Week 5 has come on Strictly Come Dancing and we were treated to an even dozen of dances as the celebrities took to the dancefloor.
But who wowed the panel and who could be in danger? Digital Spy has the judges' comments and scores from all 12 dances here:
1. Georgia May Foote & Giovanni Pernice dancing the salsa to 'You Make Me Feel (Mighty Real)' by Sylvester = 7+8+8+8=31
Len: "It was a great show starter and a bit of a show stopper. Terrific routine, a disco salsa. You were really working your assets. Well done – great start!"
Bruno: "You're a gorgeous little strumpet! Those hips were like a bag of steps. More of that please. It's good to see you so alive. Be careful of the lifts' dismount – that has to be absolutely flawless."
2. Carol Kirkwood & Pasha Kovalev dancing the Viennese Waltz to 'I've Been Loving You Too Long' by Seal: 4+6+6+5=21
Darcey:...
But who wowed the panel and who could be in danger? Digital Spy has the judges' comments and scores from all 12 dances here:
1. Georgia May Foote & Giovanni Pernice dancing the salsa to 'You Make Me Feel (Mighty Real)' by Sylvester = 7+8+8+8=31
Len: "It was a great show starter and a bit of a show stopper. Terrific routine, a disco salsa. You were really working your assets. Well done – great start!"
Bruno: "You're a gorgeous little strumpet! Those hips were like a bag of steps. More of that please. It's good to see you so alive. Be careful of the lifts' dismount – that has to be absolutely flawless."
2. Carol Kirkwood & Pasha Kovalev dancing the Viennese Waltz to 'I've Been Loving You Too Long' by Seal: 4+6+6+5=21
Darcey:...
- 10/24/2015
- Digital Spy
A turning point for rock and roll. Bill Haley and the Comets provide the groundbreaking context as former teacher turned crime writer Evan Hunter's novel becomes, in the hands of director Richard Brooks, primarily an expose of the corruption of urban school systems. Uncharacteristically realistic for the period, this set the tone for another half decade of juvenile delinquency exploitation films.
- 10/21/2015
- by TFH Team
- Trailers from Hell
Strictly Come Dancing is already at week 5 and things are getting serious. Jay McGuiness jived his way to a 10 in week 3, but will we see another this time? Check out the coming weekend's song and dance list and get speculating:
1. Ainsley Harriott & Natalie Lowe
Dance: Jive
Song: 'Shake, Rattle and Roll' - Bill Haley and the Comets
2. Anita Rani & Gleb Savchenko
Dance: Tango
Song: 'Sweet Disposition' - Temper Trap
3. Carol Kirkwood & Pasha Kovalev
Dance: Viennese Waltz
Song: 'I've Been Loving You Too Long' - Seal
4. Georgia May Foote & Giovanni Pernice
Dance: Salsa
Song: 'You Make Me Feel (Mighty Real)' - Sylvester
5. Helen George & Aljaz Skorjanec
Dance: Quickstep
Song: 'You Can't Hurry Love' - Diana Ross and the Supremes
6. Jamelia & Tristan MacManus
Dance: Foxtrot
Song: 'Because You Loved Me' - Celine Dion
7. Jay McGuiness & Aliona Vilani
Dance: Paso Doble
Song: 'It's My Life' - Bon Jovi
8. Jeremy Vine...
1. Ainsley Harriott & Natalie Lowe
Dance: Jive
Song: 'Shake, Rattle and Roll' - Bill Haley and the Comets
2. Anita Rani & Gleb Savchenko
Dance: Tango
Song: 'Sweet Disposition' - Temper Trap
3. Carol Kirkwood & Pasha Kovalev
Dance: Viennese Waltz
Song: 'I've Been Loving You Too Long' - Seal
4. Georgia May Foote & Giovanni Pernice
Dance: Salsa
Song: 'You Make Me Feel (Mighty Real)' - Sylvester
5. Helen George & Aljaz Skorjanec
Dance: Quickstep
Song: 'You Can't Hurry Love' - Diana Ross and the Supremes
6. Jamelia & Tristan MacManus
Dance: Foxtrot
Song: 'Because You Loved Me' - Celine Dion
7. Jay McGuiness & Aliona Vilani
Dance: Paso Doble
Song: 'It's My Life' - Bon Jovi
8. Jeremy Vine...
- 10/20/2015
- Digital Spy
The movies started flirting with what would be called "rock & roll" from the very beginning, slapping Bill Haley and the Comets' "Rock Around the Clock" onto a scene in the juvenile-delinquent drama The Blackboard Jungle (1955) and co-opting Elvis Presley's proto-punk pout for the big screen as soon as they could. But there's nothing like the real thing when it comes to seeing those historical musical moments, which is where documentaries come in: A number of nonfiction filmmakers saw the advantage of capturing these artists onstage, backstage or behind the scenes — partially for posterity,...
- 8/15/2014
- Rollingstone.com
When you grow up, your heart dies – or so they say. Here's the proof: from Heathers to Juno, the Guardian and Observer's critics pick the 10 best teen movies
• Top 10 action movies
• Top 10 crime movies
• Top 10 arthouse movies
• Top 10 family movies
• Top 10 war movies
• More Guardian and Observer critics' top 10s
10. Blackboard Jungle
Billed as "a brass-knuckle punch in its startling revelation of teenage savages" and based on the book of the same name by Evan Hunter – aka crime writer Ed McBain – who drew on his own experiences as a teacher in the Bronx – Blackboard Jungle ushered in the age of the teenage delinquent. In London, Brooks's film attracted crowds of Teddy Boys, who slashed cinema seats, danced in the aisles and actually started a riot.
The reason for such shocking behaviour wasn't so much the film's content, which today garners a more sober 12 rating, but because of the use of...
• Top 10 action movies
• Top 10 crime movies
• Top 10 arthouse movies
• Top 10 family movies
• Top 10 war movies
• More Guardian and Observer critics' top 10s
10. Blackboard Jungle
Billed as "a brass-knuckle punch in its startling revelation of teenage savages" and based on the book of the same name by Evan Hunter – aka crime writer Ed McBain – who drew on his own experiences as a teacher in the Bronx – Blackboard Jungle ushered in the age of the teenage delinquent. In London, Brooks's film attracted crowds of Teddy Boys, who slashed cinema seats, danced in the aisles and actually started a riot.
The reason for such shocking behaviour wasn't so much the film's content, which today garners a more sober 12 rating, but because of the use of...
- 11/2/2013
- The Guardian - Film News
Marshall Lytle, best known as the stand-up bass player for Bill Haley and the Comets, has died. Lytle died Saturday (May 25) after a battle with cancer, the Las Vegas Sun reports.
Lytle was one of the two surviving members of the Comets, who performed on their best known song, "Rock Around the Clock." Joey D'Ambrosio (who performed under the name Joey Ambrose) is the last-living member. The Comets walked out on Haley in 1955, when he refused to give them a raise of $50 each week.
Instead, they began the Jodimars, which became a legendary Las Vegas lounge act. From there, Lytle also performed in various Comets reunion bands, and even featured playing his bass in some movies.
Though the song became a rock and roll anthem, Lytle said in 1994 that recording "Rock Around the Clock" only took a half hour, with two separate takes. The success of the song became a...
Lytle was one of the two surviving members of the Comets, who performed on their best known song, "Rock Around the Clock." Joey D'Ambrosio (who performed under the name Joey Ambrose) is the last-living member. The Comets walked out on Haley in 1955, when he refused to give them a raise of $50 each week.
Instead, they began the Jodimars, which became a legendary Las Vegas lounge act. From there, Lytle also performed in various Comets reunion bands, and even featured playing his bass in some movies.
Though the song became a rock and roll anthem, Lytle said in 1994 that recording "Rock Around the Clock" only took a half hour, with two separate takes. The success of the song became a...
- 5/29/2013
- by editorial@zap2it.com
- Pop2it
Considering it's where most of us (bar the weird home-schooled kids) spend our crucial formative years, where we have our first fights, our first loves, our first tentative steps into adulthood, it's no surprise that high school has long been a popular setting for movies. A range of genres (though generally leaning towards comedy) have taken place in those hallways, particularly from the 1980s onwards, when John Hughes, among others, made an entire career out of the lives and loves of 15-18 year olds.
The latest film to head back to class is "21 Jump Street" (review here) the big-screen reboot of the '80s TV show, which stars Jonah Hill and Channing Tatum as youthful-looking cops who are sent back to high school in order to bust a drug-running ring. While you might assume this to be another lazy remake, you'd be very wrong, as Tatum, Hill, co-writer Michael Bacall,...
The latest film to head back to class is "21 Jump Street" (review here) the big-screen reboot of the '80s TV show, which stars Jonah Hill and Channing Tatum as youthful-looking cops who are sent back to high school in order to bust a drug-running ring. While you might assume this to be another lazy remake, you'd be very wrong, as Tatum, Hill, co-writer Michael Bacall,...
- 3/15/2012
- by Oliver Lyttelton
- The Playlist
Hordes of Halbstarken – the German equivalent of teddy boys – come alive in this hidden rock'n'roll gem unearthed by Jon Savage from the archive of British Pathé newsreels
What's interesting in looking through newsreel archives is how the editorial policy of the day differs from what is now received history. So, although rock'n'roll arrived in Britain in the winter of 1955-6 with the success of Bill Haley and the Comets' Rock Around the Clock (No 1 in early January), there is comparatively little material relating to rock'n'roll in Pathé's archive from 1956.
Nowhere is there anything about Elvis Presley, who had four major hits that year, nor anything about the late-summer furore that accompanied the release of the film Rock Around the Clock – a heady brew of excited newspaper reports and censorious local councils reacting to a bit of gang warfare and youthful high spirits.
Rock'n'roll's impact went way beyond the music,...
What's interesting in looking through newsreel archives is how the editorial policy of the day differs from what is now received history. So, although rock'n'roll arrived in Britain in the winter of 1955-6 with the success of Bill Haley and the Comets' Rock Around the Clock (No 1 in early January), there is comparatively little material relating to rock'n'roll in Pathé's archive from 1956.
Nowhere is there anything about Elvis Presley, who had four major hits that year, nor anything about the late-summer furore that accompanied the release of the film Rock Around the Clock – a heady brew of excited newspaper reports and censorious local councils reacting to a bit of gang warfare and youthful high spirits.
Rock'n'roll's impact went way beyond the music,...
- 2/27/2012
- by Jon Savage
- The Guardian - Film News
Chicago – Corey Feldman is a survivor, both of his own child acting era and the aftermath of growing up. Best known for a string of 1980s cult favorites, including “Stand by Me” and “The Goonies,” he also partnered with Corey Haim, to forever be known as The Two Coreys. Feldman was in Chicago in January to introduce his films at The Hollywood Palms Theater (Naperville, Illinois) and Hollywood Blvd Theater (Woodridge).
Corey Feldman was born in Los Angeles in 1971, and began his acting career at the age of three in a McDonald’s commercial. After appearances in over 100 commercials and 50 TV guest roles, he broke out in the 1980s and starred in 15 number one box office champs in a row. These films included “Gremlins” (1984), “The Goonies” (1985), “Stand by Me” (1986) and “The Lost Boys” (1987). It was in The Lost Boys that Feldman was first paired with Corey Haim, and the two...
Corey Feldman was born in Los Angeles in 1971, and began his acting career at the age of three in a McDonald’s commercial. After appearances in over 100 commercials and 50 TV guest roles, he broke out in the 1980s and starred in 15 number one box office champs in a row. These films included “Gremlins” (1984), “The Goonies” (1985), “Stand by Me” (1986) and “The Lost Boys” (1987). It was in The Lost Boys that Feldman was first paired with Corey Haim, and the two...
- 3/3/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Anne Francis, who has died of complications of pancreatic cancer aged 80, is now best remembered mainly due to the lyrics "Anne Francis stars in Forbidden Planet \ Oh-oh at the late night, double-feature, picture show", which were sung over the opening credits of The Rocky Horror Picture Show (1975), and for the cult science-fiction movie to which they refer, Forbidden Planet (1956). The only woman in the cast of Forbidden Planet, Francis had a sprightly charm and a wide-eyed child-like innocence as Altaira, the space-age Miranda in the transposition of Shakespeare's The Tempest to a distant planet.
The mini-skirted teenaged daughter of the exiled Dr Morbius (Walter Pidgeon) has never seen any man except her father until a group of Us astronauts, led by Commander John J Adams (Leslie Nielsen), arrive. While never exactly exclaiming "O brave new world that has such people in it!
The mini-skirted teenaged daughter of the exiled Dr Morbius (Walter Pidgeon) has never seen any man except her father until a group of Us astronauts, led by Commander John J Adams (Leslie Nielsen), arrive. While never exactly exclaiming "O brave new world that has such people in it!
- 1/3/2011
- by Ronald Bergan
- The Guardian - Film News
He's not had the chance to moonwalk out of his grave before Kenny Ortega has decided to once again agitate the corpse of Michael Jackson for some more cinematic dollars. Apparently, they've come up with the plan to turn the video for "Thriller" into a feature film. It's supposed to be written by Jeremy Garelick, who wrote The Hangover, and according to Deadline, it's going to deal with "Vincent Price and the folklore around the song." Stick with the dick jokes and baby masturbation, Jg.
A Michael Jackson video was always a cinematic unveiling. They were always fifteen hours long and involved sequences that had nothing to do with the song. Do you remember the video for "Thriller"? He turned into a werewolf and tackled his fiancee/steady girlfriend, but it all turned out to be a Vincent Price movie and then he chased her down and turned into a breakdancing zombie,...
A Michael Jackson video was always a cinematic unveiling. They were always fifteen hours long and involved sequences that had nothing to do with the song. Do you remember the video for "Thriller"? He turned into a werewolf and tackled his fiancee/steady girlfriend, but it all turned out to be a Vincent Price movie and then he chased her down and turned into a breakdancing zombie,...
- 10/27/2010
- by Dustin Rowles
A turning point for rock and roll. Bill Haley and the Comets provide the groundbreaking context as former teacher turned crime writer Evan Hunter's novel becomes, in the hands of director Richard Brooks, primarily an expose of the corruption of urban school systems. Uncharacteristically realistic for the period, this set the tone for another half decade of juvenile delinquency exploitation films.
- 7/11/2009
- Trailers from Hell
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