A long-retired Red Cross nurse whose only real plans for the winter of 1976 involve redesigning the inside of her family’s beach house and planning her granddaughter’s seven birthday party, Carmen — played by the elegantly unraveling Aline Kuppenheim — spends her days fussing around with the furniture and waiting for her doctor husband to return from Santiago on the weekend, oblivious to the discordant electric daggers of the Mariá Portugal score that cuts a hole into the soundscape around her. She dreams of a living room that’s soaked in the kiss-pink shade of a Venetian sunset, and at one point is so entranced by a vat of swirling paint that she hardly seems to hear the screams of a young leftist as they’re disappeared off a nearby street in broad daylight.
But Carmen is not quite as callous as her Westchester chic wardrobe might suggest. The empathy that...
But Carmen is not quite as callous as her Westchester chic wardrobe might suggest. The empathy that...
- 5/3/2023
- by David Ehrlich
- Indiewire
It’s said that just because you’re paranoid doesn’t mean they’re not out to get you, but in the case of Carmen (Aline Küppenheim), the protagonist of Manuela Martelli’s Chile ’76, paranoia may be a self-fulfilling prophesy. After all, as its title indicates, the film is set during Augusto Pinochet’s right-wing military dictatorship, three years after the coup that toppled Salvador Allende’s democratically elected left‐wing Popular Unity Government.
Carmen is a young grandmother, wife of a hospital administrator (Alejandro Goic), and former Red Cross nurse. She lives a complacent bourgeois life, insulated from anti-communist suspicion but not from her own neuroses, which she self-medicates with a steady intake of pills, alcohol, and cigarettes. When she and her family pay a visit to their seaside vacation house, the local priest, Father Sanchez (Hugo Medina), recruits her to secretly nurse a communist insurgent, Elías (Nicolás Sepúlveda...
Carmen is a young grandmother, wife of a hospital administrator (Alejandro Goic), and former Red Cross nurse. She lives a complacent bourgeois life, insulated from anti-communist suspicion but not from her own neuroses, which she self-medicates with a steady intake of pills, alcohol, and cigarettes. When she and her family pay a visit to their seaside vacation house, the local priest, Father Sanchez (Hugo Medina), recruits her to secretly nurse a communist insurgent, Elías (Nicolás Sepúlveda...
- 5/1/2023
- by William Repass
- Slant Magazine
To title your film after a year, as actor-turned-filmmaker Manuela Martelli does, is a bold statement. For Chileans, after all, “1976” (renamed “Chile ’76” for North American markets) will conjure up a host of reactions tied to what was one of the bloodiest years of Augusto Pinochet’s dictatorship. And yet this dazzling debut feature is grounded not in the resistance movement against Pinochet, nor on the political maneuvring that led to thousands having been disappeared. It focuses instead on a housewife’s day-to-day routine, as she slowly finds her insular world rocked by events that soon spiral out of her control. Following a successful festival run beginning at Cannes last year, the film will be released Stateside by Kino Lorber from May 5.
Carmen (Aline Kuppenheim) leads an intentionally sheltered life. When we first meet her she’s most concerned with getting the right shade of pink for the summer house renovation...
Carmen (Aline Kuppenheim) leads an intentionally sheltered life. When we first meet her she’s most concerned with getting the right shade of pink for the summer house renovation...
- 4/18/2023
- by Manuel Betancourt
- Variety Film + TV
Manuela Martelli tells the story of the early years of Chilean dictator Augusto Pinochet from an unusual perspective: that of an upper middle class woman named Carmen (played by Aline Küppenheim) whose life comes undone after she takes in an injured young man. “Chile ’76” made its world premiere at the Cannes Film Festival last year, arrives at New Directors/New Films in New York this week, and opens later this Spring from Kino Lorber. Check out the trailer, an IndieWire exclusive, below.
Set during the early days of Augusto Pinochet’s dictatorship, “Chile ‘76″ builds from quiet character study to gripping suspense thriller as it explores one woman’s precarious flirtation with political engagement. Carmen (Aline Kuppenheim) leads a sheltered upper middle class existence. She heads to her summer house in the off-season to supervise its renovation while also performing local charitable works through her church. Her husband, children, and...
Set during the early days of Augusto Pinochet’s dictatorship, “Chile ‘76″ builds from quiet character study to gripping suspense thriller as it explores one woman’s precarious flirtation with political engagement. Carmen (Aline Kuppenheim) leads a sheltered upper middle class existence. She heads to her summer house in the off-season to supervise its renovation while also performing local charitable works through her church. Her husband, children, and...
- 4/4/2023
- by Ryan Lattanzio
- Indiewire
Manuela Martelli’s debut film opens with a sequence that perfectly captures the tone and themes Chile ‘76 will explore. Carmen (played by Aline Kuppenheim) is at a paint shop, choosing and mixing the color that she’ll use at the beach house she has with her husband, a shift head at one of the most important medical institutions in Santiago, Chile’s capital. While browsing an almanac with pictures of European cities, pointing at colors of sun-kissed buildings, we can hear a disturbance outside: a woman is being pulled over by the military and yells as she’s taken away.
At the same time as we hear the woman shouting her name and ID, a drop of pinkish paint falls from the mixer onto Carmen’s elegant, pristine shoe. When Carmen leaves the store, cans of paint in the hands of the vendor helping her, we glimpse the aftermath of what happened.
At the same time as we hear the woman shouting her name and ID, a drop of pinkish paint falls from the mixer onto Carmen’s elegant, pristine shoe. When Carmen leaves the store, cans of paint in the hands of the vendor helping her, we glimpse the aftermath of what happened.
- 3/28/2023
- by Jaime Grijalba
- The Film Stage
CAA has promoted eight trainees from its training program, CAA Elevate, to Agent. Those moving up at the agency are Pili Allen, Tara Anderson, Nicole Brookman, Ben Gelfand, Erica Drache Martelli, Jonathan Rodrigues, Lucas Ryan and Michael Taber.
Allen and Anderson will serve as Agents in the Scripted Television department, with Brookman, Martelli and Taber working in Motion Picture Talent, Ryan in Television Talent, Rodrigues in Strategic Development, and Gelfand in Games. All eight promotees will be based in Los Angeles.
Allen represents such notable writer-directors as Kestrin Pantera, whose feature Pretty Problems recently won the SXSW Audience Award, and Jeff Greenstein, who served as showrunner for Will & Grace. He joined CAA as a Coordinator in 2022 following the agency’s acquisition of ICM Partners, where he was a Television and Motion Picture Literary Coordinator. CAA’s new Scripted Television Agent previously worked in private wealth management at Morgan Stanley, in the mailroom at WME,...
Allen and Anderson will serve as Agents in the Scripted Television department, with Brookman, Martelli and Taber working in Motion Picture Talent, Ryan in Television Talent, Rodrigues in Strategic Development, and Gelfand in Games. All eight promotees will be based in Los Angeles.
Allen represents such notable writer-directors as Kestrin Pantera, whose feature Pretty Problems recently won the SXSW Audience Award, and Jeff Greenstein, who served as showrunner for Will & Grace. He joined CAA as a Coordinator in 2022 following the agency’s acquisition of ICM Partners, where he was a Television and Motion Picture Literary Coordinator. CAA’s new Scripted Television Agent previously worked in private wealth management at Morgan Stanley, in the mailroom at WME,...
- 1/12/2023
- by Matt Grobar
- Deadline Film + TV
Manuela Martelli’s ‘1976’ wins Sutherland Award.
Marie Kreutzer’s Corsage led the winners at the 2022 BFI London Film Festival (October 5-16), taking the best film prize in the Official Competition.
The Official Competition jury, led by Tanya Seghatchian, praised the ”masterfully realised film for its mesmerising and original interpretation of the life of the Austrian Empress Elisabeth”, and said it was ”completed seduced by Vicky Krieps’ sublime performance of a woman out of time trapped in her own iconography and her rebellious yearning for liberation.”
Scroll down for the full list of winners
Corsage debuted in Un Certain Regard at Cannes in May,...
Marie Kreutzer’s Corsage led the winners at the 2022 BFI London Film Festival (October 5-16), taking the best film prize in the Official Competition.
The Official Competition jury, led by Tanya Seghatchian, praised the ”masterfully realised film for its mesmerising and original interpretation of the life of the Austrian Empress Elisabeth”, and said it was ”completed seduced by Vicky Krieps’ sublime performance of a woman out of time trapped in her own iconography and her rebellious yearning for liberation.”
Scroll down for the full list of winners
Corsage debuted in Un Certain Regard at Cannes in May,...
- 10/16/2022
- by Ben Dalton
- ScreenDaily
Austrian filmmaker Marie Kreutzer clinched the best film award in the main Official Competition of the 66th London Film Festival with her latest feature Corsage, starring Vicky Krieps.
The historical drama, which is also the Austrian entry for the best international feature film Oscar race, follows the disgruntled Empress Elisabeth (Krieps), a 19th-century royal who, upon turning 40, begins to rebel against her carefully orchestrated public image.
The festival jury, headed by producer Tanya Seghatchian, actor Gwendoline Christie (Game of Thrones), filmmaker/playwright Kemp Powers (One Night in Miami), filmmaker Chaitanya Tamhane (The Disciple), and journalist Charles Gant described the film as a “mesmerizing and original interpretation of the life of the Austrian Empress Elisabeth.”
“The jury was completely seduced by Vicky Krieps’ sublime performance of a woman out of time trapped in her own iconography and her rebellious yearning for liberation,” the jury said...
The historical drama, which is also the Austrian entry for the best international feature film Oscar race, follows the disgruntled Empress Elisabeth (Krieps), a 19th-century royal who, upon turning 40, begins to rebel against her carefully orchestrated public image.
The festival jury, headed by producer Tanya Seghatchian, actor Gwendoline Christie (Game of Thrones), filmmaker/playwright Kemp Powers (One Night in Miami), filmmaker Chaitanya Tamhane (The Disciple), and journalist Charles Gant described the film as a “mesmerizing and original interpretation of the life of the Austrian Empress Elisabeth.”
“The jury was completely seduced by Vicky Krieps’ sublime performance of a woman out of time trapped in her own iconography and her rebellious yearning for liberation,” the jury said...
- 10/16/2022
- by Zac Ntim
- Deadline Film + TV
Laura Poitras’ All the Beauty and the Bloodshed and Manuela Martelli’s 1976 also among winners.
Davy Chou’s Return to Seoul and Laura Poitras’ All the Beauty and the Bloodshed were among the winners at the 28th Athens International Film Festival-Opening Nights, which ran from September 28 - October 9.
Return to Seoul, which world premiered in Cannes’ Un Certain Regard in May, was named best film in the festival’s eleven strong international fiction section, receiving the Golden Athena and a Euros 2,000 prize. Chou sent a videotaped message of thanks for the award.
The film was acquired for Greece by local theatrical distributor and platform Cinobo.
Davy Chou’s Return to Seoul and Laura Poitras’ All the Beauty and the Bloodshed were among the winners at the 28th Athens International Film Festival-Opening Nights, which ran from September 28 - October 9.
Return to Seoul, which world premiered in Cannes’ Un Certain Regard in May, was named best film in the festival’s eleven strong international fiction section, receiving the Golden Athena and a Euros 2,000 prize. Chou sent a videotaped message of thanks for the award.
The film was acquired for Greece by local theatrical distributor and platform Cinobo.
- 10/10/2022
- by Alexis Grivas
- ScreenDaily
As we impatiently await to see which film will represent Chile for the upcoming Oscars, we learn that Manuela Martelli (who could be that person with her breakthrough Directors’ Fortnight selected gem 1976) is moving steadily towards her sophomore feature. One of the fifteen projects selected for the upcoming Ventana Sur’s sidebar Proyecta (bringing together Latin America and Europe producers), Martelli’s El deshielo (The Meltdown) will be produced by Wood Producciones’ Alejandra García. As we know, Martelli got her start in acting (appearing on the Croisette on a couple of occasions).
Set in 1992′ Chile, 10 year-old Inés is spending time at her grandparents’ hotel, at the foot of a ski resort.…...
Set in 1992′ Chile, 10 year-old Inés is spending time at her grandparents’ hotel, at the foot of a ski resort.…...
- 10/6/2022
- by Eric Lavallée
- IONCINEMA.com
It’s been a banner year for Chile’s audiovisual industry. According to statistics compiled by promotional org CinemaChile, the country’s cinema amassed 45 international awards during the first half of 2022. Since then, more prizes have been rolling in. Among the latest is actress-director Manuela Martelli’s feature debut “1976” which won best debut film at the Jerusalem Film Festival aside from scooping three main plaudits at the 26th Lima Festival, including Best Film.
One question is how did Chilean cinema reach this point. It could be partly due to a new generation of women cineastes and platform backing, both driving the next stage of growth in Chilean cinema, its creative confidence and sense of artistic urgency.
The country produces an average of 30 films a year, of which at least five receive international acclaim any given year.
“Being a small market of merely 19 million inhabitants obliges us to go beyond...
One question is how did Chilean cinema reach this point. It could be partly due to a new generation of women cineastes and platform backing, both driving the next stage of growth in Chilean cinema, its creative confidence and sense of artistic urgency.
The country produces an average of 30 films a year, of which at least five receive international acclaim any given year.
“Being a small market of merely 19 million inhabitants obliges us to go beyond...
- 8/20/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the line-up
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the 12 films selected for the Horizontes Latinos section of the 70th edition of the San Sebastian International Film Festival (September 16-24).
Scroll down for full line-up
Martelli’s drama premiered in Cannes Directors’ Fortnight selection earlier this year and recently picked up the best first feature film award at Jerusalem. The film follows a middle-class woman re-evaluating her beliefs when she’s asked to secretly take care of an injured man. Luxbox are handling sales.
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the 12 films selected for the Horizontes Latinos section of the 70th edition of the San Sebastian International Film Festival (September 16-24).
Scroll down for full line-up
Martelli’s drama premiered in Cannes Directors’ Fortnight selection earlier this year and recently picked up the best first feature film award at Jerusalem. The film follows a middle-class woman re-evaluating her beliefs when she’s asked to secretly take care of an injured man. Luxbox are handling sales.
- 8/11/2022
- by Ellie Calnan
- ScreenDaily
The festival runs July 21-31.
Alexandru Belc’s Metronom has picked up the award for best international film at the 39th edition of the Jerusalem Film Festival (Jff) this week.
The Romanian film was selected from 11 international titles, which included Park Chan-wook’s Decision To Leave and Mia Hansen-Løve’s One Fine Morning. It centres around a teenage couple spending their last few days together in 1972. Belc also won the best director award when the film played in Cannes’ Un Certain Regard selection earlier this year.
Berlinale managing director Mariette Rissenbeek, Hungarian filmmaker László Nemes and Icelandic director Rúnar Rúnarsson comprised the jury.
Alexandru Belc’s Metronom has picked up the award for best international film at the 39th edition of the Jerusalem Film Festival (Jff) this week.
The Romanian film was selected from 11 international titles, which included Park Chan-wook’s Decision To Leave and Mia Hansen-Løve’s One Fine Morning. It centres around a teenage couple spending their last few days together in 1972. Belc also won the best director award when the film played in Cannes’ Un Certain Regard selection earlier this year.
Berlinale managing director Mariette Rissenbeek, Hungarian filmmaker László Nemes and Icelandic director Rúnar Rúnarsson comprised the jury.
- 7/29/2022
- by Ellie Calnan
- ScreenDaily
Aline Küppenheim as Carnen in 1976. Manuela Martelli: 'Aline is a great actress. She's really smart in understanding where she is now, and the context and how things should be said' Photo: Luxbox Films Actress Manuela Martelli made her writing and directing feature debut at this year's Cannes Film Festival with 1976, which screened in the Directors' Fortnight sidebar. It tells the story of Carmen (Aline Küppenheim), the well-heeled wife of a doctor who finds herself enlisted to help a fugitive Elías (Nicolás Sepúlveda) from the Pinochet dictatorship at increasing risk to her comfortable life. Unfolding against a backdrop of Carmen's family's trip to a beach house, the end result is a gripping watch that keeps us guessing about its central character's motivations. We caught up with Martelli after Cannes to chat to her about the inspiration for the film and its development.
Amber Wilkinson: There have been other...
Amber Wilkinson: There have been other...
- 6/19/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
Distributor plans theatrical release next winter.
Kino Lorber has acquired North American rights from Luxbox Films to Manuela Martelli’s Chilean drama and Cannes Directors’ Fortnight selection 1976, which has been renamed Chile 1976.
‘1976’: Cannes Review
Actor Martelli’s directorial debut takes place in the early years of the Augusto Pinochet regime as an upper middle-class woman gets drawn into the political opposition when she is asked by the family priest to take care of an injured man who is in hiding.
Aline Kuppenheim stars alongside Nicolás Sepúlveda, Hugo Medina and Alejandro Goic and acted with Martelli in Machuca. Martelli co-wrote the screenplay with Alejandra Moffat.
Kino Lorber has acquired North American rights from Luxbox Films to Manuela Martelli’s Chilean drama and Cannes Directors’ Fortnight selection 1976, which has been renamed Chile 1976.
‘1976’: Cannes Review
Actor Martelli’s directorial debut takes place in the early years of the Augusto Pinochet regime as an upper middle-class woman gets drawn into the political opposition when she is asked by the family priest to take care of an injured man who is in hiding.
Aline Kuppenheim stars alongside Nicolás Sepúlveda, Hugo Medina and Alejandro Goic and acted with Martelli in Machuca. Martelli co-wrote the screenplay with Alejandra Moffat.
- 6/15/2022
- by Jeremy Kay
- ScreenDaily
Following its world debut at Cannes Directors’ Fortnight this May, Kino Lorber has snagged North American distribution rights to “1976,” a gripping Pinochet-era drama directed by Manuela Martelli.
The film is the first feature for Martelli, produced by Chilean writer-directors Omar Zuniga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) for Cinestación, Alejandra Garcia and writer-director Andres Wood (“Violeta Went to Heaven”) for Wood Producciones, and co-produced by Nathalia Videla Peña and Juan Pablo Gugliotta for Argentina’s Magma Cine.
“1976” takes place in a small seaside town where Carmen (Aline Kuppenheim) reflects on her life as she transforms from a side-lined housewife into an integral caretaker. Putting her sanity and the values of her peers on the line, she steps further into uncertainty by aiding a weary and wounded opponent to Pinochet’s regime, Elías (Nicolás Sepúlvda), at her priest’s request.
“As the tone of Manuela Martelli...
The film is the first feature for Martelli, produced by Chilean writer-directors Omar Zuniga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) for Cinestación, Alejandra Garcia and writer-director Andres Wood (“Violeta Went to Heaven”) for Wood Producciones, and co-produced by Nathalia Videla Peña and Juan Pablo Gugliotta for Argentina’s Magma Cine.
“1976” takes place in a small seaside town where Carmen (Aline Kuppenheim) reflects on her life as she transforms from a side-lined housewife into an integral caretaker. Putting her sanity and the values of her peers on the line, she steps further into uncertainty by aiding a weary and wounded opponent to Pinochet’s regime, Elías (Nicolás Sepúlvda), at her priest’s request.
“As the tone of Manuela Martelli...
- 6/15/2022
- by Holly Jones
- Variety Film + TV
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