Pro-tip: as our current leap year turns the page into February, it’s a good idea to stock up on artificial tears at the Cvs. Why? Because this is an exceptionally intense month for movie-watching. In addition to your 2024 Film Independent Spirit Awards screeners, there’s also an exciting collection of Don’t-Miss Indies hitting theaters and streamers, from combat-heavy martial arts action sagas to gentle culinary dramas. So put on some more tea, snuggle up with your kitty, puppy, snake or waifu body pillow of choice, and get to watchin’!
True Detective: Night Country
When You Can Watch: Now
Where You Can Watch: HBO, Max
Director: Issa López
Cast: Jodie Foster, Kali Reis, Fiona Shaw
Why We’re Excited: The fourth season of HBO’s anthology crime drama is the first one for which creator Nic Pizzolatto does not serve as the showrunner or writer; those responsibilities now fall to Mexican filmmaker Issa López,...
True Detective: Night Country
When You Can Watch: Now
Where You Can Watch: HBO, Max
Director: Issa López
Cast: Jodie Foster, Kali Reis, Fiona Shaw
Why We’re Excited: The fourth season of HBO’s anthology crime drama is the first one for which creator Nic Pizzolatto does not serve as the showrunner or writer; those responsibilities now fall to Mexican filmmaker Issa López,...
- 2/2/2024
- by Su Fang Tham
- Film Independent News & More
The Alexa 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from Arri is among the most popular cameras chosen by Sundance 2024’s filmmakers. The Arri 35 causes the notable Super 35 format to go back to the game. Furthermore, the Arri Alexa Mini is the most popular camera five years in a row. Watch the segmentation.
Sundance 2024’s Narratives: Camera Manufacturers’ chart
As you can see in the chart, Super 35 is the dominant format. As we thought that large sensors would pull down the notable Super 35, it’s not as simple as that, since the Arri 35 kicks the Super 35 to the popularity line again. Additionally, this is the first time that we have seen a solid presence of the Arri 35 in our charts. Head to head with the old (and mighty) Alexa Mini, the Arri 35 is climbing strong and may become the most preferred camera among storytellers.
Sundance 2024’s Narratives: Camera Manufacturers’ chart
As you can see in the chart, Super 35 is the dominant format. As we thought that large sensors would pull down the notable Super 35, it’s not as simple as that, since the Arri 35 kicks the Super 35 to the popularity line again. Additionally, this is the first time that we have seen a solid presence of the Arri 35 in our charts. Head to head with the old (and mighty) Alexa Mini, the Arri 35 is climbing strong and may become the most preferred camera among storytellers.
- 1/29/2024
- by Yossy Mendelovich
- YMCinema
Floridian residents of a certain age viscerally remember the name Terri Schiavo. She was a woman in a vegetative state who became the center of a national right-to-die debate when her husband petitioned against her parents to remove her feeding tube. Filmmaker Laura Chinn had a unique experience of the case, which took place in her hometown of Clearwater: her brother shared a hospice center with Schiavo in the mid-aughts as the case reached its divisive climax.
That’s the inspiration for her debut feature Suncoast, which she wrote and directed. Set at the same time and place, the film is a dramedy that wears its messy little heart on its sleeve. Beautifully shot and acted, it refuses to take sides in one of the most controversial modern debates, and is all the better for it.
Doris (Nico Parker) and her mother Kristine (Laura Linney) are struggling to get by...
That’s the inspiration for her debut feature Suncoast, which she wrote and directed. Set at the same time and place, the film is a dramedy that wears its messy little heart on its sleeve. Beautifully shot and acted, it refuses to take sides in one of the most controversial modern debates, and is all the better for it.
Doris (Nico Parker) and her mother Kristine (Laura Linney) are struggling to get by...
- 1/29/2024
- by Lena Wilson
- The Film Stage
There’s an ambitious story at the heart of Laura Chinn’s feature debut “Suncoast.” Based on Chinn’s own childhood experiences, the film is about a teenager named Doris (Nico Parker) with a brain cancer-riddled brother dying in the same hospice care where cultural lightning rod Terri Schiavo is also ailing. Doris just wants to experience the normal ups and downs of high school, but she has to deal with her sibling’s condition and her overbearing mother (Laura Linney). On top of that, Doris is confronted by the very questions of what death means by the protestors outside the facility calling Schiavo’s husband a murderer for wanting to end her vegetative state.
It’s a lot to capture in under two hours, and while there are some lovely beats in Chinn’s film, it’s ultimately too unfocused in the way it approaches its many themes, with...
It’s a lot to capture in under two hours, and while there are some lovely beats in Chinn’s film, it’s ultimately too unfocused in the way it approaches its many themes, with...
- 1/22/2024
- by Esther Zuckerman
- Indiewire
This isn’t a meteorology blog. We’re under no obligation to inform you that–despite a historically slow ski season start–the snow now falling across Northern Utah’s Wasatch Valley is voluminous and omnipresent. All the better excuse for sequestering oneself inside the weatherproofed walls of Park City’s myriad Sundance screening venues. And whether you’re a Sundance programmer, filmmaker, critic, industry wonk or civilian attendee, one thing is certain: there are currently a lot of granola bars getting smushed in a lot of people’s pockets.
Of course, our favorite among these snowblind wretches are our own Film Independent Fellows proudly debuting their new works at the festival. And by “Fellows” here we of course mean filmmakers who have been directly supported by Film Independent’s Lab Programs, Project Involve, Fast Track and Fiscal Sponsorship programs, as well as Emerging Filmmaker Award winners and grant recipients.
Of course, our favorite among these snowblind wretches are our own Film Independent Fellows proudly debuting their new works at the festival. And by “Fellows” here we of course mean filmmakers who have been directly supported by Film Independent’s Lab Programs, Project Involve, Fast Track and Fiscal Sponsorship programs, as well as Emerging Filmmaker Award winners and grant recipients.
- 1/20/2024
- by Film Independent
- Film Independent News & More
There are small, telling differences in the way each of the three long-separated main characters in “Farewell Amor” remembers the day of their reunion. Standing at JFK, awkwardly clutching a bunch of flowers to give to the wife and child he has not seen in 17 years, Walter (Ntare Guma Mbaho Mwine from “The Chi”), a soft-spoken Angolan taxicab driver greets Sylvia (Jayme Lawson), the teenage stranger who is his daughter, and she is surly and unsmiling. Yet from Sylvia’s perspective, she was obliging and affectionate, though later, back in Walter’s cramped one-bed apartment she locks herself in the unfamiliar bathroom and cries. Her mother, Esther (Zainab Jah), notes at dinner how Walter has learned to cook for himself, but does not seem to notice her husband’s bemused alarm when she insists on saying grace, and her blessing carries more than a touch of brimstone. Ekwa Msangi’s insightful,...
- 1/28/2020
- by Jessica Kiang
- Variety Film + TV
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