Prince Harry and Meghan, the Duke and Duchess of Sussex, have made key new hires and promotions at their umbrella company Archewell.
Entering its third year, the audio, philanthropic and content production operation continues to grow. In audio, Serena Regan has been named head of podcasts. Hired at the end of 2022, Regan will now lead all development in that portfolio. “Archetypes,” the vertical’s debut project, was released last year and marked Archewell’s first hit. An interview series about harmful labels that hold women back, the Meghan-hosted series topped Spotify charts in 47 countries. A second season has not formally been announced but is well expected.
Joining The Archewell Foundation, the couple’s philanthropic arm, is Shauna Nep. Having served as vice president of philanthropy at Sb Projects since 2018, she joins as co-executive director and will work alongside executive director James Holt. Nep has also held positions at The Goldhirsh Foundation and Fundamental Inc.
Entering its third year, the audio, philanthropic and content production operation continues to grow. In audio, Serena Regan has been named head of podcasts. Hired at the end of 2022, Regan will now lead all development in that portfolio. “Archetypes,” the vertical’s debut project, was released last year and marked Archewell’s first hit. An interview series about harmful labels that hold women back, the Meghan-hosted series topped Spotify charts in 47 countries. A second season has not formally been announced but is well expected.
Joining The Archewell Foundation, the couple’s philanthropic arm, is Shauna Nep. Having served as vice president of philanthropy at Sb Projects since 2018, she joins as co-executive director and will work alongside executive director James Holt. Nep has also held positions at The Goldhirsh Foundation and Fundamental Inc.
- 1/27/2023
- by Matt Donnelly
- Variety Film + TV
In 1966, after six years of existence, the Canyon Cinema experimental film collective of San Francisco, California started its own cooperative distribution center, first listing films in the November ’66 issue of their News newsletter, in which they stated that they would be following in the footsteps of New York City’s Film-Makers’ Cooperative that had been distributing underground films since 1962.
This origin of the Canyon Cinema cooperative is covered in Scott MacDonald’s exhaustive history of the organization, in which he lays out the timeline of publication of the first two catalogs:
November 1966: Canyon lists films to rent in their News publication
December 1966: Canyon Cinema Cooperative Catalog, Number 1
1968: Catalog Number 2
1969: Catalog Number 2, Supplement Number 1
1970: Catalog Number 2, Supplement Number 2
1970: Catalog Number 2, Supplement Number 3
MacDonald states that the second Catalog was 128 pages long, but the Supplement Number 1 begins its numbering on its title page with Page 125. The...
This origin of the Canyon Cinema cooperative is covered in Scott MacDonald’s exhaustive history of the organization, in which he lays out the timeline of publication of the first two catalogs:
November 1966: Canyon lists films to rent in their News publication
December 1966: Canyon Cinema Cooperative Catalog, Number 1
1968: Catalog Number 2
1969: Catalog Number 2, Supplement Number 1
1970: Catalog Number 2, Supplement Number 2
1970: Catalog Number 2, Supplement Number 3
MacDonald states that the second Catalog was 128 pages long, but the Supplement Number 1 begins its numbering on its title page with Page 125. The...
- 4/15/2018
- by Mike Everleth
- Underground Film Journal
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