Documentary centres on one of Latin America’s most controversial artists.
New independent distributor Grasshopper Film has secured all North American rights Nicola Costantino: The Artefacta, Natalie Cristiani’s documentary about one of Latin America’s most controversial and admired artists.
The film, which debuted at Canada’s HotDocs last April and went on to screen at the BFI London Film Festival, follows visual artist Costantino from the first origins of her work up to participation at the Venice Biennale 2013.
New York-based Grasshopper Film launched this week at Berlin’s Efm (European Film Market). The independent film distributor, founded by former Cinema Guild acquisitions chief Ryan Krivoshey, aims to release eight to 12 films a year theatrically - starting with Asghar Farhadi’s 2006 drama Fireworks Wednesday - and more than 50 on VOD.
Grasshopper is partnering with on-demand streaming Fandor for its combined day-and-date premium Svod and theatrical release in the Us this spring.
The deal was...
New independent distributor Grasshopper Film has secured all North American rights Nicola Costantino: The Artefacta, Natalie Cristiani’s documentary about one of Latin America’s most controversial and admired artists.
The film, which debuted at Canada’s HotDocs last April and went on to screen at the BFI London Film Festival, follows visual artist Costantino from the first origins of her work up to participation at the Venice Biennale 2013.
New York-based Grasshopper Film launched this week at Berlin’s Efm (European Film Market). The independent film distributor, founded by former Cinema Guild acquisitions chief Ryan Krivoshey, aims to release eight to 12 films a year theatrically - starting with Asghar Farhadi’s 2006 drama Fireworks Wednesday - and more than 50 on VOD.
Grasshopper is partnering with on-demand streaming Fandor for its combined day-and-date premium Svod and theatrical release in the Us this spring.
The deal was...
- 2/17/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Tucson and Phoenix: Prepare to be rocked, shocked and defiled. Blasting its way into its third — and biggest — year on Sept. 18-25, the Arizona Underground Film Festival is a cacophonous concoction of angry transsexuals, bumbling hit men, slacker superheroes, living dolls, aliens, dead hookers, adventure-seeking blondes and other crazies.
This year the fest is screening 30 feature films, some of which are making their U.S. and even world debuts. The opening night film is the U.S. premiere of the German hit man comedy Snowman’s Land, directed by Tomasz Thomson,while closing the fest is the controversial and violent A Serbian Film by Srdjan Spasojevic, which you have to be over-18 to get into.
Don’t worry, there’s plenty of homebrewed films as well, such as Dead Hooker in a Trunk by Jen Soska & Sylvia Soska; Nude Nuns With Big Guns by Joseph Guzman; 1,001 Ways to Enjoy the...
This year the fest is screening 30 feature films, some of which are making their U.S. and even world debuts. The opening night film is the U.S. premiere of the German hit man comedy Snowman’s Land, directed by Tomasz Thomson,while closing the fest is the controversial and violent A Serbian Film by Srdjan Spasojevic, which you have to be over-18 to get into.
Don’t worry, there’s plenty of homebrewed films as well, such as Dead Hooker in a Trunk by Jen Soska & Sylvia Soska; Nude Nuns With Big Guns by Joseph Guzman; 1,001 Ways to Enjoy the...
- 9/13/2010
- by Mike Everleth
- Underground Film Journal
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.