You’re Telling Me!/Man on the Flying Trapeze
Blu ray
Kino Lorber
1934, 1935 / 1.33 : 1 / 67, 65 Min.
Starring W.C. Fields, Kathleen Howard, Adrienne Ames
Written by W.C. Fields, Walter DeLeon, Sam Hardy
Directed by Erle C. Kenton, Clyde Bruckman
Paramount Pictures presents a grudge match for the ages, W.C. Fields vs. The World. Headlining the bill are two of the combative comedian’s most raucous comedies—as examples of the fine art of filmmaking the movies are merely serviceable, but for connoisseurs of rough and tumble humor, they’re unbeatable. In You’re Telling Me!, Fields plays Sam Bisbee, a working stiff with nearsighted visions of glory. In Man on the Flying Trapeze, Fields is Ambrose Wolfinger; timid bookkeeper and zealous wrestling fan. Both men are cut from the same cloth; small town dreamers whose bumbling behavior obscures their heroic nature—they may be down for the count but they will prevail.
Blu ray
Kino Lorber
1934, 1935 / 1.33 : 1 / 67, 65 Min.
Starring W.C. Fields, Kathleen Howard, Adrienne Ames
Written by W.C. Fields, Walter DeLeon, Sam Hardy
Directed by Erle C. Kenton, Clyde Bruckman
Paramount Pictures presents a grudge match for the ages, W.C. Fields vs. The World. Headlining the bill are two of the combative comedian’s most raucous comedies—as examples of the fine art of filmmaking the movies are merely serviceable, but for connoisseurs of rough and tumble humor, they’re unbeatable. In You’re Telling Me!, Fields plays Sam Bisbee, a working stiff with nearsighted visions of glory. In Man on the Flying Trapeze, Fields is Ambrose Wolfinger; timid bookkeeper and zealous wrestling fan. Both men are cut from the same cloth; small town dreamers whose bumbling behavior obscures their heroic nature—they may be down for the count but they will prevail.
- 5/24/2022
- by Charlie Largent
- Trailers from Hell
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“Double W. C. Fields”
By Raymond Benson
Kino Lorber has been releasing the W. C. Fields catalog in high definition, upgraded from previous releases on DVD, and two more have come to the fore—You’re Telling Me! and Man on the Flying Trapeze, two titles that don’t immediately come to mind when one thinks of top tier, classic Fields pictures, but never fear—they’re hilarious and worth a look.
You’re Telling Me! preceded The Old Fashioned Way and the brilliant It’s a Gift (both previously reviewed here at Cinema Retro), all three of which appeared in 1934, while Fields (real name—William Claude Dukenfield) still had a working contract with Paramount Pictures. Man on the Flying Trapeze was released in 1935, a return to a “Fields comedy” after the actor took a sidetrack sojourn, courtesy of Paramount, into more high-brow fare.
“Double W. C. Fields”
By Raymond Benson
Kino Lorber has been releasing the W. C. Fields catalog in high definition, upgraded from previous releases on DVD, and two more have come to the fore—You’re Telling Me! and Man on the Flying Trapeze, two titles that don’t immediately come to mind when one thinks of top tier, classic Fields pictures, but never fear—they’re hilarious and worth a look.
You’re Telling Me! preceded The Old Fashioned Way and the brilliant It’s a Gift (both previously reviewed here at Cinema Retro), all three of which appeared in 1934, while Fields (real name—William Claude Dukenfield) still had a working contract with Paramount Pictures. Man on the Flying Trapeze was released in 1935, a return to a “Fields comedy” after the actor took a sidetrack sojourn, courtesy of Paramount, into more high-brow fare.
- 4/25/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
While us horror lovers revelled in the ripped bodices and cobwebbed corridors of another vampire plagued castle, Hammer was busy trying to clear the halls and make their way into the modern world. Take Nightmare (1964), an effective black and white thriller that shows you don’t need fangs to be fearsome.
Released in its native U.K. in April and stateside in June, Nightmare (Aka the amazing Here’s the Knife, Dear: Now Use It) still has a lot of wandering down darkened hallways, but instead of coming up against the undead, our heroine has to do battle with her own brittle mind. Or has the dead come back for her?
Pity poor Janet (Jennie Linden – Old Dracula). Our film opens with her hearing a distant voice calling her name. She leaves the comfort of her bed and follows the whispered voice which leads her to a shadowed room where...
Released in its native U.K. in April and stateside in June, Nightmare (Aka the amazing Here’s the Knife, Dear: Now Use It) still has a lot of wandering down darkened hallways, but instead of coming up against the undead, our heroine has to do battle with her own brittle mind. Or has the dead come back for her?
Pity poor Janet (Jennie Linden – Old Dracula). Our film opens with her hearing a distant voice calling her name. She leaves the comfort of her bed and follows the whispered voice which leads her to a shadowed room where...
- 12/9/2017
- by Scott Drebit
- DailyDead
Jean Arthur films on TCM include three Frank Capra classics Five Jean Arthur films will be shown this evening, Monday, January 5, 2015, on Turner Classic Movies, including three directed by Frank Capra, the man who helped to turn Arthur into a major Hollywood star. They are the following: Capra's Mr. Deeds Goes to Town, You Can't Take It with You, and Mr. Smith Goes to Washington; George Stevens' The More the Merrier; and Frank Borzage's History Is Made at Night. One the most effective performers of the studio era, Jean Arthur -- whose film career began inauspiciously in 1923 -- was Columbia Pictures' biggest female star from the mid-'30s to the mid-'40s, when Rita Hayworth came to prominence and, coincidentally, Arthur's Columbia contract expired. Today, she's best known for her trio of films directed by Frank Capra, Columbia's top director of the 1930s. Jean Arthur-Frank Capra...
- 1/6/2015
- by Andre Soares
- Alt Film Guide
‘Gilda,’ ‘Pulp Fiction’: 2013 National Film Registry movies (photo: Rita Hayworth in ‘Gilda’) See previous post: “‘Mary Poppins’ in National Film Registry: Good Timing for Disney’s ‘Saving Mr. Banks.’” Billy Woodberry’s UCLA thesis film Bless Their Little Hearts (1984). Stanton Kaye’s Brandy in the Wilderness (1969). The Film Group’s Cicero March (1966), about a Civil Rights march in an all-white Chicago suburb. Norbert A. Myles’ Daughter of Dawn (1920), with Hunting Horse, Oscar Yellow Wolf, Esther Labarre. Bill Morrison’s Decasia (2002), featuring decomposing archival footage. Alfred E. Green’s Ella Cinders (1926), with Colleen Moore, Lloyd Hughes, Vera Lewis. Fred M. Wilcox’s Forbidden Planet (1956), with Walter Pidgeon, Anne Francis, Leslie Nielsen, Warren Stevens, Jack Kelly, Robby the Robot. Charles Vidor’s Gilda (1946), with Rita Hayworth, Glenn Ford, George Macready. John and Faith Hubley’s Oscar-winning animated short The Hole (1962). Stanley Kramer’s Judgment at Nuremberg (1961), with Best Actor Oscar winner Maximilian Schell,...
- 12/20/2013
- by Andre Soares
- Alt Film Guide
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