Ivan Bart, the former president of Img Models who helped launch the modeling careers of the likes of Lauren Hutton, Carolyn Murphy, Stephanie Seymour and Gigi and Bella Hadid, died over the weekend following a short illness. He was 60.
The news was posted on his official Instagram account with a black-and-white photo of Bart. A caption on the photo reads, “Our world has lost one of the greats. Ivan Bart, 1963-2023.” No other details were immediately available.
He was named president of the agency in 2014, after it merged with WME. Under Bart’s leadership, Img Models also built the careers of Hailey Bieber, Alton Mason, Wisdom Kaye and others.
Throughout his career, Bart championed diverse casting and inclusion and is credited with breaking down barriers for models including Alek Wek, Hari Nef, Precious Lee, Zach Miko, Quannah Chasinghorse and Paloma Elsesser.
He also was a supporter of plus-size models. In...
The news was posted on his official Instagram account with a black-and-white photo of Bart. A caption on the photo reads, “Our world has lost one of the greats. Ivan Bart, 1963-2023.” No other details were immediately available.
He was named president of the agency in 2014, after it merged with WME. Under Bart’s leadership, Img Models also built the careers of Hailey Bieber, Alton Mason, Wisdom Kaye and others.
Throughout his career, Bart championed diverse casting and inclusion and is credited with breaking down barriers for models including Alek Wek, Hari Nef, Precious Lee, Zach Miko, Quannah Chasinghorse and Paloma Elsesser.
He also was a supporter of plus-size models. In...
- 10/30/2023
- by Kimberly Nordyke
- The Hollywood Reporter - Movie News
Stewart Thorndike’s horror-psychodrama starts with the main character carrying a chainsaw, ominously trudging across an empty, snowy parking lot outside an abandoned building. The scene is like a giant sign reading: Horror Tropes Ahead.
And Thorndike knowingly piles them on. The chainsaw-wielding Ruthie (Gayle Rankin) has arrived with three other people at the isolated hotel she has inherited from her grandmother for a last weekend before she sells it. The film never reclaims the droll touch at the start, which reveals that Ruthie uses the saw to cut a log lodged under the tires of the Uber that brought them there. Instead, Bad Things is smoothly competent and uninspired — or, more accurately, inspired by The Shining, from the hotel setting to the tracking shots along a narrow corridor and a set of ghostly twins.
Thorndike’s major twist is that the four main characters are queer — three of them women,...
And Thorndike knowingly piles them on. The chainsaw-wielding Ruthie (Gayle Rankin) has arrived with three other people at the isolated hotel she has inherited from her grandmother for a last weekend before she sells it. The film never reclaims the droll touch at the start, which reveals that Ruthie uses the saw to cut a log lodged under the tires of the Uber that brought them there. Instead, Bad Things is smoothly competent and uninspired — or, more accurately, inspired by The Shining, from the hotel setting to the tracking shots along a narrow corridor and a set of ghostly twins.
Thorndike’s major twist is that the four main characters are queer — three of them women,...
- 6/15/2023
- by Caryn James
- The Hollywood Reporter - Movie News
If you still have an affinity for books, there can be few more choice summer reads than Edmund White's 2005 autobiography, My Lives. Divided into nonlinear sections devoted to his relationships with his parents, his hustlers, and his female entanglements, there's also a chapter entitled "My Europe." Herein White notes how while in the Paris of the 1980s, he became aware that petite green beans are tastier than their larger cousins. He also recounts how the social theorist Michel Foucault, a pal of his, noted that while "'gay philosophy' and 'gay paintings' were meaningless notions...writing gay fiction was legitimate since it enabled us to imagine how gay men should live together."
Foucault apparently "felt that relationships between gay men were tenuous, undefined, still to be invented, and that gay fiction was the place where a vision of association could be worked out in concrete detail."
The same could be said of Lgbt cinema,...
Foucault apparently "felt that relationships between gay men were tenuous, undefined, still to be invented, and that gay fiction was the place where a vision of association could be worked out in concrete detail."
The same could be said of Lgbt cinema,...
- 7/26/2014
- by Brandon Judell
- www.culturecatch.com
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