What new perspective can one bring to the horror genre? With his directorial debut, Chris Nash answers this question with a resoundingly brutal and formally fascinating answer. Primarily following a murderer’s steps and slashes through his travels terrorizing those near a remote cabin, the wonderfully Béla Tarr-esque In a Violent Nature sticks to its meticulous conceit and delivers one of the most chilling horror movies I’ve seen in years. Ahead of a May 31 theatrical release from IFC Films, which will be unrated, the new trailer has arrived.
Here’s the synopsis: “When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 60-year-old crime, his body is resurrected and becomes hellbent on retrieving it. The undead golem hones in on the group of vacationing teens responsible for the theft and...
Here’s the synopsis: “When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 60-year-old crime, his body is resurrected and becomes hellbent on retrieving it. The undead golem hones in on the group of vacationing teens responsible for the theft and...
- 5/10/2024
- by Jordan Raup
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern Art
A massive overview of Bulle Ogier continues, this weekend bringing Out 1.
Roxy Cinema
Jane Campion’s An Angel at My Table plays on Saturday, as does Time to Die and the latest “City Dudes“; a print of Night Tide shows Friday; The Last of the Mohicans and The Outsiders play on 35mm this Sunday.
Paris Theater
13 Assassins, Collateral, and Bullitt all play on 35mm in a hitman retrospective.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective continues (watch our exclusive trailer debut).
Bam
Horace Ove’s Pressure plays in a new restoration.
Metrograph
A Kelly Reichardt retrospective has begun (watch our exclusive trailer debut).
Film at Lincoln Center
Peter Kass’ restored Time of the Heathen opens.
Film Forum
Le Samouraï continues in a new 4K restoration; Star Wars plays on Sunday.
IFC Center...
Museum of Modern Art
A massive overview of Bulle Ogier continues, this weekend bringing Out 1.
Roxy Cinema
Jane Campion’s An Angel at My Table plays on Saturday, as does Time to Die and the latest “City Dudes“; a print of Night Tide shows Friday; The Last of the Mohicans and The Outsiders play on 35mm this Sunday.
Paris Theater
13 Assassins, Collateral, and Bullitt all play on 35mm in a hitman retrospective.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective continues (watch our exclusive trailer debut).
Bam
Horace Ove’s Pressure plays in a new restoration.
Metrograph
A Kelly Reichardt retrospective has begun (watch our exclusive trailer debut).
Film at Lincoln Center
Peter Kass’ restored Time of the Heathen opens.
Film Forum
Le Samouraï continues in a new 4K restoration; Star Wars plays on Sunday.
IFC Center...
- 5/10/2024
- by Nick Newman
- The Film Stage
For their latest retrospective, Metrograph have turned their sights towards Kelly Reichardt. Ahead of “American Landscapes: The Cinema of Kelly Reichardt” running from Saturday, May 11 to May 27, with Reichardt present for screenings the first weekend, we’re pleased to exclusively debut the series’ trailer.
Here’s the official rundown: “Since her second feature, 2006’s Old Joy, Miami-born Reichardt has staked a claim to the Pacific Northwest—Oregon in six films, with the Montana of Certain Women an outlier—that has made her name as synonymous with the region as, say, Faulkner’s is with Mississippi. The attention she pays to the specific cadences and rituals of life in the Northwest, from the Portland of Showing Up to the thinly populated southern Oregon in Night Moves, is matched by her exhaustive engagement in every aspect of her films, from screenwriting—frequently in collaboration with Jonathan Raymond—to editing, which she will...
Here’s the official rundown: “Since her second feature, 2006’s Old Joy, Miami-born Reichardt has staked a claim to the Pacific Northwest—Oregon in six films, with the Montana of Certain Women an outlier—that has made her name as synonymous with the region as, say, Faulkner’s is with Mississippi. The attention she pays to the specific cadences and rituals of life in the Northwest, from the Portland of Showing Up to the thinly populated southern Oregon in Night Moves, is matched by her exhaustive engagement in every aspect of her films, from screenwriting—frequently in collaboration with Jonathan Raymond—to editing, which she will...
- 5/9/2024
- by Nick Newman
- The Film Stage
Even starring amid the heavyweight likes of Robert De Niro and Leonardo DiCaprio, it’s undeniable: Killers Of The Flower Moon was Lily Gladstone’s film. Following her roles in Reservation Dogs and Kelly Reichardt’s First Cow, she went on to steal the show in Martin Scorsese’s take on the Osage murders, earning widespread plaudits (and an Oscar nomination) for her astonishing performance as Mollie Burkhart. And this is just the beginning for Gladstone. After her breakout role, she’s going big – and she’s ready to step into all kinds of different worlds and genres.
As she tells Empire in a major new interview, Gladstone has a wide spread of projects in the works. There’s an upcoming romcom, as well as dystopian sci-fi adaptation The Memory Police, scripted by Charlie Kaufman and to be directed by Reed Morano. Plus, she’s imminently to be seen in Fancy Dance,...
As she tells Empire in a major new interview, Gladstone has a wide spread of projects in the works. There’s an upcoming romcom, as well as dystopian sci-fi adaptation The Memory Police, scripted by Charlie Kaufman and to be directed by Reed Morano. Plus, she’s imminently to be seen in Fancy Dance,...
- 5/9/2024
- by Ben Travis
- Empire - Movies
We’re thrilled to launch a new feature on The Film Stage highlighting our top recommendations for films currently in theaters, from new releases to restorations receiving a proper theatrical run. While we already provide extensive monthly new-release recommendations and weekly streaming recommendations, as distributors’ roll-outs can vary, we thought it would be helpful to provide a one-stop list to share the essential films that may be on a screen near you. We’ll be updating this page weekly, so be sure to bookmark.
The Beast (Bertrand Bonello)
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying to see the initial reaction to the French filmmaker’s tenth feature, after several decades of increasingly remarkable work––the majority of it dark, beautiful, and sleazy. In fact, for what a discomforting and despairing experience much of The Beast is, when I’ve thought back its moments of real,...
The Beast (Bertrand Bonello)
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying to see the initial reaction to the French filmmaker’s tenth feature, after several decades of increasingly remarkable work––the majority of it dark, beautiful, and sleazy. In fact, for what a discomforting and despairing experience much of The Beast is, when I’ve thought back its moments of real,...
- 5/9/2024
- by The Film Stage
- The Film Stage
One of the greatest discoveries at this year’s Sundance Film Festival, India Donaldson’s directorial debut Good One is also the only film this year to go on to play New Directors/New Films and the Cannes Film Festival. Picked up by Metrograph Pictures as their first major release, ahead of an August 9 debut, the first trailer has now arrived.
Here’s the synopsis: “In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
Here’s the synopsis: “In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
- 5/8/2024
- by Jordan Raup
- The Film Stage
While Greta Gerwig’s Academy Award-nominated “Barbie” was the highest-grossing film of 2023, as we’ve seen over the course of the last year, it angered and irritated many. From Oliver Stone to Kelly Reichardt to Ruben Östlund, seemingly everyone had a take on “Barbie” they were willing to share. The latest person to weigh in on the film, or at least give their candid thoughts, was TV super producer/writer Shonda Rhimes, known for “Grey’s Anatomy,” “Scandal,” “Bridgerton,” and her Shondaland TV producing empire.
Continue reading Shonda Rhimes Says The ‘Barbie’ Movie Didn’t Need To Be A “Feminist Manifesto” at The Playlist.
Continue reading Shonda Rhimes Says The ‘Barbie’ Movie Didn’t Need To Be A “Feminist Manifesto” at The Playlist.
- 4/30/2024
- by Caillou Pettis
- The Playlist
The Cannes Film Festival has named the eight members of its main Competition jury who will join previously announced president Greta Gerwig in deciding the Palme d’Or and other key prizes at 77th edition running from May 14 to 25.
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
- 4/29/2024
- by Melanie Goodfellow
- Deadline Film + TV
The summer season is upon us and, per each year, we’ve dug beyond studio offerings to present an in-depth look at what should be on your radar. From festival winners of the past year to selections coming straight from Cannes to genre delights to, yes, a few blockbuster spectacles, there’s more than enough to anticipate.
Check out our picks below and return for monthly updates as more is sure to be added to the calendar. Release dates are for theatrical openings unless otherwise noted.
The Contestant (Clair Titley; May 2 on Hulu)
If some of today’s reality shows can feel out-of-hand for what they put their contestants through, nothing compares to one of the first to ever hit the air. In 1988, aspiring comedian Tomoaki Hamatsu (aka Nasubi) got the “opportunity” to take part in a game show without knowing any of the parameters, resulting in him being placed...
Check out our picks below and return for monthly updates as more is sure to be added to the calendar. Release dates are for theatrical openings unless otherwise noted.
The Contestant (Clair Titley; May 2 on Hulu)
If some of today’s reality shows can feel out-of-hand for what they put their contestants through, nothing compares to one of the first to ever hit the air. In 1988, aspiring comedian Tomoaki Hamatsu (aka Nasubi) got the “opportunity” to take part in a game show without knowing any of the parameters, resulting in him being placed...
- 4/24/2024
- by The Film Stage
- The Film Stage
Jane Campion, director of “The Power of the Dog,” is the recipient of this year’s Pardo d’Onore Manor at the Locarno Film Festival — its award for outstanding achievement in cinema. So yes, the “Dog” director is getting a cat trophy: Pardo d’Onore translates to “Leopard of Honor” in English.
The award will be bestowed on August 16, 2024 at the 77th edition of the festival. Locarno will also feature screenings of two Campion movies as selected by the director herself: 1990’s “An Angel at My Table” and 1993’s “The Piano.” It will be a brand new 4K restoration of “The Piano” that audience in Switzerland sees.
It’s quite an honor, but certainly not Campion’s first big award. She was the first woman to win the Palme d’Or at the Cannes Film Festival (for “The Piano”). Campion is also the first woman to be nominated twice for...
The award will be bestowed on August 16, 2024 at the 77th edition of the festival. Locarno will also feature screenings of two Campion movies as selected by the director herself: 1990’s “An Angel at My Table” and 1993’s “The Piano.” It will be a brand new 4K restoration of “The Piano” that audience in Switzerland sees.
It’s quite an honor, but certainly not Campion’s first big award. She was the first woman to win the Palme d’Or at the Cannes Film Festival (for “The Piano”). Campion is also the first woman to be nominated twice for...
- 4/24/2024
- by Tony Maglio
- Indiewire
Jane Campion will be honored this year by the Locarno Film Festival, which will present the New Zealand director its Pardo d’Onore Manor Award for lifetime achievement.
Campion will receive the tribute at the 77th edition of the Swiss festival on Friday, Aug. 16.
Locarno will also screen two of Campion’s best-known films selected by the director herself for the tribute: Her 1990 feature An Angel at My Table and her 1993 Palme d’Or winning global breakout The Piano. The latter will be given a grand screening in a new 4K restoration at Locarno’s legendary Piazza Grande on the night of her award. Campion will also take part in a panel conversation at the festival on Saturday, August 17.
The Locarno Film Festival’s Pardo d’Onore Manor honor has previously been awarded to such filmmakers as Agnès Varda, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Werner Herzog, Kelly Reichardt, and,...
Campion will receive the tribute at the 77th edition of the Swiss festival on Friday, Aug. 16.
Locarno will also screen two of Campion’s best-known films selected by the director herself for the tribute: Her 1990 feature An Angel at My Table and her 1993 Palme d’Or winning global breakout The Piano. The latter will be given a grand screening in a new 4K restoration at Locarno’s legendary Piazza Grande on the night of her award. Campion will also take part in a panel conversation at the festival on Saturday, August 17.
The Locarno Film Festival’s Pardo d’Onore Manor honor has previously been awarded to such filmmakers as Agnès Varda, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Werner Herzog, Kelly Reichardt, and,...
- 4/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Locarno Film Festival is set to honour filmmaker Jane Campion with the Pardo d’Onore Manor, its award for outstanding achievement in cinema.
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel At My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel At My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
- 4/24/2024
- ScreenDaily
The Locarno Film Festival is set to honour filmmaker Jane Campion with the Pardo d’Onore Manor, its award for outstanding achievement in cinema.
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel at My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel at My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
- 4/24/2024
- ScreenDaily
Jane Campion will be heading to Switzerland this summer to receive an honorary award at the 77th edition of the Locarno Film Festival, running from August 7 to 17.
The director will be presented with the festival’s Pardo d’Onore Manor Award for outstanding achievement in cinema in a ceremony at its landmark Piazza Grande open-air venue on August 16.
As part of the honorary celebrations, two Campion features will be screened at the festival: An Angel at My Table (1990) and The Piano (1993). The latter is presented in a new 4K restoration that will make its debut on the Piazza Grande. Campion will also host an onstage Q&a at the Forum @ Spazio Cinema on August 17.
“With her directorial debut, Sweetie (1989), Jane Campion asserted herself from the start as a distinctive and unmistakable voice,” Giona A. Nazzaro, Locarno Artistic Director said this morning announcing the honor.
“More than thirty years later, the...
The director will be presented with the festival’s Pardo d’Onore Manor Award for outstanding achievement in cinema in a ceremony at its landmark Piazza Grande open-air venue on August 16.
As part of the honorary celebrations, two Campion features will be screened at the festival: An Angel at My Table (1990) and The Piano (1993). The latter is presented in a new 4K restoration that will make its debut on the Piazza Grande. Campion will also host an onstage Q&a at the Forum @ Spazio Cinema on August 17.
“With her directorial debut, Sweetie (1989), Jane Campion asserted herself from the start as a distinctive and unmistakable voice,” Giona A. Nazzaro, Locarno Artistic Director said this morning announcing the honor.
“More than thirty years later, the...
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
The Locarno Film Festival will honor Jane Campion with its Pardo d’onore Manor award.
The prominent Swiss fest dedicated to indie cinema will celebrate the revered auteur from New Zealand on Aug. 16 during a ceremony on its 8,000-seat Piazza Grande. The following day Campion will hold an onstage conversation. Champion’s “An Angel at My Table” (1990) and “The Piano” (1993) – the latter presented in a new 4K restoration – have been selected as Locarno’s tribute screenings.
“Jane Campion’s biography is a succession of remarkable firsts,” the fest noted in a statement, citing the facts that Campion is the first woman to win the Cannes Palme d’Or for “The Piano”; the first woman to get nominated twice in the best director category at the Academy Awards – winning once for “The Power of the Dog” in 2021 –; and the first filmmaker from New Zealand to compete at the Venice Film Festival...
The prominent Swiss fest dedicated to indie cinema will celebrate the revered auteur from New Zealand on Aug. 16 during a ceremony on its 8,000-seat Piazza Grande. The following day Campion will hold an onstage conversation. Champion’s “An Angel at My Table” (1990) and “The Piano” (1993) – the latter presented in a new 4K restoration – have been selected as Locarno’s tribute screenings.
“Jane Campion’s biography is a succession of remarkable firsts,” the fest noted in a statement, citing the facts that Campion is the first woman to win the Cannes Palme d’Or for “The Piano”; the first woman to get nominated twice in the best director category at the Academy Awards – winning once for “The Power of the Dog” in 2021 –; and the first filmmaker from New Zealand to compete at the Venice Film Festival...
- 4/24/2024
- by Nick Vivarelli
- Variety Film + TV
Updated On April 22, 2024: With the addition of two new films to this year’s competition section, both directed by men, this year’s competition slate now includes 21 films, only four of which are directed by women. That tallies to just 19 percent of this year’s competition titles being helmed by women.
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
- 4/22/2024
- by Kate Erbland
- Indiewire
When audiences seek movies based on brands, that usually means the likes of Marvel, DC Comics, and Pixar — not studios or distributors.
The exception is A24. It’s something acknowledged by its peers (however grudgingly) and among a growing section of younger cinephiles, for whom “an A24 movie” means something a little weird and potentially cool, maybe great — and reason to take a chance on going to a theater.
Alex Garland‘s “Civil War,” the company’s most expensive film (a reported $50 million) opens this week with tracking that suggests it could open to $20 million or more. That would top any previous A24 opening; its best is “Hereditary,” which opened to $13.5 million in 2018.
Garland’s film checks many of the boxes that have translated into A24’s success. Its director has a strong following, including prior A24 films “Ex Machina” and “Men.” “Civil War” also had a widely publicized festival premiere at SXSW last month.
The exception is A24. It’s something acknowledged by its peers (however grudgingly) and among a growing section of younger cinephiles, for whom “an A24 movie” means something a little weird and potentially cool, maybe great — and reason to take a chance on going to a theater.
Alex Garland‘s “Civil War,” the company’s most expensive film (a reported $50 million) opens this week with tracking that suggests it could open to $20 million or more. That would top any previous A24 opening; its best is “Hereditary,” which opened to $13.5 million in 2018.
Garland’s film checks many of the boxes that have translated into A24’s success. Its director has a strong following, including prior A24 films “Ex Machina” and “Men.” “Civil War” also had a widely publicized festival premiere at SXSW last month.
- 4/12/2024
- by Tom Brueggemann
- Indiewire
Larry Fessenden is back with new werewolf horror movie Blackout, which is Now Available on Digital/VOD at home courtesy of Dark Sky Films.
Blackout is the third film in Fessenden’s monster trilogy, following Habit (vampires) and Depraved (Frankenstein). Watch a clip below for a sneak peek at his latest monster!
The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf. He distances himself from those he loves and sinks deeper into solitude, his flashes of memory of his nighttime grisly acts manifested through his artwork.
Fessenden tells us, “I am interested in finding new truths in the classic monster tropes of my youth. The essence of each creature dictates the milieu of the film, and of course, the werewolf is both out of control and regretful so that duality shaped my story.
Blackout is the third film in Fessenden’s monster trilogy, following Habit (vampires) and Depraved (Frankenstein). Watch a clip below for a sneak peek at his latest monster!
The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf. He distances himself from those he loves and sinks deeper into solitude, his flashes of memory of his nighttime grisly acts manifested through his artwork.
Fessenden tells us, “I am interested in finding new truths in the classic monster tropes of my youth. The essence of each creature dictates the milieu of the film, and of course, the werewolf is both out of control and regretful so that duality shaped my story.
- 4/12/2024
- by John Squires
- bloody-disgusting.com
British filmmaker Andrea Arnold is packing her bags for the Cannes Film Festival. She’ll need to make some space in her luggage for Directors’ Fortnight Golden Coach Award but the will she replicate the double showcase that Kelly Reichardt had in 2022 when she was honored in the Quinzaine and shored up (Showing Up) in Palme d’Or competition as well? The competition line-up for the 77th edition of the Cannes Film Festival will be unveiled on Thursday and the perennial favorite Arnold is among the best bets for a Palme d’Or competition berth.
Arnold’s debut feature Red Road (2006) was one of those rare moments where a debut feature film was inserted in a Palme d’Or line-up.…...
Arnold’s debut feature Red Road (2006) was one of those rare moments where a debut feature film was inserted in a Palme d’Or line-up.…...
- 4/9/2024
- by Eric Lavallée
- IONCINEMA.com
British director Andrea Arnold (American Honey, Cow) will receive the 2024 Carrosse d’Or, or Golden Coach Award, at the Directors’ Fortnight in Cannes, which runs alongside the Cannes Film Festival.
Organizers on Tuesday lauded the British director as “an avid explorer of the fringes of society.” She will receive the honor on May 15 during the opening ceremony of the Directors’ Fortnight.
The honor, launched in 2002, is bestowed by the Society of French Directors, the governing body of the Cannes sidebar, to filmmakers showcasing “innovative qualities, courage and independent-mindedness.” Its board said in a letter to Arnold: “From Milk to Red Road, from Wuthering Heights to American Honey, you scrutinize society from every angle, traveling through times and environments, and you embark us with powerful female characters.”
The Society of French Directors also described Arnold as “a dynamiter of social film codes” with “a knack of sounding out the power of bodies and souls.
Organizers on Tuesday lauded the British director as “an avid explorer of the fringes of society.” She will receive the honor on May 15 during the opening ceremony of the Directors’ Fortnight.
The honor, launched in 2002, is bestowed by the Society of French Directors, the governing body of the Cannes sidebar, to filmmakers showcasing “innovative qualities, courage and independent-mindedness.” Its board said in a letter to Arnold: “From Milk to Red Road, from Wuthering Heights to American Honey, you scrutinize society from every angle, traveling through times and environments, and you embark us with powerful female characters.”
The Society of French Directors also described Arnold as “a dynamiter of social film codes” with “a knack of sounding out the power of bodies and souls.
- 4/9/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
British filmmaker Andrea Arnold is set to receive the Golden Coach Award at this year’s Directors Fortnight, which runs alongside the Cannes Film Festival.
The ceremony will take place on May 15 during the opening ceremony for Directors’ Fortnight.
The honorary award, handed out by the governing body of the Cannes sidebar the Society of French Directors (Sfr), launched in 2002 and is handed out to filmmakers boasting “innovative qualities, courage and independent-mindedness of his or her work.”
The French guild described Arnold as an “avid explorer of the fringes of society” and “a dynamiter of social film codes” who has “a knack of sounding out the power of bodies and souls.”
Arnold’s latest film, “Bird,” is rumored to be in the pipeline for this year’s competition roster at the Cannes Film Festival.
“From ‘Milk’ to ‘Red Road,’ from ‘Wuthering Heights’ to ‘American Honey,’ you scrutinize society from every angle,...
The ceremony will take place on May 15 during the opening ceremony for Directors’ Fortnight.
The honorary award, handed out by the governing body of the Cannes sidebar the Society of French Directors (Sfr), launched in 2002 and is handed out to filmmakers boasting “innovative qualities, courage and independent-mindedness of his or her work.”
The French guild described Arnold as an “avid explorer of the fringes of society” and “a dynamiter of social film codes” who has “a knack of sounding out the power of bodies and souls.”
Arnold’s latest film, “Bird,” is rumored to be in the pipeline for this year’s competition roster at the Cannes Film Festival.
“From ‘Milk’ to ‘Red Road,’ from ‘Wuthering Heights’ to ‘American Honey,’ you scrutinize society from every angle,...
- 4/9/2024
- by Elsa Keslassy
- Variety Film + TV
The French Directors’ Guild (Srf) will fete UK director Andrea Arnold with its honorary Carrosse d’Or (Golden Carriage) award at the upcoming edition of its Cannes Directors’ Fortnight.
Arnold will receive the prize at the opening ceremony of the parallel section, running alongside the main Cannes Film Festival from May 15 to 25.
She is the first UK director to be honored with the award and follows in the wake of the likes of Kelly Reichardt, John Carpenter, Martin Scorsese, Jia Zhangke, Jane Campion, Agnès Varda, Naomi Kawase and Jim Jarmusch.
Arnold has been a regular in the Cannes Film Festival’s Official Selection since her debut feature Red Road, which won the Jury Prize in 2006.
She went on to win the Jury Prize again for Fish Tank in 2009 and American Honey in 2016. Her last film Cow played in the Cannes Premiere section in 2021.
The announcement of the Directors’ Fortnight honor...
Arnold will receive the prize at the opening ceremony of the parallel section, running alongside the main Cannes Film Festival from May 15 to 25.
She is the first UK director to be honored with the award and follows in the wake of the likes of Kelly Reichardt, John Carpenter, Martin Scorsese, Jia Zhangke, Jane Campion, Agnès Varda, Naomi Kawase and Jim Jarmusch.
Arnold has been a regular in the Cannes Film Festival’s Official Selection since her debut feature Red Road, which won the Jury Prize in 2006.
She went on to win the Jury Prize again for Fish Tank in 2009 and American Honey in 2016. Her last film Cow played in the Cannes Premiere section in 2021.
The announcement of the Directors’ Fortnight honor...
- 4/9/2024
- by Melanie Goodfellow
- Deadline Film + TV
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between.
Today we talk to an independent film legend. Some have called him the “East Coast Roger Corman,” though that’s short-changing Larry Fessenden a bit. Though his production company Glass Eye Pix has been around since the mid-80s, Fessenden made a name for himself with the mid-90s indie horror classic Habit, in which he wrote, directed, and starred as an alcoholic New Yorker who starts dating a vampire. Or so he thinks.
Fessenden has a new movie available on VOD on April 12––Blackout––as we speak, one that connects to both Habit and his 2019 film Depraved. We talk about this with Fessenden, as well as his love for the classic Universal Monster Films, the evolving...
Today we talk to an independent film legend. Some have called him the “East Coast Roger Corman,” though that’s short-changing Larry Fessenden a bit. Though his production company Glass Eye Pix has been around since the mid-80s, Fessenden made a name for himself with the mid-90s indie horror classic Habit, in which he wrote, directed, and starred as an alcoholic New Yorker who starts dating a vampire. Or so he thinks.
Fessenden has a new movie available on VOD on April 12––Blackout––as we speak, one that connects to both Habit and his 2019 film Depraved. We talk about this with Fessenden, as well as his love for the classic Universal Monster Films, the evolving...
- 4/5/2024
- by Dan Mecca
- The Film Stage
Ryûsuke Hamaguchi, Christopher Nolan, Spike Lee, Chantal Akerman, Theo Angelopoulos, Lynne Ramsay, Tsai Ming-liang, Michael Haneke, Lee Chang-dong, Terence Davies, Shōhei Imamura, Bi Gan, Hou Hsiao-hsien, Jia Zhangke, Wong Kar-wai, Yorgos Lanthimos, Denis Villleneuve, Céline Sciamma, Guillermo del Toro, Kelly Reichardt. Those are just a few of the filmmakers introduced to New York audiences at New Directors/New Films over the last half-century across over 1,100 premieres.
Now returning for its 53rd edition at Film at Lincoln Center and The Museum of Modern Art from April 3-14, this year’s lineup features 35 new films, presenting prizewinners from Berlin, Cannes, Locarno, Sarajevo, and Sundance film festivals. Ahead of the festival kicking off next week, we’ve gathered fourteen films to see, and one can explore the full lineup and schedule here.
All, or Nothing at All (Jiajun “Oscar” Zhang)
In All, or Nothing at all, director Jiajun “Oscar” Zhang employs an experimental...
Now returning for its 53rd edition at Film at Lincoln Center and The Museum of Modern Art from April 3-14, this year’s lineup features 35 new films, presenting prizewinners from Berlin, Cannes, Locarno, Sarajevo, and Sundance film festivals. Ahead of the festival kicking off next week, we’ve gathered fourteen films to see, and one can explore the full lineup and schedule here.
All, or Nothing at All (Jiajun “Oscar” Zhang)
In All, or Nothing at all, director Jiajun “Oscar” Zhang employs an experimental...
- 4/1/2024
- by The Film Stage
- The Film Stage
Ryûsuke Hamaguchi retreated into a rural village outside of Tokyo to make “Evil Does Not Exist,” his first film following the global success of “Drive My Car,” which won the 2022 Best International Feature Oscar. The Japanese director found himself perhaps uncomfortably in the worldwide spotlight after being known for indies like “Asako I & II” and “Happy Hour,” and so “Evil Does Not Exist,” winner of the 2023 Venice Silver Lion and Fipresci prizes, is a return to minimalist basics — an ecological parable wrapped up with unexpected thriller elements, and a movie he shot in secret.
IndieWire shares the exclusive trailer for the film, out in U.S. theaters May 3 from Sideshow and Janus Films, below. While “Evil Does Not Exist” wasn’t eligible for the International Feature Oscar due to its release date in Japan, Hamaguchi had a great run at the 2022 Academy Awards — along with the “Drive My Car” International Feature win,...
IndieWire shares the exclusive trailer for the film, out in U.S. theaters May 3 from Sideshow and Janus Films, below. While “Evil Does Not Exist” wasn’t eligible for the International Feature Oscar due to its release date in Japan, Hamaguchi had a great run at the 2022 Academy Awards — along with the “Drive My Car” International Feature win,...
- 3/26/2024
- by Ryan Lattanzio
- Indiewire
What new perspective can one bring to the horror genre? With his directorial debut, Chris Nash answers this question with a resoundingly brutal and formally fascinating answer. Primarily following a murderer’s steps and slashes through his travels terrorizing those near a remote cabin, the wonderfully Béla Tarr-esque In a Violent Nature sticks to its meticulous conceit and delivers one of the most chilling horror movies I’ve seen in years. Ahead of a May 31 theatrical release from IFC Films, the first trailer has now landed.
John Fink said in his Sundance review, “A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt down attractive teens or young adults in either the woods or suburbia. A film built around a mythology that comes to life, as our killer rises from a grave, Chris Nash...
John Fink said in his Sundance review, “A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt down attractive teens or young adults in either the woods or suburbia. A film built around a mythology that comes to life, as our killer rises from a grave, Chris Nash...
- 3/20/2024
- by Jordan Raup
- The Film Stage
A new film festival is on the scene. Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, has announced the full line-up for its inaugural run, taking place April 4-7, 2024. Boasting 11 titles––including one world premiere, three 4K restorations, a featured artist talk, documentary series, and curated shorts program––screenings will take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
- 3/7/2024
- by Jordan Raup
- The Film Stage
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Directing The Zone Of Interest, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Christopher Nolan… in a walk. It’s not really worth going over any other potential upsets, but if you prefer — Jonathan Glazer for “The Zone of Interest.”
After a year hit with Hollywood...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Directing The Zone Of Interest, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Christopher Nolan… in a walk. It’s not really worth going over any other potential upsets, but if you prefer — Jonathan Glazer for “The Zone of Interest.”
After a year hit with Hollywood...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Lily Gladstone, the guest on this episode of The Hollywood Reporter’s Awards Chatter podcast, is a trailblazing Native American actress whose breakout performance in Martin Scorsese’s film Killers of the Flower Moon, as an Osage woman named Mollie Burkhart whose oil wealth made her a target of white men during what is known as the “Reign of Terror,” has made her a bona-fide star. Indeed, she has already won the best actress in a motion picture drama Golden Globe Award and the best actress National Board of Review, New York Film Critics Circle and SAG awards; she was nominated for the best actress Critics Choice Award; and she is nominated, in a first for an Indigenous American, for the best actress Academy Award.
Over the course of a conversation at the L’Ermitage Beverly Hills hotel, which you can hear below, the 37-year-old reflected on her path to a screen acting career,...
Over the course of a conversation at the L’Ermitage Beverly Hills hotel, which you can hear below, the 37-year-old reflected on her path to a screen acting career,...
- 2/26/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
The rain stayed away from Santa Monica Beach on Sunday (February 25) as Past Lives was named best film and Celine Song best director at the 39th annual Spirit Awards.
While the legacy studio and streamer contenders have dominated much of the big-ticket awards shows this season like Saturday night’s SAG Awards, last weekend’s Baftas, the Golden Globes and Critics Choice Awards, this was a good opportunity for the Oscar-nominated A24 romance and Song to earn gongs for a film which has done well among critics groups since its world premiere at Sundance just over one year ago.
Jeffrey Wright...
While the legacy studio and streamer contenders have dominated much of the big-ticket awards shows this season like Saturday night’s SAG Awards, last weekend’s Baftas, the Golden Globes and Critics Choice Awards, this was a good opportunity for the Oscar-nominated A24 romance and Song to earn gongs for a film which has done well among critics groups since its world premiere at Sundance just over one year ago.
Jeffrey Wright...
- 2/26/2024
- ScreenDaily
Another big award show took place this weekend (in addition to the SAG Awards), the Film Independent Spirit Awards, which celebrates indie film and TV. One thing about this awards show is that their idea of independent sometimes makes me scratch my head a bit, with HBO’s big-budget The Last of Us nominated a whole bunch in the TV category, along with Netflix’s Beef and several other streaming shows, which I’m not sure one could call independent. For films, there’s a $30 million budget cap. For TV, I’m honestly not sure what the benchmark is because Last of Us was notoriously an expensive show to shoot, costing at least $100 million.
Indeed, The Last of Us won some key awards on the TV side, winning Best Supporting Performance (for Nick Offerman) and Best Breakthrough Performance (for Keivonn Montreal Woodard). Over on the film side, American Fiction and...
Indeed, The Last of Us won some key awards on the TV side, winning Best Supporting Performance (for Nick Offerman) and Best Breakthrough Performance (for Keivonn Montreal Woodard). Over on the film side, American Fiction and...
- 2/26/2024
- by Chris Bumbray
- JoBlo.com
A24’s Past Lives won the top prize for best feature at the 39th annual Film Independent Spirit Awards, with writer-director Celine Song also winning best director for her feature film debut.
American Fiction’s Jeffrey Wright won best lead performance for his role in the Amazon MGM Studios comedy, presented to him by his fellow Oscar nominee Colman Domingo. “It’s funny, you go to these award shows, and you kind of grow tired of them,” laughed Wright. “And then you get one. It changes the vibe a little bit.”
American Fiction writer-director Cord Jefferson also won best screenplay for his directorial debut. “Our film is so independent that one morning I woke up at our hotel to find out that there had been a triple stabbing the night before in the lobby,” said Jefferson. “They were cleaning up the blood. And I would not have it any other way.
American Fiction’s Jeffrey Wright won best lead performance for his role in the Amazon MGM Studios comedy, presented to him by his fellow Oscar nominee Colman Domingo. “It’s funny, you go to these award shows, and you kind of grow tired of them,” laughed Wright. “And then you get one. It changes the vibe a little bit.”
American Fiction writer-director Cord Jefferson also won best screenplay for his directorial debut. “Our film is so independent that one morning I woke up at our hotel to find out that there had been a triple stabbing the night before in the lobby,” said Jefferson. “They were cleaning up the blood. And I would not have it any other way.
- 2/26/2024
- by Tyler Coates
- The Hollywood Reporter - Movie News
Past Lives was named best feature at the 2024 Film Independent Spirit Awards, which were handed out Sunday afternoon in Santa Monica.
In addition, Celine Song was named best director for her work on the film.
Elsewhere, Da’Vine Joy Randolph won the Spirit Award for best supporting performance, for her role in The Holdovers, repeating her win from Saturday night’s SAG Awards and other shows this awards season. Her co-star, Dominic Sessa, won the Spirit Award for best breakthrough performance.
American Fiction also collected two trophies: Cord Jefferson won the award for best screenplay, while Jeffrey Wright won for best lead performance.
May December won the award for best first screenplay for Samy Burch (story by Burch and Alex Mechanik). Four Daughters was named best documentary.
On the TV side, Beef was named best new scripted series, while Ali Wong won best lead performance for her role in the show,...
In addition, Celine Song was named best director for her work on the film.
Elsewhere, Da’Vine Joy Randolph won the Spirit Award for best supporting performance, for her role in The Holdovers, repeating her win from Saturday night’s SAG Awards and other shows this awards season. Her co-star, Dominic Sessa, won the Spirit Award for best breakthrough performance.
American Fiction also collected two trophies: Cord Jefferson won the award for best screenplay, while Jeffrey Wright won for best lead performance.
May December won the award for best first screenplay for Samy Burch (story by Burch and Alex Mechanik). Four Daughters was named best documentary.
On the TV side, Beef was named best new scripted series, while Ali Wong won best lead performance for her role in the show,...
- 2/26/2024
- by Kimberly Nordyke
- The Hollywood Reporter - Movie News
People protesting the Israel-Hamas war outside the 2024 Film Independent Spirit Awards could be heard inside throughout the ceremony on Sunday afternoon.
A handful of protesters were outside the tent located on the beach in Santa Monica playing previously recorded chants on a megaphone such as “free Palestine,” “long live Palestine” and “ceasefire now.” The chants continued as awards were presented inside and were also heard during the red carpet arrivals earlier in the day.
Protesters chant “Free, Free Palestine” and “Ceasefire Now” outside the 2024 #SpiritAwards pic.twitter.com/HajqDt1D76
— The Hollywood Reporter (@THR) February 25, 2024
Sources told The Hollywood Reporter that the chants were “very audible” inside the tent where the ceremony was taking place. They could also be heard on the livestream of the event on Film Independent and IMDb’s YouTube channels. At one point, while actor and comedian Jim Gaffigan was presenting, he appeared to be...
A handful of protesters were outside the tent located on the beach in Santa Monica playing previously recorded chants on a megaphone such as “free Palestine,” “long live Palestine” and “ceasefire now.” The chants continued as awards were presented inside and were also heard during the red carpet arrivals earlier in the day.
Protesters chant “Free, Free Palestine” and “Ceasefire Now” outside the 2024 #SpiritAwards pic.twitter.com/HajqDt1D76
— The Hollywood Reporter (@THR) February 25, 2024
Sources told The Hollywood Reporter that the chants were “very audible” inside the tent where the ceremony was taking place. They could also be heard on the livestream of the event on Film Independent and IMDb’s YouTube channels. At one point, while actor and comedian Jim Gaffigan was presenting, he appeared to be...
- 2/25/2024
- by Carly Thomas
- The Hollywood Reporter - Movie News
The 2024 Independent Spirit Awards took place on Sunday at the traditional Santa Monica beach tent location, with Aidy Bryant hosting. “Past Lives” took home the coveted Best Feature award, with “Beef” being honored as Best New Scripted Series. Check out the full list of winners and nominees below.
Best Feature
“Past Lives”
Producers: David Hinojosa, Pamela Koffler, Christine Vachon
“All of Us Strangers”
Producers: Graham Broadbent, Pete Czernin, Sarah Harvey
“American Fiction”
Producers: Cord Jefferson, Jermaine Johnson, Nikos Karamigios, Ben LeClair
“May December”
Producers: Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney, Sophie Mas, Natalie Portman, Christine Vachon
“Passages”
Producers: Michel Merkt, Saïd Ben Saïd
“We Grown Now”
Producers: Minhal Baig, Joe Pirro
Best Lead Performance
Jeffrey Wright, “American Fiction”
Jessica Chastain, “Memory”
Greta Lee, “Past Lives”
Trace Lysette, “Monica”
Natalie Portman, “May December”
Judy Reyes, “Birth/Rebirth”
Franz Rogowski, “Passages”
Andrew Scott, “All of Us Strangers”
Teyana Taylor,...
Best Feature
“Past Lives”
Producers: David Hinojosa, Pamela Koffler, Christine Vachon
“All of Us Strangers”
Producers: Graham Broadbent, Pete Czernin, Sarah Harvey
“American Fiction”
Producers: Cord Jefferson, Jermaine Johnson, Nikos Karamigios, Ben LeClair
“May December”
Producers: Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney, Sophie Mas, Natalie Portman, Christine Vachon
“Passages”
Producers: Michel Merkt, Saïd Ben Saïd
“We Grown Now”
Producers: Minhal Baig, Joe Pirro
Best Lead Performance
Jeffrey Wright, “American Fiction”
Jessica Chastain, “Memory”
Greta Lee, “Past Lives”
Trace Lysette, “Monica”
Natalie Portman, “May December”
Judy Reyes, “Birth/Rebirth”
Franz Rogowski, “Passages”
Andrew Scott, “All of Us Strangers”
Teyana Taylor,...
- 2/25/2024
- by William Earl
- Variety Film + TV
The stars are hitting the carpet at the 2024 Film Independent Spirit Awards, which is taking place Sunday afternoon in Santa Monica.
The 39th Spirit Awards, which will be hosted by Saturday Night Live alum Aidy Bryant, will hand out prizes in categories across film and television, honoring the best in indie production from the past year.
Heading into the ceremony, American Fiction, May December and Past Lives lead the nominees with five nods each, including best feature. On the TV side, Jury Duty was tapped for the award of best ensemble in a new scripted series, an honor bestowed on one show (there are no nominees). Also during the show, Robert Altman Award, which is given to one film’s director, casting director and ensemble cast, will be presented to Showing Up, directed by Kelly Reichardt.
See what the nominees, presenters and other A-list attendees are wearing in the photos below.
The 39th Spirit Awards, which will be hosted by Saturday Night Live alum Aidy Bryant, will hand out prizes in categories across film and television, honoring the best in indie production from the past year.
Heading into the ceremony, American Fiction, May December and Past Lives lead the nominees with five nods each, including best feature. On the TV side, Jury Duty was tapped for the award of best ensemble in a new scripted series, an honor bestowed on one show (there are no nominees). Also during the show, Robert Altman Award, which is given to one film’s director, casting director and ensemble cast, will be presented to Showing Up, directed by Kelly Reichardt.
See what the nominees, presenters and other A-list attendees are wearing in the photos below.
- 2/25/2024
- by Peter Tomka, Kimberly Nordyke and Carly Thomas
- The Hollywood Reporter - Movie News
The Film Independent Spirit Awards have been dutifully assigned to their worthy recipients, thus putting a button on yet another great year of indie film and innovative visual storytelling. And as awards prognosticators now ponder their Oscar futures with this new data set and the tent falls around our knees, we want to shout out one more time all of the producers, writers, directors, performers and more who made this such a special experience.
This year’s ceremony streamed live on IMDb’s YouTube and across other social platforms, including Film Independent’s own YouTube channel and Twitter (or “X” if you’re being pedantic). The full livestream (see below) will remain available to watch On Demand for the next eight weeks, which highlights, behind-the-scenes moments, arrival carpet interviews and more will are available at filmindependent.org and wherever fine entertainment journalism prevails.
Best Supporting Performance
Da’Vine Joy Randolph
The Holdovers...
This year’s ceremony streamed live on IMDb’s YouTube and across other social platforms, including Film Independent’s own YouTube channel and Twitter (or “X” if you’re being pedantic). The full livestream (see below) will remain available to watch On Demand for the next eight weeks, which highlights, behind-the-scenes moments, arrival carpet interviews and more will are available at filmindependent.org and wherever fine entertainment journalism prevails.
Best Supporting Performance
Da’Vine Joy Randolph
The Holdovers...
- 2/23/2024
- by Film Independent
- Film Independent News & More
Larry Fessenden (Habit, Depraved) is back with new werewolf horror movie Blackout, and the official trailer has been unleashed today along with release information.
Dark Sky Films will first bring the modern day werewolf movie to theaters in NYC on March 13, followed by a wider release on Digital/VOD at home on April 12, 2024.
The film’s one week exclusive NYC theatrical engagement will take place at the IFC Center beginning March 13th, and it will feature special cast appearances and a Q&a.
Blackout marks the second pairing of Glass Eye Pix, the New York production shingle headed by Fessenden, and Yellow Veil Pictures, having previously collaborated successfully on world sales for Fessenden’s 2019 Depraved, which was released by IFC Midnight in the US.
The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf.
Dark Sky Films will first bring the modern day werewolf movie to theaters in NYC on March 13, followed by a wider release on Digital/VOD at home on April 12, 2024.
The film’s one week exclusive NYC theatrical engagement will take place at the IFC Center beginning March 13th, and it will feature special cast appearances and a Q&a.
Blackout marks the second pairing of Glass Eye Pix, the New York production shingle headed by Fessenden, and Yellow Veil Pictures, having previously collaborated successfully on world sales for Fessenden’s 2019 Depraved, which was released by IFC Midnight in the US.
The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf.
- 2/16/2024
- by John Squires
- bloody-disgusting.com
A few weeks ago, as The Sweet East started gracing theatres across the States, Reverse Shot ran a sprawling conversation between critic K. Austin Collins and critic-turned-screenwriter Nick Pinkerton. It’s a delightful exchange I can’t recommend enough, both for all it has to uncover about Sean Price Williams’ film––which Pinkerton wrote and which, in my book, was one of last year’s finest––but also for what it sponges of our depressingly shortsighted, quid-pro-quo relationship with the films we watch, what we expect to receive in return for the time we invest in them. “If I wanted to say something,” Pinkerton reflects on the okay-but-what’s-the-message response Sweet East routinely encountered in the months since its Cannes premiere, “I would open my mouth and the words would come out. That’s not what one makes a movie for. You make a movie to go beyond the expression of simple concepts.
- 2/8/2024
- by Leonardo Goi
- The Film Stage
Exclusive:f David Laub, a longtime distribution executive at A24, is joining Metrograph to build a new slate of theatrical releases as head of Metrograph Pictures, a label that’s been focused mainly on restorations of classic films.
Laub will consider American independent, international and documentary features, both finished films and earlier stage projects to potentially provide financing. The company is aiming to get to 10 releases a year.
“We are excited to work with a wide range of films and filmmakers, and be a robust new presence in the distribution landscape,” said Laub, who will hit the ground for Metrograph at the upcoming Berlinale and European Film Market next week.
It’s not an easy time for indie film distribution. Metrograph in is announcement said the industry “in dire need of fresh thinking and inventive distribution options.”
Laub will report to and work closely with Metrograph CEO Christian Grass, who joined...
Laub will consider American independent, international and documentary features, both finished films and earlier stage projects to potentially provide financing. The company is aiming to get to 10 releases a year.
“We are excited to work with a wide range of films and filmmakers, and be a robust new presence in the distribution landscape,” said Laub, who will hit the ground for Metrograph at the upcoming Berlinale and European Film Market next week.
It’s not an easy time for indie film distribution. Metrograph in is announcement said the industry “in dire need of fresh thinking and inventive distribution options.”
Laub will report to and work closely with Metrograph CEO Christian Grass, who joined...
- 2/6/2024
- by Jill Goldsmith
- Deadline Film + TV
Last year may have been the official return of the Sundance Film Festival to an in-person experience, but the just-concluded 2024 edition felt even more lively: This wasn’t just back to business, this was a full-on coming-out party, with A-list talent on-hand even beyond what you could have expected from the festival in its last couple pre-covid years.
The best movies of the 2024 Sundance Film Festival, as determined by IndieWire’s annual critics survey, are an eclectic mix, full of starpower and starmaking turns. And undoubtedly, having all the competition titles screen virtually in the last five days of the fest buoyed the visibility of some — if the celebrities all descended on Park City, Utah, this year, some journalists who used to be in-person regulars opted instead for just the online experience.
If the journalists who responded to IndieWire’s survey, 166 in total, are fewer in number than the past,...
The best movies of the 2024 Sundance Film Festival, as determined by IndieWire’s annual critics survey, are an eclectic mix, full of starpower and starmaking turns. And undoubtedly, having all the competition titles screen virtually in the last five days of the fest buoyed the visibility of some — if the celebrities all descended on Park City, Utah, this year, some journalists who used to be in-person regulars opted instead for just the online experience.
If the journalists who responded to IndieWire’s survey, 166 in total, are fewer in number than the past,...
- 1/31/2024
- by Christian Blauvelt
- Indiewire
Writer/Director Chris Nash’s feature debut, In a Violent Nature, upends a straightforward Friday the 13th-inspired slasher concept by reframing the events almost entirely from the perspective of the undead killer. That’s not the only massive shift that sets Nash’s slasher apart from conventional fare. In a Violent Nature may offer slasher thrills and a delightfully gory rampage across the wilderness, but Nash’s approach captures the carnage through ambient realism. It results in a fascinating arthouse horror experiment that plays more like a minimalist slice-of-life feature with a grim twist.
The opening frame signals a vastly different type of slasher as unseen voices recount the local legend of the White Pines slaughter as the camera fixates on the remnants of a dilapidated fire tower. Once those voices retreat back to their friend group for a weekend of fun in the woods, undead Johnny (Ry Barrett) awakens...
The opening frame signals a vastly different type of slasher as unseen voices recount the local legend of the White Pines slaughter as the camera fixates on the remnants of a dilapidated fire tower. Once those voices retreat back to their friend group for a weekend of fun in the woods, undead Johnny (Ry Barrett) awakens...
- 1/25/2024
- by Meagan Navarro
- bloody-disgusting.com
Hot on the heels of her historic Oscar nomination, Killers of the Flower Moon breakout Lily Gladstone has found her next starring role, one that reteams her with filmmaker Martin Scorsese.
Gladstone is attached to star in The Memory Police, a hot package that is coming together. It will adapt of the acclaimed 1994 science fiction novel by Yoko Ogawa. Reed Morano, who helmed episodes of The Handmaid’s Tale as well as indie I Think We’re Alone Now, is on board to direct the feature whose story has tones of Franz Kafka and George Orwell, and fittingly comes armed with a script by Charlie Kaufman, the writer of such mind-tripping movies as Being John Malkovich and Eternal Sunshine of the Spotless Mind.
Morano and Margot Hand of Picture Films will produce. Scorsese will executive produce along with Ogawa.
Ogawa’s novel is a parable taking place on an unnamed island...
Gladstone is attached to star in The Memory Police, a hot package that is coming together. It will adapt of the acclaimed 1994 science fiction novel by Yoko Ogawa. Reed Morano, who helmed episodes of The Handmaid’s Tale as well as indie I Think We’re Alone Now, is on board to direct the feature whose story has tones of Franz Kafka and George Orwell, and fittingly comes armed with a script by Charlie Kaufman, the writer of such mind-tripping movies as Being John Malkovich and Eternal Sunshine of the Spotless Mind.
Morano and Margot Hand of Picture Films will produce. Scorsese will executive produce along with Ogawa.
Ogawa’s novel is a parable taking place on an unnamed island...
- 1/25/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt down attractive teens or young adults in either the woods or suburbia. A film built around a mythology that comes to life, as our killer rises from a grave, Chris Nash’s picture could almost be the kind of film Kelly Reichardt might make if her current patron A24 asked her to make a slasher flick.
The result is a deconstruction of all of the clichés that never quite comes into its own, suffering from the same shortcomings as David Gordon Green’s more traditional slasher character study Halloween Ends. The story is told largely from the perspective of a masked killer who may or may not be the son of a rural logging town figure who was executed due to a vendetta. Like László...
The result is a deconstruction of all of the clichés that never quite comes into its own, suffering from the same shortcomings as David Gordon Green’s more traditional slasher character study Halloween Ends. The story is told largely from the perspective of a masked killer who may or may not be the son of a rural logging town figure who was executed due to a vendetta. Like László...
- 1/25/2024
- by John Fink
- The Film Stage
Native American characters have been depicted in the movies since the dawn of Hollywood, but in 2024 an actual Native American actor has finally been nominated for an Academy Award.
Lily Gladstone (Blackfeet/Nimiipuu) has been a frontrunner all season for her performance in Martin Scorsese’s Killers of the Flower Moon, and on Tuesday morning she officially became a best actress Oscar nominee. Her predecessors in the category include Whale Rider’s Keisha Castle-Hughes (who is Maori) in 2004 and Roma’s Yalitza Aparicio (who is Native Mexican) in 2019, while other Indigenous nominated actors include Graham Greene (who is First Nations), nominated for best supporting actor in 1991 for Dances With Wolves, but Gladstone is the first Native American acting nominee.
With 1983 best song winner Buffy Sainte-Marie’s ancestry now in dispute, Gladstone could also now be tied for the first Native American Oscar nominee in any category. (Sainte-Marie was raised by...
Lily Gladstone (Blackfeet/Nimiipuu) has been a frontrunner all season for her performance in Martin Scorsese’s Killers of the Flower Moon, and on Tuesday morning she officially became a best actress Oscar nominee. Her predecessors in the category include Whale Rider’s Keisha Castle-Hughes (who is Maori) in 2004 and Roma’s Yalitza Aparicio (who is Native Mexican) in 2019, while other Indigenous nominated actors include Graham Greene (who is First Nations), nominated for best supporting actor in 1991 for Dances With Wolves, but Gladstone is the first Native American acting nominee.
With 1983 best song winner Buffy Sainte-Marie’s ancestry now in dispute, Gladstone could also now be tied for the first Native American Oscar nominee in any category. (Sainte-Marie was raised by...
- 1/23/2024
- by Rebecca Sun
- The Hollywood Reporter - Movie News
More than 300 members of the global film community including Justine Triet, Pedro Almodóvar, Aki Kaurismäki, and the Dardennes brothers are protesting new Argentinian president Javier Milei’s proposals to defund the national film and TV body Incaa and scrap the country’s film schools.
Isabelle Huppert, Alejandro González Iñárritu, Kelly Reichardt, Mira Nair, Asif Kapadia, Isabel Coixet, Kleber Mendonca Filho, Gael García Bernal and Diego Luna have also signed a statement against a bill which would bring in sweeping cuts to government arts funding.
Argentinian filmmakers are understood to be in discussions with lawmakers over a bill which, according to Buenos Aires Herald,...
Isabelle Huppert, Alejandro González Iñárritu, Kelly Reichardt, Mira Nair, Asif Kapadia, Isabel Coixet, Kleber Mendonca Filho, Gael García Bernal and Diego Luna have also signed a statement against a bill which would bring in sweeping cuts to government arts funding.
Argentinian filmmakers are understood to be in discussions with lawmakers over a bill which, according to Buenos Aires Herald,...
- 1/22/2024
- ScreenDaily
Argentina’s newly elected president Javier Milei is bent on keeping his chainsaw-wielding campaign promise to cut state spending, including scrapping the country’s national film institute (Incaa) and its film schools (Enerc).
His mega draft bill, aimed at reining in Argentina’s hyper-inflation, has prompted more than 300 directors, producers, actors, critics and colleagues from across the world, led by Academy Award winners Pedro Almodóvar, Alejandro González Iñárritu, Cannes winners Aki Kaurismäki (“Autumn Leaves”) and the Dardenne Brothers (“Rosetta”), to sign a communiqué protesting the far-right libertarian’s proposal.
The other signees include actor-producers Gael García Bernal and Diego Luna, Isabelle Huppert, directors Olivier Assayas, Kelly Reichardt, Kleber Mendonca Filho, Juan Antonio Bayona, Pedro Costa, Asif Kapadia, Corneliu Porumboiu, Abel Ferrara, Mira Nair, Roger Corman and Isabel Coixet, among many other prominent figures in the global film community.
In a statement, the newly formed coalition Cine Argentino Unido, spearheaded by film director associations,...
His mega draft bill, aimed at reining in Argentina’s hyper-inflation, has prompted more than 300 directors, producers, actors, critics and colleagues from across the world, led by Academy Award winners Pedro Almodóvar, Alejandro González Iñárritu, Cannes winners Aki Kaurismäki (“Autumn Leaves”) and the Dardenne Brothers (“Rosetta”), to sign a communiqué protesting the far-right libertarian’s proposal.
The other signees include actor-producers Gael García Bernal and Diego Luna, Isabelle Huppert, directors Olivier Assayas, Kelly Reichardt, Kleber Mendonca Filho, Juan Antonio Bayona, Pedro Costa, Asif Kapadia, Corneliu Porumboiu, Abel Ferrara, Mira Nair, Roger Corman and Isabel Coixet, among many other prominent figures in the global film community.
In a statement, the newly formed coalition Cine Argentino Unido, spearheaded by film director associations,...
- 1/22/2024
- by Anna Marie de la Fuente
- Variety Film + TV
It’s been nearly two decades since Kelly Reichardt’s Old Joy showed how the wilderness can be an open canvas to explore the breaking points of male friendship and reckoning with a midlife crisis. While those emotional quandaries are evergreen, it’s appropriate timing to bring an entirely new element to this conceit. India Donaldson’s carefully observed, refreshingly patient, beautifully rendered debut feature Good One shifts the perspective, concerning a 17-year-old girl who embarks on a camping trip in the Catskills with her father and his best friend. Through an accumulation of minute details and uneasy glances, the drama becomes a portrait of increasingly crossed boundaries leading to an ultimate breaking point.
What was originally envisioned as a four-person backpacking trip into the woods with Sam (Lily Collias), her father Chris (James Le Gros), his best friend Matt (Danny McCarthy), and Matt’s son Dylan quickly turns to...
What was originally envisioned as a four-person backpacking trip into the woods with Sam (Lily Collias), her father Chris (James Le Gros), his best friend Matt (Danny McCarthy), and Matt’s son Dylan quickly turns to...
- 1/21/2024
- by Jordan Raup
- The Film Stage
As teenagers go — and let us allow for some hormonal leeway here — 17-year-old Sam is what most would call a good one: smart, thoughtful, grounded, self-sufficient but not averse to advice, the kind of kid that parents can’t help bragging about, as their friends wish their own nightmare offspring were a little more like her. But such a reputation has its downside, as elders take the teen’s compliance and good humor for granted, and expect undue allowances for their own irresponsibilities. Writer-director India Donaldson probes that awkward reversal of roles with delicacy and care in her debut feature “Good One,” monitoring the white lies and red flags that emerge over the course of a father-daughter camping weekend in upstate New York.
Premiering in the U.S. Dramatic competition at this year’s Sundance festival, “Good One” is modest but assuredly perceptive independent filmmaking that makes no grand claims...
Premiering in the U.S. Dramatic competition at this year’s Sundance festival, “Good One” is modest but assuredly perceptive independent filmmaking that makes no grand claims...
- 1/21/2024
- by Guy Lodge
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.