If Criterion24/7 hasn’t completely colonized your attention every time you open the Channel––this is to say: if you’re stronger than me––their May lineup may be of interest. First and foremost I’m happy to see a Michael Roemer triple-feature: his superlative Nothing But a Man, arriving in a Criterion Edition, and the recently rediscovered The Plot Against Harry and Vengeance is Mine, three distinct features that suggest a long-lost voice of American movies. Meanwhile, Nobuhiko Obayashi’s Antiwar Trilogy four by Sara Driver, and a wide collection from Ayoka Chenzira fill out the auteurist sets.
Series-wise, a highlight of 1999 goes beyond the well-established canon with films like Trick and Bye Bye Africa, while of course including Sofia Coppola, Michael Mann, Scorsese, and Claire Denis. Films starring Shirley Maclaine, a study of 1960s paranoia, and Columbia’s “golden era” (read: 1950-1961) are curated; meanwhile, The Breaking Ice,...
Series-wise, a highlight of 1999 goes beyond the well-established canon with films like Trick and Bye Bye Africa, while of course including Sofia Coppola, Michael Mann, Scorsese, and Claire Denis. Films starring Shirley Maclaine, a study of 1960s paranoia, and Columbia’s “golden era” (read: 1950-1961) are curated; meanwhile, The Breaking Ice,...
- 4/17/2024
- by Nick Newman
- The Film Stage
The Bucheon film festival’s Network of Asian Fantastic Films project market wrapped up three days of meetings and pitching sessions on Monday with a prize ceremony that disbursed cash, post-production support and invitations to related genre film events.
“The Passport,” a Tamil- and English-language Malaysian project about an Indian rockstar who is forced to confront cultural expectations and her interactions with an imaginary friend, won the headline Bucheon Award for director Ananth Subramanian and producer Bel Choo Mun. It was both a popular choice among other Naff participants and the unanimous decision of the jury.
The numerical winner was “Please Bear With Me,” which saw director Gabriela Serrano and producer Gale Osorio from the Philippines collect three prizes. The project is a sci-fi and social issues mash-up about a call center operative who gets paid in dream-time and uses it to relive her glory days as a pop star.
“The Passport,” a Tamil- and English-language Malaysian project about an Indian rockstar who is forced to confront cultural expectations and her interactions with an imaginary friend, won the headline Bucheon Award for director Ananth Subramanian and producer Bel Choo Mun. It was both a popular choice among other Naff participants and the unanimous decision of the jury.
The numerical winner was “Please Bear With Me,” which saw director Gabriela Serrano and producer Gale Osorio from the Philippines collect three prizes. The project is a sci-fi and social issues mash-up about a call center operative who gets paid in dream-time and uses it to relive her glory days as a pop star.
- 7/3/2023
- by Patrick Frater
- Variety Film + TV
Previous projects include Cannes Critics’ Week winner ‘Tiger Stripes’.
South Korea’s Bucheon International Film Festival (Bifan), Asia’s largest genre film festival, has revealed 29 titles from 18 countries for this year’s Network of Asian Fantastic Films (Naff) project market.
The 17 titles selected for the It Project strand include Biraa from Taiwanese writer/director Bhaskar Hazarika, whose transgressive love story Ravening played Tribeca in 2019.
Scroll down for full list
Naff received 279 submissions from 40 countries, up nearly 30% from 217 projects in 2022. One-to-one meetings will take place with producers, investors, and distributors from June 30 to July 3.
This year, Naff will expand its support...
South Korea’s Bucheon International Film Festival (Bifan), Asia’s largest genre film festival, has revealed 29 titles from 18 countries for this year’s Network of Asian Fantastic Films (Naff) project market.
The 17 titles selected for the It Project strand include Biraa from Taiwanese writer/director Bhaskar Hazarika, whose transgressive love story Ravening played Tribeca in 2019.
Scroll down for full list
Naff received 279 submissions from 40 countries, up nearly 30% from 217 projects in 2022. One-to-one meetings will take place with producers, investors, and distributors from June 30 to July 3.
This year, Naff will expand its support...
- 5/31/2023
- by Michael Rosser
- ScreenDaily
Projects from directors Martika Ramirez Escobar and Maung Sun among titles.
Full Circle Lab Philippines, the Southeast Asian project and talent development programme, has revealed the line-up for its upcoming fifth edition, including new features by Filipino filmmaker Martika Ramirez Escobar and Myanmar’s Maung Sun.
The labs will comprise 12 projects in development, three films in post-production, eight emerging producers and three story editors. A total of 45 participants and 14 mentors are set to participate in the in-person workshop, held in the Central Luzon region in the north of Manila from March 27-31, This will be followed by online sessions, which run until September.
Full Circle Lab Philippines, the Southeast Asian project and talent development programme, has revealed the line-up for its upcoming fifth edition, including new features by Filipino filmmaker Martika Ramirez Escobar and Myanmar’s Maung Sun.
The labs will comprise 12 projects in development, three films in post-production, eight emerging producers and three story editors. A total of 45 participants and 14 mentors are set to participate in the in-person workshop, held in the Central Luzon region in the north of Manila from March 27-31, This will be followed by online sessions, which run until September.
- 3/6/2023
- by Michael Rosser
- ScreenDaily
Makbul Mubarak’s “Autobiography” has won Best Asian Film, the top prize at the Singapore International Film Festival’s Silver Screen Awards, continuing its award-winning spree.
The film made a winning debut at Venice earlier this year and went on to win prizes at the Asia Pacific Screen Awards, Golden Horse, Marrakech, QCity, Jogja-netpac, Stockholm and Tokyo Filmex.
The jury, which included filmmakers Lav Diaz, Ritu Sarin and Kim Soyoung and New York Film Festival artistic director Dennis Lim, commended the film’s “control and clarity of vision” and praised it for being a “vivid character study, a powerful allegory of national trauma, an urgent dissection of the fascist mindset and how it persists,” in their citation.
The award comes with a cash prize of SGD8,000 and an online, audio post and Dcp package, audio final mix and Dcp feature worth SGD45,000 from Mocha Chai Laboratories.
“We celebrate cinema tonight despite motherfucker Putin,...
The film made a winning debut at Venice earlier this year and went on to win prizes at the Asia Pacific Screen Awards, Golden Horse, Marrakech, QCity, Jogja-netpac, Stockholm and Tokyo Filmex.
The jury, which included filmmakers Lav Diaz, Ritu Sarin and Kim Soyoung and New York Film Festival artistic director Dennis Lim, commended the film’s “control and clarity of vision” and praised it for being a “vivid character study, a powerful allegory of national trauma, an urgent dissection of the fascist mindset and how it persists,” in their citation.
The award comes with a cash prize of SGD8,000 and an online, audio post and Dcp package, audio final mix and Dcp feature worth SGD45,000 from Mocha Chai Laboratories.
“We celebrate cinema tonight despite motherfucker Putin,...
- 12/4/2022
- by Naman Ramachandran
- Variety Film + TV
A young couple who moves into their new home gives hope to a neighbour, possesed by a mythical winged creature, to get rid of her curse. In Gabriela Serrano’s silent horror short loosely based on the classic “And Manananggal” (1927) by Jose Nepomuceno, Filipino mythology is used to express the feeling of helplessness and isolation during the times marked by Covid-19. In her interpretation of our new reality, Serrano paints loneliness as a nasty germ that invades the body and splits it in two halves. One way to get rid of it is to find a new shell, the one that is already consumed by another life.
Dikit is screening at Singapore International Film Festival
The director, who co-write the script with her sister Mariana, doesn’t address the pandemic at any point, and the images used to describe the uncanny are full of symbolism surrounding one’s inner plights.
Dikit is screening at Singapore International Film Festival
The director, who co-write the script with her sister Mariana, doesn’t address the pandemic at any point, and the images used to describe the uncanny are full of symbolism surrounding one’s inner plights.
- 11/12/2022
- by Marina D. Richter
- AsianMoviePulse
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