Like Lucas, much of Spielberg’s work references the TV shows and movies he saw as a youngster, but where Lucas had spent several years in the intellectual hothouse of USC’s film program, Spielberg had, in essence, gone straight from watching TV to making TV. Though he had ambitions of wanting to do “serious” film work, he was not the aspiring anti-establishment maverick – as Lucas initially was – trying to find a way to work outside the system, but rather proved to be very much at home within the Hollywood system. That system provided Spielberg the opportunity – at the Universal shop – to learn and perfect his craft through years of directing episodes for major networks series like Marcus Welby, M.D. and Columbo, as well as the experience of working with the studio’s veteran craftsman. He graduated to made-for-tv movies and gained his first major acclaim for Duel (1971), an...
- 1/17/2011
- by Bill Mesce
- SoundOnSight
The BBC spoke recently with 4 prominent science fiction writers as part of National Science and Engineering Week to answer the question: Can science fiction keep up with modern science? Among those asked was Doctor Who scriptwriter, Captain Britain writer and novelist Paul Cornell... Alongside Iain Banks, Ken MacLeod and Ian Watson, Cornell offers his opinion on what science fiction (and we are as much in the science fiction zone with these chaps as we are in the sci-fi zone) is - and in...
- 3/22/2009
- by Christian Cawley info@kasterborous.com
- Kasterborous.com
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