With both Disney and Warner Bros. turning 100 this year, it’s a great time to remember the Golden Age of moviemaking. The business is changing at a precipitous rate, and recent studio mergers have forever altered the longtime map of Hollywood production.
Actors and crew members, like armies, march on their stomachs, and since the dawn of the industry, it’s been up to the studios where they’re shooting to keep them well fortified. Studio executives and office workers, too, needed a convenient place to eat on the lots.
While researching the recent Culinary Historians presentation “Lunching on the Lot,” a 1997 quote from Variety story turned up which deftly explained what studio commissaries meant to the business. “After a gourmet tour of studio eateries, however, one thing is clear — It ain’t the chow that’s important. When the tribe hunkers down for its daily repast, ritual and symbolism are the rule.
Actors and crew members, like armies, march on their stomachs, and since the dawn of the industry, it’s been up to the studios where they’re shooting to keep them well fortified. Studio executives and office workers, too, needed a convenient place to eat on the lots.
While researching the recent Culinary Historians presentation “Lunching on the Lot,” a 1997 quote from Variety story turned up which deftly explained what studio commissaries meant to the business. “After a gourmet tour of studio eateries, however, one thing is clear — It ain’t the chow that’s important. When the tribe hunkers down for its daily repast, ritual and symbolism are the rule.
- 10/16/2023
- by Pat Saperstein
- Variety Film + TV
After Paramount’s “Top Gun: Maverick” soared with both critics and audiences last year it scored with the academy last month earning six Oscar nominations including Best Picture. The Tom Cruise blockbuster is in a dogfight for this top award with the likes of “Everything Everywhere All At Once,” “Avatar: The Way of Water,” “The Fabelmans” and “The Banshees of Inisherin.”
Turning the clock back over nine decades, the very first Best Picture winner in Oscars history was another high-flying Paramount release, 1927’s “Wings,” which also claimed the prize for best engineering effects. Directed by 30-year-old World War I vet William A. Wellman, who was snubbed, “Wings” revolves around two young smalltown men Jack (Charles “Buddy” Rogers) and David to compete against legions of other fans plus our experts and editors for best prediction accuracy scores. See our latest prediction champs. Can you top our esteemed leaderboards next? Always remember...
Turning the clock back over nine decades, the very first Best Picture winner in Oscars history was another high-flying Paramount release, 1927’s “Wings,” which also claimed the prize for best engineering effects. Directed by 30-year-old World War I vet William A. Wellman, who was snubbed, “Wings” revolves around two young smalltown men Jack (Charles “Buddy” Rogers) and David to compete against legions of other fans plus our experts and editors for best prediction accuracy scores. See our latest prediction champs. Can you top our esteemed leaderboards next? Always remember...
- 2/6/2023
- by Susan King
- Gold Derby
“Just start shooting.” That was the advice the legendary A.C. Lyles delivered to young filmmakers when they asked him how he managed to produce five films every year. “Don’t waste your time waiting for some nameless executive to give you the green light,” Lyles told them.
His approach was problematic, but in today’s stalled pandemic economy, it makes perverse sense. Two young female filmmakers successfully pursued his tactic this year with festival-winning results that might inspire others to follow suit. So did a distinguished 87-year-old director who has finished shooting his new film built around two veteran stars, ages 82 and 90.
In both cases, the filmmakers knew the odds were stacked against them – too much experience on one side, too little on the other. They thus decided not to wait in vain for a studio green light, instead scratching together their resources until they could finally shout, “Action!”
The films,...
His approach was problematic, but in today’s stalled pandemic economy, it makes perverse sense. Two young female filmmakers successfully pursued his tactic this year with festival-winning results that might inspire others to follow suit. So did a distinguished 87-year-old director who has finished shooting his new film built around two veteran stars, ages 82 and 90.
In both cases, the filmmakers knew the odds were stacked against them – too much experience on one side, too little on the other. They thus decided not to wait in vain for a studio green light, instead scratching together their resources until they could finally shout, “Action!”
The films,...
- 10/29/2020
- by Peter Bart
- Deadline Film + TV
Return with us now to those thrilling days of yesteryear — specifically, the mid-1950s to the late ’60s — when Paramount and Warner Bros. relied on producers such as A.C. Lyles and Hal Wallis, and directors like Henry Hathaway, Gordon Douglas, and Burt Kennedy, to maintain a steady flow of workmanlike Westerns for consumption by diehard horse opera fans at theaters and drive-ins everywhere. That’s the invitation extended by writer-director-star Scott Martin’s “Big Kill,” one of the precious few Westerns of recent years that one can easily imagine as a decades-ago vehicle for John Wayne, Dean Martin, James Stewart, and their contemporaries with only minor tweaking of the script.
Yes, it clocks in at a leisurely 127 minutes, but that makes it only four minutes longer than John Ford’s “The Man Who Shot Liberty Valance” (1962) — just one of the obvious influences on Martin’s scenario about an upright tenderfoot...
Yes, it clocks in at a leisurely 127 minutes, but that makes it only four minutes longer than John Ford’s “The Man Who Shot Liberty Valance” (1962) — just one of the obvious influences on Martin’s scenario about an upright tenderfoot...
- 10/19/2018
- by Joe Leydon
- Variety Film + TV
Coleen Gray in 'The Sleeping City' with Richard Conte. Coleen Gray after Fox: B Westerns and films noirs (See previous post: “Coleen Gray Actress: From Red River to Film Noir 'Good Girls'.”) Regarding the demise of her Fox career (the year after her divorce from Rod Amateau), Coleen Gray would recall for Confessions of a Scream Queen author Matt Beckoff: I thought that was the end of the world and that I was a total failure. I was a mass of insecurity and depended on agents. … Whether it was an 'A' picture or a 'B' picture didn't bother me. It could be a Western movie, a sci-fi film. A job was a job. You did the best with the script that you had. Fox had dropped Gray at a time of dramatic upheavals in the American film industry: fast-dwindling box office receipts as a result of competition from television,...
- 10/15/2015
- by Andre Soares
- Alt Film Guide
Here's another installment featuring Joe Dante's reviews from his stint as a critic for Film Bulletin circa 1969-1974. Our thanks to Video Watchdog and Tim Lucas for his editorial embellishments!
Post-production tampering mitigates against this Western by Sam Peckinpah finding its deserved reception from better-class audiences. Shortened release version is vague, confusing, and is being sold as routine action entry in saturation breaks where it should perform routinely, no more. Kris Kristofferson and acting debut of Bob Dylan provide youth lures. Rating: R.
“It feels like times have changed,” says Pat Garrett. “Times, maybe—not me," says Billy the Kid. A classical Sam Peckinpah exchange, reflecting one of the numerous obsessive themes that run through his latest Western. But times certainly haven’t changed for Peckinpah—for, despite the overdue success of his last venture, The Getaway, the embattled and iconoclastic director who revolutionized the Western with The Wild Bunch...
Post-production tampering mitigates against this Western by Sam Peckinpah finding its deserved reception from better-class audiences. Shortened release version is vague, confusing, and is being sold as routine action entry in saturation breaks where it should perform routinely, no more. Kris Kristofferson and acting debut of Bob Dylan provide youth lures. Rating: R.
“It feels like times have changed,” says Pat Garrett. “Times, maybe—not me," says Billy the Kid. A classical Sam Peckinpah exchange, reflecting one of the numerous obsessive themes that run through his latest Western. But times certainly haven’t changed for Peckinpah—for, despite the overdue success of his last venture, The Getaway, the embattled and iconoclastic director who revolutionized the Western with The Wild Bunch...
- 8/6/2015
- by Joe Dante
- Trailers from Hell
El Dorado
Written by Leigh Brackett
Directed by Howard Hawks
USA, 1966
When El Dorado was first shown in 1966, the Western in its classical form was beginning to disappear from American cinema. John Ford, synonymous with the genre, released his last feature that year, and El Dorado would be the second-to-last film by its own legendary director, Howard Hawks. The Western was evolving and its old masters were giving way to modern innovators. The stylishly self-conscious films of Sergio Leone first signaled the shift (the films of his “Dollars Trilogy” came out in 1964-1966), and it was certified by the critical, ominous, and violent The Wild Bunch, directed by Sam Peckinpah in 1969. Hawks decried the slow-motion bloodletting of Peckinpah. He argued that he could kill four men, get them to the morgue, and bury them before this newcomer could get one on the ground.
With this as the context of its gestation,...
Written by Leigh Brackett
Directed by Howard Hawks
USA, 1966
When El Dorado was first shown in 1966, the Western in its classical form was beginning to disappear from American cinema. John Ford, synonymous with the genre, released his last feature that year, and El Dorado would be the second-to-last film by its own legendary director, Howard Hawks. The Western was evolving and its old masters were giving way to modern innovators. The stylishly self-conscious films of Sergio Leone first signaled the shift (the films of his “Dollars Trilogy” came out in 1964-1966), and it was certified by the critical, ominous, and violent The Wild Bunch, directed by Sam Peckinpah in 1969. Hawks decried the slow-motion bloodletting of Peckinpah. He argued that he could kill four men, get them to the morgue, and bury them before this newcomer could get one on the ground.
With this as the context of its gestation,...
- 3/14/2014
- by Jeremy Carr
- SoundOnSight
Mickey Rooney and Arnold Schwarzenegger were among the Hollywood figures who came out to pay their respects to a man who was eulogized as "Mr. Paramount."
A.C. Lyles, a beloved employee of Paramount Pictures for more than 80 years who passed away at the age of 95 on Sept. 27, was remembered by friends and family at a memorial service on the Paramount lot on Monday afternoon.
Among those who packed the Paramount Theatre -- the lobby of which was decorated with photos of Lyles with everyone from Prince Charles to Elvis Presley to Shirley Temple -- were legends of Hollywood's Golden Age, such as Mickey Rooney, Jane Withers, Terry Moore, Ruta Lee and Anne Jeffreys, as well as a spattering of more recent stars like Arnold Schwarzenegger and more than a few people from other walks of life whom Lyles had befriended over the years.
Lyles, it was noted throughout the ceremony,...
A.C. Lyles, a beloved employee of Paramount Pictures for more than 80 years who passed away at the age of 95 on Sept. 27, was remembered by friends and family at a memorial service on the Paramount lot on Monday afternoon.
Among those who packed the Paramount Theatre -- the lobby of which was decorated with photos of Lyles with everyone from Prince Charles to Elvis Presley to Shirley Temple -- were legends of Hollywood's Golden Age, such as Mickey Rooney, Jane Withers, Terry Moore, Ruta Lee and Anne Jeffreys, as well as a spattering of more recent stars like Arnold Schwarzenegger and more than a few people from other walks of life whom Lyles had befriended over the years.
Lyles, it was noted throughout the ceremony,...
- 11/12/2013
- by Scott Feinberg
- The Hollywood Reporter - Movie News
The top stories of the week from Toh!Awards:Oscar-Bound Bruce Dern Talks Career and Alexander Payne's "Nebraska"Box Office:Arthouse Audit: "Enough Said" and "Metallica Through the Never" Score Solid Limited National Grosses"Cloud 2" Clear Winner Over Spotty Weekend, "Instructions Not Included" Highest Spanish Grosser EverFeatures:Immersed in Movies: "Gravity" Takes a Giant VFX Leap as Pure CinemaYour Week in Streaming: Movies About Movies by Hong Sang-soo and Jim McBrideFestivals:nyff Tributes Cate Blanchett on the Road to OscarRamping Up to the 36th Mill Valley Film FestivalSpike Jonze Previews "Her" Before Its New York Film Festival UnveilingInterviews:"Gravity" Q&A: Alfonso Cuaron Talks Creating Space Epic (Video)Q & A: Indie Hit "Enough Said" Is Oscar Race Dark HorseNews: Obit: Paramount Stalwart A.C. Lyles Bows Out at Age 95Obit: Tom Clancy, Author of Jack Ryan Thrillers "Hunt for Red October," "Patriot Games" and More, Has Died at 66 (Film Clips)Take Note, Indie...
- 10/5/2013
- by TOH!
- Thompson on Hollywood
Hollywood won’t be the same without the smiling presence of A.C. Lyles, who loved show business and the people in it. He never missed an opportunity to make a speech or salute an old friend. A.C. died on Friday at age 95, and spent most of his years proudly working for Paramount Pictures—as a messenger, office boy, publicist, producer, and finally “good-will ambassador.” When one of his closest friends, Ronald Reagan, was elected President of the United States, he became the White House’s unofficial Hollywood liaison and used his bulging Rolodex to line up guests for state dinners on a regular basis. I spent a number of years on the Paramount lot, and it was a memorable...
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- 10/1/2013
- by Leonard Maltin
- Leonard Maltin's Movie Crazy
A.C. Lyles – producer, publicist and one of the last links to Hollywood’s early years – has died at the age of 95. He was 10 years old in 1928 when he handed out fliers at a Paramount owned theater in Jacksonville, Florida and 20 when he had saved enough money working as an usher to take the train to California and arrive at the Paramount gate expecting to get a job. He got one in the Paramount mailroom. In a career at Paramount that lasted more than 80 years, he moved from the mailroom to the publicity department to the producer of low budget westerns to a role as Paramount’s unofficial ambassador. Immensely likeable, he knew everybody during the golden days of the studio system and in 1988 was awarded his own star on the Hollywood Walk of Fame. Andrew Craddock Lyles, Jr. was born on May 17, 1918 in Jacksonville, Fla. In an interview with National...
- 10/1/2013
- by Aljean Harmetz
- Thompson on Hollywood
A.C. Lyles, who worked for Paramount in some capacity for more than 80 years and still kept an office on Melrose, has died, studio insiders said Monday. He was 95. Lyles died Friday in Los Angeles. Starting at Hollywood’s archetypal bottom rung – the mailroom – Lyles worked his way up to publicity and advertising, where he toiled for decades before going on to produce both movies and television shows, nearly all of them at Paramount. Affable and gregarious, Lyles became the company’s de facto goodwill ambassador and resident expert on studio history through the years. Born in Florida, his first official.
- 9/30/2013
- by TheWrap Staff
- The Wrap
Publicist and producer A.C. Lyles, who in recent years has served as the studio ambassador at Paramount Pictures, died Friday at age 95. Lyles had worked for Paramount since he was ten years old, longer than any other employee in the history of that studio. He first went to work more than 80 years ago in the Paramount mailroom when Adolph Zukor ran the studio. He was a publicist for many years before making a transition to producing for the studio. Photos: Hollywood's Notable Deaths of 2013 Andrew Craddock Lyles was born in Jacksonville, Fla., and first met Zukor
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- 9/30/2013
- by Alex Ben Block
- The Hollywood Reporter - Movie News
Review by Sam Moffitt
Bad movies have been a cult all their own at least since the publication of the Medved Brother’s book The 50 Worst Movies of All Time. Although my bet is that it started with the publication of Joe Dante’s article the 50 Worst Horror Movies of All Time (Or was it 25?) in Famous Monsters of Filmland in the 1960′s I had that issue and had seen some of those movies. I assumed Joe Dante was a grown man and found out years later he was about the same age as me when he submitted that article to Forry Ackerman. I loved reading Famous Monsters and Monster World but it never occurred to me to write an article and submit it as Joe Dante did (and Stephen King as Forry later told in interviews, although he made it a point not to publish fiction).
After the Medved...
Bad movies have been a cult all their own at least since the publication of the Medved Brother’s book The 50 Worst Movies of All Time. Although my bet is that it started with the publication of Joe Dante’s article the 50 Worst Horror Movies of All Time (Or was it 25?) in Famous Monsters of Filmland in the 1960′s I had that issue and had seen some of those movies. I assumed Joe Dante was a grown man and found out years later he was about the same age as me when he submitted that article to Forry Ackerman. I loved reading Famous Monsters and Monster World but it never occurred to me to write an article and submit it as Joe Dante did (and Stephen King as Forry later told in interviews, although he made it a point not to publish fiction).
After the Medved...
- 12/31/2012
- by Movie Geeks
- WeAreMovieGeeks.com
Latest Additions Include Star-Studded Appearances, Noted Film Historians,
An Opening-Night Poolside Screening of High Society (1956)
And a Vanity Fair Showcase of Architecture in Film
Complete Schedule for 2012 TCM Classic Film Festival
Now Available at http://www.tcm.com/festival
With just over two weeks left before opening day, the 2012 TCM Classic Film Festival continues to expand its already-packed slate with new events and live appearances:
On opening night of the festival, the Hollywood Roosevelt Hotel will be the site of a poolside screening of the lavish Cole Porter musical High Society (1956), starring Grace Kelly, Frank Sinatra and Bing Crosby. Actresses Maud Adams and Eunice Gayson will attend a 50th Anniversary screening of the James Bond classic Dr. No (1962) and participate in a conversation about being “Bond Girls.” Filmmaker Mel Brooks will be on hand to introduce his brilliant parody Young Frankenstein (1974). Filmmaker John Carpenter will introduce his favorite film, the...
An Opening-Night Poolside Screening of High Society (1956)
And a Vanity Fair Showcase of Architecture in Film
Complete Schedule for 2012 TCM Classic Film Festival
Now Available at http://www.tcm.com/festival
With just over two weeks left before opening day, the 2012 TCM Classic Film Festival continues to expand its already-packed slate with new events and live appearances:
On opening night of the festival, the Hollywood Roosevelt Hotel will be the site of a poolside screening of the lavish Cole Porter musical High Society (1956), starring Grace Kelly, Frank Sinatra and Bing Crosby. Actresses Maud Adams and Eunice Gayson will attend a 50th Anniversary screening of the James Bond classic Dr. No (1962) and participate in a conversation about being “Bond Girls.” Filmmaker Mel Brooks will be on hand to introduce his brilliant parody Young Frankenstein (1974). Filmmaker John Carpenter will introduce his favorite film, the...
- 3/28/2012
- by Michelle McCue
- WeAreMovieGeeks.com
The 2012 TCM Classic Film Festival has unveiled another spectacular lineup of special guests and events for this year’s four-day gathering in Hollywood. Among the newly announced participants for this year’s festival are five-time Emmy® winner Dick Van Dyke, Oscar® winner Shirley Jones, two-time Golden Globe® winner Angie Dickinson, six-time Golden Globe nominee Robert Wagner, seven-time Oscar nominee Norman Jewison, longtime producer A.C. Lyles and three-time Oscar-winning editor Thelma Schoonmaker. In addition, the festival will feature a special three-film tribute to director/choreographer Stanley Donen, who will be on-hand for the celebration.
As part of its overall Style and the Movies theme, the festival has added several films featuring the work of pioneering costume designer Travis Banton. Oscar-nominated costume designer Deborah Nadoolman Landis will introduce the six-movie slate, with actress and former Essentials co-host Rose McGowan joining her for one of the screenings.
Other festival additions include a screening...
As part of its overall Style and the Movies theme, the festival has added several films featuring the work of pioneering costume designer Travis Banton. Oscar-nominated costume designer Deborah Nadoolman Landis will introduce the six-movie slate, with actress and former Essentials co-host Rose McGowan joining her for one of the screenings.
Other festival additions include a screening...
- 3/9/2012
- by Michelle McCue
- WeAreMovieGeeks.com
By Lee Pfeiffer
Paramount has recently released two major John Wayne titles as two DVD special editions. The releases were tied in with the studio's Centennial line of classics. In fact, El Dorado probably doesn't qualify as a classic, as it represents Howard Hawks' virtual remake of his 1959 film Rio Bravo (which is a genuine classic.) Regarded as a good, run-of-the-mill Western when released in 1967, the film has grown in stature as film scholars grapple with the notion that there simply aren't artists around today as interesting as Wayne, Hawks and Robert Mitchum, the other lead. The film showcases a fine supporting cast including James Caan in one of his first major roles, Charlene Holt, Michele Carey, Ed Asner and old reliable character actors Paul Fix and Arthur Hunnicutt playing a role that seems tailor-made for Walter Brennan. The plot is virtually identical to that of the previous film:...
Paramount has recently released two major John Wayne titles as two DVD special editions. The releases were tied in with the studio's Centennial line of classics. In fact, El Dorado probably doesn't qualify as a classic, as it represents Howard Hawks' virtual remake of his 1959 film Rio Bravo (which is a genuine classic.) Regarded as a good, run-of-the-mill Western when released in 1967, the film has grown in stature as film scholars grapple with the notion that there simply aren't artists around today as interesting as Wayne, Hawks and Robert Mitchum, the other lead. The film showcases a fine supporting cast including James Caan in one of his first major roles, Charlene Holt, Michele Carey, Ed Asner and old reliable character actors Paul Fix and Arthur Hunnicutt playing a role that seems tailor-made for Walter Brennan. The plot is virtually identical to that of the previous film:...
- 2/8/2010
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
I'm not the biggest fan of Westerns; in fact the last Western I really, truly loved was The Proposition, which was penned by Nick Cave - yes, that Nick Cave - and it was much more highly stylized than the "classic" Westerns we are familiar with. With El Dorado, Howard Hawks carries out a film that is more along the lines of a traditional Western, and makes it appealing even to a lukewarm Western fan like myself.
El Dorado stars cinematic legends John Wayne and Robert Mitchum, with Wayne exuding cool as effortlessly and nonchalantly as Michael Pitt does creepiness. The two play old friends Cole and J.P, the former being a well-known gunslinger and the latter being the sheriff of the eponymous town. The film begins with Cole stopping by El Dorado for a brief reunion before heading to a ranch to help a man named Bart Jason...
El Dorado stars cinematic legends John Wayne and Robert Mitchum, with Wayne exuding cool as effortlessly and nonchalantly as Michael Pitt does creepiness. The two play old friends Cole and J.P, the former being a well-known gunslinger and the latter being the sheriff of the eponymous town. The film begins with Cole stopping by El Dorado for a brief reunion before heading to a ranch to help a man named Bart Jason...
- 5/21/2009
- by Inna Mkrtycheva
- JustPressPlay.net
The Western movie genre is something most of us consider a relic from the 1950s, and yet, two of the better regarded films – The Man Who Shot Liberty Valance and El Dorado – are products of the 1960s, even though they feel older given the changes to American cinema in that decade. Both movies, coming out Tuesday as part of Paramount Home Video’s Centennial Collection, are both solid and entertaining.
The former may be best recalled for line, "This is the west, sir. When the legend becomes fact, print the legend." It stars James Stewart and John Ford playing entirely different kinds of men of the west. Wayne was a rancher, a fairly decent sort but narrow-minded, prone to jealousy, and believed using a gun was essential to surviving on the frontier. Stewart, a lawyer by training, came west to start his career. Both loved Hallie (Vera Miles) and had...
The former may be best recalled for line, "This is the west, sir. When the legend becomes fact, print the legend." It stars James Stewart and John Ford playing entirely different kinds of men of the west. Wayne was a rancher, a fairly decent sort but narrow-minded, prone to jealousy, and believed using a gun was essential to surviving on the frontier. Stewart, a lawyer by training, came west to start his career. Both loved Hallie (Vera Miles) and had...
- 5/17/2009
- by Robert Greenberger
- Comicmix.com
(A.C. Lyles, below)
by Jon Zelazny
Editor’s note: This article originally appeared at EightMillionStories.com on February 27, 2009
There’s an A.C. Lyles Building at the Paramount Pictures main lot, but you won’t find A.C. Lyles there; his office is on the fourth floor of the William S. Hart Building.
When I arrived for our interview, Mr. Lyles was chatting with some visitors in his outer office. He bid me into his main office, and asked his assistant Pam to put in a video… a short promo reel that opens with a six minute tribute by then-President Ronald Reagan, who warmly recalls his and Nancy’s many years of friendship with A.C. and his wife Martha, and congratulates A.C. on his fifty years at the studio. The President’s intro is followed by taped congratulations from President Carter, President Ford, and Vice President Bush, then assorted clips celebrating Mr.
by Jon Zelazny
Editor’s note: This article originally appeared at EightMillionStories.com on February 27, 2009
There’s an A.C. Lyles Building at the Paramount Pictures main lot, but you won’t find A.C. Lyles there; his office is on the fourth floor of the William S. Hart Building.
When I arrived for our interview, Mr. Lyles was chatting with some visitors in his outer office. He bid me into his main office, and asked his assistant Pam to put in a video… a short promo reel that opens with a six minute tribute by then-President Ronald Reagan, who warmly recalls his and Nancy’s many years of friendship with A.C. and his wife Martha, and congratulates A.C. on his fifty years at the studio. The President’s intro is followed by taped congratulations from President Carter, President Ford, and Vice President Bush, then assorted clips celebrating Mr.
- 5/14/2009
- by The Hollywood Interview.com
- The Hollywood Interview
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