For the past 17 years, painter and graphic artist Jorgo Schaefer from Wuppertal, Germany has been an artist-in-residence at the New York Vision Festival, one of the world’s premier festival’s of avant-garde jazz, dance, poetry, film and visual art.
Steve Dalachinsky Can you explain a bit about your process and becoming an artist?
Jorgo Schaefer: My career as a professional artist started in 1970 at the Werkkunstschule (Wks, School of Applied Arts) in Wuppertal. At this time, the Wks was a highly regarded institution with a long tradition. It was not an art academy but arts were a key element. Artistic skills were taught as well as philosophy. Our freshman class consisted of 15 students and we were hanging out together day and night, influenced and inspired by the political and artistic movements of about 4 good years. Plus: Amsterdam was just around the corner...
Sd: When did you get interested in jazz and improvisation?...
Steve Dalachinsky Can you explain a bit about your process and becoming an artist?
Jorgo Schaefer: My career as a professional artist started in 1970 at the Werkkunstschule (Wks, School of Applied Arts) in Wuppertal. At this time, the Wks was a highly regarded institution with a long tradition. It was not an art academy but arts were a key element. Artistic skills were taught as well as philosophy. Our freshman class consisted of 15 students and we were hanging out together day and night, influenced and inspired by the political and artistic movements of about 4 good years. Plus: Amsterdam was just around the corner...
Sd: When did you get interested in jazz and improvisation?...
- 5/3/2017
- by steve dalachinsky
- www.culturecatch.com
Nile Rodgers, the Strokes' Albert Hammond Jr., author Fran Lebowitz and more reminisce about the style of the early Seventies in the second installment of 1973: Shaping the Culture, a new video series from Rolling Stone, presented by HBO's new show Vinyl.
"What's great about '73 is that, everybody forgets this, but kind of that pimp look," Please Kill Me author Legs McNeil says. "That whole kind of Isaac Hayes, Shaft look. And the white guys made glam out of it ... You gotta remember that men's fashions were really ugly.
"What's great about '73 is that, everybody forgets this, but kind of that pimp look," Please Kill Me author Legs McNeil says. "That whole kind of Isaac Hayes, Shaft look. And the white guys made glam out of it ... You gotta remember that men's fashions were really ugly.
- 2/11/2016
- Rollingstone.com
Each month, Boris Kachka offers nonfiction and fiction book recommendations. You should read as many of them as possible.St. Marks Is Dead: The Many Lives of America’s Hippest Street, by Ada Calhoun (W.W. Norton, November 2) St. Marks Place just hasn’t been the same since the artists left, or the anarchists, or the Lenape. This three-block free-for-all, currently dominated by crude T-shirts and cheap sushi, has always been the subject of some old-timer’s nostalgia. Calhoun, who grew up there, wisely makes the strip’s perpetual over-ness a core theme. Another is its never-changing status as a free zone for an ever-changing misfit parade. It was home to Warhol happenings, sure, and dirt-poor artists and savvy ragpickers, but also to Emma Goldman, Leon Trotsky, Ukrainian dissidents, religious heretics, and Jimmy “Rent Is Too Damn High” McMillan. The Mare, by Mary Gaitskill (Pantheon, November 3) Gaitskill’s intense and...
- 11/4/2015
- by Boris Kachka
- Vulture
It was the summer of 1995. Bill Clinton was president, Rudy Giuliani was mayor of New York, and Oj Simpson was on trial. That summer’s youth-oriented movies included Pixar's first movie Toy Story, the Disney musical Pocahontas — and Kids, in which wayward, stoned teens fuck each other senseless and head-stomp random strangers.
It might be hard to remember just how notorious Larry Clark's indie-skater odysey was. The movie grossed a modest $7 million at the box office that summer — a wild success when you account for the fact that it...
It might be hard to remember just how notorious Larry Clark's indie-skater odysey was. The movie grossed a modest $7 million at the box office that summer — a wild success when you account for the fact that it...
- 7/16/2015
- Rollingstone.com
All this week, the Vulture TV Awards honor the best television from the past year. The nominees are: Constance Wu, Fresh Off the Boat Ilana Glazer and Abbi Jacobson, Broad City Julia Louis-Dreyfus, Veep Ellie Kemper, Unbreakable Kimmy Schmidt Lisa Kudrow, The Comeback And the Best Female Comedy Performer is ... Ilana Glazer and Abbi Jacobson, Broad City I don't know that I'd tend to an actual friend after he or she had dental surgery, but I wanted to spend every waking second with Abbi in her post-wisdom-teeth haze. I'm not a big kiss-and-tell these days, but if I thought Ilana's twerking might encourage me to be more sexually adventurous, I'd give her a call. I believe St. Marks Place is a grotesque wasteland (except for that one good bar), but I'd happily walk down it, flipping the bird, alongside the heroines of Broad City. It's not just clever writing and...
- 6/25/2015
- by Margaret Lyons
- Vulture
Producers Theresa Wozunk The Gershwins' Porgy and Bess and Timothy J. Harper announced today that 14 year-old actress, Abigail Shapiro How the Grinch Stole Christmas will play the title role in Liberty A Monumental New Musical. Directed by Evan Pappas, the new musical will play a limited seven-week engagement at Theatre 80 80 St. Marks Place Tuesday, October 14 through Tuesday, November 25, 2014. Tickets are now on sale.
- 10/13/2014
- by BWW News Desk
- BroadwayWorld.com
A Clamour of Cabaret: A Volume of Vaudeville Varietals Dysfunctional Theatre Company Under St. Marks, 94 St. Marks Place Through August 16
The Dysfunctional Theatre Company's mission statement explains that the group considers the underperformed plays and twisted classics, which they present to be dysfunctional to show that "dysfunction isn’t a product of 21st or even 20th century life [but] a product of the human condition." A Clamour of Cabaret, hosted by bottle-wielding and genially bickering hosts F. Scott Fitzgerald (Rob Brown) and Edna St. Vincent Millay (Jennifer Gill), demonstrates the dysfunction within the narratives and other characteristic bits that leap to the nostalgic mind at the mention of "vaudeville" and "cabaret" performances, but it does so delightfully.
As characters struggle for control over the production -- the late arrival of Fitzgerald and Millay leads La Diva Chiara Tarabotti (Nicole Lee Aiossa, a dominant comic presence whenever she is on stage) to...
The Dysfunctional Theatre Company's mission statement explains that the group considers the underperformed plays and twisted classics, which they present to be dysfunctional to show that "dysfunction isn’t a product of 21st or even 20th century life [but] a product of the human condition." A Clamour of Cabaret, hosted by bottle-wielding and genially bickering hosts F. Scott Fitzgerald (Rob Brown) and Edna St. Vincent Millay (Jennifer Gill), demonstrates the dysfunction within the narratives and other characteristic bits that leap to the nostalgic mind at the mention of "vaudeville" and "cabaret" performances, but it does so delightfully.
As characters struggle for control over the production -- the late arrival of Fitzgerald and Millay leads La Diva Chiara Tarabotti (Nicole Lee Aiossa, a dominant comic presence whenever she is on stage) to...
- 8/17/2014
- by Leah Richards
- www.culturecatch.com
5000 Broadway Productions presents its newest production, Vestments of the Gods, as part of the 18th annual New York International Fringe Festival - FringeNYC. Vestments of the Gods is a musical play written by Owen Panettieri with music by David Carl and lyrics by Owen Panettieri. The show will run for five performances during the festival at FringeNYC Venue 7 Theatre 80 on St. Marks Place.
- 8/9/2014
- by BWW News Desk
- BroadwayWorld.com
Get Me a Guy Directed by John Clancy Written by Israela Margalit Horse Trade Theater Group, in association with Moonlight Theatre Productions Under St. Marks, 94 St. Marks Place, NYC July 26 - August 4, 2014
A random, pheromone-induced hook-up at a gas station. A date arranged through a website cataloguing personal dislikes. An elderly couple debating whether cigarettes and sex can be fairly equated. Get Me a Guy , the new comic play by writer and concert pianist Israela Margalit, ranges through 80 minutes of vignettes exploring the nuances and neuroses of romantic relationships, not conceptually unlike the recent, longer, and more rapid-fire Love and Information. The discrete moments here form a loose progression from the parties and bars of youth, through jealous or baby-starved spouses and reunions of old lovers, to connections lost and (re)made in old age. The cast of seven actors, three women and four men led by Wei Yi Lin,...
A random, pheromone-induced hook-up at a gas station. A date arranged through a website cataloguing personal dislikes. An elderly couple debating whether cigarettes and sex can be fairly equated. Get Me a Guy , the new comic play by writer and concert pianist Israela Margalit, ranges through 80 minutes of vignettes exploring the nuances and neuroses of romantic relationships, not conceptually unlike the recent, longer, and more rapid-fire Love and Information. The discrete moments here form a loose progression from the parties and bars of youth, through jealous or baby-starved spouses and reunions of old lovers, to connections lost and (re)made in old age. The cast of seven actors, three women and four men led by Wei Yi Lin,...
- 7/28/2014
- by Leah Richards
- www.culturecatch.com
Today, 5000 Broadway Productions announced its newest production, Vestments of the Gods, as part of the 18th annual New York International Fringe Festival - FringeNYC. Vestments of the Gods is a musical play written by Owen Panettieri with music by David Carl and lyrics by Owen Panettieri. The show will run for five performances during the festival at FringeNYC Venue 7 Theatre 80 on St. Marks Place. Tickets go on sale at www.FringeNYC.org July 18, 2014.
- 7/17/2014
- by BWW News Desk
- BroadwayWorld.com
Lorcan Otway, owner of the legendary New York theater, starts off the festivities.
Actress Arlene Dahl ("Journey to the Center of the Earth") introduces Alan Cumming.
Alan prepares to be "immortalized" in cement for the theater's walk of fame.
On Monday night, Cinema Retro was invited to attend a private party in honor of actor Alan Cumming at New York's legendary and quirky Theatre 80 St. Marks on St. Marks Place. The venue has its own mini "walk of fame" that dates back many decades. The Theatre/bar also houses the Museum of the American Gangster, as it once had a sordid history that included a gangland rubout. Alan Cumming graciously signed the cement block, having been introduced by the theater's owner Lorcan Otway and actress Arlene Dahl. After the party, everyone thundered to the famed bar, where plenty of good brews and live Irish music (and Irish whiskey) rounded out the evening.
Actress Arlene Dahl ("Journey to the Center of the Earth") introduces Alan Cumming.
Alan prepares to be "immortalized" in cement for the theater's walk of fame.
On Monday night, Cinema Retro was invited to attend a private party in honor of actor Alan Cumming at New York's legendary and quirky Theatre 80 St. Marks on St. Marks Place. The venue has its own mini "walk of fame" that dates back many decades. The Theatre/bar also houses the Museum of the American Gangster, as it once had a sordid history that included a gangland rubout. Alan Cumming graciously signed the cement block, having been introduced by the theater's owner Lorcan Otway and actress Arlene Dahl. After the party, everyone thundered to the famed bar, where plenty of good brews and live Irish music (and Irish whiskey) rounded out the evening.
- 5/7/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
August 1990, St. Marks Place. Priscilla Forsyth, one month shy of her fourteenth birthday and just home from summer camp, straddles one of the two lion statues guarding the downward staircase to the apartment building her family has owned since 1975. Naturally blonde Liza and dyed blonde Margaret idle with her. It’s hot out, and Priscilla is becoming more curious about the world beyond her sidewalk.
An energetic kid with a scrawny but chiseled build named Harold Hunter rides up on his BMX bike. “I’ve never seen blonde people in New York” before, he tells the girls, giggling. He was from the Campos Plaza Housing Projects nearby–a different world, to be sure, although he’d obviously seen blonde girls before.
An energetic kid with a scrawny but chiseled build named Harold Hunter rides up on his BMX bike. “I’ve never seen blonde people in New York” before, he tells the girls, giggling. He was from the Campos Plaza Housing Projects nearby–a different world, to be sure, although he’d obviously seen blonde girls before.
- 5/2/2013
- by NARRATIVE.LY
- Huffington Post
Penn Badgley slaloms up to me in Tompkins Square Park on a skateboard, wearing a gray sweatshirt and red sneakers, recognizable but unrecognized as the disaffected starlet-boy of the rococo teen soap Gossip Girl, which concluded its sixth and final season in December. He wanted to meet here because Jeff Buckley—the gorgeously warbling nineties alt-folk singer Badgley plays in a murky, heartfelt movie that premiered last week at the Tribeca Film Festival—used to perform for tips nearby at Sin-é, a long-gone café at 122 St. Marks Place, beyond the edge of the park. As we walk, Badgley, carrying his board, shows me the spot where a well-known-to-his-fans photo of Buckley was taken, contemplating his own reflection in a puddle, in 1993. Buckley didn’t live much longer: He was 30 when he drowned during an ill-advised, at least somewhat suicidal dip in Memphis’s Wolf River in 1997. The film, Greetings From...
- 4/29/2013
- by Carl Swanson
- Vulture
Bob left a message on my phone last Friday. “I’m glad you aren’t DC’s publicity manager today,” he said.
Me, too.
After the Columbine shootings in the 1990s, we got calls at DC because the killers wore trench coats and so did John Constantine. This time, the alleged gunman actually said he was the Joker.
Most likely, if I were still the publicity manager at DC I would have received a zillion phone calls on Friday. And, most likely, I wouldn’t have been allowed to say anything. I would have told the media to call Warner Bros. corporate communications VP and let that person sweat it. Since I’m no longer on the payroll, let me show you what I would say if I got one of those phone calls and could speak freely.
Reporter: Does DC Comics have anything to say about the Batman massacre?...
Me, too.
After the Columbine shootings in the 1990s, we got calls at DC because the killers wore trench coats and so did John Constantine. This time, the alleged gunman actually said he was the Joker.
Most likely, if I were still the publicity manager at DC I would have received a zillion phone calls on Friday. And, most likely, I wouldn’t have been allowed to say anything. I would have told the media to call Warner Bros. corporate communications VP and let that person sweat it. Since I’m no longer on the payroll, let me show you what I would say if I got one of those phone calls and could speak freely.
Reporter: Does DC Comics have anything to say about the Batman massacre?...
- 7/27/2012
- by Martha Thomases
- Comicmix.com
Note: Do not read on if you have not seen the series premiere of HBO's "Girls."
At first glance, HBO's "Girls" might look like an exaggerated version of the "S--- New Yorkers Say" meme. But Lena Dunham's "Girls" isn't just a show for young twentysomethings living in New York City; it's a show that offers a little something for everyone. (Yes, even men.)
Of course, as a young twentysomething female writer living in New York City, I can tell you that I relate to Hannah (Dunham) -- the extremely self-aware, but deeply vulnerable writer at the center of "Girls" -- far more than other character on TV. I feel like I know her, or maybe I feel like I am her. Or do I just want her Brooklyn walk-up apartment?
And then there are Hannah's friends. Jessa (Jemima Kirke) is a wondering, free-spirited artist who just returned to the city from Europe.
At first glance, HBO's "Girls" might look like an exaggerated version of the "S--- New Yorkers Say" meme. But Lena Dunham's "Girls" isn't just a show for young twentysomethings living in New York City; it's a show that offers a little something for everyone. (Yes, even men.)
Of course, as a young twentysomething female writer living in New York City, I can tell you that I relate to Hannah (Dunham) -- the extremely self-aware, but deeply vulnerable writer at the center of "Girls" -- far more than other character on TV. I feel like I know her, or maybe I feel like I am her. Or do I just want her Brooklyn walk-up apartment?
And then there are Hannah's friends. Jessa (Jemima Kirke) is a wondering, free-spirited artist who just returned to the city from Europe.
- 4/16/2012
- by Crystal Bell
- Aol TV.
Ryan Gosling plays an anti-hero in his upcoming neo-noir action drama, "Drive," and, from the way he explained the details of his infamous street fight tussle a few weeks back, he didn't feel especially noble about what he did that day in New York, either.
The star of the upcoming "Drive," if you need a refresher, rushed to break up a fight between two pedestrians on St. Marks place in late August. As it turns out, they were fighting over a painting, and a tank top-wearing Gosling intervened and helped settle the dispute. Speaking to MTV, Gosling said that he was "embarrassed" about the situation, expressing empathy for the accused art snatcher.
"It was sad, because it turns out that I said to the guy, 'Why are you doing this?' He said, 'Well, he tried to steal my painting,'" Gosling remembered. "I said, 'How do you know?...
The star of the upcoming "Drive," if you need a refresher, rushed to break up a fight between two pedestrians on St. Marks place in late August. As it turns out, they were fighting over a painting, and a tank top-wearing Gosling intervened and helped settle the dispute. Speaking to MTV, Gosling said that he was "embarrassed" about the situation, expressing empathy for the accused art snatcher.
"It was sad, because it turns out that I said to the guy, 'Why are you doing this?' He said, 'Well, he tried to steal my painting,'" Gosling remembered. "I said, 'How do you know?...
- 9/8/2011
- by Jordan Zakarin
- Huffington Post
New Yorkers are pretty jaded and like to pretend they don't care when they spot a celebrity on the street. But what if that celebrity just broke up a ridiculous street fight?
That seems like definite cause to get excited, especially when that celebrity is possibly Ryan Gosling.
LainyGossip found a YouTube video uploaded August 20th, that looks an awful lot like Ryan Gosling intervening in a street fight at St. Marks Place.
Two girls were filming a fight between two men, when bystanders came to break it up. Then out of seemingly nowhere a man in a striped blue shirt and baseball hat seems to magically calm the situation.
The girls filming the incident recognize him saying: "That's the guy from the movie... 'The Notebook'," referring to Gosling's 2004 weepy romantic hit with Rachel McAdams.
The other girl heard on camera doesn't seem to believe that it's really Gosling.
That seems like definite cause to get excited, especially when that celebrity is possibly Ryan Gosling.
LainyGossip found a YouTube video uploaded August 20th, that looks an awful lot like Ryan Gosling intervening in a street fight at St. Marks Place.
Two girls were filming a fight between two men, when bystanders came to break it up. Then out of seemingly nowhere a man in a striped blue shirt and baseball hat seems to magically calm the situation.
The girls filming the incident recognize him saying: "That's the guy from the movie... 'The Notebook'," referring to Gosling's 2004 weepy romantic hit with Rachel McAdams.
The other girl heard on camera doesn't seem to believe that it's really Gosling.
- 8/22/2011
- by Stephanie Marcus
- Huffington Post
Cooper Union by 14th Street St. Marks Place in New York may just be our favorite new hang out. Lainey Gossip posted a video that shows Ryan Gosling, or an amazingly hot look alike, breaking up a street fight from earlier today.
The girls taping go from laughing to gushing that it really could be Ryan Gosling coming to the rescue. The best part is at the end when the girls turn the camera to their friends when the men come straight toward them. Really? Even if there is a slight chance that it could be Gosling, you keep that video rolling--and in the right direction.
Let us know, do you think this is the Noah that we all fell in love with when The Notebook first hit theaters in 2004?
read more...
The girls taping go from laughing to gushing that it really could be Ryan Gosling coming to the rescue. The best part is at the end when the girls turn the camera to their friends when the men come straight toward them. Really? Even if there is a slight chance that it could be Gosling, you keep that video rolling--and in the right direction.
Let us know, do you think this is the Noah that we all fell in love with when The Notebook first hit theaters in 2004?
read more...
- 8/22/2011
- by Stephanie Webber
- Celebsology
Omg Ryan Gosling, is that you?!This video has surfaced on YouTube of a fight going down in the middle of St. Marks place in New York City that may feature the sexiest Canadian currently living in NYC. There’s a bit of a kerfuffle over some paintings that may or may not have been paid for, and then out of nowhere a glorious man in a stripped tank top and cuffed pants emerges and saves the day with his rippling biceps. The girls shooting the video immediately being squealing and identify him quickly as “the guy from The Notebook.” While there’s no way to be sure that it’s definitely him, you can’t deny the resemblance — or the arm muscles. For heaven’s sake, the arm muscles! Gosling has been known to fancy a tank top or two, so the fashion is certainly spot on. And of course,...
- 8/22/2011
- by Kate Spencer
- TheFabLife - Movies
Everett “The Real World” Season One
These days most MTV viewers know “The Real World” as that show that runs ads during “Jersey Shore.” But for those of us Generation X’ers who remember when MTV still aired music videos, call waiting was of utmost social importance and mosh-pitted to Rage Against the Machine and Nirvana before Snooki started tanning, “The Real World” tapped into a generational mood that has yet to be matched by its legion of imitators.
Who...
These days most MTV viewers know “The Real World” as that show that runs ads during “Jersey Shore.” But for those of us Generation X’ers who remember when MTV still aired music videos, call waiting was of utmost social importance and mosh-pitted to Rage Against the Machine and Nirvana before Snooki started tanning, “The Real World” tapped into a generational mood that has yet to be matched by its legion of imitators.
Who...
- 3/22/2011
- by Amy Chozick
- Speakeasy/Wall Street Journal
Due to continuous sold out performances, long lines around street corner blocks and strong critical acclaim, The Amoralists will be moving their celebrated play, The Pied Pipers of the Lower East Side, to Off-Broadway. The show's Off-Broadway run will begin on September 10th and run through October 5th at Theatre 80 St. Marks, the former home of The Pearl Theatre Company, located at 80 St. Marks Place between 1st and 2nd Avenues in NYC. The Pied Pipers of the Lower East Side is written and directed by Derek Ahonen.
- 10/5/2009
- BroadwayWorld.com
Due to continuous sold out performances, long lines around street corner blocks and strong critical acclaim, The Amoralists will be moving their celebrated play, The Pied Pipers of the Lower East Side, to Off-Broadway. The show's Off-Broadway run will begin on September 10th and run through October 5th at Theatre 80 St. Marks, the former home of The Pearl Theatre Company, located at 80 St. Marks Place between 1st and 2nd Avenues in NYC. The Pied Pipers of the Lower East Side is written and directed by Derek Ahonen.
- 8/31/2009
- BroadwayWorld.com
Horse Trade Theater Group in association with Exit Theater presents the 2009 New York Frigid Festival: An Open and Uncensored Theater Festival A Caff Member festival February 25th - March 8th, 2009, Monday thru Friday 6pm - Midnight, Saturday and Sunday 1pm - 1am Tickets: $8 - $15 Tickets will be available on Smarttix @ 212-868-4444 Or online @ www.FRIGIDnewyork.info The Kraine Theater & The Red Room at 85 E 4th St New York, NY 10003 No Wheelchair access Under St. Marks 94 St. Marks Place New York, NY 10009 Basement Theater - No Wheelchair access Frigid Snapshots! Not sure what to expect at this years Frigid Fest? Then come to Under St. Marks on Thursday, January 29 at 8pm for Free "snapshot" performances from selected shows in this year's festival! Melting in Madras A darkly comic look at storyteller H.R. Britton's quixotic "pilgrimage" to India. Dalton Trumbo's Johnny Got His Gun The inspiring story of twenty-year-old Joe Bonham,...
- 1/26/2009
- BroadwayWorld.com
Frigid New York Presents The Hi- D Theatre Production Of Freedom 85! Written by Debra Hale Directed by Kim Blackwell Starring *Debra Hale and *Andrea Risk Sat Feb 28 @ 7pm / Sun March 1 @1pm / Mon March 2 @ 9pm Thurs March 5 @ 6pm / Sat March 7 @ 5:30pm / Sun March 8 @ 1pm Under St. Marks Theater, 94 St. Marks Place (between 1st Ave & Ave A) Tickets $10 are available by calling Smarttix at 212-868-4444 or online at www.FRIGIDnewyork.info Enjoy this Sold-out hit from the 2008 Toronto Fringe Festival, a two woman multi-character comedy about an inept waitress, a feisty senior and their nursing home break-out. Swing to and from a present day Jamaican diner and 1940s wartime Britain. This funny and poignant story explores feeling alive and needed at any age through the relationship between 85 year old Sybil, and 40-something Kate. Experience colorful locals including Sybil's son, WWII vet Fred, a tough biker, the Jamaican Diner's owner, Peg,...
- 1/26/2009
- BroadwayWorld.com
Most things don't look like they do in the movies. Case in point: auditioning for a Broadway show. There's no big, empty theatre waiting for you to stride on stage and fill the house with your megawatt performance. Real estate is too rare — and too expensive — for such purposes. Odds are that if you're going to secure your big break, it's going to happen in a decidedly smaller space. Enter the rehearsal room. Whether used for rehearsals, auditions, classes, readings, or even performances, this is where most working performers spend their waking hours. This being New York, there are many options from which to choose. Some relate to the basics: Do you need a piano? A ballet barre? Sprung floors? Others relate to creature comforts: Do you want a sitting room? Wireless Internet? Access to a fridge? And, of course, size and price might be important too. Our tour of...
- 9/4/2008
- by Adam R. Perlman
- backstage.com
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