By Henry McKeand
Kiyoshi Kurosawa's “Pulse” had an inescapable impact on the Japanese horror scene when it hit theatres in 1997. Countless filmmakers were inspired by its pervasive unease and refusal to settle for simple scares. Along with the release of Hideo Nakata's “Ringu” a year later, it set the standard for the J-Horror renaissance that forever altered the cinematic landscape in the 2000s. But even with the hordes of imitators and worshippers, perhaps no film owes more to “Pulse” than “Saimin” by Masayuki Ochiai. Released later as “The Hypnotist” in the U.S., “Saimin” shares themes of hypnosis and the inherent darkness of human nature with “Pulse”, but it is ultimately a more commercial take on the same material, trading in Kurosawa's ambient dread for gonzo thrills.
on Amazon by clicking on the image below
The film kicks off in bravura fashion, with Ochiai cross-cutting...
Kiyoshi Kurosawa's “Pulse” had an inescapable impact on the Japanese horror scene when it hit theatres in 1997. Countless filmmakers were inspired by its pervasive unease and refusal to settle for simple scares. Along with the release of Hideo Nakata's “Ringu” a year later, it set the standard for the J-Horror renaissance that forever altered the cinematic landscape in the 2000s. But even with the hordes of imitators and worshippers, perhaps no film owes more to “Pulse” than “Saimin” by Masayuki Ochiai. Released later as “The Hypnotist” in the U.S., “Saimin” shares themes of hypnosis and the inherent darkness of human nature with “Pulse”, but it is ultimately a more commercial take on the same material, trading in Kurosawa's ambient dread for gonzo thrills.
on Amazon by clicking on the image below
The film kicks off in bravura fashion, with Ochiai cross-cutting...
- 4/8/2023
- by Guest Writer
- AsianMoviePulse
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