Nicholas Hamilton has accomplished more than most at the age of 21 but there remains one ambition he is yet to fulfil.
The actor and musician, who spent his teens starring in titles such as It, The Dark Tower, and Danger Close, returned to his Northern Nsw hometown of Alstonville last month after two and a half years in LA, and has his sights set on a nearby cultural hotspot.
“I’m excited about the prospect of being a Byron Bay musician,” he tells If.
“I started writing music just before I went to LA and never got the chance to be that Byron busking and gigging musician which, in a weird way, I’m really excited about.”
Hamilton’s time away proved to be productive, even with last year’s pandemic disruption.
He will next be seen in Scott Speer’s romantic drama Endless, which will be available across global and local digital platforms,...
The actor and musician, who spent his teens starring in titles such as It, The Dark Tower, and Danger Close, returned to his Northern Nsw hometown of Alstonville last month after two and a half years in LA, and has his sights set on a nearby cultural hotspot.
“I’m excited about the prospect of being a Byron Bay musician,” he tells If.
“I started writing music just before I went to LA and never got the chance to be that Byron busking and gigging musician which, in a weird way, I’m really excited about.”
Hamilton’s time away proved to be productive, even with last year’s pandemic disruption.
He will next be seen in Scott Speer’s romantic drama Endless, which will be available across global and local digital platforms,...
- 5/25/2021
- by Sean Slatter
- IF.com.au
Young death is tricky business. To do it justice, a movie would have to be awash in grief — and where’s the pleasure in that? The supernatural romance “Endless,” releasing on demand, tempers its mourning with lessons about mortality delivered by a couple of guys stuck on the other side. It’s a cheat, to be sure. But when the screenplay could have easily marooned the audience in a copycat purgatory.
When boyfriend Chris (Hamilton) dies, Riley (Shipp) blames herself for the wreck that killed him. Chris had been the laid-back champion of Riley’s artistic ambitions. He saw and nurtured her most authentic self. Riley’s parents, both lawyers, had plotted a Type-a trajectory for their only child. A graduating senior headed to her parent’s alma mater and then onto law school, Riley found in Chris’ embrace room to breathe, to draw graphic novellas, to just be. And now he’s gone.
When boyfriend Chris (Hamilton) dies, Riley (Shipp) blames herself for the wreck that killed him. Chris had been the laid-back champion of Riley’s artistic ambitions. He saw and nurtured her most authentic self. Riley’s parents, both lawyers, had plotted a Type-a trajectory for their only child. A graduating senior headed to her parent’s alma mater and then onto law school, Riley found in Chris’ embrace room to breathe, to draw graphic novellas, to just be. And now he’s gone.
- 8/12/2020
- by Peter Debruge
- Variety Film + TV
Such is the question posed by Scott Speer’s “Endless” — and hopefully, no one else ever — a teen-centric interrogation of the possibility of life after death. Riley (Alexandra Shipp) and Chris (Nicholas Hamilton) don’t make much sense on paper, but the recent high school graduates are deeply in love, a point driven home during the film’s voiceover-heavy opening sequence, in which Riley expounds on their differences (she loves art! he likes motorcycles!) that somehow make them stronger.
Soon, however, they are torn apart, though not in the way Georgetown-bound Riley expects. Riley’s parents don’t dig Chris, and his panache for hauling off their just-graduated high schooler to college parties thrown by their friends (also recently graduated!) isn’t helping matters.
Tragedy strikes, and Chris — a sweet boy, but one defined entirely by his choice of vehicular transportation and leather jacket to match — is killed in a terrible accident.
Soon, however, they are torn apart, though not in the way Georgetown-bound Riley expects. Riley’s parents don’t dig Chris, and his panache for hauling off their just-graduated high schooler to college parties thrown by their friends (also recently graduated!) isn’t helping matters.
Tragedy strikes, and Chris — a sweet boy, but one defined entirely by his choice of vehicular transportation and leather jacket to match — is killed in a terrible accident.
- 8/11/2020
- by Kate Erbland
- Indiewire
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