Exclusive: Australian-British writer Pip Williams’ novel The Dictionary of Lost Words is to be adapted as a TV series.
South Australian firms Highview Productions, known for BBC, Stan and HBO series The Tourist, and Closer Productions have acquired the screen rights to the New York Times bestseller, which has sold 300,000 copies in Australia alone and has been translated into 28 languages.
The companies struck the deal with Anonymous Content, which made the agreement on behalf of Linda Kaplan at Kaplan/DeFiore Rights for Affirm Press.
Having been published in 2020 during lockdown, The Dictionary of Lost Words was also the first Aussie work to feature on Reese’s Book Club, the female-focused book list led by Reese Witherspoon.
Inspired by actual events, The Dictionary of Lost Words is set in the early 20th century and follows Esme, a motherless but curious girl who spends her time in the ‘Scriptorium’, a garden shed...
South Australian firms Highview Productions, known for BBC, Stan and HBO series The Tourist, and Closer Productions have acquired the screen rights to the New York Times bestseller, which has sold 300,000 copies in Australia alone and has been translated into 28 languages.
The companies struck the deal with Anonymous Content, which made the agreement on behalf of Linda Kaplan at Kaplan/DeFiore Rights for Affirm Press.
Having been published in 2020 during lockdown, The Dictionary of Lost Words was also the first Aussie work to feature on Reese’s Book Club, the female-focused book list led by Reese Witherspoon.
Inspired by actual events, The Dictionary of Lost Words is set in the early 20th century and follows Esme, a motherless but curious girl who spends her time in the ‘Scriptorium’, a garden shed...
- 11/9/2022
- by Jesse Whittock
- Deadline Film + TV
Wayne Blair and Nel Minchin’s Firestarter – The Story of Bangarra has won Adelaide Film Festival’s documentary competition, pocketing a $10,000 cash prize.
The jury, consisting of playwright and screenwriter Andrew Bovell; director, producer and screenwriter Khao Do; film critic and programmer Zak Hepburn; producer Rebecca Summerton and actress, singer and dancer Natasha Wanganeen, rated the doc as the film that “resonated most profoundly”.
Produced by Ivan O’Mahoney, Firestarter follows the 30-year history of the Bangarra Dance Company and brothers Stephen, Russell, and David Page. Examining how ‘art can become a weapon that helps people to survive and a nation to heal’, the film combines the Page family’s home movies, interviews with the company’s leading figures, and archive footage.
Also vying in the comp was fellow local doc A Hundred Years of Happiness, from Jakeb Anhvu, as well as Sundance Special Jury Prize winner, Benjamin Ree’s The Painter and the Thief...
The jury, consisting of playwright and screenwriter Andrew Bovell; director, producer and screenwriter Khao Do; film critic and programmer Zak Hepburn; producer Rebecca Summerton and actress, singer and dancer Natasha Wanganeen, rated the doc as the film that “resonated most profoundly”.
Produced by Ivan O’Mahoney, Firestarter follows the 30-year history of the Bangarra Dance Company and brothers Stephen, Russell, and David Page. Examining how ‘art can become a weapon that helps people to survive and a nation to heal’, the film combines the Page family’s home movies, interviews with the company’s leading figures, and archive footage.
Also vying in the comp was fellow local doc A Hundred Years of Happiness, from Jakeb Anhvu, as well as Sundance Special Jury Prize winner, Benjamin Ree’s The Painter and the Thief...
- 10/20/2020
- by Staff Writer
- IF.com.au
Kate Bonner and Natasha Wanganeen in ‘Waiyiri.’
After playing characters who were in chains or oppressed earlier in her career, Natasha Wanganeen is relishing the chance to portray a wide diversity of roles.
Demonstrating her versatility, the Ngarrindjeri, Narungga, Kaurna and Noongar woman plays Indigenous bushranger Mary Ann Bugg in Network 10’s upcoming Drunk History Australia; a chef in Closer Productions/ABC comedy Aftertaste; and a government official in Seth Larney’s 2067.
“What I would love to do now is take all the strength from action movies, fantasy and sci-fi and put that into our style,” the Black Lives Matter activist tells If. “We are some of the strongest people on Earth.
“I want our kids to wake up and see us doing powerful things instead of seeing the mainstream media put out news about another death in custody or Indigenous people as alcoholics or facing drug issues. A...
After playing characters who were in chains or oppressed earlier in her career, Natasha Wanganeen is relishing the chance to portray a wide diversity of roles.
Demonstrating her versatility, the Ngarrindjeri, Narungga, Kaurna and Noongar woman plays Indigenous bushranger Mary Ann Bugg in Network 10’s upcoming Drunk History Australia; a chef in Closer Productions/ABC comedy Aftertaste; and a government official in Seth Larney’s 2067.
“What I would love to do now is take all the strength from action movies, fantasy and sci-fi and put that into our style,” the Black Lives Matter activist tells If. “We are some of the strongest people on Earth.
“I want our kids to wake up and see us doing powerful things instead of seeing the mainstream media put out news about another death in custody or Indigenous people as alcoholics or facing drug issues. A...
- 9/21/2020
- by The IF Team
- IF.com.au
‘When Pomegranates Howl’.
Adelaide Film Festival has revealed its full program for 2020, including the world premieres of local titles When Pomegranates Howl, Yer Old Father, This is Port Adelaide, ShoPaapaa, and more, as well as a special strand dedicated to Australian indies.
Overall, the biennial festival – due to be an entirely physical event thanks to dedicated Covid-Safe plans – has snared a total of 54 features from more than 40 countries, including 22 world premieres and 27 Australian premieres.
As previously announced, the festival will open with Seth Larney’s sci-fi thriller 2067, starring Kodi Smit-McPhee, Ryan Kwanten and Deborah Mailman, and will close out with the Sundance Grand Jury Prize and Audience Award winner, Lee Isaac Chung’s Minari.
Stephen Johnson’s High Ground, which bowed in Berlinale, will vie in the festival’s official competition, up against Thomas Vinterberg’s Another Round; Christos Nikou’s Apples, Dea Kulumbegashvili’s Beginning, Yolqin Tuychiev’s 2000 Songs of Farida,...
Adelaide Film Festival has revealed its full program for 2020, including the world premieres of local titles When Pomegranates Howl, Yer Old Father, This is Port Adelaide, ShoPaapaa, and more, as well as a special strand dedicated to Australian indies.
Overall, the biennial festival – due to be an entirely physical event thanks to dedicated Covid-Safe plans – has snared a total of 54 features from more than 40 countries, including 22 world premieres and 27 Australian premieres.
As previously announced, the festival will open with Seth Larney’s sci-fi thriller 2067, starring Kodi Smit-McPhee, Ryan Kwanten and Deborah Mailman, and will close out with the Sundance Grand Jury Prize and Audience Award winner, Lee Isaac Chung’s Minari.
Stephen Johnson’s High Ground, which bowed in Berlinale, will vie in the festival’s official competition, up against Thomas Vinterberg’s Another Round; Christos Nikou’s Apples, Dea Kulumbegashvili’s Beginning, Yolqin Tuychiev’s 2000 Songs of Farida,...
- 9/9/2020
- by jkeast
- IF.com.au
Toni Collette.
Toni Collette’s directorial debut, an animated series based on The Sapphires and a Shakespeare-inspired anthology are among the 42 projects to recently share in $1.4 million of development funding from Screen Australia.
The slate, which includes 14 features, eight online projects and 20 TV dramas, marks the final development funding Screen Australia awarded in the 2019-20 financial year.
These projects come from both the existing Premium and Generate development funds. Generate Fund is for lower budget projects with an emphasis on new and emerging talent, or experienced talent wanting to take creative risks. The Premium Fund is for higher budget projects of ambition and scale from successful screen content makers.
The agency reports receiving over 534 applications across both funds, up 41 per cent on the 378 application received in 2018-19.
Screen Australia’s Head of Development Nerida Moore said, “While this has been a turbulent, challenging time for many in the industry, it hasn’t stopped the drive,...
Toni Collette’s directorial debut, an animated series based on The Sapphires and a Shakespeare-inspired anthology are among the 42 projects to recently share in $1.4 million of development funding from Screen Australia.
The slate, which includes 14 features, eight online projects and 20 TV dramas, marks the final development funding Screen Australia awarded in the 2019-20 financial year.
These projects come from both the existing Premium and Generate development funds. Generate Fund is for lower budget projects with an emphasis on new and emerging talent, or experienced talent wanting to take creative risks. The Premium Fund is for higher budget projects of ambition and scale from successful screen content makers.
The agency reports receiving over 534 applications across both funds, up 41 per cent on the 378 application received in 2018-19.
Screen Australia’s Head of Development Nerida Moore said, “While this has been a turbulent, challenging time for many in the industry, it hasn’t stopped the drive,...
- 8/5/2020
- by jkeast
- IF.com.au
Filming has got under way in Adelaide on Australian comedy-drama series “Aftertaste.” It is the first major production to shoot in the state of South Australia since the coronavirus shut-down, and comes as a state of disaster and a nighttime curfew are declared in neighboring Victoria state, which includes Melbourne.
The six-part Closer Productions show will shoot for five weeks in Adelaide and the Adelaide Hills. It makes use of 110 cast and crew members, including 10 from out of state, and 200 extras.
To get into production, the show used a risk assessment tool developed by consultancy firm Deloitte and overseen by the South Australia Film Corporation. “The Risk Assessment Tool has been instrumental in navigating the path back to production, and providing the framework and structure needed to get this production up and running within Covid-Safe guidelines,” said CEO of the South Australian Film Corporation Kate Croser.
Created by Julie De Fina and Matthew Bate,...
The six-part Closer Productions show will shoot for five weeks in Adelaide and the Adelaide Hills. It makes use of 110 cast and crew members, including 10 from out of state, and 200 extras.
To get into production, the show used a risk assessment tool developed by consultancy firm Deloitte and overseen by the South Australia Film Corporation. “The Risk Assessment Tool has been instrumental in navigating the path back to production, and providing the framework and structure needed to get this production up and running within Covid-Safe guidelines,” said CEO of the South Australian Film Corporation Kate Croser.
Created by Julie De Fina and Matthew Bate,...
- 8/3/2020
- by Patrick Frater
- Variety Film + TV
Erik Thomson and Natalie Abbott.
Muriel’s Wedding The Musical lead Natalie Abbott will star opposite Erik Thomson in ABC/Closer Productions’ comedy Aftertaste, which has just started shooting in Adelaide and Adelaide Hills following Covid-19 delays.
Abbott has been cast as the pastry-chef niece of Thomson’s Easton West, who helps her uncle, an internationally-renowned yet volatile celebrity chef, rebuild his career and reputation after a spectacular fall from grace.
The comedy, created by Julie De Fina and Matthew Bate, has also attracted a stacked ensemble cast, including Rachel Griffiths, Wayne Blair, Susan Prior, Peter Carroll, Remy Hii, Kavitha Anandasivam and Justin Amankwah.
Bate produces with Thomson and Rebecca Summerton, and he and de Fina wrote the scripts with Matt Vesely. De Fina and Griffiths are the executive producers with Rebecca Anderson from the ABC. Director Jonathan Brough will helm all six episodes.
Thomson said: “I am thrilled to...
Muriel’s Wedding The Musical lead Natalie Abbott will star opposite Erik Thomson in ABC/Closer Productions’ comedy Aftertaste, which has just started shooting in Adelaide and Adelaide Hills following Covid-19 delays.
Abbott has been cast as the pastry-chef niece of Thomson’s Easton West, who helps her uncle, an internationally-renowned yet volatile celebrity chef, rebuild his career and reputation after a spectacular fall from grace.
The comedy, created by Julie De Fina and Matthew Bate, has also attracted a stacked ensemble cast, including Rachel Griffiths, Wayne Blair, Susan Prior, Peter Carroll, Remy Hii, Kavitha Anandasivam and Justin Amankwah.
Bate produces with Thomson and Rebecca Summerton, and he and de Fina wrote the scripts with Matt Vesely. De Fina and Griffiths are the executive producers with Rebecca Anderson from the ABC. Director Jonathan Brough will helm all six episodes.
Thomson said: “I am thrilled to...
- 8/3/2020
- by jkeast
- IF.com.au
(L-r) Rebecca Summerton, Bryan Mason, Sophie Hyde and Matthew Bate.
The creative team at Close Productions has resumed pre-production on the ABC comedy Aftertaste (working title), which stars Erik Thomson as a temperamental chef, using a new risk development tool.
Sophie Hyde (Sh), Rebecca Summerton (Rs) and Matthew Bate (Mb), who co-founded the company with Bryan Mason, discuss their production and development slate and the vital support they are getting from the South Australian Film Corporation (Safc).
Q: Great to see pre-production of Aftertaste is underway, using the new risk assessment tool developed by Deloitte Risk Advisory/Safc. In practical terms what will that mean?
Rs: The situation is constantly changing and therefore so are the risks and the things a production needs to do to mitigate those risks. The new risk assessment tool developed by Deloitte and the Safc provides us with a practical tool for assessing risk as...
The creative team at Close Productions has resumed pre-production on the ABC comedy Aftertaste (working title), which stars Erik Thomson as a temperamental chef, using a new risk development tool.
Sophie Hyde (Sh), Rebecca Summerton (Rs) and Matthew Bate (Mb), who co-founded the company with Bryan Mason, discuss their production and development slate and the vital support they are getting from the South Australian Film Corporation (Safc).
Q: Great to see pre-production of Aftertaste is underway, using the new risk assessment tool developed by Deloitte Risk Advisory/Safc. In practical terms what will that mean?
Rs: The situation is constantly changing and therefore so are the risks and the things a production needs to do to mitigate those risks. The new risk assessment tool developed by Deloitte and the Safc provides us with a practical tool for assessing risk as...
- 7/14/2020
- by The IF Team
- IF.com.au
Erik Thomson.
Closer Productions’ Aftertaste has resumed pre-production for the ABC, preparing to shoot in Adelaide and surrounds over the coming months.
Erik Thomson leads the dramedy as Easton West, an internationally renowned yet volatile celebrity chef whose spectacular fall from grace sees him return to his home town in the Adelaide Hills, where he endeavours to rebuild his career and restore his reputation, with the help of his talented, young, pastry-chef niece.
The series, created Julie de Fina and Matthew Bate, had been due to kick off just before the pandemic.
Bate produces with Thomson and Rebecca Summerton, and he and de Fina wrote the scripts with Matt Vesely. De Fina is the EP, with ABC executive producer Rebecca Anderson. The production office is located in the newly-reopened Adelaide Studios.
As the first project to resume in South Australia, Aftertaste will be a test case for a new risk...
Closer Productions’ Aftertaste has resumed pre-production for the ABC, preparing to shoot in Adelaide and surrounds over the coming months.
Erik Thomson leads the dramedy as Easton West, an internationally renowned yet volatile celebrity chef whose spectacular fall from grace sees him return to his home town in the Adelaide Hills, where he endeavours to rebuild his career and restore his reputation, with the help of his talented, young, pastry-chef niece.
The series, created Julie de Fina and Matthew Bate, had been due to kick off just before the pandemic.
Bate produces with Thomson and Rebecca Summerton, and he and de Fina wrote the scripts with Matt Vesely. De Fina is the EP, with ABC executive producer Rebecca Anderson. The production office is located in the newly-reopened Adelaide Studios.
As the first project to resume in South Australia, Aftertaste will be a test case for a new risk...
- 6/29/2020
- by jkeast
- IF.com.au
Pre-production has started on “Aftertaste,” an Australian comedy drama series starring Erik Thompson as a celebrity chef who has fallen from grace. The show is the first to have made use of a production risk assessment tool for the post-coronavirus era.
A Closer Productions show, “Aftertaste” will shoot in Adelaide and the Adelaide Hills, with broadcast by the Australian Broadcasting Corporation next year. Thompson will also produce alongside Rebecca Summerton and Matt Bate.
The Risk Assessment Tool was commissioned by the South Australia Film Corporation and developed by Deloitte Risk Advisory. It is intended to assist producers to assess Covid-19 risk management issues for their production, and get cameras rolling again more quickly and easily, in conjunction with national Covid-safe guidelines.
“We understand how essential this tool is for producers to get their productions back on track, as risk assessment is a requirement of financiers,” said Safc CEO Kate Croser.
A Closer Productions show, “Aftertaste” will shoot in Adelaide and the Adelaide Hills, with broadcast by the Australian Broadcasting Corporation next year. Thompson will also produce alongside Rebecca Summerton and Matt Bate.
The Risk Assessment Tool was commissioned by the South Australia Film Corporation and developed by Deloitte Risk Advisory. It is intended to assist producers to assess Covid-19 risk management issues for their production, and get cameras rolling again more quickly and easily, in conjunction with national Covid-safe guidelines.
“We understand how essential this tool is for producers to get their productions back on track, as risk assessment is a requirement of financiers,” said Safc CEO Kate Croser.
- 6/29/2020
- by Patrick Frater
- Variety Film + TV
Erik Thomson (Photo: Alex Vaughan).
In a perfect world Erik Thomson would have just wrapped filming of Amazon Prime’s Back to the Rafters and have started pre-production on the ABC dramedy Yes, Chef!
Stateless star Fayssal Bazzi would be preparing to go to the Us to meet with agents and producers and looking forward to the May release of Paul Ireland’s Measure or Measure, in which he co-stars with Hugo Weaving.
After roles in Amazon Studios’ historical drama The Underground Railroad and the BBC and Netflix serial-killer drama The Serpent, Damon Herriman was set to star in a film in New Zealand.
Roz Hammond was getting ready to perform alongside Lachy Hulme in director Tyran Parke’s stage adaptation of Ken Kesey’s novel One Flew Over the Cuckoo’s Nest at Her Majesty’s in May.
All of that is now on hold, of course, curtailed by the Covid-19 crisis.
In a perfect world Erik Thomson would have just wrapped filming of Amazon Prime’s Back to the Rafters and have started pre-production on the ABC dramedy Yes, Chef!
Stateless star Fayssal Bazzi would be preparing to go to the Us to meet with agents and producers and looking forward to the May release of Paul Ireland’s Measure or Measure, in which he co-stars with Hugo Weaving.
After roles in Amazon Studios’ historical drama The Underground Railroad and the BBC and Netflix serial-killer drama The Serpent, Damon Herriman was set to star in a film in New Zealand.
Roz Hammond was getting ready to perform alongside Lachy Hulme in director Tyran Parke’s stage adaptation of Ken Kesey’s novel One Flew Over the Cuckoo’s Nest at Her Majesty’s in May.
All of that is now on hold, of course, curtailed by the Covid-19 crisis.
- 3/30/2020
- by The IF Team
- IF.com.au
Writer Jackie van Beek and director Armagan Ballantyne, who will collaborate on ‘Nude Tuesday’.
Two feature films, one from Robert Connolly and the other a Kiwi-Aussie co-pro penned by The Breaker Upperers’ Jackie van Beek; a ABC TV comedy from Closer Productions; and two online projects are the latest recipients of $3.5 million worth of production funding from Screen Australia.
Connolly, writer/director of box office hit Paper Planes, will return to Western Australia to shoot a feature film adaptation of Tim Winton’s acclaimed novel Blueback, while Nz’s Firefly Productions will join forces with Good Thing Productions to create absurdist dramedy feature Nude Tuesday, directed by Armagan Ballantyne. Erik Thomson teams up with Adelaide’s Closer Productions to produce Yes, Chef! for the ABC, following a notorious celebrity chef who is forced to flee to his hometown in the Adelaide Hills.
Screen Australia head of content Sally Caplan said:...
Two feature films, one from Robert Connolly and the other a Kiwi-Aussie co-pro penned by The Breaker Upperers’ Jackie van Beek; a ABC TV comedy from Closer Productions; and two online projects are the latest recipients of $3.5 million worth of production funding from Screen Australia.
Connolly, writer/director of box office hit Paper Planes, will return to Western Australia to shoot a feature film adaptation of Tim Winton’s acclaimed novel Blueback, while Nz’s Firefly Productions will join forces with Good Thing Productions to create absurdist dramedy feature Nude Tuesday, directed by Armagan Ballantyne. Erik Thomson teams up with Adelaide’s Closer Productions to produce Yes, Chef! for the ABC, following a notorious celebrity chef who is forced to flee to his hometown in the Adelaide Hills.
Screen Australia head of content Sally Caplan said:...
- 1/21/2020
- by jkeast
- IF.com.au
Charlie Aspinwall and Daley Pearson.
Ludo Studio were the big winners at last night’s Screen Producers Australia (Spa) Awards in Melbourne, taking home four gongs, including the major prize of the night: Screen Production Business of the Year.
The Brisbane company, co-founded by Charlie Aspinwall and Daley Pearson, also walked away with Animated Series Production of the Year for its pre-school phenomenon Bluey, Online Series Production of the Year for Robbie Hood with co-production partner Since 1788 Productions and Screen Business Export Award for Bluey, in recognition of its Disney sale – it will be the first Australian series to stream on Disney+.
The latter award was jointly shared with Porchlight Films’ Animal Kingdom, with the Us remake now in its fourth season for TNT.
“This industry has been very kind to us,” said Pearson on accepting the major award, which recognises Ludo’s growth over the past five years, and...
Ludo Studio were the big winners at last night’s Screen Producers Australia (Spa) Awards in Melbourne, taking home four gongs, including the major prize of the night: Screen Production Business of the Year.
The Brisbane company, co-founded by Charlie Aspinwall and Daley Pearson, also walked away with Animated Series Production of the Year for its pre-school phenomenon Bluey, Online Series Production of the Year for Robbie Hood with co-production partner Since 1788 Productions and Screen Business Export Award for Bluey, in recognition of its Disney sale – it will be the first Australian series to stream on Disney+.
The latter award was jointly shared with Porchlight Films’ Animal Kingdom, with the Us remake now in its fourth season for TNT.
“This industry has been very kind to us,” said Pearson on accepting the major award, which recognises Ludo’s growth over the past five years, and...
- 11/14/2019
- by jkeast
- IF.com.au
Spa president and Wildbear Entertainment managing director Michael Tear.
Ed Punchard, John Hughes, Jenni Tosi, Dan Read, Rebecca Summerton, Tracey Vieira and Suzanne Ryan will join the Screen Producers Australia (Spa) council for 2019-2020.
The new councillors were confirmed at Spa’s Annual General Meeting in Sydney on Friday.
Wildbear Entertainment managing director Michael Tear continues as president and Studio 100 International/Flying Bark Productions’ Barbara Stephen as vice president. Outgoing members including Marcus Gillezeau, Sean Meltzer, Wayne Borg and Tanya Cambers.
The council is designed to be comprised of producer members from across the feature film, television, documentary, immersive media and animation sectors, as well as members from service and facilities businesses.
“We’re pleased to announce the newly elected Councillors who represent a significant cross section of the production industry in Australia across a wide range of genres, geographical areas and businesses structures,” said Spa CEO Matthew Deaner.
“Our Councillors serve a vital role,...
Ed Punchard, John Hughes, Jenni Tosi, Dan Read, Rebecca Summerton, Tracey Vieira and Suzanne Ryan will join the Screen Producers Australia (Spa) council for 2019-2020.
The new councillors were confirmed at Spa’s Annual General Meeting in Sydney on Friday.
Wildbear Entertainment managing director Michael Tear continues as president and Studio 100 International/Flying Bark Productions’ Barbara Stephen as vice president. Outgoing members including Marcus Gillezeau, Sean Meltzer, Wayne Borg and Tanya Cambers.
The council is designed to be comprised of producer members from across the feature film, television, documentary, immersive media and animation sectors, as well as members from service and facilities businesses.
“We’re pleased to announce the newly elected Councillors who represent a significant cross section of the production industry in Australia across a wide range of genres, geographical areas and businesses structures,” said Spa CEO Matthew Deaner.
“Our Councillors serve a vital role,...
- 11/3/2019
- by jkeast
- IF.com.au
‘The Hunting.’
France’s M6 Group is the latest international broadcaster to acquire The Hunting, Closer Productions’ four-part drama commissioned by Sbs.
Created by Sophie Hyde and Matthew Cormack and starring Asher Keddie and Richard Roxburgh, the series exploring the effects of online sexting on teenagers and their families will screen on M6’s digital terrestrial channel W9.
That follows deals negotiated by UK-based Dcd Rights with Viacom-owned Channel 5 in the UK, Sky New Zealand, RTÉ in Ireland, CBC in Canada, Ivi in Russia and Npo in the Netherlands.
The ensemble cast includes Sam Reid, Jessica De Gouw, Luca Sardelis, Yazeed Daher, Pamela Rabe, Leah Vandenberg, Rodney Afif, Sachin Joab, Elena Carapetis, Anni Lindner and newcomers Kavitha Anandasivam and Alex Cusack.
Cormack penned the scripts with Niki Aken. Hyde shared directing duties with Ana Kokkinos and produced with Rebecca Summerton and Lisa Scott. Screen Australia and the Safc backed the production.
France’s M6 Group is the latest international broadcaster to acquire The Hunting, Closer Productions’ four-part drama commissioned by Sbs.
Created by Sophie Hyde and Matthew Cormack and starring Asher Keddie and Richard Roxburgh, the series exploring the effects of online sexting on teenagers and their families will screen on M6’s digital terrestrial channel W9.
That follows deals negotiated by UK-based Dcd Rights with Viacom-owned Channel 5 in the UK, Sky New Zealand, RTÉ in Ireland, CBC in Canada, Ivi in Russia and Npo in the Netherlands.
The ensemble cast includes Sam Reid, Jessica De Gouw, Luca Sardelis, Yazeed Daher, Pamela Rabe, Leah Vandenberg, Rodney Afif, Sachin Joab, Elena Carapetis, Anni Lindner and newcomers Kavitha Anandasivam and Alex Cusack.
Cormack penned the scripts with Niki Aken. Hyde shared directing duties with Ana Kokkinos and produced with Rebecca Summerton and Lisa Scott. Screen Australia and the Safc backed the production.
- 10/14/2019
- by The IF Team
- IF.com.au
‘Super Gran’ and ‘The Outrun’ will be adapted through Sarah Brocklehurst Productions.
UK producer Sarah Brocklehurst has optioned two new books, following the recent release of literary adaptation and Sundance hit Animals.
Sarah Brocklehurst Productions has picked up Forrest Wilson’s Super Gran, about a witty Scottish grandmother who gains superpowers and defends her grandson and elderly friends from a dangerous criminal.
The book sold 750,000 copies when first published in 1978 and was turned into an Emmy-winning TV series in the 1980s, which sold worldwide.
The feature is being scripted by filmmaker Keri Collins, who won a Bafta Cymru in 2014 for feature debut Convenience.
UK producer Sarah Brocklehurst has optioned two new books, following the recent release of literary adaptation and Sundance hit Animals.
Sarah Brocklehurst Productions has picked up Forrest Wilson’s Super Gran, about a witty Scottish grandmother who gains superpowers and defends her grandson and elderly friends from a dangerous criminal.
The book sold 750,000 copies when first published in 1978 and was turned into an Emmy-winning TV series in the 1980s, which sold worldwide.
The feature is being scripted by filmmaker Keri Collins, who won a Bafta Cymru in 2014 for feature debut Convenience.
- 10/9/2019
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Sophie Hyde (right) on the set of ‘Animals’. (Photo: Tamara Hardman)
Sophie Hyde’s Animals drew warm response from critics after its world premiere at the Sundance Film Festival in January and positive box office numbers following its UK release last month.
Bonsai Films launched the film in Australia yesterday, but the director has “no idea” if local audiences will come out to see it, noting the difficulty smaller films have in getting cut through and remaining on cinema screens long enough to garner word-of-mouth.
“People have been really warm, excellent audiences so far. But it’s a limited release. I don’t know if there’s a young audience for arthouse in Australia… it’s just hard to get people into the cinemas,” Hyde told If earlier this week.
“My hopes are that it gets enough time for people to be able to find their way to it, because...
Sophie Hyde’s Animals drew warm response from critics after its world premiere at the Sundance Film Festival in January and positive box office numbers following its UK release last month.
Bonsai Films launched the film in Australia yesterday, but the director has “no idea” if local audiences will come out to see it, noting the difficulty smaller films have in getting cut through and remaining on cinema screens long enough to garner word-of-mouth.
“People have been really warm, excellent audiences so far. But it’s a limited release. I don’t know if there’s a young audience for arthouse in Australia… it’s just hard to get people into the cinemas,” Hyde told If earlier this week.
“My hopes are that it gets enough time for people to be able to find their way to it, because...
- 9/13/2019
- by jkeast
- IF.com.au
‘Animals’ (Photo credit: Bernard Walsh).
Sophie Hyde’s Animals opened in UK cinemas last weekend, its first territory, winning plaudits from the critics and sizable audiences.
Picturehouse Entertainment launched the female relationships dramedy adapted from the Emma Jane Unsworth novel, which stars Holliday Grainger and Alia Shawkat, on 73 locations: 38 in greater London and 35 in the regions.
The weekend total including Q&a screenings hosted by Unsworth and a National Girlfriends’ Day promotion was £107,000.
Closer Productions’ Rebecca Summerton, who produced the Irish-Australian co-production with Hyde, Sarah Brocklehurst and Vico Films’ Cormac Fox, tells If she is very pleased with the UK opening and Picturehouse’s marketing campaign.
That augurs well for the September 12 release via Jonathan Page’s Bonsai Films. Page has booked nine screens and aims to have 15 on board at launch.
“It is hard to stand out but I think our uber-cool cast of Alia Shawkat and Holliday...
Sophie Hyde’s Animals opened in UK cinemas last weekend, its first territory, winning plaudits from the critics and sizable audiences.
Picturehouse Entertainment launched the female relationships dramedy adapted from the Emma Jane Unsworth novel, which stars Holliday Grainger and Alia Shawkat, on 73 locations: 38 in greater London and 35 in the regions.
The weekend total including Q&a screenings hosted by Unsworth and a National Girlfriends’ Day promotion was £107,000.
Closer Productions’ Rebecca Summerton, who produced the Irish-Australian co-production with Hyde, Sarah Brocklehurst and Vico Films’ Cormac Fox, tells If she is very pleased with the UK opening and Picturehouse’s marketing campaign.
That augurs well for the September 12 release via Jonathan Page’s Bonsai Films. Page has booked nine screens and aims to have 15 on board at launch.
“It is hard to stand out but I think our uber-cool cast of Alia Shawkat and Holliday...
- 8/5/2019
- by The IF Team
- IF.com.au
‘My Life is Murder.’
Cjz’s private investigator series My Life is Murder and Closer Productions’ four-part drama The Hunting have been acquired by UK broadcasters.
Multi-channel operator UKTV will screen the 10-part Cjz production, which follows Lucy Lawless as former homicide cop Alexa Crowe as she investigates baffling and bizarre murders, on its crime drama channel Alibi.
Directed by Leah Purcell, Mat King and Jovita O’Shaugnessy and produced by Elisa Argenzio and Cjz head of development Claire Tonkin, the series premiered on Network 10 on Wednesday night.
The first episode drew 482,000 viewers in the mainland capitals, trailing Shaun Micallef’s Mad as Hell’s 495,000, despite the fact the ABC mistakenly put to air the previous week’s episode of Micallef.
However the 7-day and 28-day figures for 10’s murder-mystery are bound to be a lot higher. The consolidated total for Five Bedrooms, for example, was 642,000 in the five metros,...
Cjz’s private investigator series My Life is Murder and Closer Productions’ four-part drama The Hunting have been acquired by UK broadcasters.
Multi-channel operator UKTV will screen the 10-part Cjz production, which follows Lucy Lawless as former homicide cop Alexa Crowe as she investigates baffling and bizarre murders, on its crime drama channel Alibi.
Directed by Leah Purcell, Mat King and Jovita O’Shaugnessy and produced by Elisa Argenzio and Cjz head of development Claire Tonkin, the series premiered on Network 10 on Wednesday night.
The first episode drew 482,000 viewers in the mainland capitals, trailing Shaun Micallef’s Mad as Hell’s 495,000, despite the fact the ABC mistakenly put to air the previous week’s episode of Micallef.
However the 7-day and 28-day figures for 10’s murder-mystery are bound to be a lot higher. The consolidated total for Five Bedrooms, for example, was 642,000 in the five metros,...
- 7/17/2019
- by The IF Team
- IF.com.au
Asher Keddie and Richard Roxburgh in ‘The Hunting.’
Closer Productions’ The Hunting, a four-part drama which examines how teenagers navigate the complexities of relationships, identity and sexuality via technology, will premiere on Sbs at 8.30 pm on Thursday August 1.
Created by Closer’s Sophie Hyde and Matthew Cormack and starring Asher Keddie and Richard Roxburgh, the plot follows two high school teachers who discover students are sharing explicit photos of their underage friends and peers online.
The revelation has devastating consequences for the students and their families, tackling themes of misogyny, privacy, sexuality and sexualisation, online exploitation, masculinity and gender.
The ensemble cast includes Sam Reid, Jessica De Gouw, Luca Sardelis, Yazeed Daher, Pamela Rabe, Leah Vandenberg, Rodney Afif, Sachin Joab, Elena Carapetis, Anni Lindner and newcomers Kavitha Anandasivam and Alex Cusack.
Cormack penned the scripts with Niki Aken, and Hyde shared directing duties with Ana Kokkinos. Hyde produces with Rebecca Summerton and Lisa Scott.
Closer Productions’ The Hunting, a four-part drama which examines how teenagers navigate the complexities of relationships, identity and sexuality via technology, will premiere on Sbs at 8.30 pm on Thursday August 1.
Created by Closer’s Sophie Hyde and Matthew Cormack and starring Asher Keddie and Richard Roxburgh, the plot follows two high school teachers who discover students are sharing explicit photos of their underage friends and peers online.
The revelation has devastating consequences for the students and their families, tackling themes of misogyny, privacy, sexuality and sexualisation, online exploitation, masculinity and gender.
The ensemble cast includes Sam Reid, Jessica De Gouw, Luca Sardelis, Yazeed Daher, Pamela Rabe, Leah Vandenberg, Rodney Afif, Sachin Joab, Elena Carapetis, Anni Lindner and newcomers Kavitha Anandasivam and Alex Cusack.
Cormack penned the scripts with Niki Aken, and Hyde shared directing duties with Ana Kokkinos. Hyde produces with Rebecca Summerton and Lisa Scott.
- 7/3/2019
- by The IF Team
- IF.com.au
Picturehouse Entertainment has acquired U.K. rights to Australian filmmaker Sophie Hyde’s “Animals,” which world premiered at Sundance. The feelgood female friendship drama stars Holliday Grainger and Alia Shawkat.
The film, which is based on the novel of the same name by Emma Jane Unsworth, centers on two young Dublin women, Laura and Tyler, whose careers and lives remain on hold while they devote their time to partying hard. As they drift into their thirties, reality begins to bite, but the rebels will not be tamed so easily.
Variety’s review said: “Sophie Hyde’s generous, freewheeling film is a pleasingly disorderly addition to the still-underpopulated ranks of female friendship studies — eschewing both strict moral judgment and greeting-card sentimentality in its portrayal of two women with a firmer idea of what they don’t want in life than what they do.”
Clare Binns, joint M.D. of Picturehouse, said: “[The film] is fresh,...
The film, which is based on the novel of the same name by Emma Jane Unsworth, centers on two young Dublin women, Laura and Tyler, whose careers and lives remain on hold while they devote their time to partying hard. As they drift into their thirties, reality begins to bite, but the rebels will not be tamed so easily.
Variety’s review said: “Sophie Hyde’s generous, freewheeling film is a pleasingly disorderly addition to the still-underpopulated ranks of female friendship studies — eschewing both strict moral judgment and greeting-card sentimentality in its portrayal of two women with a firmer idea of what they don’t want in life than what they do.”
Clare Binns, joint M.D. of Picturehouse, said: “[The film] is fresh,...
- 5/7/2019
- by Leo Barraclough
- Variety Film + TV
Film premiered at Sundance this year.
Picturehouse Entertainment has picked up UK rights to Sophie Hyde’s Animals from Cornerstone Films.
Animals premiered at Sundance Film Festival in January and will have its European premiere at Sundance Film Festival London, an event run with Picturehouse, on May 31.
Based on the novel of the same name by Emma Jane Unsworth, Animals stars Holliday Grainger and Alia Shawkat as two outrageously-behaved female friends who refuse to settle as they arrive at their thirties.
Sarah Brocklehurst produced with Rebecca Summerton and Sophie Hyde for Closer Productions and Cormac Fox for Vico Films. Backing...
Picturehouse Entertainment has picked up UK rights to Sophie Hyde’s Animals from Cornerstone Films.
Animals premiered at Sundance Film Festival in January and will have its European premiere at Sundance Film Festival London, an event run with Picturehouse, on May 31.
Based on the novel of the same name by Emma Jane Unsworth, Animals stars Holliday Grainger and Alia Shawkat as two outrageously-behaved female friends who refuse to settle as they arrive at their thirties.
Sarah Brocklehurst produced with Rebecca Summerton and Sophie Hyde for Closer Productions and Cormac Fox for Vico Films. Backing...
- 5/7/2019
- by Tom Grater
- ScreenDaily
‘Animals’.
Adelaide Film Festival will hold pop up screenings of Top End Wedding and Animals in early April, marking each film’s official Australian premiere.
Both films – which each made their world premiere at the Sundance Film Festival in January to critical acclaim – were made with the support of the Adelaide Film Festival investment fund. Each will premiere with a red carpet gala screening and after party, with a screening and Q&A the following day.
Adelaide Film Festival CEO and creative director Mat Kesting said: “Adelaide Film Festival is thrilled to present the Australian premieres of Sophie Hyde’s Animals and Wayne Blair’s Top End Wedding, giving audiences the chance to be among the first in the world to see these fine works. Diverse in their nature, both films are immensely compelling and entertaining films we encourage Adelaide audiences to embrace at the Adl Film Fest April Pop Up.
Adelaide Film Festival will hold pop up screenings of Top End Wedding and Animals in early April, marking each film’s official Australian premiere.
Both films – which each made their world premiere at the Sundance Film Festival in January to critical acclaim – were made with the support of the Adelaide Film Festival investment fund. Each will premiere with a red carpet gala screening and after party, with a screening and Q&A the following day.
Adelaide Film Festival CEO and creative director Mat Kesting said: “Adelaide Film Festival is thrilled to present the Australian premieres of Sophie Hyde’s Animals and Wayne Blair’s Top End Wedding, giving audiences the chance to be among the first in the world to see these fine works. Diverse in their nature, both films are immensely compelling and entertaining films we encourage Adelaide audiences to embrace at the Adl Film Fest April Pop Up.
- 2/26/2019
- by jkeast
- IF.com.au
‘Animals’ (Photo credit: Bernard Walsh)
The overseas sales prospects for Sophie Hyde’s Animals look bright following rave reviews for the female-led comedy at the Sundance Film Festival.
Adapted by Emma Jane Unsworth from her acclaimed 2014 novel of the same name, the film stars English actress Holliday Grainger and American Alia Shawkat as Laura and Tyler, best friends and roommates in Dublin.
When Tyler’s younger sister Jean (Amy Molloy) announces that she and her partner are expecting a baby, Laura is plunged into a funk that Tyler finds perplexing.
Their hedonistic existence is further disrupted when Laura gets engaged to Jim (Irishman Fra Free), an ambitious pianist who decides to go teetotal.
The Irish-Australian co-production was produced by Hyde and Rebecca Summerton for Closer Productions and Sarah Brocklehurst and Cormac Fox for Vico Films.
IndieWire’s Kate Erbland enthused: “Grainger and Shawkat are wonderful together, conveying the depth of...
The overseas sales prospects for Sophie Hyde’s Animals look bright following rave reviews for the female-led comedy at the Sundance Film Festival.
Adapted by Emma Jane Unsworth from her acclaimed 2014 novel of the same name, the film stars English actress Holliday Grainger and American Alia Shawkat as Laura and Tyler, best friends and roommates in Dublin.
When Tyler’s younger sister Jean (Amy Molloy) announces that she and her partner are expecting a baby, Laura is plunged into a funk that Tyler finds perplexing.
Their hedonistic existence is further disrupted when Laura gets engaged to Jim (Irishman Fra Free), an ambitious pianist who decides to go teetotal.
The Irish-Australian co-production was produced by Hyde and Rebecca Summerton for Closer Productions and Sarah Brocklehurst and Cormac Fox for Vico Films.
IndieWire’s Kate Erbland enthused: “Grainger and Shawkat are wonderful together, conveying the depth of...
- 1/29/2019
- by The IF Team
- IF.com.au
The Hunting.
Asher Keddie and Richard Roxburgh will head the ensemble cast of Sbs’s four-part drama The Hunting, which goes into production tomorrow in Adelaide.
Joining the two actors in the Closer Productions series are Sam Reid (Bloom, Lambs of God), Jessica De Gouw (Arrow, Deadline Gallipoli), Luca Sardelis, Yazeed Daher (The Heights, Safe Harbour), Pamela Rabe (Wentworth), Leah Vandenberg (The Letdown), Rodney Afif (Ali’s Wedding), Sachin Joab (Lion) Elena Carapetis (Look Both Ways), Anni Lindner (Wolf Creek TV) and newcomers Kavitha Anandasivam and Alex Cusack.
Created by Closer’s Sophie Hyde and Matthew Cormack, The Hunting (previously titled The Hunt) follows four teenagers, their teachers and families throughout the lead up, revelation and aftermath of a nude teen photo scandal. When two high school teachers discover students are sharing explicit photos of their underage friends and peers online, the revelation has unbearable consequences for the students and their families.
Asher Keddie and Richard Roxburgh will head the ensemble cast of Sbs’s four-part drama The Hunting, which goes into production tomorrow in Adelaide.
Joining the two actors in the Closer Productions series are Sam Reid (Bloom, Lambs of God), Jessica De Gouw (Arrow, Deadline Gallipoli), Luca Sardelis, Yazeed Daher (The Heights, Safe Harbour), Pamela Rabe (Wentworth), Leah Vandenberg (The Letdown), Rodney Afif (Ali’s Wedding), Sachin Joab (Lion) Elena Carapetis (Look Both Ways), Anni Lindner (Wolf Creek TV) and newcomers Kavitha Anandasivam and Alex Cusack.
Created by Closer’s Sophie Hyde and Matthew Cormack, The Hunting (previously titled The Hunt) follows four teenagers, their teachers and families throughout the lead up, revelation and aftermath of a nude teen photo scandal. When two high school teachers discover students are sharing explicit photos of their underage friends and peers online, the revelation has unbearable consequences for the students and their families.
- 1/17/2019
- by jkeast
- IF.com.au
Animals
Australia’s Sophie Hyde returns with her debut Animals, an Irish-Australian co-production. Hyde serves as producer alongside Rebecca Summerton for Closer Productions and Sarah Brocklehurst and Cormac Fox for Vico Films. Bryan Mason, who served as editor and cinematographer on her debut 52 Tuesdays returns once again for double duty. Hyde nabs Alia Shawkat (Green Room) and Holliday Grainger as her headliners, joined by Amy Molloy. Hyde’s 2013 debut 52 Tuesdays won her an award for Directing at the 2014 Sundance Film Festival (see acceptance speech) as well as the Crystal Bear for Best Film in the Generation 14 plus program in Berlin.…...
Australia’s Sophie Hyde returns with her debut Animals, an Irish-Australian co-production. Hyde serves as producer alongside Rebecca Summerton for Closer Productions and Sarah Brocklehurst and Cormac Fox for Vico Films. Bryan Mason, who served as editor and cinematographer on her debut 52 Tuesdays returns once again for double duty. Hyde nabs Alia Shawkat (Green Room) and Holliday Grainger as her headliners, joined by Amy Molloy. Hyde’s 2013 debut 52 Tuesdays won her an award for Directing at the 2014 Sundance Film Festival (see acceptance speech) as well as the Crystal Bear for Best Film in the Generation 14 plus program in Berlin.…...
- 1/2/2019
- by Nicholas Bell
- IONCINEMA.com
Mia Wasikowska in ‘Judy and Punch’ (Photo: Ben King)
A record six Australian feature films will screen at the Sundance Film Festival, with Animals, Judy and Punch, Little Monsters, Top End Wedding and I Am Mother having their world premieres in the Utah-based festival, which runs from January 24 – February 3.
In addition, Jennifer Kent’s The Nightingale will have its North American premiere after winning the special jury prize and the Marcello Mastroianni award for best new young performer for Baykali Ganambar at this year’s Venice Film Festival.
That surpasses the previous record of five in 1997. Sundance has been a great launching pad for Australian productions including David Michod’s Animal Kingdom in 2010 (World Cinema Jury Prize), Greg McLean’s Wolf Creek in 2005, Scott Hicks’ Shine in 1996, Kitty Green’s Casting JonBenet (2017) and Nash Edgerton’s Mr Inbetween (2018).
“The six films selected by Sundance display the array of stories Australians...
A record six Australian feature films will screen at the Sundance Film Festival, with Animals, Judy and Punch, Little Monsters, Top End Wedding and I Am Mother having their world premieres in the Utah-based festival, which runs from January 24 – February 3.
In addition, Jennifer Kent’s The Nightingale will have its North American premiere after winning the special jury prize and the Marcello Mastroianni award for best new young performer for Baykali Ganambar at this year’s Venice Film Festival.
That surpasses the previous record of five in 1997. Sundance has been a great launching pad for Australian productions including David Michod’s Animal Kingdom in 2010 (World Cinema Jury Prize), Greg McLean’s Wolf Creek in 2005, Scott Hicks’ Shine in 1996, Kitty Green’s Casting JonBenet (2017) and Nash Edgerton’s Mr Inbetween (2018).
“The six films selected by Sundance display the array of stories Australians...
- 11/28/2018
- by The IF Team
- IF.com.au
The 2019 Sundance Film Festival has announced its entire feature film lineup for the January gathering. The festival has revealed its high-profile Premieres and Documentary Premieres selections in addition to the full list of films screening in four different competition sections, plus the forward-thinking Next section, the Kids lineup, and the Midnight list.
The 2019 feature film lineup includes a number of highly anticipated titles, including the Shia Labeouf-penned and Alma Har’el-directed “Honey Boy,” Joe Berlinger’s Zac Efron-starring Ted Bundy feature, Chiwetel Ejiofor’s feature directorial debut “The Boy Who Harnessed the Wind,” Nanfu Wang’s latest documentary “One Child Nation,” the prescient doc “Knock Down the House,” and Alice Waddington’s wild-looking Nacho Vigalondo-written “Paradise Hills.” Plenty of Sundance alums are returning to debut new work, including Anne Sewitsky, Alex Gibney, Nick Broomfield, Justin Chon, Matt Tyrnauer, and Veronika Franz.
As is the festival’s tradition,...
The 2019 feature film lineup includes a number of highly anticipated titles, including the Shia Labeouf-penned and Alma Har’el-directed “Honey Boy,” Joe Berlinger’s Zac Efron-starring Ted Bundy feature, Chiwetel Ejiofor’s feature directorial debut “The Boy Who Harnessed the Wind,” Nanfu Wang’s latest documentary “One Child Nation,” the prescient doc “Knock Down the House,” and Alice Waddington’s wild-looking Nacho Vigalondo-written “Paradise Hills.” Plenty of Sundance alums are returning to debut new work, including Anne Sewitsky, Alex Gibney, Nick Broomfield, Justin Chon, Matt Tyrnauer, and Veronika Franz.
As is the festival’s tradition,...
- 11/28/2018
- by Kate Erbland
- Indiewire
‘The Hunt’
A thriller which centres on three generations of Vietnamese Australian families as they cope with the aftermath of war, a revival of the quiz Mastermind and documentaries which uncover family secrets and medical myths will screen on Sbs next year.
Among other shows unveiled at the broadcaster’s Upfronts are four “Slow Summer” documentaries in the vein of The Ghan, the third and final season of Matchbox Pictures’ The Family Law and a doc which posits that Christianity in Australia is in crisis.
Kurt Fearnley, Scott Cam, Casey Donovan and Rodger Corser are the first names confirmed for the 10th edition of Warner Bros. International Television Production Australia’s (Wbitpa) Who Do You Think You Are?
Sbs director of TV and online content Marshall Heald said: “At Sbs we tell stories and show people on screen that you don’t see anywhere else, giving a voice to communities that would otherwise go unheard.
A thriller which centres on three generations of Vietnamese Australian families as they cope with the aftermath of war, a revival of the quiz Mastermind and documentaries which uncover family secrets and medical myths will screen on Sbs next year.
Among other shows unveiled at the broadcaster’s Upfronts are four “Slow Summer” documentaries in the vein of The Ghan, the third and final season of Matchbox Pictures’ The Family Law and a doc which posits that Christianity in Australia is in crisis.
Kurt Fearnley, Scott Cam, Casey Donovan and Rodger Corser are the first names confirmed for the 10th edition of Warner Bros. International Television Production Australia’s (Wbitpa) Who Do You Think You Are?
Sbs director of TV and online content Marshall Heald said: “At Sbs we tell stories and show people on screen that you don’t see anywhere else, giving a voice to communities that would otherwise go unheard.
- 11/20/2018
- by The IF Team
- IF.com.au
Screen Australia, Ifb backing project which is now filming in Dublin.
Holliday Grainger (My Cousin Rachel) and Alia Shawkat (Arrested Development) have started filming on Sophie Hyde’s comedy Animals.
Cornerstone Films is handling worldwide sales on the project, which is shooting in Dublin until April 13.
Grainger and Shawkat will star as Laura and Tyler respectively, best friends and drinking buddies whose hedonistic existence falls under the creeping horror of adulthood when Laura gets engaged to Jim – an ambitious pianist who surprisingly decides to go teetotal.
Director Hyde’s debut feature 52 Tuesdays won the directing award in the 2014 Sundance Film...
Holliday Grainger (My Cousin Rachel) and Alia Shawkat (Arrested Development) have started filming on Sophie Hyde’s comedy Animals.
Cornerstone Films is handling worldwide sales on the project, which is shooting in Dublin until April 13.
Grainger and Shawkat will star as Laura and Tyler respectively, best friends and drinking buddies whose hedonistic existence falls under the creeping horror of adulthood when Laura gets engaged to Jim – an ambitious pianist who surprisingly decides to go teetotal.
Director Hyde’s debut feature 52 Tuesdays won the directing award in the 2014 Sundance Film...
- 3/22/2018
- by Tom Grater
- ScreenDaily
Leah Purcell at Sydney's Belvoir Theatre. (Photo credit: Anthony Johnson).
Projects from the likes of Jocelyn Moorhouse, Leah Purcell, Vicki Madden, Rachel Perkins, Luke Davies, Sophie Hyde, Nicholas Verso, Abe Forsythe, Craig Silvey and Corrie Chen have received development funding from Screen Australia.
.This round of development funding reflects the vibrancy of the story landscape in Australia with thrillers and romance, crime and comedies, sports dramas and musicals,. said Screen Australia's Senior Development Manager Nerida Moore..
.We have projects from both seasoned storytellers and an exciting group of up-and-coming talents. And we are also seeing a greater mix of platforms from traditional features and high-end television to the ever-growing online drama and narrative Vr spaces..
Among the projects funded, which include 24 features, five online series and two "high-end" television projects, are:
Tasmanian-set gothic crime show The Gloaming, created and written by The Kettering Incident's Vicki Madden, who will produce...
Projects from the likes of Jocelyn Moorhouse, Leah Purcell, Vicki Madden, Rachel Perkins, Luke Davies, Sophie Hyde, Nicholas Verso, Abe Forsythe, Craig Silvey and Corrie Chen have received development funding from Screen Australia.
.This round of development funding reflects the vibrancy of the story landscape in Australia with thrillers and romance, crime and comedies, sports dramas and musicals,. said Screen Australia's Senior Development Manager Nerida Moore..
.We have projects from both seasoned storytellers and an exciting group of up-and-coming talents. And we are also seeing a greater mix of platforms from traditional features and high-end television to the ever-growing online drama and narrative Vr spaces..
Among the projects funded, which include 24 features, five online series and two "high-end" television projects, are:
Tasmanian-set gothic crime show The Gloaming, created and written by The Kettering Incident's Vicki Madden, who will produce...
- 2/13/2017
- by Harry Windsor
- IF.com.au
Tilda Cobham-Hervey, one of the stars of 'F*cking Adelaide'.
Shooting has kicked off this week in on F*cking Adelaide, a six part comedy drama series for ABC iview.
The Closer Productions series will be headlined by Pamela Rabe (Wentworth, Cosi), Tilda Cobham-Hervey (52 Tuesdays, Barracuda, The Kettering Incident, Hotel Mumbai), Kate Box (Rake, The Little Death), and Brendan MacLean (The Great Gatsby, Tracks). Production will continue through to mid-January on location in Adelaide and South Australia..
F*cking Adelaide follows three siblings who discover their mother is selling their childhood home in Adelaide. Each 12-minute episode is told through the point of view of one of the characters.
All the show's key creatives and heads of department are South Australian. The series.is directed by Sophie Hyde (52 Tuesdays).and written by Matthew Cormack and Matt Vesely. Hyde will also produce alongside Rebecca Summerton..
.It.s a total delight for...
Shooting has kicked off this week in on F*cking Adelaide, a six part comedy drama series for ABC iview.
The Closer Productions series will be headlined by Pamela Rabe (Wentworth, Cosi), Tilda Cobham-Hervey (52 Tuesdays, Barracuda, The Kettering Incident, Hotel Mumbai), Kate Box (Rake, The Little Death), and Brendan MacLean (The Great Gatsby, Tracks). Production will continue through to mid-January on location in Adelaide and South Australia..
F*cking Adelaide follows three siblings who discover their mother is selling their childhood home in Adelaide. Each 12-minute episode is told through the point of view of one of the characters.
All the show's key creatives and heads of department are South Australian. The series.is directed by Sophie Hyde (52 Tuesdays).and written by Matthew Cormack and Matt Vesely. Hyde will also produce alongside Rebecca Summerton..
.It.s a total delight for...
- 12/8/2016
- by Staff Writer
- IF.com.au
Maya Newell's Gayby Baby, a Good Pitch Australia alumnus.
Good Pitch Australia has announced the selection of six new feature documentaries for its next event at the Sydney Opera House in November.
Hosted by Ian Darling.s Shark Island Institute in partnership with Documentary Australia Foundation, Good Pitch brings filmmakers together with NGOs, foundations, philanthropists, social entrepreneurs, potential corporate and brand partners, broadcasters and media to forge alliances around social impact films.
Darling, who is also chair and moderator, said Good Pitch Australia represented high impact philanthropy at its best, "with all of the key elements of collaboration, scale, partnership, and leverage - using the power of documentary to bring a community together for social change..
Good Pitch was originally devised by Britdoc in partnership with Ford Foundation and the Sundance Institute Documentary Film Program, and is held in various major cities around the world. Philanthropy Australia and Pro...
Good Pitch Australia has announced the selection of six new feature documentaries for its next event at the Sydney Opera House in November.
Hosted by Ian Darling.s Shark Island Institute in partnership with Documentary Australia Foundation, Good Pitch brings filmmakers together with NGOs, foundations, philanthropists, social entrepreneurs, potential corporate and brand partners, broadcasters and media to forge alliances around social impact films.
Darling, who is also chair and moderator, said Good Pitch Australia represented high impact philanthropy at its best, "with all of the key elements of collaboration, scale, partnership, and leverage - using the power of documentary to bring a community together for social change..
Good Pitch was originally devised by Britdoc in partnership with Ford Foundation and the Sundance Institute Documentary Film Program, and is held in various major cities around the world. Philanthropy Australia and Pro...
- 7/25/2016
- by Staff Writer
- IF.com.au
Gayby Baby, a Good Pitch Australia film in 2014.
Good Pitch Australia has announced the selection of six new feature documentaries for its next event at the Sydney Opera House in November.
Hosted by Ian Darling.s Shark Island Institute in partnership with Documentary Australia Foundation, Good Pitch brings filmmakers together with NGOs, foundations, philanthropists, social entrepreneurs, potential corporate and brand partners, broadcasters and media to forge alliances around social impact films.
Darling, who is also chair and moderator, said Good Pitch Australia represented high impact philanthropy at its best, "with all of the key elements of collaboration, scale, partnership, and leverage - using the power of documentary to bring a community together for social change..
Good Pitch was originally devised by Britdoc in partnership with Ford Foundation and the Sundance Institute Documentary Film Program, and is held in various major cities around the world. Philanthropy Australia and Pro Bono Australia...
Good Pitch Australia has announced the selection of six new feature documentaries for its next event at the Sydney Opera House in November.
Hosted by Ian Darling.s Shark Island Institute in partnership with Documentary Australia Foundation, Good Pitch brings filmmakers together with NGOs, foundations, philanthropists, social entrepreneurs, potential corporate and brand partners, broadcasters and media to forge alliances around social impact films.
Darling, who is also chair and moderator, said Good Pitch Australia represented high impact philanthropy at its best, "with all of the key elements of collaboration, scale, partnership, and leverage - using the power of documentary to bring a community together for social change..
Good Pitch was originally devised by Britdoc in partnership with Ford Foundation and the Sundance Institute Documentary Film Program, and is held in various major cities around the world. Philanthropy Australia and Pro Bono Australia...
- 7/25/2016
- by Staff Writer
- IF.com.au
Sophie Hyde.
Screen Australia and ABC have announced the five successful projects to be funded through the $1.5 million Long Story Short initiative. Each project will be funded to create and produce a short-form, digital-first scripted series for 18-35 year olds, to screen on ABC iview. The five successful creative teams were chosen from more than 250 applications, and offer a mix of comedy and drama. Each will participate in a two-day workshop in July, led by ABC TV executives and multiplatform writer and script developer Mike Jones. .We were blown away by the standard of the applications, there were so many strong creative teams in the mix. We think these five projects really know their audience and will work so well as digital-first content,. said Screen Australia investment manager Mike Cowap. .We.re thrilled to team with Screen Australia on so many fantastic new scripted projects, building on ABC iview.s reputation for world class digital-first,...
Screen Australia and ABC have announced the five successful projects to be funded through the $1.5 million Long Story Short initiative. Each project will be funded to create and produce a short-form, digital-first scripted series for 18-35 year olds, to screen on ABC iview. The five successful creative teams were chosen from more than 250 applications, and offer a mix of comedy and drama. Each will participate in a two-day workshop in July, led by ABC TV executives and multiplatform writer and script developer Mike Jones. .We were blown away by the standard of the applications, there were so many strong creative teams in the mix. We think these five projects really know their audience and will work so well as digital-first content,. said Screen Australia investment manager Mike Cowap. .We.re thrilled to team with Screen Australia on so many fantastic new scripted projects, building on ABC iview.s reputation for world class digital-first,...
- 6/23/2016
- by Staff Writer
- IF.com.au
Here is the group shot with all the participants of this year's Producers Lab Toronto.
Top row (left to right): Arnie Zipursky (Canada), Kaleena Kiff (Canada), Chantelle Kadyschuk (Canada),Leanne Saunders (New Zealand), Rebecca Summerton (Australia), Raquelle David (Australia),Nathalie Lichtenthaeler (Ireland), Marie-Claude Poulin (Canada), Simone Urdl (Canada),Floor Onrust (The Netherlands), Julia Rosenberg (Canada), Hanan Kattan (United Kingdom), Eva Jakobsen (Denmark), Barbara Willis Sweete (Canada), Bob Crowe (Canada).
Bottom row (left to right): Peter Rommel (Germany), Alex Behse (New Zealand), Hlin Johannesdottir (Iceland), Silvia Panakova (Slovak Republic), Edmon Roch (Spain), Andrew Nicholas McCann Smith (Canada), Jane Loughman (Canada), Adis Djapo (Bosnia and Herzegovina). Not pictured Ivo Felt (Estonia).
Intense networking and pitching events among producers from Europe, Canada, New Zealand and Australia took place at the Toronto International Film Festival. The sixth edition of this initiative, which ran September 9 to 12, was created for 24 hand-picked participants to exchange project ideas and funding information for trans-atlantic co-production deals.
The international co-production forum was organized and financed by European Film Promotion (Efp) in collaboration with the Ontario Media Development Corporation (Omdc) and the Toronto International Film Festival®.Screen Australia and the New Zealand Film Commission (Nzfc) supported the event once again, along withCreative Europe – Media Program, the participating Efp member organizations, Eurimages, and Telefilm Canada.
Here is a list of the participants:
European participants
Canadian participants
Adis Djapo , Scca (Bosnia and Herzegovina)
Ivo Felt, Allfilm (Estonia)
Eva Jakobsen , Snowglobe (Denmark)
Hlín Johannesdóttir , Vintage Pictures (Iceland)
Hanan Kattan , Enlightenment Productions (UK)
Nathalie Lichtenthaeler , Wide Eye Films (Ireland)
Floor Onrust , Family Affair Films (The Netherlands)
Silvia Panáková , Arina (Slovak Republic)
Edmon Roch , Ikiru Films (Spain)
Peter Rommel , Rommel Film (Germany)
Bob Crowe , Angel Entertainment Corp.
Chantelle Kadyschuk , No Trace Camping Productions
Kaleena Kiff , Radius Squared Media Group
Jane Loughman , Monkeys & Parrots
Marie-Claude Poulin , Item 7
Julia Rosenberg , January Films
Simone Urdl , The Film Farm
Andrew Nicholas McCann Smith , First Love Films
Barbara Willis Sweete , Willis Sweete Productions
Arnie Zipursky , Cci Entertainment
Australian participants
New Zealand’s participants
Raquelle David , Damsel Pictures
Rebecca Summerton , Closer Productions
Alexander Behse , Monsoon Pictures International
Leanne Saunders , Piki Films
Detailed information about the 24 participants of Producers Lab Toronto 2015 can be found...
Top row (left to right): Arnie Zipursky (Canada), Kaleena Kiff (Canada), Chantelle Kadyschuk (Canada),Leanne Saunders (New Zealand), Rebecca Summerton (Australia), Raquelle David (Australia),Nathalie Lichtenthaeler (Ireland), Marie-Claude Poulin (Canada), Simone Urdl (Canada),Floor Onrust (The Netherlands), Julia Rosenberg (Canada), Hanan Kattan (United Kingdom), Eva Jakobsen (Denmark), Barbara Willis Sweete (Canada), Bob Crowe (Canada).
Bottom row (left to right): Peter Rommel (Germany), Alex Behse (New Zealand), Hlin Johannesdottir (Iceland), Silvia Panakova (Slovak Republic), Edmon Roch (Spain), Andrew Nicholas McCann Smith (Canada), Jane Loughman (Canada), Adis Djapo (Bosnia and Herzegovina). Not pictured Ivo Felt (Estonia).
Intense networking and pitching events among producers from Europe, Canada, New Zealand and Australia took place at the Toronto International Film Festival. The sixth edition of this initiative, which ran September 9 to 12, was created for 24 hand-picked participants to exchange project ideas and funding information for trans-atlantic co-production deals.
The international co-production forum was organized and financed by European Film Promotion (Efp) in collaboration with the Ontario Media Development Corporation (Omdc) and the Toronto International Film Festival®.Screen Australia and the New Zealand Film Commission (Nzfc) supported the event once again, along withCreative Europe – Media Program, the participating Efp member organizations, Eurimages, and Telefilm Canada.
Here is a list of the participants:
European participants
Canadian participants
Adis Djapo , Scca (Bosnia and Herzegovina)
Ivo Felt, Allfilm (Estonia)
Eva Jakobsen , Snowglobe (Denmark)
Hlín Johannesdóttir , Vintage Pictures (Iceland)
Hanan Kattan , Enlightenment Productions (UK)
Nathalie Lichtenthaeler , Wide Eye Films (Ireland)
Floor Onrust , Family Affair Films (The Netherlands)
Silvia Panáková , Arina (Slovak Republic)
Edmon Roch , Ikiru Films (Spain)
Peter Rommel , Rommel Film (Germany)
Bob Crowe , Angel Entertainment Corp.
Chantelle Kadyschuk , No Trace Camping Productions
Kaleena Kiff , Radius Squared Media Group
Jane Loughman , Monkeys & Parrots
Marie-Claude Poulin , Item 7
Julia Rosenberg , January Films
Simone Urdl , The Film Farm
Andrew Nicholas McCann Smith , First Love Films
Barbara Willis Sweete , Willis Sweete Productions
Arnie Zipursky , Cci Entertainment
Australian participants
New Zealand’s participants
Raquelle David , Damsel Pictures
Rebecca Summerton , Closer Productions
Alexander Behse , Monsoon Pictures International
Leanne Saunders , Piki Films
Detailed information about the 24 participants of Producers Lab Toronto 2015 can be found...
- 9/14/2015
- by Sydney Levine
- Sydney's Buzz
This year has proven to be a bumper year for Australian films, and not just at the box office.
Thirteen Australian films that have been selected for the 40th Toronto International Film Festival (Tiff)..
These include six world premieres, three international premieres (outside Australia), three North American premieres and one Canadian premiere. Other Australian talent including Toni Collette, Naomi Watts, Guy Pearce, Jacki Weaver, Cate Blanchett, Rose Byrne, Joel Edgerton, and Nicole Kidman will feature in other films shown throughout the Gala and Special Presentations sections.
Screen Australia, chief executive, Graeme Mason said he was incredibly proud of the Australian talent and productions selected for this year.s Toronto International Film Festival..
"Having strong representation across seven different categories is an incredible achievement. It shows how strongly Australian film is performing at a global level, and gives us reason to be immensely proud of our industry," he said..
"We congratulate...
Thirteen Australian films that have been selected for the 40th Toronto International Film Festival (Tiff)..
These include six world premieres, three international premieres (outside Australia), three North American premieres and one Canadian premiere. Other Australian talent including Toni Collette, Naomi Watts, Guy Pearce, Jacki Weaver, Cate Blanchett, Rose Byrne, Joel Edgerton, and Nicole Kidman will feature in other films shown throughout the Gala and Special Presentations sections.
Screen Australia, chief executive, Graeme Mason said he was incredibly proud of the Australian talent and productions selected for this year.s Toronto International Film Festival..
"Having strong representation across seven different categories is an incredible achievement. It shows how strongly Australian film is performing at a global level, and gives us reason to be immensely proud of our industry," he said..
"We congratulate...
- 9/2/2015
- by Inside Film Correspondent
- IF.com.au
The sixth edition of Producers Lab Toronto is set to launch during the Toronto International Film Festival from September 9 to 12, 2015. Twenty four producers from Europe, Canada, Australia, and New Zealand have been chosen to exchange project ideas, funding information, and co-production deals. This successful networking platform has facilitated the development of several trans-Atlantic co-productions, with 17 former participants now working on 17 projects at various stages of production.
Producers Lab Toronto 2015 will see the 24 participants taking part in various networking and pitching events, case studies, and round tables with key industry members. The event will enable the participants to broaden their scope of projects regarding financing, creativity, and distribution in order to create trans-Atlantic co-productions.
The international co-production forum is organized and financed by European Film Promotion (Efp) in collaboration with theOntario Media Development Corporation (Omdc) and the Toronto International Film Festival®.Screen Australia and the New Zealand Film Commission (Nzfc) will again be supporting the event, along with Creative Europe – Media Programme, the participating Efp member organisations, Eurimages, and Telefilm Canada.
Selected by the event's five partners, the participating producers have significant experience of co-production and will be presenting new projects with international market potential. Adis Dapo, known for Aida Begic’s "Children of Sarajevo" (Bosnia and Herzegovina/Germany/ France/ Turkey 2012), is from Efp’s youngest member country Bosnia and Herzegovina, and is one of the ten European internationally-experienced producers coming to take part in the event.
Canadian producer participants include Simone Urdl, known for her long association with Atom Egoyan ("The Captive," Cannes 2014), and Chantelle Kadyschuk of No Trace Camping, Canadian producer of "Room," a Canada-Ireland co-production premiering at Tiff 2015.
European participants
Adis Djapo , Scca (Bosnia and Herzegovina)
Ivo Felt , Allfilm (Estonia)
Eva Jakobsen , Snowglobe (Denmark)
Hlín Johannesdóttir , Vintage Pictures (Iceland)
Hanan Kattan , Enlightenment Productions (UK)
Nathalie Lichtenthaeler , Wide Eye Films (Ireland)
Floor Onrust , Family Affair Films (The Netherlands)
Silvia Panáková , Arina (Slovak Republic)
Edmon Roch , Ikiru Films (Spain)
Peter Rommel , Rommel Film (Germany)
Australian participants
Raquelle David , Damsel Pictures
Rebecca Summerton , Closer Productions
Canadian participants
Bob Crowe , Angel Entertainment Corp.
Chantelle Kadyschuk , No Trace Camping Productions
Kaleena Kiff , Radius Squared Media Group
Jane Loughman , Monkeys & Parrots
Andrew Nicholas McCann Smith , First Love Films
Marie-Claude Poulin , Item 7
Julia Rosenberg , January Films
Simone Urdl , The Film Farm
Barbara Willis Sweete , Willis Sweete Productions
Arnie Zipursky , Cci Entertainment
New Zealand's participants
Alexander Behse , Monsoon Pictures International
Leanne Saunders , Piki Films...
Producers Lab Toronto 2015 will see the 24 participants taking part in various networking and pitching events, case studies, and round tables with key industry members. The event will enable the participants to broaden their scope of projects regarding financing, creativity, and distribution in order to create trans-Atlantic co-productions.
The international co-production forum is organized and financed by European Film Promotion (Efp) in collaboration with theOntario Media Development Corporation (Omdc) and the Toronto International Film Festival®.Screen Australia and the New Zealand Film Commission (Nzfc) will again be supporting the event, along with Creative Europe – Media Programme, the participating Efp member organisations, Eurimages, and Telefilm Canada.
Selected by the event's five partners, the participating producers have significant experience of co-production and will be presenting new projects with international market potential. Adis Dapo, known for Aida Begic’s "Children of Sarajevo" (Bosnia and Herzegovina/Germany/ France/ Turkey 2012), is from Efp’s youngest member country Bosnia and Herzegovina, and is one of the ten European internationally-experienced producers coming to take part in the event.
Canadian producer participants include Simone Urdl, known for her long association with Atom Egoyan ("The Captive," Cannes 2014), and Chantelle Kadyschuk of No Trace Camping, Canadian producer of "Room," a Canada-Ireland co-production premiering at Tiff 2015.
European participants
Adis Djapo , Scca (Bosnia and Herzegovina)
Ivo Felt , Allfilm (Estonia)
Eva Jakobsen , Snowglobe (Denmark)
Hlín Johannesdóttir , Vintage Pictures (Iceland)
Hanan Kattan , Enlightenment Productions (UK)
Nathalie Lichtenthaeler , Wide Eye Films (Ireland)
Floor Onrust , Family Affair Films (The Netherlands)
Silvia Panáková , Arina (Slovak Republic)
Edmon Roch , Ikiru Films (Spain)
Peter Rommel , Rommel Film (Germany)
Australian participants
Raquelle David , Damsel Pictures
Rebecca Summerton , Closer Productions
Canadian participants
Bob Crowe , Angel Entertainment Corp.
Chantelle Kadyschuk , No Trace Camping Productions
Kaleena Kiff , Radius Squared Media Group
Jane Loughman , Monkeys & Parrots
Andrew Nicholas McCann Smith , First Love Films
Marie-Claude Poulin , Item 7
Julia Rosenberg , January Films
Simone Urdl , The Film Farm
Barbara Willis Sweete , Willis Sweete Productions
Arnie Zipursky , Cci Entertainment
New Zealand's participants
Alexander Behse , Monsoon Pictures International
Leanne Saunders , Piki Films...
- 9/1/2015
- by Sydney Levine
- Sydney's Buzz
Twenty-four producers from Europe, Canada, Australia and New Zealand have been selected for the programme.
Toronto International Film Festival sources said the networking initiative has led to 17 former participants working on projects at various stages of production.
Participants will take part in networking and pitching events, case studies and roundtables with key industry members.
The participants are:
Canada: Bob Crowe (Angel Entertainment Corp), Chantelle Kadyschuk (No Trace Camping), Kaleena Kiff (Radius Squared Media Group), Jane Loughman (Monkeys & Parrots), Andrew Nicholas McCann Smith (First Love Films), Marie-Claude Poulin (Item 7), Julia Rosenberg (January Films), Simone Urdl (The Film Farm), Barbara Willis Sweete (Willis Sweete Productions) and Arnie Zipursky (Cci Entertainment).
Europe: Adis Djapo (Scca, Bosnia and Herzegovina), Ivo Felt (Allfilm, Estonia), Eva Johannesdóttir (Snowglobe, Denmark), Hanan Kattan (Enlightenment Productions, UK), Nathalie Lichtenthaeler (Wide Eye Films, Ireland), Floor Onrust (Family Affair Films, The Netherlands), Silvia Panáková (Arina, Slovak Republic), Edmon Roch (Ikiru Films, Spain), [link...
Toronto International Film Festival sources said the networking initiative has led to 17 former participants working on projects at various stages of production.
Participants will take part in networking and pitching events, case studies and roundtables with key industry members.
The participants are:
Canada: Bob Crowe (Angel Entertainment Corp), Chantelle Kadyschuk (No Trace Camping), Kaleena Kiff (Radius Squared Media Group), Jane Loughman (Monkeys & Parrots), Andrew Nicholas McCann Smith (First Love Films), Marie-Claude Poulin (Item 7), Julia Rosenberg (January Films), Simone Urdl (The Film Farm), Barbara Willis Sweete (Willis Sweete Productions) and Arnie Zipursky (Cci Entertainment).
Europe: Adis Djapo (Scca, Bosnia and Herzegovina), Ivo Felt (Allfilm, Estonia), Eva Johannesdóttir (Snowglobe, Denmark), Hanan Kattan (Enlightenment Productions, UK), Nathalie Lichtenthaeler (Wide Eye Films, Ireland), Floor Onrust (Family Affair Films, The Netherlands), Silvia Panáková (Arina, Slovak Republic), Edmon Roch (Ikiru Films, Spain), [link...
- 8/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Annabelle Sheehan.
The incoming CEO of the South Australian Film Corporation is keen to continue supporting a diverse range of projects across multiple platforms and to foster indigenous filmmaking in the State.
Currently director of production investment at ScreenWest, Annabelle Sheehan will take up the post in mid-February, succeeding Richard Harris.
.It.s important to have a diverse slate of content across film, TV drama, documentaries and online,. Sheehan tells If. .We also need to strike a balance between supporting emerging and established players and looking to see where the new talent is coming from.
.I am looking forward to understanding South Australian stories and how we can activate those stories further and expand them. I also want to connect with the indigenous community and help them look for filmmaking opportunities..
Sheehan has known Harris, who is returning to Sydney as head of Screen Australia.s business and audience department,...
The incoming CEO of the South Australian Film Corporation is keen to continue supporting a diverse range of projects across multiple platforms and to foster indigenous filmmaking in the State.
Currently director of production investment at ScreenWest, Annabelle Sheehan will take up the post in mid-February, succeeding Richard Harris.
.It.s important to have a diverse slate of content across film, TV drama, documentaries and online,. Sheehan tells If. .We also need to strike a balance between supporting emerging and established players and looking to see where the new talent is coming from.
.I am looking forward to understanding South Australian stories and how we can activate those stories further and expand them. I also want to connect with the indigenous community and help them look for filmmaking opportunities..
Sheehan has known Harris, who is returning to Sydney as head of Screen Australia.s business and audience department,...
- 1/8/2015
- by Don Groves
- IF.com.au
A total of six Australian projects have been invited to screen at the prestigious Sundance Film Festival next year.
The South Australian project Sam Klemke's Time Machine will have its world premiere in the New Frontier Film section while Oscar Raby.s Assent will screen in the New Frontier Installations section.
In the Sundance Shorts Competition, Kitty Green.s The Face of Ukraine: Casting Oksana Baiul will have its world premiere as well as Tim Marshall.s Followers.
This adds to the previously announced screenings of Kim Kim Farrant.s Strangerland, starring Nicole Kidman, Joseph Fiennes and Hugo Weaving, and Ariel Kleiman.s Partisan, starring Vincent Cassel, which will screen in competition in the World Cinema Dramatic program.
In a statement released to the media, CEO of Screen Australia, Graeme Mason, said, .It is a great honour to have six of our skilful filmmakers recognised by the leading indie film festival in the world.
The South Australian project Sam Klemke's Time Machine will have its world premiere in the New Frontier Film section while Oscar Raby.s Assent will screen in the New Frontier Installations section.
In the Sundance Shorts Competition, Kitty Green.s The Face of Ukraine: Casting Oksana Baiul will have its world premiere as well as Tim Marshall.s Followers.
This adds to the previously announced screenings of Kim Kim Farrant.s Strangerland, starring Nicole Kidman, Joseph Fiennes and Hugo Weaving, and Ariel Kleiman.s Partisan, starring Vincent Cassel, which will screen in competition in the World Cinema Dramatic program.
In a statement released to the media, CEO of Screen Australia, Graeme Mason, said, .It is a great honour to have six of our skilful filmmakers recognised by the leading indie film festival in the world.
- 12/12/2014
- by Emily Blatchford
- IF.com.au
Writer-director Matthew Bate.s documentary Sam Klemke.s Time Machine will premiere at the Sundance Film Festival, further strengthening the Oz presence at the fest. The profile of American caricature artist Klemke, who filmed and narrated nearly 40 years of his life, will be featured in the New Frontier section. That.s the third title from Adelaide-based Closer Productions to be showcased at the Park City event. Bate.s Shut Up Little Man! An Audio Misadventure screened in competition in 2011. Sophie Hyde.s 52 Tuesdays took the best director prize in the world cinema dramatic section this year. New Frontier champions films that .expand, experiment with, and explode traditional storytelling.recognizing the crossroads of film, art, and media technology as a hotbed for cinematic innovation.. In 1977 Klemke started obsessively documenting his entire life on film, from an optimistic teen to a self-important 20-year-old, morphing into an obese, self-loathing 30-something and onwards into his philosophical 50s.
- 12/4/2014
- by Don Groves
- IF.com.au
Leviathan leads contenders; 36 films from 21 countries in the running.
Films in the running for the 2014 Apsa for Best Feature Film include Winter Sleep (Turkey, France, Germany), Leviathan (Russia), I’m Not Angry (Iran), The Owners (Kazakhstan), and Memories on Stone (Iraqi Kurdistan, Germany).
Leviathan, also nominated for Achievement in Cinematography for Mikhail Krichman, has received three nominations in total, the most for any film.
In total, 36 films from 21 countries are in the running for awards.
Nominees vying for the award in the Achievement in Directing category are: Rolf de Heer (Charlie’s Country, Australia), Andrey Zvyagintsev (Leviathan, Russia), Im Kwon-taek (Revivre, South Korea), Rakhshan Banietemad (Tales, Iran) and Nuri Bilge Ceylan (Winter Sleep, Turkey, France, Germany).
For the first time, a film from Syria has received a nomination, with Silvered Water, Syria Self-portrait (Syria, France) nominated for the Apsa for Best Feature Documentary.
Films from the China and Russia lead the nominations with six each, closely followed...
Films in the running for the 2014 Apsa for Best Feature Film include Winter Sleep (Turkey, France, Germany), Leviathan (Russia), I’m Not Angry (Iran), The Owners (Kazakhstan), and Memories on Stone (Iraqi Kurdistan, Germany).
Leviathan, also nominated for Achievement in Cinematography for Mikhail Krichman, has received three nominations in total, the most for any film.
In total, 36 films from 21 countries are in the running for awards.
Nominees vying for the award in the Achievement in Directing category are: Rolf de Heer (Charlie’s Country, Australia), Andrey Zvyagintsev (Leviathan, Russia), Im Kwon-taek (Revivre, South Korea), Rakhshan Banietemad (Tales, Iran) and Nuri Bilge Ceylan (Winter Sleep, Turkey, France, Germany).
For the first time, a film from Syria has received a nomination, with Silvered Water, Syria Self-portrait (Syria, France) nominated for the Apsa for Best Feature Documentary.
Films from the China and Russia lead the nominations with six each, closely followed...
- 10/28/2014
- ScreenDaily
Vendetta Films will release Sophie Hyde.s 52 Tuesdays in Australia on May 1, working with the producers, Closer Productions.
The gender-bending drama won the Crystal Bear for best film in the Generation 14plus strand at the Berlin Film Festival..
The fest.s youth jury said, .The situation is exceptional but familiar. This year.s winning movie is both surprising and touching. It is a movie about family and the quest for identity, and despite all the conflicts, the protagonists stay connected through their love to each other. The moving story is presented in a fascinating structure and convinces with strong characters, humour, clever ideas and sensitivity..
Emo (the musical), a short film from Australian director Neil Triffett dealing with a strange holy war in a school between Christian musicians and Emo boys, received a special mention from the youth jury..
The jury said the film "takes a look at group identity and peer pressure,...
The gender-bending drama won the Crystal Bear for best film in the Generation 14plus strand at the Berlin Film Festival..
The fest.s youth jury said, .The situation is exceptional but familiar. This year.s winning movie is both surprising and touching. It is a movie about family and the quest for identity, and despite all the conflicts, the protagonists stay connected through their love to each other. The moving story is presented in a fascinating structure and convinces with strong characters, humour, clever ideas and sensitivity..
Emo (the musical), a short film from Australian director Neil Triffett dealing with a strange holy war in a school between Christian musicians and Emo boys, received a special mention from the youth jury..
The jury said the film "takes a look at group identity and peer pressure,...
- 2/15/2014
- by Don Groves
- IF.com.au
Sophie Hyde today won the Sundance Film Festival World Cinema Dramatic Directing Award for her gender-bending drama 52 Tuesdays.
The Adelaide-shot film competed with 11 other titles including Blind (Norway, Netherlands), the UK.s God Help the Girl and Lilting, The Disobedient (Serbia), Liar's Dice (India), To Kill a Man (Chile) and Wetlands (Germany).
In 52 Tuesdays, Tilda Cobham-Hervey plays 16-year-old Billie, who struggles with the revelation that her mother (Del Herbert-Jane) plans to change gender. Billie goes to live with her dad for a year while mother and daughter vow to meet every Tuesday for that year. Matthew Cormack wrote the screenplay from a story he devised with Hyde.
The film was shot on consecutive Tuesdays for 52 weeks. The producers are Closer Productions' Rebecca Summerton, Cormack, Hyde and Bryan Mason. It had its world premiere at the Adelaide Film Festival in October, funded by the Safc's FilmLab and the Aff Investment Fund.
The Adelaide-shot film competed with 11 other titles including Blind (Norway, Netherlands), the UK.s God Help the Girl and Lilting, The Disobedient (Serbia), Liar's Dice (India), To Kill a Man (Chile) and Wetlands (Germany).
In 52 Tuesdays, Tilda Cobham-Hervey plays 16-year-old Billie, who struggles with the revelation that her mother (Del Herbert-Jane) plans to change gender. Billie goes to live with her dad for a year while mother and daughter vow to meet every Tuesday for that year. Matthew Cormack wrote the screenplay from a story he devised with Hyde.
The film was shot on consecutive Tuesdays for 52 weeks. The producers are Closer Productions' Rebecca Summerton, Cormack, Hyde and Bryan Mason. It had its world premiere at the Adelaide Film Festival in October, funded by the Safc's FilmLab and the Aff Investment Fund.
- 1/26/2014
- by Don Groves
- IF.com.au
Adelaide writer-director Ashlee Page today was given the Sundance Institute Mahindra Global Filmmaking award at the Sundance Film Festival in Utah.
Page will use the $10,000 prize during the development of her first feature, sci-fi thriller Archive, produced by Closer Productions. Bec Summerton.
Part-funded by the Safc.s FilmLab program, the film centres on 16-year-old Lily, who lives alone on one of Saturn.s largest moons in an underground seed vault known as Archive Titan.
Lily.s job is to cultivate Earth.s remaining seed stock and to serve the Archive.s powerful, authoritarian computer. When a native life-form infiltrates the walls, Lily is driven to question who she is, what she is doing and who to fight.
Page wrote and directed the short film The Kiss, co-funded by Screen Australia and the Safc, and On Her Knees, one segment of Tim Winton.s The Turning. She is one of four...
Page will use the $10,000 prize during the development of her first feature, sci-fi thriller Archive, produced by Closer Productions. Bec Summerton.
Part-funded by the Safc.s FilmLab program, the film centres on 16-year-old Lily, who lives alone on one of Saturn.s largest moons in an underground seed vault known as Archive Titan.
Lily.s job is to cultivate Earth.s remaining seed stock and to serve the Archive.s powerful, authoritarian computer. When a native life-form infiltrates the walls, Lily is driven to question who she is, what she is doing and who to fight.
Page wrote and directed the short film The Kiss, co-funded by Screen Australia and the Safc, and On Her Knees, one segment of Tim Winton.s The Turning. She is one of four...
- 1/22/2014
- by Don Groves
- IF.com.au
The selection of Sophie Hyde.s drama 52 Tuesdays in the world cinema dramatic competition at the Sundance Film Festival in January isn.t the only platform for the project at the festival.
The web and smart phone-based companion project My 52 Tuesdays will screen in Sundance.s New Frontier program. The festival describes the sidebar as a social and creative space that showcases media installations, multimedia performances, transmedia experiences and panel discussions.
Shot in Adelaide each Tuesday for a year, the film stars Tilda Cobham-Hervey as 16-year-old Billie, whose mother (Del Herbert-Jane) reveals she plans to change her gender. The producers are Rebecca Summerton.s Closer Productions, Cormack, Hyde and Bryan Mason.
My 52 Tuesdays is a collaboration between Closer Productions and experience design company Sandpit. It.s a touring photo-booth, web and smart phone-based project following participants' responses to a year-long series of questions. Participants are asked one question each Tuesday for a year,...
The web and smart phone-based companion project My 52 Tuesdays will screen in Sundance.s New Frontier program. The festival describes the sidebar as a social and creative space that showcases media installations, multimedia performances, transmedia experiences and panel discussions.
Shot in Adelaide each Tuesday for a year, the film stars Tilda Cobham-Hervey as 16-year-old Billie, whose mother (Del Herbert-Jane) reveals she plans to change her gender. The producers are Rebecca Summerton.s Closer Productions, Cormack, Hyde and Bryan Mason.
My 52 Tuesdays is a collaboration between Closer Productions and experience design company Sandpit. It.s a touring photo-booth, web and smart phone-based project following participants' responses to a year-long series of questions. Participants are asked one question each Tuesday for a year,...
- 12/5/2013
- by Don Groves
- IF.com.au
Sophie Hyde.s gender-bending drama 52 Tuesdays has been selected for the Sundance Film Festival.s world cinema dramatic competition in January.
The Adelaide-shot film will compete with 11 other titles including Blind (Norway, Netherlands), the UK.s God Help the Girl and Lilting, The Disobedient (Serbia), Liar's Dice (India), To Kill a Man (Chile) and Wetlands (Germany).
In 52 Tuesdays, Tilda Cobham-Hervey plays 16-year-old Billie, who struggles with the revelation that her mother (Del Herbert-Jane) plans to change gender. Billie goes to live with her dad for a year while mother and daughter vow to meet every Tuesday during that year. Matthew Cormack wrote the screenplay from a story he devised with Hyde.
The film was shot on consecutive Tuesdays for 52 weeks. The producers are Rebecca Summerton.s Closer Productions, Cormack, Hyde and Bryan Mason.
It had its world premiere at the Adelaide Film Festival in October, funded by the Safc's FilmLab and the Aff Investment Fund.
The Adelaide-shot film will compete with 11 other titles including Blind (Norway, Netherlands), the UK.s God Help the Girl and Lilting, The Disobedient (Serbia), Liar's Dice (India), To Kill a Man (Chile) and Wetlands (Germany).
In 52 Tuesdays, Tilda Cobham-Hervey plays 16-year-old Billie, who struggles with the revelation that her mother (Del Herbert-Jane) plans to change gender. Billie goes to live with her dad for a year while mother and daughter vow to meet every Tuesday during that year. Matthew Cormack wrote the screenplay from a story he devised with Hyde.
The film was shot on consecutive Tuesdays for 52 weeks. The producers are Rebecca Summerton.s Closer Productions, Cormack, Hyde and Bryan Mason.
It had its world premiere at the Adelaide Film Festival in October, funded by the Safc's FilmLab and the Aff Investment Fund.
- 12/4/2013
- by Don Groves
- IF.com.au
Typifying a growing buoyancy and sense of optimism about filmmaking in South Australia, producers Julie Byrne, Kristian Moliere and Jennifer Jones have formed Triptych Pictures.
The troika has just delivered its first factual entertainment series for the ABC, Jillaroo School, and shooting wraps today on its first feature, Touch.
Jillaroo School (6 x 30.) follows the journeys of the women who undergo a course to train as jillaroos under the tutelage of experienced horse master Bill Willoughby.
Writer-director Christopher Houghton.s Touch is a thriller about a mother and daughter who are on the run, hiding in a remote hills town, starring Leeanna Walsman, Matt Day, Greg Hatton and 12-year-old tyro Onor Nottle.
.It.s very hard to be a solo producer or even a duo,. Byrne tells If. .With three you have a critical mass and each brings different ideas. We are all drama-oriented and we want to get into TV series drama.
The troika has just delivered its first factual entertainment series for the ABC, Jillaroo School, and shooting wraps today on its first feature, Touch.
Jillaroo School (6 x 30.) follows the journeys of the women who undergo a course to train as jillaroos under the tutelage of experienced horse master Bill Willoughby.
Writer-director Christopher Houghton.s Touch is a thriller about a mother and daughter who are on the run, hiding in a remote hills town, starring Leeanna Walsman, Matt Day, Greg Hatton and 12-year-old tyro Onor Nottle.
.It.s very hard to be a solo producer or even a duo,. Byrne tells If. .With three you have a critical mass and each brings different ideas. We are all drama-oriented and we want to get into TV series drama.
- 10/3/2013
- by Don Groves
- IF.com.au
Tilda Cobham-Hervey was 16 when she auditioned for and won her first acting role, the lead in Sophie Hyde.s Adelaide-shot feature 52 Tuesdays, in 2011.
That was a big commitment, juggled with her year 11 and 12 studies as the film was shot on consecutive Tuesdays for 52 weeks.
At the end of last year Tilly shot her second film, playing the title character in One Eyed Girl, the directing debut of cinematographer Nick Matthews.
Both films will have their world premieres at the Adelaide Film Festival (October 10-20).. Both were funded by the Safc's FilmLab and the Aff Investment Fund supported 52 Tuesdays.
Now 19, the Adelaide-based Cobham-Hervey is understandably nervous as she waits to see how the films are received, particularly as she won.t see One Eyed Girl until the premiere.
In 52 Tuesdays she plays teen Billie, who struggles with the revelation that her mother (Del Herbert-Jane) plans to change gender. Billie goes to...
That was a big commitment, juggled with her year 11 and 12 studies as the film was shot on consecutive Tuesdays for 52 weeks.
At the end of last year Tilly shot her second film, playing the title character in One Eyed Girl, the directing debut of cinematographer Nick Matthews.
Both films will have their world premieres at the Adelaide Film Festival (October 10-20).. Both were funded by the Safc's FilmLab and the Aff Investment Fund supported 52 Tuesdays.
Now 19, the Adelaide-based Cobham-Hervey is understandably nervous as she waits to see how the films are received, particularly as she won.t see One Eyed Girl until the premiere.
In 52 Tuesdays she plays teen Billie, who struggles with the revelation that her mother (Del Herbert-Jane) plans to change gender. Billie goes to...
- 10/3/2013
- by Don Groves
- IF.com.au
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