Exclusive: Production has begun on the new Netflix series The Gringo Hunters in Mexico City and the core cast has been revealed. They include José María Yazpik, Sebastian Roché, Harold Torres and Mayra Hermosillo. Plans to shoot in Tijuana are also in place.
Torres and Hermosillo are part of the gringo hunters’ core group alongside Manuel Masalva, Andrew Leland Rogers, Héctor Kotsifakis, Dagoberto Gama and Regina Nava. Gerardo Trejoluna and Paulina Dávila also star. All 11 are contracted as series regulars on the bilingual crime series which will be shot mostly in Spanish with some English.
As Deadline revealed exclusively in 2022, a series based on The Washington Post story “A U.S. murder suspect fled to Mexico. The Gringo Hunters were waiting,” by Kevin Sieff was in development for Netflix. The series is inspired by a real elite...
Torres and Hermosillo are part of the gringo hunters’ core group alongside Manuel Masalva, Andrew Leland Rogers, Héctor Kotsifakis, Dagoberto Gama and Regina Nava. Gerardo Trejoluna and Paulina Dávila also star. All 11 are contracted as series regulars on the bilingual crime series which will be shot mostly in Spanish with some English.
As Deadline revealed exclusively in 2022, a series based on The Washington Post story “A U.S. murder suspect fled to Mexico. The Gringo Hunters were waiting,” by Kevin Sieff was in development for Netflix. The series is inspired by a real elite...
- 3/12/2024
- by Rosy Cordero
- Deadline Film + TV
Noise (Ruido) is a Mexican movie directed by Natalia Beristain, starring Julieta Egurrola and Teresa Ruiz.
Noise is a movie that takes a gamble in drama and a dramatic portrayal rather than subtleties in the narrative, a movie in which Julieta Egurrola is up to the gamble and who gives back perfectly.
Premise
Julia is a mother, or more precisely, one of the many mothers, sisters, daughters, colleagues that have had their lives destroyed by the generalized violence in a country that is waging war against its women. Julia is in search of Ger, her daughter. And, during her search, goes weaving the stories and battles of the different women she meets.
Noise (2022) Movie Review
Noise is not a film for all types of audiences nor for any circumstance either: this is a story about a woman who is broken because of the disappearance of her daughter, a story about social realities and lastly,...
Noise is a movie that takes a gamble in drama and a dramatic portrayal rather than subtleties in the narrative, a movie in which Julieta Egurrola is up to the gamble and who gives back perfectly.
Premise
Julia is a mother, or more precisely, one of the many mothers, sisters, daughters, colleagues that have had their lives destroyed by the generalized violence in a country that is waging war against its women. Julia is in search of Ger, her daughter. And, during her search, goes weaving the stories and battles of the different women she meets.
Noise (2022) Movie Review
Noise is not a film for all types of audiences nor for any circumstance either: this is a story about a woman who is broken because of the disappearance of her daughter, a story about social realities and lastly,...
- 1/11/2023
- by Veronica Loop
- Martin Cid Magazine - Movies
Argentina’s Ajimolido Films and Mostra Cine, Mexico’s Beita also co-producing.
Ángeles Hernández and David Matamoros from Spain’s Mr Miyagi, a co-producer on Netflix hit and 2019 TIFF Midnight Madness audience winner The Platform, has announced on the first day of Ventana Sur that the company has come on board The Virgin Of The Quarry Lake (La Virgen De La Tosquera) from Laura Casabé, who presented The Returned at the market in 2019.
Mr Miyagi will co-produce Argentinian filmmaker Casabé’s next film alongside Argentina’s Ajimolido Films (The Returned) and Mostra Cine (Delfina Castagnino’s 2019 Mar del Plata best...
Ángeles Hernández and David Matamoros from Spain’s Mr Miyagi, a co-producer on Netflix hit and 2019 TIFF Midnight Madness audience winner The Platform, has announced on the first day of Ventana Sur that the company has come on board The Virgin Of The Quarry Lake (La Virgen De La Tosquera) from Laura Casabé, who presented The Returned at the market in 2019.
Mr Miyagi will co-produce Argentinian filmmaker Casabé’s next film alongside Argentina’s Ajimolido Films (The Returned) and Mostra Cine (Delfina Castagnino’s 2019 Mar del Plata best...
- 11/28/2022
- by Emilio Mayorga
- ScreenDaily
At the 20th Morelia Film Festival to debut their first feature produced in Mexico, “Maquíllame Otra Vez,” brothers Pablo and Juan de Diós Larrain of Chile-based film-tv powerhouse Fabula have announced the official launch of their Mexican city production office with Carlos Taibo at the helm. Fabula has also named Eduardo Castro as their line producer, Enrique Ochoa as deputy finance manager and Daniela Amorós as human resources director.
“In all, we’ll have up to 18 staff members aside from additional hires on a per project basis,” said producer Juan de Dios who pointed out that Fabula was interested in “generating content that portrays Latin America’s idiosyncrasies and imagination as well as revealing our identity from our own points of view and challenges.”
Taibo, who starts his new position in December, was a unit production manager on such big titles as “Elysium,” “The Arrival,” “Man on Fire” and the highest grossing Spanish-language film worldwide,...
“In all, we’ll have up to 18 staff members aside from additional hires on a per project basis,” said producer Juan de Dios who pointed out that Fabula was interested in “generating content that portrays Latin America’s idiosyncrasies and imagination as well as revealing our identity from our own points of view and challenges.”
Taibo, who starts his new position in December, was a unit production manager on such big titles as “Elysium,” “The Arrival,” “Man on Fire” and the highest grossing Spanish-language film worldwide,...
- 10/25/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Festival runs October 12-23.
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
- 9/16/2022
- by Jeremy Kay
- ScreenDaily
Thanks in part to a strong co-production drive, 13 Mexican-nationality movies play at San Sebastian this year, a major presence.
Perlak frames Alejandro G. Iñarritu Venice player “Bardo: False Chronicle of a Handful of Truths.” Much of the heat, in industry terms at least, will come from the the premieres and sneak peeks.
In one highlight, Natalia Beristáin will world premiere “Noise” (“Ruido”), before its Netflix November bow. In possibly another, Mexico’s Laura Pancarte (“Non-Western”) unveils “Sueño Mexicano” as a pic-in-post.
Eyes will also be turned to Mexico’s latest generation of auteurs. One director is suddenly very well known: Longtime editor Natalia López Gallardo, a Berlin Jury Prize winner for “Robe of Gems.”
Others are bubbling under: Juan Pablo González whose “Dos Estaciones” impressed at Sundance, Rodrigo Ruiz Patterson, director of “Summer White,” another Sundance title, and Bruno Santamaría, a Gold Hugo best doc winner at the 2020 Chicago Festival...
Perlak frames Alejandro G. Iñarritu Venice player “Bardo: False Chronicle of a Handful of Truths.” Much of the heat, in industry terms at least, will come from the the premieres and sneak peeks.
In one highlight, Natalia Beristáin will world premiere “Noise” (“Ruido”), before its Netflix November bow. In possibly another, Mexico’s Laura Pancarte (“Non-Western”) unveils “Sueño Mexicano” as a pic-in-post.
Eyes will also be turned to Mexico’s latest generation of auteurs. One director is suddenly very well known: Longtime editor Natalia López Gallardo, a Berlin Jury Prize winner for “Robe of Gems.”
Others are bubbling under: Juan Pablo González whose “Dos Estaciones” impressed at Sundance, Rodrigo Ruiz Patterson, director of “Summer White,” another Sundance title, and Bruno Santamaría, a Gold Hugo best doc winner at the 2020 Chicago Festival...
- 9/16/2022
- by John Hopewell
- Variety Film + TV
Eight of the 10 directors in the Morelia Festival’s main Mexican competition are women, led by two of the biggest Mexican fest hits of the year,“Robe of Gems,” Natalia López Gallardo’s Berlin Special Jury laureate, and “Huesera,” from Michelle Garza Cervera, a double Tribeca winner.
Features with Indigenous or Black Mexican protagonists have shot up in Mexico, from 14 in 2019 to 31 in 2019, according to Imcine’s Mexican Cinema Yearbook.
In 2017, Mexico’s biggest homegrown hit was Nicolas López’s “Do It Like an Hombre,” a merciless taunt of a Mexican macho’s helpless homophobia, which grossed 11.0 million in the country.
For centuries an entrenched bastion of machismo, in film terms, the dial is finally moving on diversity.
“When I started out, like 20 years ago, I could count with my fingers the female directors I knew in Mexico; and today, there are almost 100,” says Natalia Beristáin, director of 2017’s Morelia...
Features with Indigenous or Black Mexican protagonists have shot up in Mexico, from 14 in 2019 to 31 in 2019, according to Imcine’s Mexican Cinema Yearbook.
In 2017, Mexico’s biggest homegrown hit was Nicolas López’s “Do It Like an Hombre,” a merciless taunt of a Mexican macho’s helpless homophobia, which grossed 11.0 million in the country.
For centuries an entrenched bastion of machismo, in film terms, the dial is finally moving on diversity.
“When I started out, like 20 years ago, I could count with my fingers the female directors I knew in Mexico; and today, there are almost 100,” says Natalia Beristáin, director of 2017’s Morelia...
- 9/16/2022
- by John Hopewell
- Variety Film + TV
The Venice premiere of Alfonso Cuarón’s 2018 drama “Roma” made an overnight star of Yalitza Aparicio, whose memorable performance as family nanny Cleo kicked off a three-month whirlwind that culminated with her becoming the first Indigenous Mexican to receive an Oscar nomination for best actress.
The Venice premiere of Alfonso Cuarón’s 2018 drama “Roma” made an overnight star of Yalitza Aparicio, whose memorable performance as family nanny Cleo kicked off a three-month whirlwind that culminated with her becoming the first Indigenous Mexican to receive an Oscar nomination for best actress.
Four years on, little has been seen of her. This week, however, Aparicio returns to the screen via a decidedly more low-key premiere, playing a supporting role in Luis Mandoki’s modest horror film “Presencias,” which TelevisaUnivision-owned ViX+ is screening for buyers in Toronto.
Talking via Zoom from Mexico, Aparicio appears both nervous and excited about her return to the spotlight,...
The Venice premiere of Alfonso Cuarón’s 2018 drama “Roma” made an overnight star of Yalitza Aparicio, whose memorable performance as family nanny Cleo kicked off a three-month whirlwind that culminated with her becoming the first Indigenous Mexican to receive an Oscar nomination for best actress.
Four years on, little has been seen of her. This week, however, Aparicio returns to the screen via a decidedly more low-key premiere, playing a supporting role in Luis Mandoki’s modest horror film “Presencias,” which TelevisaUnivision-owned ViX+ is screening for buyers in Toronto.
Talking via Zoom from Mexico, Aparicio appears both nervous and excited about her return to the spotlight,...
- 9/12/2022
- by Adam Benzine
- Variety Film + TV
#QueMéxicoSeVea designed to showcase work of local industry.
Netflix has announced the latest film from Fernando Frias and the feature directorial debut of cinematographer Rodrigo Prieto as it launches an initiative to raise the profile of local filmmakers in the run-up to Mexico’s national cinema day on Monday (August 15).
Under #QueMéxicoSeVea, which translates as Let Mexico Be Seen, Netflix will present the latest from Frias – I Don’t Expect Anyone To Believe Me (No Voy A Pedirle A Nadie Que Me Crea) – whose I’m No Longer Here was acquired by the streamer and represented Mexico in the international feature...
Netflix has announced the latest film from Fernando Frias and the feature directorial debut of cinematographer Rodrigo Prieto as it launches an initiative to raise the profile of local filmmakers in the run-up to Mexico’s national cinema day on Monday (August 15).
Under #QueMéxicoSeVea, which translates as Let Mexico Be Seen, Netflix will present the latest from Frias – I Don’t Expect Anyone To Believe Me (No Voy A Pedirle A Nadie Que Me Crea) – whose I’m No Longer Here was acquired by the streamer and represented Mexico in the international feature...
- 8/13/2022
- by Jeremy Kay
- ScreenDaily
Netflix has reaffirmed its 300 million commitment to Mexican cinema and series, announcing a slew of new movie projects to celebrate the country’s National Day of Cinema on Aug. 15 and as part of its #QueMéxicoSeVea initiative.
The year-old initiative, which can be roughly translated to “Let Mexico Be Seen” has the mission “to make visible the work of Mexican creators, screenwriters, writers, directors, actors and people who make national cinema possible,” as well as its wealth of original stories.
Leading the pack is the widely anticipated directorial debut of Oscar-nominated cinematographer Rodrigo Prieto who is helming an adaptation of Juan Rulfo’s seminal novel, “Pedro Paramo.” Produced by Redrum, the film’s crew includes Oscar-nominated production designer Eugenio Caballero and costume designer Anna Terrazas, whose notable credits include “Roma,” “Spectre” and “Bardo.”
“Our commitment to Mexican culture also includes adapting great Mexican works to the cinema, and ‘Pedro Páramo’ will...
The year-old initiative, which can be roughly translated to “Let Mexico Be Seen” has the mission “to make visible the work of Mexican creators, screenwriters, writers, directors, actors and people who make national cinema possible,” as well as its wealth of original stories.
Leading the pack is the widely anticipated directorial debut of Oscar-nominated cinematographer Rodrigo Prieto who is helming an adaptation of Juan Rulfo’s seminal novel, “Pedro Paramo.” Produced by Redrum, the film’s crew includes Oscar-nominated production designer Eugenio Caballero and costume designer Anna Terrazas, whose notable credits include “Roma,” “Spectre” and “Bardo.”
“Our commitment to Mexican culture also includes adapting great Mexican works to the cinema, and ‘Pedro Páramo’ will...
- 8/11/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the line-up
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the 12 films selected for the Horizontes Latinos section of the 70th edition of the San Sebastian International Film Festival (September 16-24).
Scroll down for full line-up
Martelli’s drama premiered in Cannes Directors’ Fortnight selection earlier this year and recently picked up the best first feature film award at Jerusalem. The film follows a middle-class woman re-evaluating her beliefs when she’s asked to secretly take care of an injured man. Luxbox are handling sales.
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the 12 films selected for the Horizontes Latinos section of the 70th edition of the San Sebastian International Film Festival (September 16-24).
Scroll down for full line-up
Martelli’s drama premiered in Cannes Directors’ Fortnight selection earlier this year and recently picked up the best first feature film award at Jerusalem. The film follows a middle-class woman re-evaluating her beliefs when she’s asked to secretly take care of an injured man. Luxbox are handling sales.
- 8/11/2022
- by Ellie Calnan
- ScreenDaily
Ten-episode medical drama based on documentary Familia de Medianoche.
Apple TV+ has landed Midnight Family from Pablo and Juan de Dios Larraín’s Chilean company Fabula and the UK’s Fremantle which marks the platform’s first all Spanish-language Original series.
Based on the documentary Familia de Medianoche the 10-episode medical drama is created for television by Ariel Award winner Gibrán Portela and Julio Rojas with the Larrains on board as executive producers.
Currently in production in Mexico City, the new series will feature an entirely Hispanic cast and crew led by Joaquín Cosío, Renata Vaca, Diego Calva, Yalitza Aparicio,...
Apple TV+ has landed Midnight Family from Pablo and Juan de Dios Larraín’s Chilean company Fabula and the UK’s Fremantle which marks the platform’s first all Spanish-language Original series.
Based on the documentary Familia de Medianoche the 10-episode medical drama is created for television by Ariel Award winner Gibrán Portela and Julio Rojas with the Larrains on board as executive producers.
Currently in production in Mexico City, the new series will feature an entirely Hispanic cast and crew led by Joaquín Cosío, Renata Vaca, Diego Calva, Yalitza Aparicio,...
- 3/15/2022
- by Jeremy Kay
- ScreenDaily
Apple TV+ has set its first-ever all Spanish-language series Midnight Family from Pablo and Juan de Dios Larraín. Cast includes Academy Award nominee Yalitza Aparicio (Roma), Joaquín Cosío, and Óscar Jaenada.
Rounding out the ensemble are Renata Vaca (Dale Gas), Diego Calva, Itzan Escamilla (Élite), José María de Tavira (The Candidate), Dolores Heredia, Mariana Gómez (The Queen of Flow) and Sergio Bautista.
Midnight Family—inspired by the award-winning documentary of the same name— follows Marigaby Tamayo (Vaca), an ambitious and gifted medical student by day, who spends her nights saving lives throughout a sprawling, contrasted and fascinating Mexico City aboard her family’s privately owned ambulance. Along with her father Ramón (Cosío) and her siblings Marcus (Calva) and Julito (Bautista), Marigaby serves a population of millions by tackling extreme medical emergencies to make a living.
Rounding out the ensemble are Renata Vaca (Dale Gas), Diego Calva, Itzan Escamilla (Élite), José María de Tavira (The Candidate), Dolores Heredia, Mariana Gómez (The Queen of Flow) and Sergio Bautista.
Midnight Family—inspired by the award-winning documentary of the same name— follows Marigaby Tamayo (Vaca), an ambitious and gifted medical student by day, who spends her nights saving lives throughout a sprawling, contrasted and fascinating Mexico City aboard her family’s privately owned ambulance. Along with her father Ramón (Cosío) and her siblings Marcus (Calva) and Julito (Bautista), Marigaby serves a population of millions by tackling extreme medical emergencies to make a living.
- 3/15/2022
- by Rosy Cordero
- Deadline Film + TV
Apple has ordered a Spanish-language series inspired by the documentary “Midnight Family” (“Familia de Medianoche”).
The series will be Apple’s first series produced entirely in Spanish. “Midnight Family” follows Marigaby Tamayo (Renata Vaca), an ambitious and gifted medical student by day, who spends her nights saving lives throughout a sprawling, contrasted and fascinating Mexico City aboard her family’s privately owned ambulance. Along with her father Ramón (Joaquín Cosío) and her siblings Marcus (Diego Calva) and Julito (Sergio Bautista), Marigaby serves a population of millions by tackling extreme medical emergencies to make a living.
“Midnight Family” also stars Yalitza Aparicio, Itzan Escamilla, José María de Tavira, Óscar Jaenada, Dolores Heredia, and Mariana Gómez. Apple has given the show a 10-episode order. It is currently in production in Mexico City.
The show was developed for television by Gibrán Portela and Julio Rojas, with Portela serving as writer. Natalia Beristáin is showrunner,...
The series will be Apple’s first series produced entirely in Spanish. “Midnight Family” follows Marigaby Tamayo (Renata Vaca), an ambitious and gifted medical student by day, who spends her nights saving lives throughout a sprawling, contrasted and fascinating Mexico City aboard her family’s privately owned ambulance. Along with her father Ramón (Joaquín Cosío) and her siblings Marcus (Diego Calva) and Julito (Sergio Bautista), Marigaby serves a population of millions by tackling extreme medical emergencies to make a living.
“Midnight Family” also stars Yalitza Aparicio, Itzan Escamilla, José María de Tavira, Óscar Jaenada, Dolores Heredia, and Mariana Gómez. Apple has given the show a 10-episode order. It is currently in production in Mexico City.
The show was developed for television by Gibrán Portela and Julio Rojas, with Portela serving as writer. Natalia Beristáin is showrunner,...
- 3/15/2022
- by Joe Otterson
- Variety Film + TV
In the two versions of “The Mosquito Coast” that came before the Apple TV Plus drama (the 1981 novel and the 1986 film adaptation), the character of Allie Fox’s wife and mother to his children was just that and that alone: a wife and mother. But the series, which is being treated as a prequel to the events in the novel, rather than a straight adaptation, puts her in the driver’s seat.
For one thing, the character (portrayed by Melissa George) now has a name (Margot). More notably, though, she exhibits real agency in her relationship with Allie (Justin Theroux), deciding just how far she will go to keep her kids safe.
“She’s the reason they’re on the run. She’s done something so major,” George says.
While there are hints of this sprinkled throughout the first few episodes, Margot’s first real power move comes in the fourth episode,...
For one thing, the character (portrayed by Melissa George) now has a name (Margot). More notably, though, she exhibits real agency in her relationship with Allie (Justin Theroux), deciding just how far she will go to keep her kids safe.
“She’s the reason they’re on the run. She’s done something so major,” George says.
While there are hints of this sprinkled throughout the first few episodes, Margot’s first real power move comes in the fourth episode,...
- 6/9/2021
- by Danielle Turchiano
- Variety Film + TV
Maggie Gyllenhaal, Paolo Sorrentino and Natalia Beristáin contribute to a diverting but indulgent anthology about lockdown life
Here is a short film anthology with a luxury gloss and prestige sheen, curated for Netflix by the Chilean director Pablo Larraín, his brother Juan de Dios Larraín and Italian producer Lorenzo Mieli. They invited 17 film-makers from around the world to make short films during lockdown about the theme of lockdown. Larraín himself contrives an amusing piece about an ageing lothario in a care home who contacts an old flame on Skype while his long-suffering nurse has to sit impassively in the background.
Some film-makers have stuck toughly to the spirit of lockdown, with lo-fi pieces shot on their smartphones within their own four walls. Sebastian Schipper creates something starring himself with TikTok-style visual gags about doppelgangers and triplegangers. Rungano Nyoni gives us a wacky comedy about the texting life of a...
Here is a short film anthology with a luxury gloss and prestige sheen, curated for Netflix by the Chilean director Pablo Larraín, his brother Juan de Dios Larraín and Italian producer Lorenzo Mieli. They invited 17 film-makers from around the world to make short films during lockdown about the theme of lockdown. Larraín himself contrives an amusing piece about an ageing lothario in a care home who contacts an old flame on Skype while his long-suffering nurse has to sit impassively in the background.
Some film-makers have stuck toughly to the spirit of lockdown, with lo-fi pieces shot on their smartphones within their own four walls. Sebastian Schipper creates something starring himself with TikTok-style visual gags about doppelgangers and triplegangers. Rungano Nyoni gives us a wacky comedy about the texting life of a...
- 6/29/2020
- by Peter Bradshaw
- The Guardian - Film News
In the past few months during quarantine, we’ve seen filmmakers creating a number of different short-form projects and self-releasing them on their own channels. Now, the biggest project yet is arriving from Netflix as they’ve teamed with nearly 20 filmmakers who each made their own new short. They will now be released next week as part of the anthology film Homemade.
Featuring films by Pablo Larraín and Kristen Stewart (who will team together for their next film) as well as Ana Lily Amirpour, Antonio Campos, Rachel Morrison, Naomi Kawase, David Mackenzie, Maggie Gyllenhaal, Paolo Sorrentino, and more, it’s an eclectic batch of work from all over the world.
“For once in our careers, this wasn’t about money, agencies, lawyers or the Hollywood structure,” producer Juan de Dios Larrain tells Variety. “This was a simple idea of [conveying] one message in five to seven minutes, and the idea was...
Featuring films by Pablo Larraín and Kristen Stewart (who will team together for their next film) as well as Ana Lily Amirpour, Antonio Campos, Rachel Morrison, Naomi Kawase, David Mackenzie, Maggie Gyllenhaal, Paolo Sorrentino, and more, it’s an eclectic batch of work from all over the world.
“For once in our careers, this wasn’t about money, agencies, lawyers or the Hollywood structure,” producer Juan de Dios Larrain tells Variety. “This was a simple idea of [conveying] one message in five to seven minutes, and the idea was...
- 6/23/2020
- by Leonard Pearce
- The Film Stage
Before Pablo Larraín and Kristen Stewart team up for their Princess Diana biographical drama “Spencer,” the two will be lending their directing talents to Netflix’s short film anthology collection “Homemade.” The “Jackie” and “Neruda” filmmaker is behind the Netflix project alongside his brother, Juan de Dios Larraín, and Lorenzo Mieli, CEO of the Fremantle-backed company The Apartment. Variety first reported the news. “Homemade” is set to feature 17 short films helmed by directors from all around the world, including Larraín, Paolo Sorrentino, Ladj Ly, Naomi Kawase, Sebastián Lelio, Ana Lily Amirpour, Kristen Stewart, and Maggie Gyllenhaal.
Each film in the “Homemade” anthology was made in quarantine using only the equipment each filmmaker had at his or her disposal. In the case of Larraín’s short film, that means using the Zoom app to create a conversation-based movie. Plot details for each film are under wraps, although Larraín told Variety that...
Each film in the “Homemade” anthology was made in quarantine using only the equipment each filmmaker had at his or her disposal. In the case of Larraín’s short film, that means using the Zoom app to create a conversation-based movie. Plot details for each film are under wraps, although Larraín told Variety that...
- 6/23/2020
- by Zack Sharf
- Thompson on Hollywood
Before Pablo Larraín and Kristen Stewart team up for their Princess Diana biographical drama “Spencer,” the two will be lending their directing talents to Netflix’s short film anthology collection “Homemade.” The “Jackie” and “Neruda” filmmaker is behind the Netflix project alongside his brother, Juan de Dios Larraín, and Lorenzo Mieli, CEO of the Fremantle-backed company The Apartment. Variety first reported the news. “Homemade” is set to feature 17 short films helmed by directors from all around the world, including Larraín, Paolo Sorrentino, Ladj Ly, Naomi Kawase, Sebastián Lelio, Ana Lily Amirpour, Kristen Stewart, and Maggie Gyllenhaal.
Each film in the “Homemade” anthology was made in quarantine using only the equipment each filmmaker had at his or her disposal. In the case of Larraín’s short film, that means using the Zoom app to create a conversation-based movie. Plot details for each film are under wraps, although Larraín told Variety that...
Each film in the “Homemade” anthology was made in quarantine using only the equipment each filmmaker had at his or her disposal. In the case of Larraín’s short film, that means using the Zoom app to create a conversation-based movie. Plot details for each film are under wraps, although Larraín told Variety that...
- 6/23/2020
- by Zack Sharf
- Indiewire
Los Cabos — “The Twentieth Century,” Matthew Rankin’s crazed retelling of Canadian history, won the main Los Cabos Competition this Saturday, beating out a prestige lineup of some of the most notable festival standouts of the year.
The win at Los Cabos, whose competition is focused on movies from the U.S., Mexico and Canada, adds to “The Twentieth Century’s” Toronto Best Canadian First Feature prize for a feature made with high style, shot like 1940s melodrama, with a box-like Academy ratio.
Mexico Primero, a showcase of first or second-time Mexican features, was won by “The Dove and the Wolf,” the feature debut of Carlos Lenin, which world premiered at this year’s Locarno Film Festival in Filmmakers of the Present. A young couple love story, “The Dove and the Wolf” is distinguished by its context, a grimy small town assailed by cartel violence, and its unyielding use of...
The win at Los Cabos, whose competition is focused on movies from the U.S., Mexico and Canada, adds to “The Twentieth Century’s” Toronto Best Canadian First Feature prize for a feature made with high style, shot like 1940s melodrama, with a box-like Academy ratio.
Mexico Primero, a showcase of first or second-time Mexican features, was won by “The Dove and the Wolf,” the feature debut of Carlos Lenin, which world premiered at this year’s Locarno Film Festival in Filmmakers of the Present. A young couple love story, “The Dove and the Wolf” is distinguished by its context, a grimy small town assailed by cartel violence, and its unyielding use of...
- 11/17/2019
- by John Hopewell
- Variety Film + TV
Los Cabos — Woo Films, producer via Noc Noc Cinema of Netflix’s “The House of Flowers,” is preparing a new movie project from Natalia Beristáin and Diego Enrique Osorno, “Ruido.”
In a further move, Noc Noc Cinema – a TV-film production house set up by “The House of Flowers’” show-runner Manolo Caro and Woo Films’ Rafael Ley and María José Córdova – is backing the feature debut of Natalia García Agraz “ “Extraños Que Se Besan,” from a screenplay being written by García Agraz and Caro.
Portugal’s Rosa Filmes has also just boarded Lisandro Alonso’s “Eureka,” a multilateral international production on which Woo Films serves as the Mexican partner.
The news comes as Noc Noc Cinema has just announced its first production in Spain, Netflix series “Alguien Tiene Que Morir.” Adding to feature titles at Woo Films from Lisandro Alonso, Elisa Miller and Matías Meyer -the last “Modern Loves” which world premiere...
In a further move, Noc Noc Cinema – a TV-film production house set up by “The House of Flowers’” show-runner Manolo Caro and Woo Films’ Rafael Ley and María José Córdova – is backing the feature debut of Natalia García Agraz “ “Extraños Que Se Besan,” from a screenplay being written by García Agraz and Caro.
Portugal’s Rosa Filmes has also just boarded Lisandro Alonso’s “Eureka,” a multilateral international production on which Woo Films serves as the Mexican partner.
The news comes as Noc Noc Cinema has just announced its first production in Spain, Netflix series “Alguien Tiene Que Morir.” Adding to feature titles at Woo Films from Lisandro Alonso, Elisa Miller and Matías Meyer -the last “Modern Loves” which world premiere...
- 11/14/2019
- by John Hopewell
- Variety Film + TV
Festival launches international competition to be judged by audiences.
The Goteborg Film Festival (Jan 26-Feb 5) has unveiled its 2018 of 399 films from 78 countries.
Source: Goteborg Film Festival
Amateurs
Gabriela Pilcher’s Amateurs will open the festival and also compete for the lucrative Dragon Award for best Nordic film (full list of competition titles below).
Pilcher, who previously directed festival hit Eat Sleep Die, presents the world premiere of her second feature, which is about a small town in Sweden that hopes to revive its economic activity by bringing in a German discount supermarket. The supermarket brand asks local teenagers to make films about their hometown, but the films don’t turn out as expected.
The festival’s new prize, the Dragon Award for best international film, will be fought over by 20 international films that will be voted on by the festival audience for a $6,000 (Sek 50,000) prize.
Films competing are: Disobedience by Sebastián Lelio The Death of Stalin by [link=nm...
The Goteborg Film Festival (Jan 26-Feb 5) has unveiled its 2018 of 399 films from 78 countries.
Source: Goteborg Film Festival
Amateurs
Gabriela Pilcher’s Amateurs will open the festival and also compete for the lucrative Dragon Award for best Nordic film (full list of competition titles below).
Pilcher, who previously directed festival hit Eat Sleep Die, presents the world premiere of her second feature, which is about a small town in Sweden that hopes to revive its economic activity by bringing in a German discount supermarket. The supermarket brand asks local teenagers to make films about their hometown, but the films don’t turn out as expected.
The festival’s new prize, the Dragon Award for best international film, will be fought over by 20 international films that will be voted on by the festival audience for a $6,000 (Sek 50,000) prize.
Films competing are: Disobedience by Sebastián Lelio The Death of Stalin by [link=nm...
- 1/9/2018
- by Wendy Mitchell
- ScreenDaily
Programmers at the eighth Buenos Aires market handed out their annual awards on Friday when several titles rose to the top and the judges also unveiled selections from a vibrant inaugural animation section.
Mexican director Natalia Beristain’s The Goodbyes (Los Adiosos) from Woo Films, Zamora Films and Chamaca Films earned the European Vision Prize in the Primer Corte section for projects in post-production.
The Mexico-uk-Poland drama also won the HD Argentina Prize in the Latin American Vision section and tells of the life of renowned Mexican author Rosario Castellanos and her love for Ricardo Guerra.
Also in Primer Corte, the Film Francais Prize went to another multiple winner, Marcelo Caetano’s Brazilian entry Body Electric (Corpo Electrico), which also scooped the Habanero Award and the Sofia Films Award in the Latin American Vision category.
The film from Desbun Filmes and África Filmes centres on a man from the northeast of Brazil who arrives in Sao Paulo...
Mexican director Natalia Beristain’s The Goodbyes (Los Adiosos) from Woo Films, Zamora Films and Chamaca Films earned the European Vision Prize in the Primer Corte section for projects in post-production.
The Mexico-uk-Poland drama also won the HD Argentina Prize in the Latin American Vision section and tells of the life of renowned Mexican author Rosario Castellanos and her love for Ricardo Guerra.
Also in Primer Corte, the Film Francais Prize went to another multiple winner, Marcelo Caetano’s Brazilian entry Body Electric (Corpo Electrico), which also scooped the Habanero Award and the Sofia Films Award in the Latin American Vision category.
The film from Desbun Filmes and África Filmes centres on a man from the northeast of Brazil who arrives in Sao Paulo...
- 12/3/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Juan Andrés Arango’s migrant drama claimed the México Primero prize and Andrea Arnold’s road movie prevailed in the Competencia de Los Cabos category as the fifth annual Los Cabos International Film Festival closed on Saturday.
Both films received Mxn $200k (roughly Usd $9.6k), while Tamara And The Ladybug by Lucía Carrera took the Fipresci México Primero Award as well as the Usd $12k Art Kingdom Trailer Award presented by Art Kingdom Showbiz Agency.
Beauties Of The Night by Maria José Cuevas took the Mxn $200k Cinemex Audience prize, and Kris Avedisian’s Donald Cried claimed the Usd $15k Labodigital Incentive For Distribution award.
Three filmmakers each earned a Mxn $150k (Usd $7.2k) scholarship under the auspices of the Gabriel Figueroa Film Fund: Cómprame Un Revólver by Julio Hernández Cordón; Alicia by Michael Rowe; and Monsters And Men by Reinaldo M. Green.
The Usd $160k Gabriel Figueroa Film Fund - Labodigital Awards went to: The Rosenbergs...
Both films received Mxn $200k (roughly Usd $9.6k), while Tamara And The Ladybug by Lucía Carrera took the Fipresci México Primero Award as well as the Usd $12k Art Kingdom Trailer Award presented by Art Kingdom Showbiz Agency.
Beauties Of The Night by Maria José Cuevas took the Mxn $200k Cinemex Audience prize, and Kris Avedisian’s Donald Cried claimed the Usd $15k Labodigital Incentive For Distribution award.
Three filmmakers each earned a Mxn $150k (Usd $7.2k) scholarship under the auspices of the Gabriel Figueroa Film Fund: Cómprame Un Revólver by Julio Hernández Cordón; Alicia by Michael Rowe; and Monsters And Men by Reinaldo M. Green.
The Usd $160k Gabriel Figueroa Film Fund - Labodigital Awards went to: The Rosenbergs...
- 11/13/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Kiki Alvarez’s drama takes its place alongside five others in the Buenos Aires market’s post-production slate.
Soul Sisters (Las Chambelonas) marks Alvazrez’s follow-up to Venice, his drama that debuted in Toronto back in September 2014.
Primer Corte includes drama Los Últimos (Argentina) – the feature directorial debut of Nicolás Puenzo – and Natalia Beristain’s drama The Goodbyes (Los Adioses, Mexico).
Rounding out Primer Corte are drama Body Electric (Corpo Elétrico, Brazil) by Marcelo Caetano, comedy musical Las Malcogidas (Bolivia) by Denisse Arancibia, and comedy The Originals (Los Oriyinales, Colombia) by Harold Trompetero.
Cannes’ Cinefondation’s Georges Goldenstern selected the line-up. Ventana Sur runs from November 29-December 3.
Projects selected for the Trends platform showcasing new technologies are: Bad Winters Day (Maximiliano Trionfante, Argentina); Territoria (Gonzalo Sierra, Argentina); Sense 360 (Peterson Da Silva, Brazil); Vr Chinchorro (Diego Briet and Maria Court, Chile); Ancestros (Rodrigo Castellanos, Colombia); Cuerpos De Agua (Alvaro Rodriguez and Carlos Serrano, Colombia); and Fran...
Soul Sisters (Las Chambelonas) marks Alvazrez’s follow-up to Venice, his drama that debuted in Toronto back in September 2014.
Primer Corte includes drama Los Últimos (Argentina) – the feature directorial debut of Nicolás Puenzo – and Natalia Beristain’s drama The Goodbyes (Los Adioses, Mexico).
Rounding out Primer Corte are drama Body Electric (Corpo Elétrico, Brazil) by Marcelo Caetano, comedy musical Las Malcogidas (Bolivia) by Denisse Arancibia, and comedy The Originals (Los Oriyinales, Colombia) by Harold Trompetero.
Cannes’ Cinefondation’s Georges Goldenstern selected the line-up. Ventana Sur runs from November 29-December 3.
Projects selected for the Trends platform showcasing new technologies are: Bad Winters Day (Maximiliano Trionfante, Argentina); Territoria (Gonzalo Sierra, Argentina); Sense 360 (Peterson Da Silva, Brazil); Vr Chinchorro (Diego Briet and Maria Court, Chile); Ancestros (Rodrigo Castellanos, Colombia); Cuerpos De Agua (Alvaro Rodriguez and Carlos Serrano, Colombia); and Fran...
- 11/7/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Jurors at the 2015 Los Cabos International Film Festival unveiled their winners as the Mexican festival came to a close at the weekend.
In the Parallel Awards, the Cabos Discovery Ctt Exp & Rentals Award – equivalent to four weeks of filming equipment – was presented to Paulina del Paso for her film A Flor De Piel (Skin Deep). The award carries a $75,248 (Mxn 1,256,000) prize.
The Cabos In Progress Chemistry Award carrying a $45,000 prize in colour correction services went to Sebastián Hiriart for Carroña (Carrion),
The Cabos In Progress Fox+ Award went to La Habitación (The Bedroom) directed by Carlos Carrera, Daniel Giménez Cacho, Carlos Bolado, Ernesto Contreras, Alfonso Pineda Ulloa, Alejandro Valle, Iván Ávila Dueñas and Natalia Beristáin. The award carries a $30,000 cash prize and rights to broadcast the film in Latin America.
The Producers Network Badge Award went to producer Mayra Espinosa Cabos Discovery entry Calla (Keep Quiet).
The México Primero Art Kingdom Award was presented to Jack Zagha...
In the Parallel Awards, the Cabos Discovery Ctt Exp & Rentals Award – equivalent to four weeks of filming equipment – was presented to Paulina del Paso for her film A Flor De Piel (Skin Deep). The award carries a $75,248 (Mxn 1,256,000) prize.
The Cabos In Progress Chemistry Award carrying a $45,000 prize in colour correction services went to Sebastián Hiriart for Carroña (Carrion),
The Cabos In Progress Fox+ Award went to La Habitación (The Bedroom) directed by Carlos Carrera, Daniel Giménez Cacho, Carlos Bolado, Ernesto Contreras, Alfonso Pineda Ulloa, Alejandro Valle, Iván Ávila Dueñas and Natalia Beristáin. The award carries a $30,000 cash prize and rights to broadcast the film in Latin America.
The Producers Network Badge Award went to producer Mayra Espinosa Cabos Discovery entry Calla (Keep Quiet).
The México Primero Art Kingdom Award was presented to Jack Zagha...
- 11/15/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The festival, set to run in Mexico from November 11-15, has unveiled the selections in its After Dark, American Specials and Green programmes.
Entries in the After Dark genre section feature films that have garnered acclaim at other festivals and include Matteo Garrone’s Tale Of Tales and the Latin American premieres of Robert Eggers’ The Witch (pictured) and Bo Mikkelsen’s What We Become.
The American Specials selections present Mexican permieres of Scott Cooper’s Black Mass and Marielle Heller’s The Diary of A Teenage Girl.
The Green strand presented by Discovery Channel showcases the Latin American premiere of Cyril Barbançon and Andy Byatt’s Hurricane 3D and the Mexican premieres of Louie Psihoyos’s Racing Extinction and Luc Jacqyet’s La Glace Et Le Ciel.
Festival top brass have also announced entries in the Cabos In Progress initiative for films in post that are made in or being produced with Mexico.
The selections...
Entries in the After Dark genre section feature films that have garnered acclaim at other festivals and include Matteo Garrone’s Tale Of Tales and the Latin American premieres of Robert Eggers’ The Witch (pictured) and Bo Mikkelsen’s What We Become.
The American Specials selections present Mexican permieres of Scott Cooper’s Black Mass and Marielle Heller’s The Diary of A Teenage Girl.
The Green strand presented by Discovery Channel showcases the Latin American premiere of Cyril Barbançon and Andy Byatt’s Hurricane 3D and the Mexican premieres of Louie Psihoyos’s Racing Extinction and Luc Jacqyet’s La Glace Et Le Ciel.
Festival top brass have also announced entries in the Cabos In Progress initiative for films in post that are made in or being produced with Mexico.
The selections...
- 10/20/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The first Fenix Iberoamerican Film Awards, highlighting and celebrating cinema made in Latin America, Spain, and Portugal as well as applauding the professionals involved was inaugurated by Cinema23 this October 30 and held its closing night party in México City's Jumex Museum, named after the Lopez family’s fruit juice empire, and commissioned by Eugenio Lopez, the dynastic scion whose intention is to leave an edifice to Mexico City that dignifies his family name. This 21st-century prince is the sole patron of the new Museo Jumex, Latin America’s largest contemporary art museum, designed by the British architect David Chipperfield and just across the street from hourglass-shaped Museo Soumaya, opened in 2011 by the Mexican billionaire Carlos Slim Helú to display his own collection. Worth a trip to Mexico alone just to view the private Jumex collection of Mexican art, to attend the spectacular closing night party topping off the new annual, independent award ceremony which took place at the iconic 1918 Teatro de la Ciudad was an experience of a lifetime.
After an exclusive dinner for the nominees around 11 Pm, the great celebration began. Inspired by Día de los Muertos, or Day of the Dead, one of the most important holidays in Mexico, the party was decorated with elements inspired by this tradition such as "papel picado," and walls decorated with skulls. The vibrant orange color of hundreds of cempasúchil flowers (Marigolds) adorned the hall where more than a thousand guests, among them many film professional, singers and other important figures from across Iberoamerica, attended the celebration organized by Grupo Modelo the brewery in Mexico now owned by the Belgian-Brazilian company Anheuser-Busch InBev, which holds 63% of the Mexican beer market and exports beer to most countries of the world, whose export brands include my own favorite beers, Corona and Pacífico. I was proud to be invited to attend and to be part of the advisory council of Cinema23, founder of this annual Fenix Awards celebration of the art of cinema along with the comcomitant commercial success of Iberoamerican cinema.
Attending the awards and the post-award party were actors such as Alice Braga, Ana de la Reguera, Ana Claudia Talancón, Alfonso Herrera, Bárbara Mori, Brandon López, Camila Selser, Cecilia Suárez, Elena Anaya, Ernesto Alterio, Erick Elías, Ilse Salas, Irene Azuela, Johanna Murillo, José María Yazpik, José María and Pedro de Tavira, Juan Manuel Bernal, Karen Martínez, Luis Gerardo Méndez, Maribel Verdú, Martha Higareda, Maya Zapata and Ximena Ayala; filmmakers Fernando Eimbcke, Gary Alazraki, Jonás Cuarón, Lorenzo Hagerman, Manolo Caro, Natalia Beristáin and Rigoberto Perezcano; musicians Leo Heiblum, Kevin Johansen, León Larregui and Sergio Acosta from rock band Zoé and Leonor Watling, Jesús Navarro, vocalist of pop band Reik; socialites as Rafael Micha, Jorge Gorozpe, Memo Martínez and Max Villegas; fashion designer Oscar Madrazo and jewelry designer Mariana Villarea. They and the other attendees enjoyed a night in which cinema was the most important guest.
In the venue's lower level, Sonido Apokalitzin's beats enhanced the experience with cumbias, salsas and iconic songs from several Iberoamerican countries. Monterrey DJ Toy Selectah also entertained the guests with his musical selection. Upstairs, Sergio and Andres from famous rock band Zoé delighted everyone with their music just before they enjoyed Julian Placencia's DJ set.
With this event the first edition of the Fenix Iberoamerican Film Awards came to an end. The event brought together hundreds of figures from the Iberoamerican film community who celebrated the well-deserved recognition to their work and dedication. At the same time the event served to strengthen relationships among the diverse industries and will continuously help forge the region's identity.
After an exclusive dinner for the nominees around 11 Pm, the great celebration began. Inspired by Día de los Muertos, or Day of the Dead, one of the most important holidays in Mexico, the party was decorated with elements inspired by this tradition such as "papel picado," and walls decorated with skulls. The vibrant orange color of hundreds of cempasúchil flowers (Marigolds) adorned the hall where more than a thousand guests, among them many film professional, singers and other important figures from across Iberoamerica, attended the celebration organized by Grupo Modelo the brewery in Mexico now owned by the Belgian-Brazilian company Anheuser-Busch InBev, which holds 63% of the Mexican beer market and exports beer to most countries of the world, whose export brands include my own favorite beers, Corona and Pacífico. I was proud to be invited to attend and to be part of the advisory council of Cinema23, founder of this annual Fenix Awards celebration of the art of cinema along with the comcomitant commercial success of Iberoamerican cinema.
Attending the awards and the post-award party were actors such as Alice Braga, Ana de la Reguera, Ana Claudia Talancón, Alfonso Herrera, Bárbara Mori, Brandon López, Camila Selser, Cecilia Suárez, Elena Anaya, Ernesto Alterio, Erick Elías, Ilse Salas, Irene Azuela, Johanna Murillo, José María Yazpik, José María and Pedro de Tavira, Juan Manuel Bernal, Karen Martínez, Luis Gerardo Méndez, Maribel Verdú, Martha Higareda, Maya Zapata and Ximena Ayala; filmmakers Fernando Eimbcke, Gary Alazraki, Jonás Cuarón, Lorenzo Hagerman, Manolo Caro, Natalia Beristáin and Rigoberto Perezcano; musicians Leo Heiblum, Kevin Johansen, León Larregui and Sergio Acosta from rock band Zoé and Leonor Watling, Jesús Navarro, vocalist of pop band Reik; socialites as Rafael Micha, Jorge Gorozpe, Memo Martínez and Max Villegas; fashion designer Oscar Madrazo and jewelry designer Mariana Villarea. They and the other attendees enjoyed a night in which cinema was the most important guest.
In the venue's lower level, Sonido Apokalitzin's beats enhanced the experience with cumbias, salsas and iconic songs from several Iberoamerican countries. Monterrey DJ Toy Selectah also entertained the guests with his musical selection. Upstairs, Sergio and Andres from famous rock band Zoé delighted everyone with their music just before they enjoyed Julian Placencia's DJ set.
With this event the first edition of the Fenix Iberoamerican Film Awards came to an end. The event brought together hundreds of figures from the Iberoamerican film community who celebrated the well-deserved recognition to their work and dedication. At the same time the event served to strengthen relationships among the diverse industries and will continuously help forge the region's identity.
- 11/17/2014
- by Sydney Levine
- Sydney's Buzz
Curacao, the former Dutch Caribbean colony now boasts a film festival held in partnership with the Rotterdam Film Festival signalling the growing importance of the Caribbean territory in a film business whose intercultural aspects are totally integrated into the normal lives of those who live in the Caribbean…think Cuba, Puerto Rico, Haiti, Dominican Republic, Jamaica, St. Barths, St. Kitts Nevis, St. Tomas, St. John, Angulla, St. Maarten, Tortola, Barbuda, St. Croix, Monserrat, Guadeloupe, Dominica, Martinique, St. Lucia, St. Veincent, Barbados, Grenadines, Cariacoa, Grenada, Trinidad and Tobago! Que culture!! Que bueno es!
On closing night of the second Curaçao International Film Festival Rotterdam edition, the jury gave the first Yellow Robin Award to No quiero dormir sola (She Doesn't Want to Sleep Alone) by Mexican filmmaker Natalia Beristáin. The award comes with a cash prize of $10,000 and a selection for the upcoming Iffr.
Curaçao Iffr 2013 counted 8,500 visitors to festival location The Cinemas in Willemstad. Organizer Fundashon Bon Intenshon and co-organizor International Film Festival Rotterdam were extremely delighted with this large audience interest. The third edition of Curaçao Iffr will take place from 3 to 6 April 2014.
The Yellow Robin Award Competition, supporting talented filmmakers from the Caribbean, Mexico and the neighbouring Latin American countries, included five feature films selected by the regional partners of Curaçao Iffr: Instituto Cubano del Arte e Industria Cinematográficos (Icaic), Trinidad & Tobago Film Festival, Jamaica Promotions Corporation (Jampro), Bahamas Film & Television Commission and Morelia Film Festival of Mexico (Ficm). The jury consisted of Rutger Wolfson (Director International Film Festival Rotterdam), David Pinedo (film critic and script advisor) and Bernadette Heiligers (text producer and public relations expert).
Yellow Robin Award winner No quiero dormir sola was selected for competition by Morelia Film Festival of Mexico, where it was distinguished as Best Film. The fiction feature debut by Natalia Beristáin is a restrained drama about loneliness, memories and family relationships. Thirty-something Amanda's life changes dramatically when she has to care for her alcoholic grandmother. After a difficult beginning, the two women discover they have more in common than they thought.
In the young people’s competition Short Films, Big Stories the Jury Prize for Best Fiction Film went to La Trinitaria Marchita by Elyse Isebia and Inez Loods; the Jury Prize for Best Music Video went to AnwarBeatz feat. Gilberto by Anwar Braaf, Gilberto Morishaw and Jordan Isenia. Both winning teams receive a cash prize of Nafl. 1,000. From these two winning short films, the festival visitors chose La Trinitaria Marchita as winner of the Audience Award 2013. The Audience Award consists of a fully paid trip to the 43rd Iffr (22 January – 2 February 2014) where the winning short film will be screened.
The second Curaçao Iffr screened 42 feature length and short films in multiplex The Cinemas in Willemstad. Along with the films, the festival, organized by Fundashon Bon Intenshon in collaboration with International Film Festival Rotterdam, offered Q&A sessions with attending filmmakers, a performance by the Dennis Aalse Youth Orchestra, workshops on filmmaking, the Magic Lantern exhibition and student screenings.
For all information about the 2ndCuraçao Iffr see www.curacaoiffr.com
Curaçao Iffr on YouTube: www.youtube.com/curacaoiffr
Curaçao Iffr on Facbook: www.facebook.com/CuracaoIFFR...
On closing night of the second Curaçao International Film Festival Rotterdam edition, the jury gave the first Yellow Robin Award to No quiero dormir sola (She Doesn't Want to Sleep Alone) by Mexican filmmaker Natalia Beristáin. The award comes with a cash prize of $10,000 and a selection for the upcoming Iffr.
Curaçao Iffr 2013 counted 8,500 visitors to festival location The Cinemas in Willemstad. Organizer Fundashon Bon Intenshon and co-organizor International Film Festival Rotterdam were extremely delighted with this large audience interest. The third edition of Curaçao Iffr will take place from 3 to 6 April 2014.
The Yellow Robin Award Competition, supporting talented filmmakers from the Caribbean, Mexico and the neighbouring Latin American countries, included five feature films selected by the regional partners of Curaçao Iffr: Instituto Cubano del Arte e Industria Cinematográficos (Icaic), Trinidad & Tobago Film Festival, Jamaica Promotions Corporation (Jampro), Bahamas Film & Television Commission and Morelia Film Festival of Mexico (Ficm). The jury consisted of Rutger Wolfson (Director International Film Festival Rotterdam), David Pinedo (film critic and script advisor) and Bernadette Heiligers (text producer and public relations expert).
Yellow Robin Award winner No quiero dormir sola was selected for competition by Morelia Film Festival of Mexico, where it was distinguished as Best Film. The fiction feature debut by Natalia Beristáin is a restrained drama about loneliness, memories and family relationships. Thirty-something Amanda's life changes dramatically when she has to care for her alcoholic grandmother. After a difficult beginning, the two women discover they have more in common than they thought.
In the young people’s competition Short Films, Big Stories the Jury Prize for Best Fiction Film went to La Trinitaria Marchita by Elyse Isebia and Inez Loods; the Jury Prize for Best Music Video went to AnwarBeatz feat. Gilberto by Anwar Braaf, Gilberto Morishaw and Jordan Isenia. Both winning teams receive a cash prize of Nafl. 1,000. From these two winning short films, the festival visitors chose La Trinitaria Marchita as winner of the Audience Award 2013. The Audience Award consists of a fully paid trip to the 43rd Iffr (22 January – 2 February 2014) where the winning short film will be screened.
The second Curaçao Iffr screened 42 feature length and short films in multiplex The Cinemas in Willemstad. Along with the films, the festival, organized by Fundashon Bon Intenshon in collaboration with International Film Festival Rotterdam, offered Q&A sessions with attending filmmakers, a performance by the Dennis Aalse Youth Orchestra, workshops on filmmaking, the Magic Lantern exhibition and student screenings.
For all information about the 2ndCuraçao Iffr see www.curacaoiffr.com
Curaçao Iffr on YouTube: www.youtube.com/curacaoiffr
Curaçao Iffr on Facbook: www.facebook.com/CuracaoIFFR...
- 4/10/2013
- by Sydney Levine
- Sydney's Buzz
The complete lineup for the 69th Venice Film Festival has been announced! Despite rumors, Paul Thomas Anderson's The Master will not be playing at the festival, but the slate remains just as exciting, with new entries from Assayas, Kitano, de Palma, Korine, Ramin Bahrani, and Kim Ki-Duk—plus Raúl Ruiz's second "last film" of the season (Lines of Wellington, completed by his widow and longtime editor Valeria Sarmiento) and the infamously meditative Terrence Malick's second feature in two years.
In Competition
Something in the Air, Olivier Assayas (France)
At Any Price, Ramin Bahrani (Us, UK)
Dormant Beauty, Marco Bellocchio (Italy)
La Cinquieme Saison, Peter Brosens and Jessica Woodworth (Belgium-Netherlands-France)
Fill The Void, Rama Bursztyn and Yigal Bursztyn (Israel)
E' stato il figlio, Daniele Cipri (Italy)
Un Giorno Speciale, Francesca Comencini (Italy)
Passion, Brian De Palma (France-Germany)
Superstar, Xavier Giannoli (France-Belgium)
Pieta, Kim Ki-duk (South Korea)
Outrage: Beyond,...
In Competition
Something in the Air, Olivier Assayas (France)
At Any Price, Ramin Bahrani (Us, UK)
Dormant Beauty, Marco Bellocchio (Italy)
La Cinquieme Saison, Peter Brosens and Jessica Woodworth (Belgium-Netherlands-France)
Fill The Void, Rama Bursztyn and Yigal Bursztyn (Israel)
E' stato il figlio, Daniele Cipri (Italy)
Un Giorno Speciale, Francesca Comencini (Italy)
Passion, Brian De Palma (France-Germany)
Superstar, Xavier Giannoli (France-Belgium)
Pieta, Kim Ki-duk (South Korea)
Outrage: Beyond,...
- 7/26/2012
- MUBI
Xan Cassavetes (Z Channel: A Magnificent Obsession) will be premiering her feature film debut on the Lido this year in Venice’s answer to Cannes’ Directors’ Fortnight section. Venice Film Festival’s Critics’ Week has unveiled it’s 9-film line-up (seven competish) and Kiss of the Damned (starring Josephine de la Baume and Roxane Mesquida) will close out the section, while Water – seven short segments helmed by Israeli and Palestinian directors (Nir Sa’ar, Maya Sarfaty, Mohammad Fuad, Yona Rozenkier, Mohammad Bakri, Ahmad Bargouthi, Pini Tavger and Tal Haring will open the the section. We expect some of these titles to trickle on towards Tiff – so we’ll be keeping a close eye on this pack. Here are the seven titles in competition.
The fest runs Aug. 29-Sept. 8
ÄTA Sova DÖ / Eat Sleep Die by Gabriela Pichler (Sweden) La CITTÀ Ideale / The Ideal City by Luigi Lo Cascio (Italy) KÜF...
The fest runs Aug. 29-Sept. 8
ÄTA Sova DÖ / Eat Sleep Die by Gabriela Pichler (Sweden) La CITTÀ Ideale / The Ideal City by Luigi Lo Cascio (Italy) KÜF...
- 7/23/2012
- by Eric Lavallee
- IONCINEMA.com
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