Yes, Christopher Nolan wants you to buy the Blu-ray of “Oppenheimer.”
But the event at the Academy’s Linwood G. Dunn Theatre Monday night promoting the November 21 home video launch of the $951 million global hit — which no one in Hollywood predicted — also screened “The Story of Our Time: The Making of Oppenheimer,” a Blu-ray special feature, and added a stellar crafts panel for the press, guild, and Academy voters on hand.
Universal knows that craft nominations could add up for “Oppenheimer,” as they have for other Nolan movies like “Dunkirk” and “Inception,” and that these craft maestros would showcase their expertise and star power. At the reception afterwards, Nolan told IndieWire that he was surprised at how strong the making-of movie was, because he actively avoided having the crew on the set, finding them an unwelcome distraction.
The message of the behind-the-scenes documentary couldn’t be clearer: Nolan wanted everything...
But the event at the Academy’s Linwood G. Dunn Theatre Monday night promoting the November 21 home video launch of the $951 million global hit — which no one in Hollywood predicted — also screened “The Story of Our Time: The Making of Oppenheimer,” a Blu-ray special feature, and added a stellar crafts panel for the press, guild, and Academy voters on hand.
Universal knows that craft nominations could add up for “Oppenheimer,” as they have for other Nolan movies like “Dunkirk” and “Inception,” and that these craft maestros would showcase their expertise and star power. At the reception afterwards, Nolan told IndieWire that he was surprised at how strong the making-of movie was, because he actively avoided having the crew on the set, finding them an unwelcome distraction.
The message of the behind-the-scenes documentary couldn’t be clearer: Nolan wanted everything...
- 11/16/2023
- by Anne Thompson
- Indiewire
When he set out to make "Oppenheimer," director Christopher Nolan opted not to use CGI for the film's central nuclear explosion. "It's difficult to make CG threatening," Nolan told IGN on July 18. "So I first showed the script to Andrew Jackson, my visual effects supervisor, and said, I don't think that tool's going to work for us. So let's see if we can produce all of these effects using analog methods, from the very first imaginings that Oppenheimer has of the quantum world, of atoms, and how they would be interacting with strong force between them. Waves, particles, the duality of that." Ultimately, to show the size and scale of 1945's Trinity test, which was the first time a nuclear weapon had ever been detonated, he chose another route: building an actual bomb.
What Was the Trinity Test?
The Trinity test took place in Los Alamos, the New Mexico town...
What Was the Trinity Test?
The Trinity test took place in Los Alamos, the New Mexico town...
- 7/25/2023
- by Eden Arielle Gordon
- Popsugar.com
In 2020’s “Tenet,” Christopher Nolan blew up a 747, and for his latest feature, “Oppenheimer,” he recreated the Trinity Test without using visual effects, opting to find a way to do it in-camera instead.
“Obviously, we couldn’t make an explosion the size of the actual explosion so we used trickery,” cinematographer Hoyte van Hoytema explains, and no, they didn’t detonate a real atomic bomb.
The ten-minute sequence capturing the first-ever successful atomic bomb detonation came together through many experiments. It was a given that Nolan would do the scene in-camera. “We’re suckers for this absolute depth of resolution that IMAX give us,” van Hoytema says. “But when you go to VFX, you have to scan it, and the moment you do that, it loses half of its resolution.”
Their goal was to preserve the quality of the film stock.
Despite not using VFX, Nolan and van Hoytema worked...
“Obviously, we couldn’t make an explosion the size of the actual explosion so we used trickery,” cinematographer Hoyte van Hoytema explains, and no, they didn’t detonate a real atomic bomb.
The ten-minute sequence capturing the first-ever successful atomic bomb detonation came together through many experiments. It was a given that Nolan would do the scene in-camera. “We’re suckers for this absolute depth of resolution that IMAX give us,” van Hoytema says. “But when you go to VFX, you have to scan it, and the moment you do that, it loses half of its resolution.”
Their goal was to preserve the quality of the film stock.
Despite not using VFX, Nolan and van Hoytema worked...
- 7/22/2023
- by Jazz Tangcay
- Variety Film + TV
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