Van Morrison will release a deluxe edition of The Healing Game, his acclaimed 1997 LP, generously expanded with outtakes, rare tracks and a complete live concert recording. Out March 22nd via Legacy and Morrison’s Exile Productions, Ltd., The Healing Game (Deluxe Edition) will be available in three-cd and digital formats, with a single-lp reissue of the original album coming out simultaneously.
As a preview of the set’s deluxe version, you can now hear one of the bonus tracks: a live version of the album’s title song, recorded at...
As a preview of the set’s deluxe version, you can now hear one of the bonus tracks: a live version of the album’s title song, recorded at...
- 2/5/2019
- by Hank Shteamer
- Rollingstone.com
Steve Miller has led many musical lives. First he was the guitar-wielding Space Cowboy who blew minds with the blues in the psychedelic San Fransisco of the late ’60s. Then he morphed into the laid-back Joker, crackin’ wise amid the slightly more self-serious singer/songwriters of the early ’70s. He graduated to full scale arena rocker in the middle of the decade with amped-up hits like “Rock ‘N Me” and “Take the Money and Run,” and by the ’80s songs like “Abracadabra” made him a video star on a nascent MTV. Now the icon is looking back on his remarkable musical journey with Ultimate Hits,...
- 9/13/2017
- by Jordan Runtagh
- PEOPLE.com
“This is one of the best films about American life that I have ever seen”, Roger Ebert famously stated during the first of many reviews of director Steve James, cinematographer Peter Gilbert and editor Frederick Marx’s still remarkable basketball documentary, Hoop Dreams, on Siskel & Ebert over the course of the film’s 1994-95 run. Having set out to make a film on street basketball players in Chicago during the mid-80s, the fledgling filmmakers never could have conceived of the vast narrative of American life’s unpredictable twists and turns that Ebert so staunchly spoke of. Today, now over two decades old, restored by the Academy which originally snubbed it so shamefully back in 1995, it looks better than it ever has and still rings of supreme cultural relevancy within the interweavings of sport, family, education and poverty.
At its core, Hoop Dreams is essentially a parable for the American dream itself.
At its core, Hoop Dreams is essentially a parable for the American dream itself.
- 4/21/2015
- by Jordan M. Smith
- IONCINEMA.com
"Vietnam -- Long Time Coming" is filmically a documentary a long time rambling.
Centering on a bicycle race through Vietnam sponsored by a sports management company, the film follows the 16-day course of competition between two former enemies: U.S. veterans and North Vietnamese ex-soldiers.
You'd have to go to a locker-room postgame interview with a winning professional football coach to hear more platitudes per minute.
With not much more than a travelogue grip on the narrative handles, the film's three co-directors, including the two who made the stunning "Hoop Dreams", have charted a meandering course so diffuse that it's often not much more than a cheerleading exercise for the virtues of athletic competition.
The notion that sports can bring people together, even former enemies, is the pinion of this potential think-piece. Undeniably, the more cynical viewer may regard with a tad of skepticism such an enterprise, where former U.S. grunts and North Vietnamese snipers are seen burying the hatchet to partake in an imaginary photo op sponsored by sports organizations with their own PR agenda. Is this "Saturday Night Live?"
No, it's serious and, beyond the surface blather of the unifying powers of sports, it's often gripping and heartbreaking.
The interviews and recollections are both sobering and heartbreaking. An amputee recalls, for instance, that day when in one split second, his teenage life was blown apart by a land mine.
One segment, in which some of the U.S. veterans refuse to partake in a ceremonial induction of a hospital for North Vietnamese war victims, is particularly illuminating. The men have astutely realized that they are being used as pawns in a propaganda game.
Unfortunately, the filmmakers do not have as astute a grasp on the propagandistic nature of their own enterprise.
Under its directorial triumvirate, "Vietnam" is competently executed as a racing film or a travelogue but scores less well as an evocative think piece.
VIETNAM -- LONG TIME COMING
Seventh Art
World T.E.A.M. Sports & Sports Illustrated, Kartemquin Films & Longshot Films present
a film by Jerry Blumenthal,
Peter Gilbert, Gordon Quinn
Producers: Jerry Blumenthal, Peter Gilbert, Gordon Quinn
Directors: Jerry Blumenthal, Peter Gilbert, Gordon Quinn
Director of photography: Peter Gilbert, Gordon Quinn, Tran Le Tien
Music: Ben Sidran
Editors: David Simpson, Jan Sutcliff, Sharon Karp, Bob Schneiger
Co-producer: Adam Singe
Narrator: Joe Mantegna
Color/stereo
U.S. veteran participants: George Brummel, Bob Connors, Heidi Baruch, Diane Carlson Evans, Artie Guerrero, Dan Jensen, Francis Love, Bob Maras, Jose G. Ramos, Wayne Smith, Jerry Stadtmiller
Running time -- 115 minutes
No MPAA rating...
Centering on a bicycle race through Vietnam sponsored by a sports management company, the film follows the 16-day course of competition between two former enemies: U.S. veterans and North Vietnamese ex-soldiers.
You'd have to go to a locker-room postgame interview with a winning professional football coach to hear more platitudes per minute.
With not much more than a travelogue grip on the narrative handles, the film's three co-directors, including the two who made the stunning "Hoop Dreams", have charted a meandering course so diffuse that it's often not much more than a cheerleading exercise for the virtues of athletic competition.
The notion that sports can bring people together, even former enemies, is the pinion of this potential think-piece. Undeniably, the more cynical viewer may regard with a tad of skepticism such an enterprise, where former U.S. grunts and North Vietnamese snipers are seen burying the hatchet to partake in an imaginary photo op sponsored by sports organizations with their own PR agenda. Is this "Saturday Night Live?"
No, it's serious and, beyond the surface blather of the unifying powers of sports, it's often gripping and heartbreaking.
The interviews and recollections are both sobering and heartbreaking. An amputee recalls, for instance, that day when in one split second, his teenage life was blown apart by a land mine.
One segment, in which some of the U.S. veterans refuse to partake in a ceremonial induction of a hospital for North Vietnamese war victims, is particularly illuminating. The men have astutely realized that they are being used as pawns in a propaganda game.
Unfortunately, the filmmakers do not have as astute a grasp on the propagandistic nature of their own enterprise.
Under its directorial triumvirate, "Vietnam" is competently executed as a racing film or a travelogue but scores less well as an evocative think piece.
VIETNAM -- LONG TIME COMING
Seventh Art
World T.E.A.M. Sports & Sports Illustrated, Kartemquin Films & Longshot Films present
a film by Jerry Blumenthal,
Peter Gilbert, Gordon Quinn
Producers: Jerry Blumenthal, Peter Gilbert, Gordon Quinn
Directors: Jerry Blumenthal, Peter Gilbert, Gordon Quinn
Director of photography: Peter Gilbert, Gordon Quinn, Tran Le Tien
Music: Ben Sidran
Editors: David Simpson, Jan Sutcliff, Sharon Karp, Bob Schneiger
Co-producer: Adam Singe
Narrator: Joe Mantegna
Color/stereo
U.S. veteran participants: George Brummel, Bob Connors, Heidi Baruch, Diane Carlson Evans, Artie Guerrero, Dan Jensen, Francis Love, Bob Maras, Jose G. Ramos, Wayne Smith, Jerry Stadtmiller
Running time -- 115 minutes
No MPAA rating...
- 10/28/1998
- The Hollywood Reporter - Movie News
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