previous film chief, Scott Stuber, left the company in January following clashes with bosses over what kinds of films to produce. Before Stuber’s exit, Netflix...
- 4/28/2024
- by Yossy Mendelovich
- YMCinema
Exclusive: Netflix’s new feature Boss Dan Lin has tapped former DreamWorks Animation and Coyote Vs. Acme producer Chris deFaria to consult for the streamer’s animation department, we hear on very good authority.
Lin and deFaria worked together on the mega success of The Lego Movie when the duo were at Warners. Essentially, what is being sorted at Netflix is how to eventize their animation movies more. The streamer, together with Annapurna, saved the Blue Sky axed Disney LGBTQ+ movie Nimona, a casualty of the Disney-Fox merger; the pic wound up getting an Oscar nomination for Animated Feature.
Animation reports into Lin. Karen Toliver serves as VP of Animated Film.
At Warners deFaria worked as the president of Animation and Innovative Technology. He held that position for four years between 2013 and 2017, which included co-oversight of the studio’s Warner Animation Group. While at Warners, deFaria’s credits included Man of Steel,...
Lin and deFaria worked together on the mega success of The Lego Movie when the duo were at Warners. Essentially, what is being sorted at Netflix is how to eventize their animation movies more. The streamer, together with Annapurna, saved the Blue Sky axed Disney LGBTQ+ movie Nimona, a casualty of the Disney-Fox merger; the pic wound up getting an Oscar nomination for Animated Feature.
Animation reports into Lin. Karen Toliver serves as VP of Animated Film.
At Warners deFaria worked as the president of Animation and Innovative Technology. He held that position for four years between 2013 and 2017, which included co-oversight of the studio’s Warner Animation Group. While at Warners, deFaria’s credits included Man of Steel,...
- 4/25/2024
- by Anthony D'Alessandro
- Deadline Film + TV
The Netflix computer turned down the idea of making A Knight’s Tale 2, according to director Brian Helgeland.
Well, we haven’t quite reached the future dystopian hellscape promised by 1991’s Terminator 2: Judgment Day yet. However, when we do – and the human race is fighting for its life against sentient AIs hellbent on our destruction – this day may seem like a key step in that direction.
According to Brian Helgeland, the director of 2001’s A Knight’s Tale, Netflix passed on making a sequel to his movie because its algorithm told executives that the film wouldn’t be a success.
Oh dear. Assuming this story is true, it marks another depressing step in the surrendering of our creative powers on the altar of technology.
We’ve known that such practices have been in play for years now – Warner Bros confirmed back in 2020 that it was using AI to make decisions...
Well, we haven’t quite reached the future dystopian hellscape promised by 1991’s Terminator 2: Judgment Day yet. However, when we do – and the human race is fighting for its life against sentient AIs hellbent on our destruction – this day may seem like a key step in that direction.
According to Brian Helgeland, the director of 2001’s A Knight’s Tale, Netflix passed on making a sequel to his movie because its algorithm told executives that the film wouldn’t be a success.
Oh dear. Assuming this story is true, it marks another depressing step in the surrendering of our creative powers on the altar of technology.
We’ve known that such practices have been in play for years now – Warner Bros confirmed back in 2020 that it was using AI to make decisions...
- 4/23/2024
- by Dan Cooper
- Film Stories
Steven Yeun, Darren Criss and Dan Lin, chairman of Netflix Film and founder and board chair of Rideback Rise, are slated to speak at The Asian American Foundation’s third annual Heritage Month Summit, which takes place May 2-3 in New York City.
The year’s theme is “Together We Build Power,” putting focus on the power of community and public service within the Aanhpi community, and how it can aid in tackling the root causes of hate and discrimination against AANHPIs.
Over the two day event, almost 1,000 attendees will participate in panels about trends in hate and extremism, civil rights and Aanhpi representation. Programming at the summit includes fireside chats with former associate Attorney General Vanita Gupta; discussions of issues facing the Aanhpi community, including hate and extremism, Aanhpi education and representation in sports led by CBS news correspondent Weijia Jiang, podcast host Pablo Torre and television host Katie Phang...
The year’s theme is “Together We Build Power,” putting focus on the power of community and public service within the Aanhpi community, and how it can aid in tackling the root causes of hate and discrimination against AANHPIs.
Over the two day event, almost 1,000 attendees will participate in panels about trends in hate and extremism, civil rights and Aanhpi representation. Programming at the summit includes fireside chats with former associate Attorney General Vanita Gupta; discussions of issues facing the Aanhpi community, including hate and extremism, Aanhpi education and representation in sports led by CBS news correspondent Weijia Jiang, podcast host Pablo Torre and television host Katie Phang...
- 4/22/2024
- by Jack Dunn
- Variety Film + TV
[The following story contains spoilers for Rebel Moon — Part Two: The Scargiver.]
Zack Snyder knows the intricate future of his Rebel Moon universe, and now it’s up to the audience to make sure that Netflix leadership feels the demand to bring as many as four more movies to fruition.
Between today’s release of Rebel Moon — Part Two: The Scargiver and this summer’s R-rated director’s cuts of Part One and Two, Netflix subscribers will have plenty of opportunities to impose their will on the streamer, but currently, the situation is up in the air now that Snyder is caught up in an all-too-familiar regime change. Gone is the director’s longtime collaborator Scott Stuber, and with Dan Lin now taking the reins from Stuber as Netflix’s new film chief, it’s anyone’s guess as to how things will unfold.
“As they do their reshuffling, I’m just not sure what they intend. We 100 percent know where the movies go and everything,...
Zack Snyder knows the intricate future of his Rebel Moon universe, and now it’s up to the audience to make sure that Netflix leadership feels the demand to bring as many as four more movies to fruition.
Between today’s release of Rebel Moon — Part Two: The Scargiver and this summer’s R-rated director’s cuts of Part One and Two, Netflix subscribers will have plenty of opportunities to impose their will on the streamer, but currently, the situation is up in the air now that Snyder is caught up in an all-too-familiar regime change. Gone is the director’s longtime collaborator Scott Stuber, and with Dan Lin now taking the reins from Stuber as Netflix’s new film chief, it’s anyone’s guess as to how things will unfold.
“As they do their reshuffling, I’m just not sure what they intend. We 100 percent know where the movies go and everything,...
- 4/19/2024
- by Brian Davids
- The Hollywood Reporter - Movie News
I never liked Tom Ripley but I keep meeting him.
I’ve “met” Ripley in five films, and he’s now the protagonist of a somber eight-part Netflix series. So filmmakers clearly find his character intriguing. Even though he has no character.
That, in itself, reminds me that Hollywood is suffering the same problem as Washington: an absence of vital young protagonists. Voters are confronted by an election that’s really a rerun, likely opened by a debate no one wants to witness.
In filmmaking, the worldwide success of Oppenheimer told us that a complex story becomes more interesting if it’s also about someone interesting. Yet movies with vibrant young protagonists seem to be losing their moment.
Dan Lin, the new chief of film at Netflix, confides a desire — since rebutted by Ted Sarandos on Thursday’s Q1 earnings call — to steer away from mindless mega-budget action films like...
I’ve “met” Ripley in five films, and he’s now the protagonist of a somber eight-part Netflix series. So filmmakers clearly find his character intriguing. Even though he has no character.
That, in itself, reminds me that Hollywood is suffering the same problem as Washington: an absence of vital young protagonists. Voters are confronted by an election that’s really a rerun, likely opened by a debate no one wants to witness.
In filmmaking, the worldwide success of Oppenheimer told us that a complex story becomes more interesting if it’s also about someone interesting. Yet movies with vibrant young protagonists seem to be losing their moment.
Dan Lin, the new chief of film at Netflix, confides a desire — since rebutted by Ted Sarandos on Thursday’s Q1 earnings call — to steer away from mindless mega-budget action films like...
- 4/19/2024
- by Peter Bart
- Deadline Film + TV
Netflix co-ceo Ted Sarandos has pushed back against a recent press report and said Netflix would not be reducing the number or quality of its features under new film head Dan Lin.
“There is no appetite to make fewer films,” Sarandos told a first quarter earnings call after an analyst asked about a recent article in The New York Times which said Lin would make “better, cheaper and less frequent” films.
The executive noted neither Lin nor any Netflix executive had taken part in the article, adding: “ut there is an unlimited appetite to make better films, always, even though...
“There is no appetite to make fewer films,” Sarandos told a first quarter earnings call after an analyst asked about a recent article in The New York Times which said Lin would make “better, cheaper and less frequent” films.
The executive noted neither Lin nor any Netflix executive had taken part in the article, adding: “ut there is an unlimited appetite to make better films, always, even though...
- 4/18/2024
- ScreenDaily
As Netflix’s new film chief, Dan Lin’s mandate is to focus on quality — and quantity.
Netflix’s co-ceo Ted Sarandos shed light on Lin’s strategy as the producer takes over film duties from Scott Stuber, who announced in January he was leaving the streamer.
“There is no appetite to make fewer films, but there is an unlimited appetite to make better films, always,” Sarandos said during the company’s Q1 earnings call. “Even though we have made, and we are making, great films. We want to make them better, of course.”
He was responding to a recent New York Times article, which reported that Lin aims to “improve the quality of the movies and produce a wider spectrum of films — at different budget levels — the better to appeal to the varied interests of Netflix’s 260 million subscribers.”
Though Sarandos mostly echoed those sentiments, he made a point...
Netflix’s co-ceo Ted Sarandos shed light on Lin’s strategy as the producer takes over film duties from Scott Stuber, who announced in January he was leaving the streamer.
“There is no appetite to make fewer films, but there is an unlimited appetite to make better films, always,” Sarandos said during the company’s Q1 earnings call. “Even though we have made, and we are making, great films. We want to make them better, of course.”
He was responding to a recent New York Times article, which reported that Lin aims to “improve the quality of the movies and produce a wider spectrum of films — at different budget levels — the better to appeal to the varied interests of Netflix’s 260 million subscribers.”
Though Sarandos mostly echoed those sentiments, he made a point...
- 4/18/2024
- by Rebecca Rubin
- Variety Film + TV
Netflix Co-CEO Ted Sarandos says “there’s no appetite to make fewer films” at the streamer under the new film chief Dan Lin, disputing a recent New York Times article that said Netflix would move forward valuing quality over quantity and audience engagement over auteurs.
Sarandos on Thursday’s Netflix Q1 earnings call responded to a piece this week in the New York Times that said “the aim is to make Netflix’s movies better, cheaper and less frequent.”
“That was not a quote from Dan, and I would say that nor did we participate in that article. There is no appetite to make fewer films,” Sarandos responded. “But there is an unlimited appetite to make better films always, even though we have made and are making great films, we want to make them better of course.”
Lin joined Netflix at the start of April to replace Scott Stuber, who...
Sarandos on Thursday’s Netflix Q1 earnings call responded to a piece this week in the New York Times that said “the aim is to make Netflix’s movies better, cheaper and less frequent.”
“That was not a quote from Dan, and I would say that nor did we participate in that article. There is no appetite to make fewer films,” Sarandos responded. “But there is an unlimited appetite to make better films always, even though we have made and are making great films, we want to make them better of course.”
Lin joined Netflix at the start of April to replace Scott Stuber, who...
- 4/18/2024
- by Brian Welk
- Indiewire
With Aladdin producer Dan Lin taking over film leadership at Netflix from Scott Stuber, there will still be a commitment to a robust feature slate. Such were the statements from the streamer’s co-ceo on Thursday during the company’s call to discuss its Q1 earnings report.
Fielding a question from analyst Richard Greenfield about a New York Times report that characterized Lin’s mandate was to make movies at Netflix “better, cheaper and less frequent” and how such a formula is possible, Netflix’s Ted Sarandos responded, “We did not participate in that article.”
Sarandos added, “That’s not a quote from Dan.”
“There’s no appetite to make fewer films,” said Sarandos, whose company release some 50 original features last year alone, with some previous-year tentpoles costing the studio north of $200 million including the Russo Brothers’ The Gray Man, and prestige pics like Noah Baumbach’s White Noise as much as $140M.
Fielding a question from analyst Richard Greenfield about a New York Times report that characterized Lin’s mandate was to make movies at Netflix “better, cheaper and less frequent” and how such a formula is possible, Netflix’s Ted Sarandos responded, “We did not participate in that article.”
Sarandos added, “That’s not a quote from Dan.”
“There’s no appetite to make fewer films,” said Sarandos, whose company release some 50 original features last year alone, with some previous-year tentpoles costing the studio north of $200 million including the Russo Brothers’ The Gray Man, and prestige pics like Noah Baumbach’s White Noise as much as $140M.
- 4/18/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Netflix added 9.33 million subscribers in the first quarter of 2024, for which Wall Street had anticipated 4.9 million net adds. That’s a legit wow, as is Netflix’s new grand total of 269.60 million global paid subscribers.
Sure, Netflix added more than 13 million subs in the prior quarter, but in the last Q1, the company added fewer than 2 million subscribers. Things have been going very well for Netflix as of late. A year ago, shares in Netflix (Nflx) traded around $331; today, they closed at $611.15. After hours, the Nflx share price declined due to the company’s Q2 earnings forecasts not burning as bright.
And perhaps this also didn’t help: Next year, Netflix is making some major changes to how it reports its membership. The company said in today’s shareholder letter it will no longer report its subscriber tally on a quarterly basis, rather it will just announce “major subscriber milestones” as it crosses them.
Sure, Netflix added more than 13 million subs in the prior quarter, but in the last Q1, the company added fewer than 2 million subscribers. Things have been going very well for Netflix as of late. A year ago, shares in Netflix (Nflx) traded around $331; today, they closed at $611.15. After hours, the Nflx share price declined due to the company’s Q2 earnings forecasts not burning as bright.
And perhaps this also didn’t help: Next year, Netflix is making some major changes to how it reports its membership. The company said in today’s shareholder letter it will no longer report its subscriber tally on a quarterly basis, rather it will just announce “major subscriber milestones” as it crosses them.
- 4/18/2024
- by Tony Maglio
- Indiewire
Netflix has reportedly dropped Kathryn Bigelow’s upcoming project based on David Koepp’s 2022 novel Aurora. The project was initially announced ahead of Koepp’s book release with Bigelow making her directorial return after the 2017 crime drama Detroit. The filmmaker is celebrated for her work on movies like The Hurt Locker and Zero Dark Thirty and has also been the first woman to win a Best Directing Oscar.
Kathryn Bigelow (Image via Wikimedia Commons)
However, recent reports have revealed that the streaming giant has decided not to move forward with the film following Bigelow’s exit, as it shifts its focus toward projects aimed at capturing a vast audience.
Netflix Is No Longer Moving Forward With Kathryn Bigelow’s Aurora Adaptation
A new report from The New York Times has revealed that the streaming giant Netflix has abandoned the film based on David Koepp’s 2022 novel Aurora. The film was...
Kathryn Bigelow (Image via Wikimedia Commons)
However, recent reports have revealed that the streaming giant has decided not to move forward with the film following Bigelow’s exit, as it shifts its focus toward projects aimed at capturing a vast audience.
Netflix Is No Longer Moving Forward With Kathryn Bigelow’s Aurora Adaptation
A new report from The New York Times has revealed that the streaming giant Netflix has abandoned the film based on David Koepp’s 2022 novel Aurora. The film was...
- 4/16/2024
- by Laxmi Rajput
- FandomWire
Netflix has made a strategic change following the end of the tenure of Scott Stuber as Netflix film chief, with Dan Lin taking over to alter the scenario in the film department. The very idea of it means a lot to filmmakers and stars for Netflix originals.
Millie Bobby Brown in Damsel
Millie Bobby Brown, who claimed global fandom with Netflix original show, Stranger Things has appeared in several other projects for the studio. But under Lin’s new tenure, the actor gets the short end of the stick. The strategic change in the studio means a lot of different things, especially in content production and cinematic adaptation.
Dan Lin Vows To Make Netflix Different
Dan Lin. Credit: Wikimedia Commons
With Dan Lin as the next film chief, the studio is set to witness quite a change in the film department, including strategies and production. A report from The New...
Millie Bobby Brown in Damsel
Millie Bobby Brown, who claimed global fandom with Netflix original show, Stranger Things has appeared in several other projects for the studio. But under Lin’s new tenure, the actor gets the short end of the stick. The strategic change in the studio means a lot of different things, especially in content production and cinematic adaptation.
Dan Lin Vows To Make Netflix Different
Dan Lin. Credit: Wikimedia Commons
With Dan Lin as the next film chief, the studio is set to witness quite a change in the film department, including strategies and production. A report from The New...
- 4/16/2024
- by Lachit Roy
- FandomWire
Under Netflix’s new head of film, auteur-driven projects are said to be very much out of favour: Kathryn Bigelow’s Aurora included.
Just a couple of weeks ago, we covered a report which suggested that Dan Lin, the new head of Netflix’s film division, would be looking to scale back the company’s commitment to high-budget films. Expensive movies like The Gray Man, Red Notice or Rebel Moon would be a thing of the past and the film division would instead focus its resources on mid-budget projects.
So far though, the only projects about that aren’t getting a green light seem to be the ones being led by auteur filmmakers.
David Lynch revealed last week that Netflix had rejected his pitch for a feature-length animation while it has emerged today that Aurora – a Kathryn Bigelow project that has been in the works for a while at Netflix...
Just a couple of weeks ago, we covered a report which suggested that Dan Lin, the new head of Netflix’s film division, would be looking to scale back the company’s commitment to high-budget films. Expensive movies like The Gray Man, Red Notice or Rebel Moon would be a thing of the past and the film division would instead focus its resources on mid-budget projects.
So far though, the only projects about that aren’t getting a green light seem to be the ones being led by auteur filmmakers.
David Lynch revealed last week that Netflix had rejected his pitch for a feature-length animation while it has emerged today that Aurora – a Kathryn Bigelow project that has been in the works for a while at Netflix...
- 4/16/2024
- by Dan Cooper
- Film Stories
Netflix is getting ready to kick off the first-quarter 2024 earnings season for Hollywood on April 18, and the momentum of its subscriber growth, advertising tier and password-sharing crackdown will be among the focus areas for investors and Wall Street analysts.
Investors will also keep an ear out for possible commentary on content strategy, including a film division reorganization under new head Dan Lin. Sources have told The Hollywood Reporter that the features division will now be split up by genre — such as sci-fi, rom-com and faith-based. Among Netflix’s first-quarter originals were such series as 3 Body Problem and Avatar: The Last Airbender, and such films as Damsel and Spaceman.
The company’s stock has been on the upswing so far in 2024, gaining 30 percent year-to-date through Monday to close at $607.15, compared to a 6.7 percent gain in the broad-based S&P 500 stock index. However, several analysts have boosted their stock price targets...
Investors will also keep an ear out for possible commentary on content strategy, including a film division reorganization under new head Dan Lin. Sources have told The Hollywood Reporter that the features division will now be split up by genre — such as sci-fi, rom-com and faith-based. Among Netflix’s first-quarter originals were such series as 3 Body Problem and Avatar: The Last Airbender, and such films as Damsel and Spaceman.
The company’s stock has been on the upswing so far in 2024, gaining 30 percent year-to-date through Monday to close at $607.15, compared to a 6.7 percent gain in the broad-based S&P 500 stock index. However, several analysts have boosted their stock price targets...
- 4/15/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
With stock shares climbing to a staggering $618, Netflix Inc.’s film division is undergoing a reorganization under the leadership of new head, Dan Lin, dividing films by genre, including sci-fi, rom-com and faith-based:
“…this strategic move, involves collaboration between Lin, Chief Content Officer Bela Bajaria, the film department heads, and external partners. The reorganization reflects Lin’s vision for the streaming giant, marking his influence since officially joining Netflix April 1, 2024.
“Under the revamped structure, Ori Marmur will be responsible for action, fantasy, horror and sci-fi films, with Kira Goldberg responsible for thrillers, dramas, and family movies.
“Niija Kuykendall will manage faith-based, young adult and holiday films, while Jason Young will focus on comedies and rom-coms.”
Click the images to enlarge…...
“…this strategic move, involves collaboration between Lin, Chief Content Officer Bela Bajaria, the film department heads, and external partners. The reorganization reflects Lin’s vision for the streaming giant, marking his influence since officially joining Netflix April 1, 2024.
“Under the revamped structure, Ori Marmur will be responsible for action, fantasy, horror and sci-fi films, with Kira Goldberg responsible for thrillers, dramas, and family movies.
“Niija Kuykendall will manage faith-based, young adult and holiday films, while Jason Young will focus on comedies and rom-coms.”
Click the images to enlarge…...
- 4/9/2024
- by Unknown
- SneakPeek
Netflix has taken worldwide rights on the horror-thriller “Don’t Move,” a new genre entry from producer Sam Raimi.
The project is led by Kelsey Asbille, breakout on the FX anthology series “Fargo” and “Yellowstone,” alongside frequent Ryan Murphy player and “The Big Short’ star Finn Wittrock.
It follows a seasoned serial killer who injects a grieving woman with a paralytic agent while the two of them are isolated deep in the forest. As the agent gradually takes over her body, she must run, hide, and fight for her life before her entire nervous system shuts down.
Filmmaking team Brian Netto and Adam Schindler directed the film, having previously delivered the Quibi serial “50 States of Fright.” T.J. Cimfel and David White of “Intruders” wrote the script.
CAA Media Finance and Capstone brokered the deal with Netflix, whose film vertical was just taken over by veteran producer Dan Lin. The streamer...
The project is led by Kelsey Asbille, breakout on the FX anthology series “Fargo” and “Yellowstone,” alongside frequent Ryan Murphy player and “The Big Short’ star Finn Wittrock.
It follows a seasoned serial killer who injects a grieving woman with a paralytic agent while the two of them are isolated deep in the forest. As the agent gradually takes over her body, she must run, hide, and fight for her life before her entire nervous system shuts down.
Filmmaking team Brian Netto and Adam Schindler directed the film, having previously delivered the Quibi serial “50 States of Fright.” T.J. Cimfel and David White of “Intruders” wrote the script.
CAA Media Finance and Capstone brokered the deal with Netflix, whose film vertical was just taken over by veteran producer Dan Lin. The streamer...
- 4/9/2024
- by Matt Donnelly
- Variety Film + TV
The Netflix film operation under new head Dan Lin has been reorganised into four silos in a move which Screen understands has impacted 12 staffers.
Ori Marmur will preside over action, fantasy, horror and sci-fi; Kira Goldberg will oversee thrillers, dramas, and family titles; Niija Kuykendall will take charge of faith-based, young adult, and holiday features; and Jason Young will oversee comedies and rom-coms.
Lin started in his new job as chairman of Netflix film on April 1, reporting to chief content officer Bela Bajaria.
He succeeded Scott Stuber, who is setting up his own venture and is producing the Bruce Springsteen feature Deliver Me From Nowhere.
Ori Marmur will preside over action, fantasy, horror and sci-fi; Kira Goldberg will oversee thrillers, dramas, and family titles; Niija Kuykendall will take charge of faith-based, young adult, and holiday features; and Jason Young will oversee comedies and rom-coms.
Lin started in his new job as chairman of Netflix film on April 1, reporting to chief content officer Bela Bajaria.
He succeeded Scott Stuber, who is setting up his own venture and is producing the Bruce Springsteen feature Deliver Me From Nowhere.
- 4/8/2024
- ScreenDaily
Dan Lin has only been in the new Netflix film chief role for a little over a week, but he’s already making his mark.
Netflix has under gone a reorg under Lin, who took over on April 1 from Scott Stuber, and the existing executives on the feature film team will now be divided based on genre, IndieWire has learned. Each of the different film team leaders will split up a few genres a piece.
Here’s how it breaks down: Ori Marmur gets action, fantasy, horror, and sci-fi movies. Kira Goldberg gets thrillers, dramas, and family films. Niija Kuykendall gets faith-based, young adult, and holiday movies, and Jason Young gets comedies and rom-coms. As a result of the changes, about a dozen individuals from the film team are being laid off, which isn’t uncommon when a new boss comes in.
How does this structure differ from what came before?...
Netflix has under gone a reorg under Lin, who took over on April 1 from Scott Stuber, and the existing executives on the feature film team will now be divided based on genre, IndieWire has learned. Each of the different film team leaders will split up a few genres a piece.
Here’s how it breaks down: Ori Marmur gets action, fantasy, horror, and sci-fi movies. Kira Goldberg gets thrillers, dramas, and family films. Niija Kuykendall gets faith-based, young adult, and holiday movies, and Jason Young gets comedies and rom-coms. As a result of the changes, about a dozen individuals from the film team are being laid off, which isn’t uncommon when a new boss comes in.
How does this structure differ from what came before?...
- 4/8/2024
- by Brian Welk
- Indiewire
Netflix’s film division is being reorganized under new film chief Dan Lin.
While about 15 staffers are being let go, the reorganization does not represent a reduction in force — Lin will replace the departing executives in the coming weeks as part of his new vision for his group, which will now be split up by genre.
Included in that new regime are Ori Marmur, who will oversee action, fantasy, horror and sci-fi, Kira Goldberg, who will handle dramas, thrillers and family films, Niija Kuykendall on faith-based, holiday and young adult projects, and Jason Young overseeing comedies and rom-coms.
Lin only took his desk at the streamer a week ago, but has had nearly a month to ponder what the operation should look like. He was named as the streaming behemoth’s new film head in February, replacing Scott Stuber and reporting to chief content officer Bela Bajaria.
Lin and Netflix...
While about 15 staffers are being let go, the reorganization does not represent a reduction in force — Lin will replace the departing executives in the coming weeks as part of his new vision for his group, which will now be split up by genre.
Included in that new regime are Ori Marmur, who will oversee action, fantasy, horror and sci-fi, Kira Goldberg, who will handle dramas, thrillers and family films, Niija Kuykendall on faith-based, holiday and young adult projects, and Jason Young overseeing comedies and rom-coms.
Lin only took his desk at the streamer a week ago, but has had nearly a month to ponder what the operation should look like. He was named as the streaming behemoth’s new film head in February, replacing Scott Stuber and reporting to chief content officer Bela Bajaria.
Lin and Netflix...
- 4/8/2024
- by Katcy Stephan
- Variety Film + TV
Exclusive: A major restructure is underway at Netflix as Deadline is hearing 15 people will be laid off as the company begins a reorganization of its film department. No names were given as to who would be let go, and sources say Netflix could potentially restock with new names, but insiders say new film studio chief Dan Lin delivered the news Monday morning.
The restructuring comes following the news last month that Lin would be replacing Scott Stuber as the head of the film division. Stuber said at the top of the year he would be leaving the post, and Netflix moved quickly to fill the position.
Under the new structure, Ori Marmur will be on action, fantasy, horror and sci-fi titles, while Kira Goldberg will oversee thrillers, dramas and family films. Niija Kuykendall will handle faith-based, young adult and holiday offerings, and Jason Young will oversee comedies and rom-coms.
Insiders...
The restructuring comes following the news last month that Lin would be replacing Scott Stuber as the head of the film division. Stuber said at the top of the year he would be leaving the post, and Netflix moved quickly to fill the position.
Under the new structure, Ori Marmur will be on action, fantasy, horror and sci-fi titles, while Kira Goldberg will oversee thrillers, dramas and family films. Niija Kuykendall will handle faith-based, young adult and holiday offerings, and Jason Young will oversee comedies and rom-coms.
Insiders...
- 4/8/2024
- by Justin Kroll and Mike Fleming Jr
- Deadline Film + TV
Netflix’s film division is getting a reorg under new head Dan Lin.
Several sources tell The Hollywood Reporter that the features division at the streaming service will now be split up by genre — such as sci-fi, rom-com and faith-based. While Lin officially started his Netflix tenure April 1, sources note that the reorg has been in the works for over a month, with Lin consulting with chief content officer Bela Bajaria, the streamer’s film heads and outside partners.
Under the new structure, Ori Marmur will oversee action, fantasy, horror and sci-fi titles, while Kira Goldberg will handle thrillers, dramas and family films. Niija Kuykendall will oversee faith-based, young adult and holiday offerings, while Jason Young will handle comedies and rom-coms.
As a part of the restructuring, there will also be some departures, with a source noting the number will be around one dozen, but that number could change.
Netflix...
Several sources tell The Hollywood Reporter that the features division at the streaming service will now be split up by genre — such as sci-fi, rom-com and faith-based. While Lin officially started his Netflix tenure April 1, sources note that the reorg has been in the works for over a month, with Lin consulting with chief content officer Bela Bajaria, the streamer’s film heads and outside partners.
Under the new structure, Ori Marmur will oversee action, fantasy, horror and sci-fi titles, while Kira Goldberg will handle thrillers, dramas and family films. Niija Kuykendall will oversee faith-based, young adult and holiday offerings, while Jason Young will handle comedies and rom-coms.
As a part of the restructuring, there will also be some departures, with a source noting the number will be around one dozen, but that number could change.
Netflix...
- 4/8/2024
- by Mia Galuppo and Borys Kit
- The Hollywood Reporter - Movie News
Netflix’s live-action “Avatar: The Last Airbender” series is undergoing a change in leadership.
Variety has learned that Albert Kim, who developed the series and served as showrunner on Season 1, is stepping down. Christine Boylan and Jabbar Raisani will lead the show as executive producers going forward. Netflix has already announced the show has been renewed for two more seasons, concluding with Season 3.
Boylan served as co-executive producer on Season 1 of “Last Airbender,” while Raisani was an executive producer, director, and a VFX supervisor. Kim will remain onboard as an executive producer for Seasons 2 and 3. According to an individual with knowledge of the situation, Kim wanted to explore new opportunities following the multi-year development process on “Last Airbender” and has signed a deal with Disney to work as an executive producer on the “Percy Jackson” series while also developing new projects for that company.
Boylan’s other credits include the...
Variety has learned that Albert Kim, who developed the series and served as showrunner on Season 1, is stepping down. Christine Boylan and Jabbar Raisani will lead the show as executive producers going forward. Netflix has already announced the show has been renewed for two more seasons, concluding with Season 3.
Boylan served as co-executive producer on Season 1 of “Last Airbender,” while Raisani was an executive producer, director, and a VFX supervisor. Kim will remain onboard as an executive producer for Seasons 2 and 3. According to an individual with knowledge of the situation, Kim wanted to explore new opportunities following the multi-year development process on “Last Airbender” and has signed a deal with Disney to work as an executive producer on the “Percy Jackson” series while also developing new projects for that company.
Boylan’s other credits include the...
- 4/4/2024
- by Joe Otterson
- Variety Film + TV
Avatar: The Last Airbender is making a showrunner change.
Albert Kim, who served as showrunner and wrote the pilot for Netflix’s hit live-action adaptation anime adaptation, is moving on with Christine Boylan and Jabbar Raisani taking over leadership of the show as exec producers for seasons two and three.
Kim shepherded the show for nearly two and a half years and will remain on the show as an executive producer. He has just signed a deal with Disney to join Percy Jackson and the Olympians as an exec producer after it was renewed for a second season.
Boylan was a co-exec producer on the first season. She has previously worked as a co-exec producer on series including Citadel, Poker Face and The Punisher as well as working on series including Castle and Once Upon A Time.
Raisani was director, executive producer and a VFX supervisor on season one. He...
Albert Kim, who served as showrunner and wrote the pilot for Netflix’s hit live-action adaptation anime adaptation, is moving on with Christine Boylan and Jabbar Raisani taking over leadership of the show as exec producers for seasons two and three.
Kim shepherded the show for nearly two and a half years and will remain on the show as an executive producer. He has just signed a deal with Disney to join Percy Jackson and the Olympians as an exec producer after it was renewed for a second season.
Boylan was a co-exec producer on the first season. She has previously worked as a co-exec producer on series including Citadel, Poker Face and The Punisher as well as working on series including Castle and Once Upon A Time.
Raisani was director, executive producer and a VFX supervisor on season one. He...
- 4/4/2024
- by Peter White
- Deadline Film + TV
Avatar: The Last Airbender is heading into its second season with its third showrunner at the helm.
Showrunner Albert Kim, who replaced creators Michael Dante Dimartino and Bryan Konietzko, is also exiting the Netflix live-action series. Co-executive producer Christine Boylan and exec producer Jabbar Raisani — both of whom were hired by Kim — will take over as the drama’s third showrunners for the previously announced second and third seasons.
Sources say Kim’s intention was to lay the foundation for season one of Avatar: The Last Airbender after stepping in for the beloved franchise’s creators. Given the long turnaround time in crafting the series — Netflix ordered it in 2018, the creators left in late 2020 and the show didn’t debut until February 2024 — sources say Kim was ready to move on to new opportunities.
Kim, whose résumé include Sleepy Hollow and Leverage, will remain credited as an exec producer on Avatar: The Last Airbender...
Showrunner Albert Kim, who replaced creators Michael Dante Dimartino and Bryan Konietzko, is also exiting the Netflix live-action series. Co-executive producer Christine Boylan and exec producer Jabbar Raisani — both of whom were hired by Kim — will take over as the drama’s third showrunners for the previously announced second and third seasons.
Sources say Kim’s intention was to lay the foundation for season one of Avatar: The Last Airbender after stepping in for the beloved franchise’s creators. Given the long turnaround time in crafting the series — Netflix ordered it in 2018, the creators left in late 2020 and the show didn’t debut until February 2024 — sources say Kim was ready to move on to new opportunities.
Kim, whose résumé include Sleepy Hollow and Leverage, will remain credited as an exec producer on Avatar: The Last Airbender...
- 4/4/2024
- by Lesley Goldberg
- The Hollywood Reporter - Movie News
Hired by Netflix to succeed Scott Stuber, Hollywood producer Dan Lin (“The Departed”) began his new poster yesterday as the streaming giant’s new head of their film division.
In the report from THR, the outlet cites a blunt conversation between Lin and the streamer’s chief content officer, Bela Bajaria, before he was hired. During that chat, Lin reportedly pointed out that their “movies were not great, and the financials didn’t add up.” Bajaria was said to appreciate the producer’s honesty and then probed to see if the veteran producer would be willing to leave his company Rideback to come work for Netflix.
Continue reading Netflix’s Dan Lin Reportedly Criticized Streamer On Quality & Spending & May Want To Reduce Output at The Playlist.
In the report from THR, the outlet cites a blunt conversation between Lin and the streamer’s chief content officer, Bela Bajaria, before he was hired. During that chat, Lin reportedly pointed out that their “movies were not great, and the financials didn’t add up.” Bajaria was said to appreciate the producer’s honesty and then probed to see if the veteran producer would be willing to leave his company Rideback to come work for Netflix.
Continue reading Netflix’s Dan Lin Reportedly Criticized Streamer On Quality & Spending & May Want To Reduce Output at The Playlist.
- 4/2/2024
- by Christopher Marc
- The Playlist
Dan Lin, Netflix’s new head of film is said to want to create a film slate at the company with better quality films that are made for a more modest budget.
Last month it was announced that Dan Lin would be taking over the reins of Netflix’s film division following the exit of Scott Stuber.
For years, Stuber had been in charge of the Silicon Valley company’s movie slate and had overseen a huge ramp-up in development that at one point saw Netflix releasing a new film onto its service every week.
Of course, that made Netflix’s movie slate far, far larger than any of its studio competitors and while Stuber would eventually begin to shrink the number of films that the company put out, the general consensus was that Netflix suffered from quality control issues given that one person had responsibility for so many projects.
Last month it was announced that Dan Lin would be taking over the reins of Netflix’s film division following the exit of Scott Stuber.
For years, Stuber had been in charge of the Silicon Valley company’s movie slate and had overseen a huge ramp-up in development that at one point saw Netflix releasing a new film onto its service every week.
Of course, that made Netflix’s movie slate far, far larger than any of its studio competitors and while Stuber would eventually begin to shrink the number of films that the company put out, the general consensus was that Netflix suffered from quality control issues given that one person had responsibility for so many projects.
- 4/2/2024
- by Dan Cooper
- Film Stories
It’s a familiar arc in movies: The person who doesn’t want the job is the best candidate for it. And so it was with Dan Lin, the producer and founder of Rideback, who this week starts his tenure as Netflix’s film head.
Lin was not looking for a new job, but then came an incoming call in early February from Netflix’s chief content officer, Bela Bajaria. According to two people familiar with the meeting that followed, Lin was blunt in his assessment of Netflix’s output: The movies were not great and the financials didn’t add up. Bajaria appreciated the honesty and, shortly after, she asked Lin if he would be open to leaving Rideback, the company the producer had spent the better part of two decades building.
Lin had been down this path before, being courted for a top studio post at a division...
Lin was not looking for a new job, but then came an incoming call in early February from Netflix’s chief content officer, Bela Bajaria. According to two people familiar with the meeting that followed, Lin was blunt in his assessment of Netflix’s output: The movies were not great and the financials didn’t add up. Bajaria appreciated the honesty and, shortly after, she asked Lin if he would be open to leaving Rideback, the company the producer had spent the better part of two decades building.
Lin had been down this path before, being courted for a top studio post at a division...
- 4/1/2024
- by Mia Galuppo and Borys Kit
- The Hollywood Reporter - Movie News
Godzilla X Kong: The New Empire has hit the theaters amidst lots of expectations and hype. The 5th film of the MonsterVerse franchise which is a follow-up to the 2021 blockbuster, sees Godzilla and Kong reunite to fight an unknown threat hidden within the Earth that poses grave danger to humans and Titans alike.
A still from Godzilla X Kong: The New Empire
Apart from having a loyal fan base of MonsterVerse enthusiasts, the film also sees deaf actor Kaylee Hottle reprising her central role from 2021’s Godzilla Vs Kong. Casting a hearing impaired artist in the lead role is an inspiring step towards representation of the deaf community and Hottle is grateful to be part of this effort. Marvel’s Eternals is the other film that cast a deaf actor Lauren Ridloff in the role of Makkari.
Kaylee Hottle On Being A Role Model For the Deaf Community After Her...
A still from Godzilla X Kong: The New Empire
Apart from having a loyal fan base of MonsterVerse enthusiasts, the film also sees deaf actor Kaylee Hottle reprising her central role from 2021’s Godzilla Vs Kong. Casting a hearing impaired artist in the lead role is an inspiring step towards representation of the deaf community and Hottle is grateful to be part of this effort. Marvel’s Eternals is the other film that cast a deaf actor Lauren Ridloff in the role of Makkari.
Kaylee Hottle On Being A Role Model For the Deaf Community After Her...
- 3/31/2024
- by Sharanya Sankar
- FandomWire
Despite “Barbie’s” recent box office domination, the history of toy-to-film franchises has not always been easy. Often dismissed as a cash grab (“Battleship”) or popcorn fare, turning toys into critically and commercially successful content is no skate in the park.
For Mattel and co, there was another toy that had to walk before “Barbie” could fly: Lego. Written and directed by Lord and Miller, “The Lego Movie” proved that movies based on toys could be so much more than a 90-minute commercial when it was released ten years ago. Although snubbed at the Oscars (not even garnering a nomination for best animated film), the Warner Bros. pic — like its eventual successor “Barbie” — was a hit with both audiences and critics.
Buoyed by “The Lego Movie’s” success, a string of spin-offs and sequels quickly followed – “The Lego Batman Movie” and “The Lego Ninjago Movie” in 2017 and “The Lego Movie 2: The Second Part...
For Mattel and co, there was another toy that had to walk before “Barbie” could fly: Lego. Written and directed by Lord and Miller, “The Lego Movie” proved that movies based on toys could be so much more than a 90-minute commercial when it was released ten years ago. Although snubbed at the Oscars (not even garnering a nomination for best animated film), the Warner Bros. pic — like its eventual successor “Barbie” — was a hit with both audiences and critics.
Buoyed by “The Lego Movie’s” success, a string of spin-offs and sequels quickly followed – “The Lego Batman Movie” and “The Lego Ninjago Movie” in 2017 and “The Lego Movie 2: The Second Part...
- 3/29/2024
- by K.J. Yossman
- Variety Film + TV
The ThunderCats are one of the most beloved 1980s animated series for many fans around the world and the series has become a proper cult classic among fans of 80s television. After the original series ended in 1988, there have been two animated revivals, but the original series still remains the best for many fans. In light of this, it shouldn’t really come as a surprise that the series has long been listed as a potential candidate for a live-action adaptation and as it seems now, the movie is still on track.
Plans for a live-action ThunderCats movie emerged as early as 2007 and as of 2024, the movie has yet to be produced, but Warner Bros. has seemingly been developing the project more actively since 2021, with Godzilla x Kong: The New Empire director Adam Wingard set to direct. In a recent interview with Collider, Wingard confirmed that ThunderCats could very well be his next project,...
Plans for a live-action ThunderCats movie emerged as early as 2007 and as of 2024, the movie has yet to be produced, but Warner Bros. has seemingly been developing the project more actively since 2021, with Godzilla x Kong: The New Empire director Adam Wingard set to direct. In a recent interview with Collider, Wingard confirmed that ThunderCats could very well be his next project,...
- 3/27/2024
- by Arthur S. Poe
- Fiction Horizon
The biggest scoop of the century is pinning the British royal family to a sex trafficking scandal, as relived in Netflix film “Scoop.”
The feature, directed by Philip Martin and based on former “Newsnight” producer Sam McAlister’s memoir “Scoops: Behind The Scenes of the BBC’s Most Shocking Interview,” stars Gillian Anderson as BBC anchor Emily Maitlis, who infamously interviewed a disgraced Prince Andrew (Rufus Sewell) about his ties to Jeffrey Epstein in 2019.
“Scoop” is written by Peter Moffatt and Geoff Bussetil, with Billie Piper starring as producer/author McAlister. Keeley Hawes and Romola Garai co-star.
The film debuts on Netflix, following the conclusion of royal family drama “The Crown” in 2023. To note, “Scoop” lead star Anderson appeared on “The Crown” as Margaret Thatcher.
“Scoop” centers on the behind-the-scenes push to land an interview with Prince Andrew after the royal was listed in court papers as part of a U.
The feature, directed by Philip Martin and based on former “Newsnight” producer Sam McAlister’s memoir “Scoops: Behind The Scenes of the BBC’s Most Shocking Interview,” stars Gillian Anderson as BBC anchor Emily Maitlis, who infamously interviewed a disgraced Prince Andrew (Rufus Sewell) about his ties to Jeffrey Epstein in 2019.
“Scoop” is written by Peter Moffatt and Geoff Bussetil, with Billie Piper starring as producer/author McAlister. Keeley Hawes and Romola Garai co-star.
The film debuts on Netflix, following the conclusion of royal family drama “The Crown” in 2023. To note, “Scoop” lead star Anderson appeared on “The Crown” as Margaret Thatcher.
“Scoop” centers on the behind-the-scenes push to land an interview with Prince Andrew after the royal was listed in court papers as part of a U.
- 3/18/2024
- by Samantha Bergeson
- Indiewire
On the morning after Universal’s “Oppenheimer” won seven Oscars — to none for Netflix’s “Maestro” — Oppenheimer is helping out Netflix after all. No, we don’t mean the Cillian Murphy movie.
A brokerage and investment bank named Oppenheimer on Monday raised its price target for Netflix stock (Nflx) to $725 — up from its prior target of $615. Netflix shares jumped Monday morning, though the victory was brief: Nflx closed out the day down a hair. Hey, it could have been worse.
That other Oppenheimer (& Co.) could help Netflix more than another Oscar would: an Academy Award is only plated in gold. (They’re solid bronze.) Shares of Netflix have already been on a hot streak: year-to-date, +28 percent. Over 12 months, they’ve more than doubled in value.
Shares of Nflx have never hit $700, though they came pretty close in October 2021. And then the big “Netflix Correction,” in which Netflix shockingly reported subscriber losses,...
A brokerage and investment bank named Oppenheimer on Monday raised its price target for Netflix stock (Nflx) to $725 — up from its prior target of $615. Netflix shares jumped Monday morning, though the victory was brief: Nflx closed out the day down a hair. Hey, it could have been worse.
That other Oppenheimer (& Co.) could help Netflix more than another Oscar would: an Academy Award is only plated in gold. (They’re solid bronze.) Shares of Netflix have already been on a hot streak: year-to-date, +28 percent. Over 12 months, they’ve more than doubled in value.
Shares of Nflx have never hit $700, though they came pretty close in October 2021. And then the big “Netflix Correction,” in which Netflix shockingly reported subscriber losses,...
- 3/11/2024
- by Brian Welk
- Indiewire
It isn’t every week that two of the biggest jobs in film are filled within a matter of days, but that was the case last week. On February 26, Disney’s live-action president of Walt Disney Studios Motion Picture Production Sean Bailey exited, making way for Searchlight’s David Greenbaum to take the top job. Two days later on Feb. 28, Rideback’s Dan Lin was tapped to take Scott Stuber’s open seat atop Netflix’s film division.
Greenbaum made his bones on prestige indie films and original, auteur-driven stories. He’s now taking the job at a company that has spent the last 15 years mining IP and playing the hits. Lin is a franchise builder now stepping into an environment known for chasing big prestige swings.
It appears Disney and Netflix are heading in opposite directions. One agent who spoke with IndieWire called it a role-reversal between Disney and Netflix; at one point,...
Greenbaum made his bones on prestige indie films and original, auteur-driven stories. He’s now taking the job at a company that has spent the last 15 years mining IP and playing the hits. Lin is a franchise builder now stepping into an environment known for chasing big prestige swings.
It appears Disney and Netflix are heading in opposite directions. One agent who spoke with IndieWire called it a role-reversal between Disney and Netflix; at one point,...
- 3/8/2024
- by Brian Welk
- Indiewire
Fans of the new live-action adaptation of Avatar: The Last Airbender should be pleased to know that Aang will be able to continue his journey for two more seasons. According to Deadline, Netflix has renewed the series that is based on the popular Nickelodeon animated show of the same name, which was created by Michael Dante Dimartino and Bryan Konietzko. In the review from our own Steve Seigh, he stated, “The show’s creator, Albert Kim, has quelled my fears of this show becoming another cinematic blight on Avatar‘s good name, and I hope other fans are as impressed with it as I am. I marched into Kim’s series with my hackles raised and expectations on the low end of the spectrum. Being proven wrong feels pretty good right about now.”
Not only has Avatar: The Last Airbender been renewed, but Netflix has given the mystical fantasy two more seasons,...
Not only has Avatar: The Last Airbender been renewed, but Netflix has given the mystical fantasy two more seasons,...
- 3/6/2024
- by EJ Tangonan
- JoBlo.com
Netflix is doubling down on Avatar: The Last Airbender.
The streamer has renewed the lavish live-action adaptation of the Nickelodeon series for two more seasons.
The order will conclude the story of Aang’s journey to become the Avatar in fantastical world.
Since the show’s Feb. 22 debut, the series has been Netflix’s top English-language TV show with 41.1 million views, according to the streamer.
While the first season was eight episodes, there’s no word yet on the episode count of the final two seasons. Netflix has done double-season renewals before (on shows like Emily in Paris and Stranger Things), but this might be the first time the streamer has ordered two seasons to close out a series. The Avatar animated series likewise told its story across three seasons.
The story follows Aang (Gordon Cormier), the young Avatar, as he learns to master the four elements (Water, Earth, Fire,...
The streamer has renewed the lavish live-action adaptation of the Nickelodeon series for two more seasons.
The order will conclude the story of Aang’s journey to become the Avatar in fantastical world.
Since the show’s Feb. 22 debut, the series has been Netflix’s top English-language TV show with 41.1 million views, according to the streamer.
While the first season was eight episodes, there’s no word yet on the episode count of the final two seasons. Netflix has done double-season renewals before (on shows like Emily in Paris and Stranger Things), but this might be the first time the streamer has ordered two seasons to close out a series. The Avatar animated series likewise told its story across three seasons.
The story follows Aang (Gordon Cormier), the young Avatar, as he learns to master the four elements (Water, Earth, Fire,...
- 3/6/2024
- by James Hibberd
- The Hollywood Reporter - Movie News
Netflix has renewed “Avatar: The Last Airbender” for two more seasons. The series, a live-action adaptation of the hit Nickelodeon series of the same name, will end with Season 3, following the same structure as the animated version.
“Avatar” is set in a world divided into four nations — the Water Tribes, the Earth Kingdom, the Fire Nation and the Air Nomads — that once lived in harmony, with the Avatar, master of all four elements, keeping peace between them. But everything changed when the Fire Nation attacked and wiped out the Air Nomads, the first step taken by the firebenders towards conquering the world. With the current incarnation of the Avatar yet to emerge, the world has loses hope until Aang (Gordon Cormier), a young airbender, reawakens to take his rightful place. Alongside new friends Sokka (Ian Ousley) and Katara (Kiawentiio), siblings and members of the Southern Water Tribe, Aang embarks on...
“Avatar” is set in a world divided into four nations — the Water Tribes, the Earth Kingdom, the Fire Nation and the Air Nomads — that once lived in harmony, with the Avatar, master of all four elements, keeping peace between them. But everything changed when the Fire Nation attacked and wiped out the Air Nomads, the first step taken by the firebenders towards conquering the world. With the current incarnation of the Avatar yet to emerge, the world has loses hope until Aang (Gordon Cormier), a young airbender, reawakens to take his rightful place. Alongside new friends Sokka (Ian Ousley) and Katara (Kiawentiio), siblings and members of the Southern Water Tribe, Aang embarks on...
- 3/6/2024
- by Selome Hailu
- Variety Film + TV
Avatar: The Last Airbender, the anime-inspired live-action series, will be able to tell the story of the four nations: Water. Earth. Fire. Air after Netflix renewed it for a further two seasons.
The streamer has handed the show a two-season renewal order to conclude the story of Aang’s journey to become the Avatar.
It comes after the show premiered on Netflix on February 22 and recorded 41.1M views in its first 11 days, topping its TV list for the last two weeks and being on track to enter its top ten most-watched list over its first three months.
The plan is to film these two seasons – Seasons 2 and 3 – in close succession in order to mitigate the fact that child actors tend to grow up quickly.
The series comes from Rideback, whose boss Dan Lin, an exec producer on the series, was recently named Netflix’s new film chief, replacing Scott Stuber.
The streamer has handed the show a two-season renewal order to conclude the story of Aang’s journey to become the Avatar.
It comes after the show premiered on Netflix on February 22 and recorded 41.1M views in its first 11 days, topping its TV list for the last two weeks and being on track to enter its top ten most-watched list over its first three months.
The plan is to film these two seasons – Seasons 2 and 3 – in close succession in order to mitigate the fact that child actors tend to grow up quickly.
The series comes from Rideback, whose boss Dan Lin, an exec producer on the series, was recently named Netflix’s new film chief, replacing Scott Stuber.
- 3/6/2024
- by Peter White
- Deadline Film + TV
After being turned down by Lucasfilm, Zack Snyder proceeded to helm his own Star Wars-inspired franchise, whose first part, starring Sofia Boutella, hit Netflix in December. Unfortunately, while Rebel Moon was visually impeccable, like every Snyder movie is, beyond its great imagery, the space opera didn’t have much to offer, and it was panned by fans and critics alike.
Reflecting on the overwhelming criticism, Boutella, who played the lead in the sci-fi action, expressed how hard it was for her to deal with the pushback. However, the actor did stand by the movie and Snyder’s vision, as she stressed how important the movie has been in her life.
Sofia Boutella | Rebel Moon
Sofia Boutella Is Proud to Be Part of Zack Snyder’s Vision
While Zack Snyder is one of the most visually gifted filmmakers in Hollywood arguably on par with Michael Bay, storytelling hasn’t been his strong suit,...
Reflecting on the overwhelming criticism, Boutella, who played the lead in the sci-fi action, expressed how hard it was for her to deal with the pushback. However, the actor did stand by the movie and Snyder’s vision, as she stressed how important the movie has been in her life.
Sofia Boutella | Rebel Moon
Sofia Boutella Is Proud to Be Part of Zack Snyder’s Vision
While Zack Snyder is one of the most visually gifted filmmakers in Hollywood arguably on par with Michael Bay, storytelling hasn’t been his strong suit,...
- 3/5/2024
- by Santanu Roy
- FandomWire
Despite Dan Lin stepping in as the new head of film for Netflix, CFO Spencer Neumann says he does not expect the company to take its film vertical in another direction.
At the Morgan Stanley Tech, Media & Telecom Conference on Monday, Neumann spoke about Lin, the producer behind the Lego movies and the new live-action adaptation of Avatar: The Last Airbender, taking over from Scott Stuber, who announced in January he would step down in March.
“It’s not a change in strategy, per se,” Neumann said. “We’re just continuing to kind of evolve and get better, and Dan brings this amazing experience from everything from Lego movies to Sherlock Holmes movies to horror films. He’s got production experience in big companies.”
“I think he’s just going to bring another perspective. And this business is so much about working with the best creatives you know, the best people internally and externally,...
At the Morgan Stanley Tech, Media & Telecom Conference on Monday, Neumann spoke about Lin, the producer behind the Lego movies and the new live-action adaptation of Avatar: The Last Airbender, taking over from Scott Stuber, who announced in January he would step down in March.
“It’s not a change in strategy, per se,” Neumann said. “We’re just continuing to kind of evolve and get better, and Dan brings this amazing experience from everything from Lego movies to Sherlock Holmes movies to horror films. He’s got production experience in big companies.”
“I think he’s just going to bring another perspective. And this business is so much about working with the best creatives you know, the best people internally and externally,...
- 3/4/2024
- by Caitlin Huston
- The Hollywood Reporter - Movie News
Netflix CFO Spencer Neumann gave Scott Stuber a shoutout when discussing the state of the streaming giant’s film operation, saying the exec deserves “a lot of credit” for “what he built.”
In an appearance Monday at the Morgan Stanley Tech, Media & Telecom Conference, Neumann was asked about the state of the company’s film efforts in light of the executive turnover. Stuber is leaving this month after nearly seven years to start his own media company. Dan Lin, a producer and exec known for his involvement with hits like The Lego Movie and the It franchise, is coming aboard in a top film role, reporting to Chief Content Officer Bela Bajaria.
Execs are “feeling really good about the film business,” Neumann said, though he noted that “it’s very difficult to ascribe a specific Roi on a specific genre or title of content in our subscription bundle.”
Film has...
In an appearance Monday at the Morgan Stanley Tech, Media & Telecom Conference, Neumann was asked about the state of the company’s film efforts in light of the executive turnover. Stuber is leaving this month after nearly seven years to start his own media company. Dan Lin, a producer and exec known for his involvement with hits like The Lego Movie and the It franchise, is coming aboard in a top film role, reporting to Chief Content Officer Bela Bajaria.
Execs are “feeling really good about the film business,” Neumann said, though he noted that “it’s very difficult to ascribe a specific Roi on a specific genre or title of content in our subscription bundle.”
Film has...
- 3/4/2024
- by Dade Hayes
- Deadline Film + TV
In 2022, Dan Lin, the producer of “The Lego Movie” and “It,” was in negotiations to become head of DC Studios. It was a singular opportunity to reimagine the company behind Superman, Batman and other costumed heroes. But talks broke down. Among the reported reasons was that David Zaslav, the head of DC’s parent company Warner Bros. Discovery, and Lin could not agree on a way to properly compensate him for leaving his production company Rideback for the new gig.
So why, less than two years later, has Lin decided to take a different corporate job, overseeing Netflix’s film division? And what kinds of obstacles will he need to overcome if Netflix is going to raise the quality of the movies it makes?
For Lin, Netflix offers a vast consumer base, one that overshadows those of rivals like Max or Disney+. It’s also more stable than other media companies.
So why, less than two years later, has Lin decided to take a different corporate job, overseeing Netflix’s film division? And what kinds of obstacles will he need to overcome if Netflix is going to raise the quality of the movies it makes?
For Lin, Netflix offers a vast consumer base, one that overshadows those of rivals like Max or Disney+. It’s also more stable than other media companies.
- 3/1/2024
- by Brent Lang, Matt Donnelly and Rebecca Rubin
- Variety Film + TV
Word has it that Sean Bailey had been looking to move on. However the news this week Disney’s president of motion picture studios has stepped down has much to do with CEO Bob Iger’s urgent course correction at a storied studio that just endured a relatively poor year at the box office and is facing pressure from activist shareholders to improve the stock price.
Bailey, a 15-year veteran of the company, was the executive who mined Disney’s animation vault and adapted them into live-action tentpoles that often crushed it at the box office.
For a long time...
Bailey, a 15-year veteran of the company, was the executive who mined Disney’s animation vault and adapted them into live-action tentpoles that often crushed it at the box office.
For a long time...
- 3/1/2024
- ScreenDaily
Zack Snyder has become one of the most integral parts of Hollywood. His work has turned more than a few heads, helping him establish himself as a true talent. Amounting to great things and inspiring many to join the industry, trying to calculate the impact that the filmmaker has had would be impossible.
Zack Snyder’s Justice League (2021)
While he has been a part of many respected projects throughout his career and is working on more, he cannot seem to outrun his past with DC. While Rebel Moon was quite a disappointment for fans, a sequel is expected to show up on Netflix eventually. Unfortunately, there is no guarantee how good it will be, now that Dan Lin has become the new Head of the streaming giant.
SUGGESTEDJames Gunn Fulfills Zack Snyder’s Vision For Dceu, Pits Darkseid Against the Justice League in Animated Dcu Film ‘Jurassic League’ Dan Lin...
Zack Snyder’s Justice League (2021)
While he has been a part of many respected projects throughout his career and is working on more, he cannot seem to outrun his past with DC. While Rebel Moon was quite a disappointment for fans, a sequel is expected to show up on Netflix eventually. Unfortunately, there is no guarantee how good it will be, now that Dan Lin has become the new Head of the streaming giant.
SUGGESTEDJames Gunn Fulfills Zack Snyder’s Vision For Dceu, Pits Darkseid Against the Justice League in Animated Dcu Film ‘Jurassic League’ Dan Lin...
- 2/29/2024
- by Ananya Godboley
- FandomWire
As Netflix shifts its film production strategy, producer Dan Lin will be taking on leadership of the company’s movie slate.
Dan Lin has been named as the new head of films at Netflix. Lin is an admired producer who has long been tipped for a high-profile role like this. You might recall that a couple of years ago, he was a frontrunner for the job to take over the DC Universe at Warner Bros. That role eventually went to James Gunn and Peter Safran, but Lin was very much in the running for that role; ultimately, his involvement with non-profit production company Rideback was said to be one of the reasons why he didn’t take the hot seat.
As broken by The Hollywood Reporter, Lin replaces Scott Stuber, whose departure was announced back in January. It marks a pretty quick turnaround for Netflix, given that Stuber firmed up...
Dan Lin has been named as the new head of films at Netflix. Lin is an admired producer who has long been tipped for a high-profile role like this. You might recall that a couple of years ago, he was a frontrunner for the job to take over the DC Universe at Warner Bros. That role eventually went to James Gunn and Peter Safran, but Lin was very much in the running for that role; ultimately, his involvement with non-profit production company Rideback was said to be one of the reasons why he didn’t take the hot seat.
As broken by The Hollywood Reporter, Lin replaces Scott Stuber, whose departure was announced back in January. It marks a pretty quick turnaround for Netflix, given that Stuber firmed up...
- 2/29/2024
- by Dan Cooper
- Film Stories
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.