Moroccan filmmaker Asmae El Moudir has made history at the 20th edition of Morocco’s Marrakech Film Festival as the first local director to win its top prize with her hybrid documentary The Mother Of All Lies.
Inspired by the bread riots in El Moudir’s home city of Casablanca in 1981, the work uses a replica of the neighborhood where it happened and figurines to explore the lasting trauma of the event.
The film world premiered at Cannes this year, where it shared the Golden Eye prize for the Best Documentary with Tunisian filmmaker Kaouther Ben Hania’s Four Daughters.
Morocco has since submitted the work as its candidate for Best International Film at the 96th Academy Awards.
In other Marrakech awards, the Jury Prize was shared by Moroccan director Kamal Lazraq’s kidnapping thriller Hounds and French-Palestinian-Algerian filmmaker Lina Soualem’s Bye Bye Tiberias, revisiting the story of her...
Inspired by the bread riots in El Moudir’s home city of Casablanca in 1981, the work uses a replica of the neighborhood where it happened and figurines to explore the lasting trauma of the event.
The film world premiered at Cannes this year, where it shared the Golden Eye prize for the Best Documentary with Tunisian filmmaker Kaouther Ben Hania’s Four Daughters.
Morocco has since submitted the work as its candidate for Best International Film at the 96th Academy Awards.
In other Marrakech awards, the Jury Prize was shared by Moroccan director Kamal Lazraq’s kidnapping thriller Hounds and French-Palestinian-Algerian filmmaker Lina Soualem’s Bye Bye Tiberias, revisiting the story of her...
- 12/2/2023
- by Melanie Goodfellow
- Deadline Film + TV
Asmae El Moudir’s “The Mother of All Lies” won top honors at the Marrakech Film Festival on Saturday, marking festival history as the first Moroccan film to claim the top trophy, while adding Marrakech’s Étoile d’Or to a list of accolades that also includes best director from Cannes’ Un Certain Regard and best film from the Sydney Film Festival.
El Moudir’s hybrid feature — which is also Morocco’s Oscar submission — finds the filmmaker and kin using dioramas and figurines to recreate and reenact painful memories set against the backdrop of the 1981 Casablanca Bread Riots, with the unsparing doc serving as art therapy exercise, family exposé and evocation of national trauma.
“Every society has a truth that’s been buried, burned, redacted and erased,” said jury president Jessica Chastain upon announcing the top prize. “But by a collective remembrance, we preserve the stories that cannot be undone…...
El Moudir’s hybrid feature — which is also Morocco’s Oscar submission — finds the filmmaker and kin using dioramas and figurines to recreate and reenact painful memories set against the backdrop of the 1981 Casablanca Bread Riots, with the unsparing doc serving as art therapy exercise, family exposé and evocation of national trauma.
“Every society has a truth that’s been buried, burned, redacted and erased,” said jury president Jessica Chastain upon announcing the top prize. “But by a collective remembrance, we preserve the stories that cannot be undone…...
- 12/2/2023
- by Ben Croll and Elsa Keslassy
- Variety Film + TV
Selected as a competition offering in the Venice Film Festival’s Orizzonti section, Nehir Tuna‘s lands a prestige spot to showcase his directorial debut film – a project we’ve been following since it was selected for the Sundance Institute 2019 January Screenwriters Lab Fellows. Tomorrow is the big premiere day on the Lido for Dormitory (aka Yurt) and we’ve got your poster one sheet first look exclusive. Featuring actor Doğa Karakaş in the role of Ahmet, the filmmaker dug into his own personal story to detail a portrait of isolation, some coming-of-age elements in a politically tense background. It’s also a film that may offer hope via a key friendship.…...
- 9/1/2023
- by Eric Lavallée
- IONCINEMA.com
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