Good things come to those who wait and for those who feel as though they've suffered through a year of largely uninspired films up to now will likely breathe a sigh of relief at the sound of names like Darren Aronofsky, Sofia Coppola and Peter Weir. 'Tis the season for Jim Carrey to take a pay cut to star in a gay romance like "I Love You Phillip Morris" or Javier Bardem is whispering sweet nothings to spirits in Alejandro Gonzalez Inarittu's "Biutiful" rather than Julia Roberts.
There is the naughty -- Kristen Stewart stripping in "Welcome to the Rileys," the would-be terrorists of the Brit comedy "Four Lions," or the evil Santa in "Rare Exports" -- and the nice -- the tap-dancing lovers in "Guy and Madeline on a Park Bench," the glory of James Franco's daredevil surviving "127 Hours" and Colin Firth's verbally-challenged royal conquering his stutter in "The King's Speech.
There is the naughty -- Kristen Stewart stripping in "Welcome to the Rileys," the would-be terrorists of the Brit comedy "Four Lions," or the evil Santa in "Rare Exports" -- and the nice -- the tap-dancing lovers in "Guy and Madeline on a Park Bench," the glory of James Franco's daredevil surviving "127 Hours" and Colin Firth's verbally-challenged royal conquering his stutter in "The King's Speech.
- 10/22/2010
- by Stephen Saito
- ifc.com
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