The film tackles the issue of illegal immigration and people trafficking.
Asimina Proedrou’s debut feature Behind The Haystacks swept the board at Greece’s Iris Awards this week, winning the prizes for best film, director, debut director, screenplay, actor, supporting actress and actor, cinematography, editing and sound.
The film is about a family forced to take part in the trafficking of illegal migrants from Turkey to Greece and into the EU.
Scroll down for the full list of winners
It premiered at the Thessaloniki International Film Festival in November 2022 where it was awarded the Fipresci prize as well as the best debut director award.
Asimina Proedrou’s debut feature Behind The Haystacks swept the board at Greece’s Iris Awards this week, winning the prizes for best film, director, debut director, screenplay, actor, supporting actress and actor, cinematography, editing and sound.
The film is about a family forced to take part in the trafficking of illegal migrants from Turkey to Greece and into the EU.
Scroll down for the full list of winners
It premiered at the Thessaloniki International Film Festival in November 2022 where it was awarded the Fipresci prize as well as the best debut director award.
- 6/29/2023
- by Alexis Grivas
- ScreenDaily
The Los Angeles Greek Film Festival, an annual showcase that brings films and filmmakers from Greece, Cyprus and other countries in the region to the United States, announced the winners of its 2023 Orpheus Awards at a ceremony on Sunday night at the Silver Screen Theatre in the Pacific Design Center.
Toplining the honors: “Listen,” directed by Maria Douza, which won for best fiction feature film. “Iman,” helmed Corina Avramidou and Kyriakos Tofarides, took home the special jury award for best film, and Panos Koutras won the best director award for “Dodo.”
Spiros Jacovides won an honorable mention for best director for “Black Stone,” and Efthalia Papacosta was awarded the best performance trophy for “Listen.” “Black Stone” also won the audience award for feature film, and an honorable mention for best performance went to Stephanie Atala for “Iman.”
“Listen” centers on a 16-year-old deaf girl forced to leave her progressive Athens...
Toplining the honors: “Listen,” directed by Maria Douza, which won for best fiction feature film. “Iman,” helmed Corina Avramidou and Kyriakos Tofarides, took home the special jury award for best film, and Panos Koutras won the best director award for “Dodo.”
Spiros Jacovides won an honorable mention for best director for “Black Stone,” and Efthalia Papacosta was awarded the best performance trophy for “Listen.” “Black Stone” also won the audience award for feature film, and an honorable mention for best performance went to Stephanie Atala for “Iman.”
“Listen” centers on a 16-year-old deaf girl forced to leave her progressive Athens...
- 6/12/2023
- by Peter Caranicas
- Variety Film + TV
Current Mpm Film and Premium Films sales executives Ricardo Monastier and Leslie Saussereau will combine forces on the international sales front.
Paris-based auteur-focused Mpm Film and shorts specialist Premium Films have joined forces to create a single sales entity called Mpm Premium, combining their industry know-how and network.
Under the new structure, current Mpm Film and Premium Films sales executives Ricardo Monastier and Leslie Saussereau will combine forces on the international sales front.
Mpm Film founding chief Marie-Pierre Macia and producer Claire Gadéa and Premium Films founder Jean-Charles Mille will oversee management of the company.
“The market is evolving and we have to adapt. The fusion allows us more flexibility and better reactivity thanks to a bigger team, with complementary abilities and a wide expertise. We plan to optimise our investments and be more present on the international markets,” Macia, Gadéa and Mille said in a joint statement.
“It’s more and more difficult for auteur films to find...
Paris-based auteur-focused Mpm Film and shorts specialist Premium Films have joined forces to create a single sales entity called Mpm Premium, combining their industry know-how and network.
Under the new structure, current Mpm Film and Premium Films sales executives Ricardo Monastier and Leslie Saussereau will combine forces on the international sales front.
Mpm Film founding chief Marie-Pierre Macia and producer Claire Gadéa and Premium Films founder Jean-Charles Mille will oversee management of the company.
“The market is evolving and we have to adapt. The fusion allows us more flexibility and better reactivity thanks to a bigger team, with complementary abilities and a wide expertise. We plan to optimise our investments and be more present on the international markets,” Macia, Gadéa and Mille said in a joint statement.
“It’s more and more difficult for auteur films to find...
- 2/15/2018
- by Melanie Goodfellow
- ScreenDaily
Athina Rachel Tsangari’s Chevalier is the Greek submission to the foreign film category at the 2017 Academy Awards.
Athina Rachel Tsangari’s Chevalier has been selected by the Culture Ministry to represent Greece in the Oscar category for Best Foreign Language Film, 2017.
The film, a social satire taking place entirely on a boat where a group of men compete for macho supremacy, joins the Oscar race after a number of awards in 2015 including best film at the BFI London Film Festival, a jury special mention and the best male award for its group of five leading actors at Sarajevo Film Festival, as well as the special jury prize at the Cartagena International Film Festival.
Award-winning screenwriter and Yorgos Lanthimos’ regular collaborator Efthimis Filippou penned the script in collaboration with Tsangari.
The picture was produced by Faliro House Productions and Tsangari’s own outlet Haos Film with the backing of the Greek Film Centre.
This is the...
Athina Rachel Tsangari’s Chevalier has been selected by the Culture Ministry to represent Greece in the Oscar category for Best Foreign Language Film, 2017.
The film, a social satire taking place entirely on a boat where a group of men compete for macho supremacy, joins the Oscar race after a number of awards in 2015 including best film at the BFI London Film Festival, a jury special mention and the best male award for its group of five leading actors at Sarajevo Film Festival, as well as the special jury prize at the Cartagena International Film Festival.
Award-winning screenwriter and Yorgos Lanthimos’ regular collaborator Efthimis Filippou penned the script in collaboration with Tsangari.
The picture was produced by Faliro House Productions and Tsangari’s own outlet Haos Film with the backing of the Greek Film Centre.
This is the...
- 9/21/2016
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
Director refuses to accept trophies in protest over immigrant issues in Greece.Scroll down for full list of winners
Panos H Koutras’ Xenia swept the sixth Hellenic Film Academy Awards on Monday evening (March 30) including the top prizes for best film, best director and best screenplay.
The film, which played in Un Certain Regard at Cannes 2014, was also awarded best editing, best costumes and best supporting actor for Angelos Papadimitriou.
But in an emotionally charged gesture, the director and his team chose not to accept the awards until the left wing Syriza government passed a bill regarding second-generation, referring to more than 100,000 immigrant children born and raised in Greece who are being denied Greek citizenship.
Xenia centres on two teenage boys who cross the entire country in search of their Greek father, after their Albanian mother passes away. They hope he will identify them as sons and secure their citizenship.
Last year’s...
Panos H Koutras’ Xenia swept the sixth Hellenic Film Academy Awards on Monday evening (March 30) including the top prizes for best film, best director and best screenplay.
The film, which played in Un Certain Regard at Cannes 2014, was also awarded best editing, best costumes and best supporting actor for Angelos Papadimitriou.
But in an emotionally charged gesture, the director and his team chose not to accept the awards until the left wing Syriza government passed a bill regarding second-generation, referring to more than 100,000 immigrant children born and raised in Greece who are being denied Greek citizenship.
Xenia centres on two teenage boys who cross the entire country in search of their Greek father, after their Albanian mother passes away. They hope he will identify them as sons and secure their citizenship.
Last year’s...
- 4/1/2015
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
Trieste’s When East Meets West (Wemw) co-production market is to cast its net wider to include North America for the first time.
Speaking exclusively to ScreenDaily, Wemw project coordinator Alessandro Gropplero explained that the market’s 2015 focus on English-speaking countries will seek to encourage closer links between producers from Eastern Europe, Italy, the UK, Ireland, the Us and Canada.
At the centre of Wemw’s fifth edition (Jan 18-20, 2015) will be the public pitching of 20 film projects - fiction feature films and documentaries - which would make ideal co-productions to an audience of producers, sales agents, and distributors from the participating territories..
The selected projects will be competing for the Wemw Development Award, a scholarship from the Eave producers training programme, and the newly created Egg Digital Cinema Award with a full Dcp offered by Egg, one of the leading Irish post/VFX houses.
In addition, the producers of the selected projects will have the opportunity...
Speaking exclusively to ScreenDaily, Wemw project coordinator Alessandro Gropplero explained that the market’s 2015 focus on English-speaking countries will seek to encourage closer links between producers from Eastern Europe, Italy, the UK, Ireland, the Us and Canada.
At the centre of Wemw’s fifth edition (Jan 18-20, 2015) will be the public pitching of 20 film projects - fiction feature films and documentaries - which would make ideal co-productions to an audience of producers, sales agents, and distributors from the participating territories..
The selected projects will be competing for the Wemw Development Award, a scholarship from the Eave producers training programme, and the newly created Egg Digital Cinema Award with a full Dcp offered by Egg, one of the leading Irish post/VFX houses.
In addition, the producers of the selected projects will have the opportunity...
- 9/11/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Nearly 30 sales companies receive financial backing to market their films in Toronto.
A total of 28 sales companies from eight European countries are to receive financial backing from to market their films at the Toronto International Film Festival (Sept 4-14) from European Film Promotion’s Film Sales Support scheme.
More than €150,000 ($200,000) in total is being reserved by Efp for Europe’s attending sales companies.
European films eligible for Fss support have to run in the festival and need to be available for Canada. Of the 39 supported films, 27 are receiving their world premiere in Toronto.
Amongst them are François Ozon’s The New Girlfriend, Bent Hamer’s 1001 Grams and Susanne Bier’s A Second Chance.
Michael Winterbottom The Face Of An Angel sees German actor and former European Shooting Star Daniel Brühl in a lead role.
Foreign Body by Krzysztof Zanussi, a co-production between Poland, Italy and Russia with one-time European Shooting Star Agata Buzek in a main role...
A total of 28 sales companies from eight European countries are to receive financial backing from to market their films at the Toronto International Film Festival (Sept 4-14) from European Film Promotion’s Film Sales Support scheme.
More than €150,000 ($200,000) in total is being reserved by Efp for Europe’s attending sales companies.
European films eligible for Fss support have to run in the festival and need to be available for Canada. Of the 39 supported films, 27 are receiving their world premiere in Toronto.
Amongst them are François Ozon’s The New Girlfriend, Bent Hamer’s 1001 Grams and Susanne Bier’s A Second Chance.
Michael Winterbottom The Face Of An Angel sees German actor and former European Shooting Star Daniel Brühl in a lead role.
Foreign Body by Krzysztof Zanussi, a co-production between Poland, Italy and Russia with one-time European Shooting Star Agata Buzek in a main role...
- 8/29/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Exclusive: Former Sbs exec takes over from Ben Gibson at London Film School.
Former Sbs executive Jane Roscoe is to become director of the London Film School, taking over from current director Ben Gibson in August.
Roscoe, a published academic who launched the Centre for Screen Studies and Research while working at the Australian Film, Television & Radio School, was most recently the UK-based head of International content at Australian network Sbs, where she acquired features and brokered international co-productions.
The Australian executive was formerly network programmer at Sbs, where she spearheaded the launch of channel Sbs Two.
Roscoe, who takes over from out-going director Ben Gibson after his 14-year stint at the school, said: “I am thrilled to have the opportunity to lead the Lfs as it approaches its 60th anniversary. The move to the Barbican will further enhance the School’s ability to educate for creativity, and stay connected to a fast changing film industry. It’s going...
Former Sbs executive Jane Roscoe is to become director of the London Film School, taking over from current director Ben Gibson in August.
Roscoe, a published academic who launched the Centre for Screen Studies and Research while working at the Australian Film, Television & Radio School, was most recently the UK-based head of International content at Australian network Sbs, where she acquired features and brokered international co-productions.
The Australian executive was formerly network programmer at Sbs, where she spearheaded the launch of channel Sbs Two.
Roscoe, who takes over from out-going director Ben Gibson after his 14-year stint at the school, said: “I am thrilled to have the opportunity to lead the Lfs as it approaches its 60th anniversary. The move to the Barbican will further enhance the School’s ability to educate for creativity, and stay connected to a fast changing film industry. It’s going...
- 4/29/2014
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The Cannes Film Festival's lineup of films include the Competition titles of several legendary auteurs such as Jean-Luc Godard, David Cronenberg, The Dardenne Brothers, Atom Egoyan, Mike Leigh, and Ken Loach. In the Un Certain Regard section, the highly anticipated film by actor-turned-director Ryan Gosling. Those in the business will be happy to find Alison Thompson in her new company, Sunray Films, selling Mike Leigh's Mr. Turner. Two films out of 18 in Competition are by women, but across all sections there are 15 women directors. Further in Competition, three films are from Canada; two are from U.S. one film is from Latin America (Argentina); one is from Japan; one from Turkey; one from Russia and the rest are European.
Opening Night Film :
Grace of Monaco (Producer: Stone Angels/ U.S. The Weinstein Company) from France by Olivier Dahan
In Competition
Clouds of Sils Maria (Isa: MK2/ U.S. Distribution: IFC Films) from France/ Gremany/ Switzerland by Olivier Assayas
Saint Laurent (Isa: EuropaCorp) from France by Bertrand Bonello
Winter's Sleep aka Kis uykusu (Producer: Zeynofilm ) from Turkey by Nuri Bilge Ceylan who has a great website.
Maps to the Stars (Isa: Entertainment One) from Canada by David Cronenberg
Two Days, One Night (Isa: Wild Bunch/ U.S. Distribution: IFC Films) from Belgium and France by Jean-Pierre and Luc Dardenne
Mommy (Isa: Seville International) from Canada by Xavier Dolan
The Captive (Isa: Entertainment One) from Canada by Atom Egoyan. You can watch the trailer here.
Goodbye to Language aka Adieu au Langage (Isa: Wild Bunch) from France by Jean-Luc Godard
The Search (Isa: Wild Bunch/ U.S. Distribution: Worldview Entertainment) from France by Michel Hazanavivius
The Homesman (Isa: Europacorp) from U.S. by Tommy Lee Jones
Still the Water (Isa: MK2) from Japan and France by Naomi Kawase ♀
Mr. Turner (Isa: Sunray Films/ U.S. Distribution: Sony Pictures Classics) from U.K. by Mike Leigh. Sunray Films is Alison Thompson's new company and she brought the film over from her former employer Focus Features International when they left the international sales business.
Jimmy's Hall (Isa: Wild Bunch) from Ireland and U.K. by Ken Loach
Foxcatcher (Isa: Panorama Media/ U.S. Distribution: Sony Pictures Classics) from U.S. by Bennett Miller
Le Meraviglie (Isa: The Match Factory) from Italy, Switzerland and Germany by Alice Rohrwacher ♀
Timbuktu (Isa: Le Pacte) from France by Abderrahmane Sissako
Wild Tales (Isa: Film Factory Entertainment/ U.S. Distribution: Palmera International) from Argentina by Damian Szifron
Leviathan (Isa: Pyramide International) from Russia by Andrey Zvyagintsev
Un Certain Regard
Party Girl (Isa: Pyramide International) from France by Marie Amachoukeli ♀ , Claire Burger ♀ , Samuel Theis
Jauja (Isa: Ndm) from Argentina by Lisandro Alonso
The Blue Room (Isa: Alfama Films) from France by Mathieu Amalric
Misunderstood aka Incompresa aka L'Incomprise (Production: Paradis Films) from Italy by Asia Argento ♀
Titli (Isa: Westend Films) from India by Kanu Behl
The Disappearance of Eleanor Rigby (Isa: Myriad Pictures/ U.S. Distribution: The Weinstein Company) from U.S. by Ned Benson
Bird People (Isa: Films Distribution) from France by Pascale Ferran ♀
Lost River (Isa: Sierra/Affinity) from U.S. by Ryan Gosling
Amour Fou (Isa: Coproduction Office Paris) from Austria by Jessica Hausner ♀
Charlie's Country (Isa: Visit Films) from Australia by Rolf de Heer
Snow in Paradise (Isa: The Match Factory) from U.K. by Andrew Hulme
A Girl at My Door (Isa: Cj Entertainment) from So. Korea by July Jung ♀
Xenia (Isa: Pyramide International) from Greece by Panos Koutras
Run (Isa: Bac) from France by Philippe Lacote
Turist from Sweden and Norway by Ruben Ostlund
Beautiful Youth aka Hermosa Juventud (Producer: Fresdeval Films) by Jaime Rosales
Fantasia by Wang Chao
The Salt of the Earth (Isa: Le Pacte) from Germany and Brazil by Wim Wenders, Juliano Ribeiro Salgado
Away From His Absence (Isa: Bizibi) from Israel by Karen Yedaya ♀
Out of Competition
How to Train Your Dragon 2 (Dreamworks Animation) from the U.S. by Dean Deblois
Coming Home aka Gui Lai (Isa: Wild Bunch) from China by Zhang Yimou
Special Screenings
Bridges of Sarajevo (Les Ponts de Sarajevo) from Bosnia-Herzegovina, Portugal, Germany, and France
Red Army from the U.S. and Russia by Gabe Polsky
Maidan (Isa: Atoms & Void Bv) from Belarus by Segei Loznitsa
Silvered Water, Syria Self-Portrait from Syria by Ossama Mohammed
Cartoonists - Foot Soldiers Of Democracy from France by Stephanie Valloatto
Directors' Fortnight
Opening Film: Girlhood aka Bande De Files (Isa: Films Distribution) from France by Céline Sciamma
Closing Film: Pride (Isa:Pathe International) from the U.K. by Matthew Warchus
Features
Alleluia (Isa:snd- Groupe M6) from Belgium and France by Fabrice Du Welz
Catch Me Daddy (Isa: Altitude Film Sales) from the U.K. by Daniel Wolfe
Next To Her aka At Li La Yla (Isa: Films Boutique) from Israel by Asaf Korman
Cold In July (Isa: Memento Films International) from the U.S. by Jim Mickle
Fighters aka Les Combattants (ISa: Bac Films) from France by Thomas Cailley
Gett — The Trial Of Viviane Amsalem (Isa: Films Distribution) from France, Germany, Israel by Ronit & Shlomi Elkabetz
The Tale of Princess Kaguya aka Kaguya-Hime No Monogatari (Isa: Wild Bunch) from Japan by Isao Takahata
Eat Your Bones aka Mange Tes Morts (Isa:Capricci Films) from France by Jean-Charles Hue
A Hard Day aka Kkeut-Kka-Ji-Kan-Da (Isa: Showbox/Mediaples, Inc.) from South Korea by Seong-Hun Kim
National Gallery (Isa: Doc & Film International) from France by Frederick Wiseman
Queen And Country (Isa: Le Pacte) from the U.K. and Ireland by John Boorman
Sheltered aka Refugiado (Isa: Backup Media Films) from Argentina, France, Poland, and Colombia by Diego Lerman
These Final Hours (Isa: Celluloid Dreams/Nightmares) from Australia by Zach Hilditch
Tu Dors Nicole (Isa: Seville International) from Canada by Stéphane Lafleur
Whiplash (Isa:Sierra /Affinity) from the U.S. by Damien Chazelle
Special Screening
P'tit Quinquin by Bruno Dumont
The Texas Chain Saw Massacre by Tobe Hooper (4K restoration)
Acid Program
Brooklyn (Produced by Les Enfants de la Dalle) from France by Pascal Tessaud
The Way Out aka Cesta Ven (Produced by Cinema de Facto) from France and the Czech Republic by Petr Vaclav
Challat of Tunis aka Le Challat the Tunis (Produced by Cinetelefilms ) from Tunisia and France by Kaouther Ben Hania
The Girls and the River aka La Fille et le Fleuve (Produced by 31 Juin Films) from France by Aurélia Georges
Mercuriales (Produced by Kazak Productions) from France by Virgil Vernier
New Territories (Produced by Paraiso Production Difussion) from France by Fabianny Deschamps
Insecure aka Qui Vive (Isa: Udi- Urban Distribution International ) from France by Marianne Tardieu
The Rules of the Game aka Les Regles du Jeu (Isa: Doc & Film International) from France by Claudine Bories and Patrice Chagnard
Spartacus & Cassandra (Produced by Morgane Productions) from France by Ioanis Nuguet
Critics' Week
Opening Night: Faire: L'Amour (Fla) from France by Djinn Carrénard
Closing Nigh: Hippocrates aka Hippocrate (Isa: Le Pacte) from France by Thomas Lilti
Features
Darker Than Midnight aka Piu' Buio di Mezzanotte (Isa: Rai Trade) from Italy by Sebastiano Riso
Gente de Bien (Isa: Versatile) from Colombia and France by Franco Lolli
Hope (Isa: Pyramide International) from France by Boris Lojkine
It Follows (Isa: Visit Films) from the U.S. by David Robert Mitchell
Self Made aka Boreg (Isa: Westend Films) from Israel by Shira Geffen
The Tribe aka Plemya (Isa: Alpha Violet) from Ukraine by Myroslav Slaboshpytskiy
When Animals Dream aka Nar Dyrene Drommer (Produced by Gaumont) from Denmark by Jonas Alexander Arnby
Critics' Week: Special Screenings
Breathe aka Respire (Produced by Gaumont) from France by Mélanie Laurent
The Kindergarten Teacher aka Haganenet Teacher aka (Isa: Le Pacte) from Israel by Nadav Lapid...
Opening Night Film :
Grace of Monaco (Producer: Stone Angels/ U.S. The Weinstein Company) from France by Olivier Dahan
In Competition
Clouds of Sils Maria (Isa: MK2/ U.S. Distribution: IFC Films) from France/ Gremany/ Switzerland by Olivier Assayas
Saint Laurent (Isa: EuropaCorp) from France by Bertrand Bonello
Winter's Sleep aka Kis uykusu (Producer: Zeynofilm ) from Turkey by Nuri Bilge Ceylan who has a great website.
Maps to the Stars (Isa: Entertainment One) from Canada by David Cronenberg
Two Days, One Night (Isa: Wild Bunch/ U.S. Distribution: IFC Films) from Belgium and France by Jean-Pierre and Luc Dardenne
Mommy (Isa: Seville International) from Canada by Xavier Dolan
The Captive (Isa: Entertainment One) from Canada by Atom Egoyan. You can watch the trailer here.
Goodbye to Language aka Adieu au Langage (Isa: Wild Bunch) from France by Jean-Luc Godard
The Search (Isa: Wild Bunch/ U.S. Distribution: Worldview Entertainment) from France by Michel Hazanavivius
The Homesman (Isa: Europacorp) from U.S. by Tommy Lee Jones
Still the Water (Isa: MK2) from Japan and France by Naomi Kawase ♀
Mr. Turner (Isa: Sunray Films/ U.S. Distribution: Sony Pictures Classics) from U.K. by Mike Leigh. Sunray Films is Alison Thompson's new company and she brought the film over from her former employer Focus Features International when they left the international sales business.
Jimmy's Hall (Isa: Wild Bunch) from Ireland and U.K. by Ken Loach
Foxcatcher (Isa: Panorama Media/ U.S. Distribution: Sony Pictures Classics) from U.S. by Bennett Miller
Le Meraviglie (Isa: The Match Factory) from Italy, Switzerland and Germany by Alice Rohrwacher ♀
Timbuktu (Isa: Le Pacte) from France by Abderrahmane Sissako
Wild Tales (Isa: Film Factory Entertainment/ U.S. Distribution: Palmera International) from Argentina by Damian Szifron
Leviathan (Isa: Pyramide International) from Russia by Andrey Zvyagintsev
Un Certain Regard
Party Girl (Isa: Pyramide International) from France by Marie Amachoukeli ♀ , Claire Burger ♀ , Samuel Theis
Jauja (Isa: Ndm) from Argentina by Lisandro Alonso
The Blue Room (Isa: Alfama Films) from France by Mathieu Amalric
Misunderstood aka Incompresa aka L'Incomprise (Production: Paradis Films) from Italy by Asia Argento ♀
Titli (Isa: Westend Films) from India by Kanu Behl
The Disappearance of Eleanor Rigby (Isa: Myriad Pictures/ U.S. Distribution: The Weinstein Company) from U.S. by Ned Benson
Bird People (Isa: Films Distribution) from France by Pascale Ferran ♀
Lost River (Isa: Sierra/Affinity) from U.S. by Ryan Gosling
Amour Fou (Isa: Coproduction Office Paris) from Austria by Jessica Hausner ♀
Charlie's Country (Isa: Visit Films) from Australia by Rolf de Heer
Snow in Paradise (Isa: The Match Factory) from U.K. by Andrew Hulme
A Girl at My Door (Isa: Cj Entertainment) from So. Korea by July Jung ♀
Xenia (Isa: Pyramide International) from Greece by Panos Koutras
Run (Isa: Bac) from France by Philippe Lacote
Turist from Sweden and Norway by Ruben Ostlund
Beautiful Youth aka Hermosa Juventud (Producer: Fresdeval Films) by Jaime Rosales
Fantasia by Wang Chao
The Salt of the Earth (Isa: Le Pacte) from Germany and Brazil by Wim Wenders, Juliano Ribeiro Salgado
Away From His Absence (Isa: Bizibi) from Israel by Karen Yedaya ♀
Out of Competition
How to Train Your Dragon 2 (Dreamworks Animation) from the U.S. by Dean Deblois
Coming Home aka Gui Lai (Isa: Wild Bunch) from China by Zhang Yimou
Special Screenings
Bridges of Sarajevo (Les Ponts de Sarajevo) from Bosnia-Herzegovina, Portugal, Germany, and France
Red Army from the U.S. and Russia by Gabe Polsky
Maidan (Isa: Atoms & Void Bv) from Belarus by Segei Loznitsa
Silvered Water, Syria Self-Portrait from Syria by Ossama Mohammed
Cartoonists - Foot Soldiers Of Democracy from France by Stephanie Valloatto
Directors' Fortnight
Opening Film: Girlhood aka Bande De Files (Isa: Films Distribution) from France by Céline Sciamma
Closing Film: Pride (Isa:Pathe International) from the U.K. by Matthew Warchus
Features
Alleluia (Isa:snd- Groupe M6) from Belgium and France by Fabrice Du Welz
Catch Me Daddy (Isa: Altitude Film Sales) from the U.K. by Daniel Wolfe
Next To Her aka At Li La Yla (Isa: Films Boutique) from Israel by Asaf Korman
Cold In July (Isa: Memento Films International) from the U.S. by Jim Mickle
Fighters aka Les Combattants (ISa: Bac Films) from France by Thomas Cailley
Gett — The Trial Of Viviane Amsalem (Isa: Films Distribution) from France, Germany, Israel by Ronit & Shlomi Elkabetz
The Tale of Princess Kaguya aka Kaguya-Hime No Monogatari (Isa: Wild Bunch) from Japan by Isao Takahata
Eat Your Bones aka Mange Tes Morts (Isa:Capricci Films) from France by Jean-Charles Hue
A Hard Day aka Kkeut-Kka-Ji-Kan-Da (Isa: Showbox/Mediaples, Inc.) from South Korea by Seong-Hun Kim
National Gallery (Isa: Doc & Film International) from France by Frederick Wiseman
Queen And Country (Isa: Le Pacte) from the U.K. and Ireland by John Boorman
Sheltered aka Refugiado (Isa: Backup Media Films) from Argentina, France, Poland, and Colombia by Diego Lerman
These Final Hours (Isa: Celluloid Dreams/Nightmares) from Australia by Zach Hilditch
Tu Dors Nicole (Isa: Seville International) from Canada by Stéphane Lafleur
Whiplash (Isa:Sierra /Affinity) from the U.S. by Damien Chazelle
Special Screening
P'tit Quinquin by Bruno Dumont
The Texas Chain Saw Massacre by Tobe Hooper (4K restoration)
Acid Program
Brooklyn (Produced by Les Enfants de la Dalle) from France by Pascal Tessaud
The Way Out aka Cesta Ven (Produced by Cinema de Facto) from France and the Czech Republic by Petr Vaclav
Challat of Tunis aka Le Challat the Tunis (Produced by Cinetelefilms ) from Tunisia and France by Kaouther Ben Hania
The Girls and the River aka La Fille et le Fleuve (Produced by 31 Juin Films) from France by Aurélia Georges
Mercuriales (Produced by Kazak Productions) from France by Virgil Vernier
New Territories (Produced by Paraiso Production Difussion) from France by Fabianny Deschamps
Insecure aka Qui Vive (Isa: Udi- Urban Distribution International ) from France by Marianne Tardieu
The Rules of the Game aka Les Regles du Jeu (Isa: Doc & Film International) from France by Claudine Bories and Patrice Chagnard
Spartacus & Cassandra (Produced by Morgane Productions) from France by Ioanis Nuguet
Critics' Week
Opening Night: Faire: L'Amour (Fla) from France by Djinn Carrénard
Closing Nigh: Hippocrates aka Hippocrate (Isa: Le Pacte) from France by Thomas Lilti
Features
Darker Than Midnight aka Piu' Buio di Mezzanotte (Isa: Rai Trade) from Italy by Sebastiano Riso
Gente de Bien (Isa: Versatile) from Colombia and France by Franco Lolli
Hope (Isa: Pyramide International) from France by Boris Lojkine
It Follows (Isa: Visit Films) from the U.S. by David Robert Mitchell
Self Made aka Boreg (Isa: Westend Films) from Israel by Shira Geffen
The Tribe aka Plemya (Isa: Alpha Violet) from Ukraine by Myroslav Slaboshpytskiy
When Animals Dream aka Nar Dyrene Drommer (Produced by Gaumont) from Denmark by Jonas Alexander Arnby
Critics' Week: Special Screenings
Breathe aka Respire (Produced by Gaumont) from France by Mélanie Laurent
The Kindergarten Teacher aka Haganenet Teacher aka (Isa: Le Pacte) from Israel by Nadav Lapid...
- 4/29/2014
- by Sydney Levine
- Sydney's Buzz
Tim here. It's Christmas morning, everybody: the Cannes Film Festival announced its line-up today for this year's edition, running from May 14-25.
Opening Night
Grace of Monaco (dir. Olivier Dahan; starring Nicole Kidman)
Official Selection
Sils Maria (Olivier Assayas)
Saint Laurent (Bertrand Bonelo)
Winter's Sleep (Nuri Bilge Ceylan)
Maps to the Stars (David Cronenberg) Yes No Maybe So
Two Days, One Night (Jean-Pierre & Luc Dardenne)
Mommy (Xavier Dolan)
The Captive (Atom Egoyan)
Goodbye to Language (Jean-Luc Godard)
The Search (Michel Hazanavicius)
The Homesman (Tommy Lee Jones) Yes No Maybe So
Still the Water (Naomi Kawase)
Mr. Turner (Mike Leigh)
Jimmy's Hall (Ken Loach)
Foxcatcher (Bennett Miller) We Can't Wait
Le Meraviglie (Alice Rohrwacher)
Timbuktu (Abderrahmane Sissako)
Wild Tales (Damian Szifron)
Leviathan (Andrey Zvyagintsev)
Channing Tatum & Mark Ruffalo as brothers in "Foxcatcher"
Un Certain Regard
Opener - Party Girl (Marie Amachoukeli, Claire Burger, Samuel Theis)
Jauja (Lisando Alonso)
The Blue Room...
Opening Night
Grace of Monaco (dir. Olivier Dahan; starring Nicole Kidman)
Official Selection
Sils Maria (Olivier Assayas)
Saint Laurent (Bertrand Bonelo)
Winter's Sleep (Nuri Bilge Ceylan)
Maps to the Stars (David Cronenberg) Yes No Maybe So
Two Days, One Night (Jean-Pierre & Luc Dardenne)
Mommy (Xavier Dolan)
The Captive (Atom Egoyan)
Goodbye to Language (Jean-Luc Godard)
The Search (Michel Hazanavicius)
The Homesman (Tommy Lee Jones) Yes No Maybe So
Still the Water (Naomi Kawase)
Mr. Turner (Mike Leigh)
Jimmy's Hall (Ken Loach)
Foxcatcher (Bennett Miller) We Can't Wait
Le Meraviglie (Alice Rohrwacher)
Timbuktu (Abderrahmane Sissako)
Wild Tales (Damian Szifron)
Leviathan (Andrey Zvyagintsev)
Channing Tatum & Mark Ruffalo as brothers in "Foxcatcher"
Un Certain Regard
Opener - Party Girl (Marie Amachoukeli, Claire Burger, Samuel Theis)
Jauja (Lisando Alonso)
The Blue Room...
- 4/18/2014
- by Tim Brayton
- FilmExperience
The official selections for the 67th Cannes Film Festival have been announced with a more mainstream than expected selection this year featuring quite a few films you've probably heard of.
New films are on over from such esteemed directors as David Cronenberg, Jean-Luc Godard, Bennett Miller, Olivier Dahan, David Michod, Zhang Yimou, Atom Egoyan, Xavier Dolan, Ken Loach, Olivier Assayas, Rolf de Heer, Michel Hazanavicius, Mike Leigh, second-timer Tommy Lee Jones and first-timer Ryan Gosling.
Opening Film (Out of Competition):
"Grace of Monaco" – Olivier Dahan
Competition:
"The Captive" – Atom Egoyan
"Clouds of Sils Maria" – Olivier Assayas
"Two Days, One Night" – Jean-Pierre and Luc Dardennes
"Foxcatcher" – Bennett Miller
"Goodbye to Language" – Jean-Luc Godard
"The Homesman" – Tommy Lee Jones
"Jimmy's Hall" – Ken Loach
"Leviathan" – Andrey Zvyagintsev
"Le Meraviglie" – Alice Rohrwacher
"Maps to the Stars" – David Cronenberg
"Mommy" – Xavier Dolan
"Mr. Turner" – Mike Leigh
"Saint Laurent" – Bertrand Bonello
"The Search" – Michel Hazanavicius...
New films are on over from such esteemed directors as David Cronenberg, Jean-Luc Godard, Bennett Miller, Olivier Dahan, David Michod, Zhang Yimou, Atom Egoyan, Xavier Dolan, Ken Loach, Olivier Assayas, Rolf de Heer, Michel Hazanavicius, Mike Leigh, second-timer Tommy Lee Jones and first-timer Ryan Gosling.
Opening Film (Out of Competition):
"Grace of Monaco" – Olivier Dahan
Competition:
"The Captive" – Atom Egoyan
"Clouds of Sils Maria" – Olivier Assayas
"Two Days, One Night" – Jean-Pierre and Luc Dardennes
"Foxcatcher" – Bennett Miller
"Goodbye to Language" – Jean-Luc Godard
"The Homesman" – Tommy Lee Jones
"Jimmy's Hall" – Ken Loach
"Leviathan" – Andrey Zvyagintsev
"Le Meraviglie" – Alice Rohrwacher
"Maps to the Stars" – David Cronenberg
"Mommy" – Xavier Dolan
"Mr. Turner" – Mike Leigh
"Saint Laurent" – Bertrand Bonello
"The Search" – Michel Hazanavicius...
- 4/17/2014
- by Garth Franklin
- Dark Horizons
Cinephiles, rejoice! The Cannes Film Festival has announced its 2014 line-up today and as usual, it’s pretty damn impressive. A lot of the movies announced were already expected to play at the prestigious fest, but there are definitely a few surprises as well.
Leading the way is Nicole Kidman’s Grace of Monaco, which will be the opener. Following that we’ll have David Cronenberg’s promising Maps to the Stars and Animal Kingdom helmer David Michod’s The Rover, two films that I absolutely cannot wait to see. Joining them will be Bennett Miller’s Oscar-hopeful Foxcatcher as well as Olivier Assayas’ Sils Maria. The Artist director Michel Hazavanicius will be here too with his new film The Search, and Mike Leigh returns with Mr. Turner. But that only scratches the surface, and there’s still more to come, as next week will see the announcement of the Critics’ Week and Directors’ Fortnight line-ups.
Leading the way is Nicole Kidman’s Grace of Monaco, which will be the opener. Following that we’ll have David Cronenberg’s promising Maps to the Stars and Animal Kingdom helmer David Michod’s The Rover, two films that I absolutely cannot wait to see. Joining them will be Bennett Miller’s Oscar-hopeful Foxcatcher as well as Olivier Assayas’ Sils Maria. The Artist director Michel Hazavanicius will be here too with his new film The Search, and Mike Leigh returns with Mr. Turner. But that only scratches the surface, and there’s still more to come, as next week will see the announcement of the Critics’ Week and Directors’ Fortnight line-ups.
- 4/17/2014
- by Matt Joseph
- We Got This Covered
This morning the 2014 Cannes Film Festival lineup was announced and while at least one Out of Competition title is still to be announced, along with the Critics' Week and Directors' Fortnight lineups, we have a look at what films make up the competition and it's largely a lot of the titles that were rumored heading into today's announcement. Among the competition titles you have Atom Egoyan's Captives, which we'll have to hope is better than Devil's Knot, Bennett Miller's highly anticipated Foxcatcher, Jean-Luc Godard's 3D feature Goodbye To Language, The Homesman from Tommy Lee Jones, Ken Loach's Jimmy's Hall and David Cronengberg's Maps to the Stars. I'm jealous I won't be there to see Xavier Dolan's first time in competition with Mommy, Mike Leigh is again at Cannes with Mr. Turner and Michel Hazanavicius returns to Cannes after The Artist took the fest by storm with The Search.
- 4/17/2014
- by Brad Brevet
- Rope of Silicon
Best Director winner Mathieu Amalric moves down from the Main Comp, Ryan Gosling changes the title of his film, Ned Benson trims an hour to become a rare 2013 film added to the fest, Asia Argento adds a touch of eclectic while Pascale Ferran and Lisandro Alonso add a little auteur clout while our bets are on Ruben Ostlund to shake up the section. Thierry Frémaux’s Un Certain Regard section for ’14 has six Camera d’Or (first-time filmmakers) hopefuls including our tipped for Cannes bet in Kanu Behl’s Titli, and the female filmmaker presence (Jessica Hausner, Keren Yedaya) make up for the lack of in the Main Comp. With only 19 announced titles, expect there to be room to add at least two more items. Here are the Un Certain Regard selections:
Un Certain Regard
“Amour fou” (Jessica Hausner)
“Bird People” (Pascale Ferran)
“The Blue Room” (Mathieu Amalric)
“Charlie’s...
Un Certain Regard
“Amour fou” (Jessica Hausner)
“Bird People” (Pascale Ferran)
“The Blue Room” (Mathieu Amalric)
“Charlie’s...
- 4/17/2014
- by Eric Lavallee
- IONCINEMA.com
Bennett Miller’s Foxcatcher, starring Channing Tatum, Mark Ruffalo, and Steve Carell, was one of the high-profile movies that was announced this morning for competition in next month’s Cannes Film Festival. Also competing for the Palme d’Or is The Homesman from director Tommy Lee Jones, and David Cronenberg’s Maps to the Stars, which features Robert Pattinson.
Ryan Gosling’s directorial debut, How to Catch a Monster, starring Christina Hendricks and Eva Mendes, will premiere in the Un Certain Regard side category.
How to Train Your Dragons 2 will also premiere at Cannes, with an out of competition screening.
Ryan Gosling’s directorial debut, How to Catch a Monster, starring Christina Hendricks and Eva Mendes, will premiere in the Un Certain Regard side category.
How to Train Your Dragons 2 will also premiere at Cannes, with an out of competition screening.
- 4/17/2014
- by Jeff Labrecque
- EW - Inside Movies
The full lineup of the 2014 Cannes Film Festival has been announced.
Among the movies announced at today's press conference are directorial efforts from Ryan Gosling, Tommy Lee Jones, Olivier Assayas, Atom Egoyan, Jean-Luc Godard, Michel Hazanavicius, Mike Leigh and Ken Loach, David Cronenberg, Wim Wenders and the Dardenne brothers.
Read the full lineup below:
Main Competition:
Adieu au Langage (Farewell to Language) by Jean-Luc Godard
Captives by Atom Egoyan
Deux Jours, Une Nuit (Two Days, One Night) by Jean-Pierre & Luc Dardenne
Foxcatcher by Bennett Miller
Futatsume No Mado (Deux Fenêtres) by Naomi Kawase
The Homesman by Tommy Lee Jones
Jimmy's Hall by Ken Loach
Kis Uykusu (Sommeil D'hiver) (Winter Sleep) by Nuri Bilge Ceylan
Le Meraviglie by Alice Rohrwacher
Leviathan by Andrey Zvyagintsev
Maps to the Stars by David Cronenberg
Mommy by Xavier Dolan
Mr Turner by Mike Leigh
Relatos Salvajes (Wild Tales) by Damian Szifron
Saint Laurent by Bertrand Bonello...
Among the movies announced at today's press conference are directorial efforts from Ryan Gosling, Tommy Lee Jones, Olivier Assayas, Atom Egoyan, Jean-Luc Godard, Michel Hazanavicius, Mike Leigh and Ken Loach, David Cronenberg, Wim Wenders and the Dardenne brothers.
Read the full lineup below:
Main Competition:
Adieu au Langage (Farewell to Language) by Jean-Luc Godard
Captives by Atom Egoyan
Deux Jours, Une Nuit (Two Days, One Night) by Jean-Pierre & Luc Dardenne
Foxcatcher by Bennett Miller
Futatsume No Mado (Deux Fenêtres) by Naomi Kawase
The Homesman by Tommy Lee Jones
Jimmy's Hall by Ken Loach
Kis Uykusu (Sommeil D'hiver) (Winter Sleep) by Nuri Bilge Ceylan
Le Meraviglie by Alice Rohrwacher
Leviathan by Andrey Zvyagintsev
Maps to the Stars by David Cronenberg
Mommy by Xavier Dolan
Mr Turner by Mike Leigh
Relatos Salvajes (Wild Tales) by Damian Szifron
Saint Laurent by Bertrand Bonello...
- 4/17/2014
- Digital Spy
David Michôd.s The Rover and Rolf de Heer.s Charlie.s Country will have their world premieres at the Cannes Film Festival.
The Rover, a futuristic thriller starring Guy Pearce, Robert Pattinson, Anthony Hayes and David Field, will have a midnight screening out of competition.
Charlie.s Country, which stars David Gulpilil as an aging man who struggles to understand how he should define himself as an Aboriginal in modern Australia, will screen in the Un Certain Regard sidebar.
The South Australian Film Corp. and Screen Australia invested in both films. .This caps off a pretty good 12 months for Safc-backed films,. said CEO Richard Harris, also referring to The Babadook, 52 Tuesdays and The Infinite Man.
"This recognition from Cannes is very significant for the possibilities of the film in the marketplace," de Heer said. "I am so pleased for David, for all his effort to be rewarded and for...
The Rover, a futuristic thriller starring Guy Pearce, Robert Pattinson, Anthony Hayes and David Field, will have a midnight screening out of competition.
Charlie.s Country, which stars David Gulpilil as an aging man who struggles to understand how he should define himself as an Aboriginal in modern Australia, will screen in the Un Certain Regard sidebar.
The South Australian Film Corp. and Screen Australia invested in both films. .This caps off a pretty good 12 months for Safc-backed films,. said CEO Richard Harris, also referring to The Babadook, 52 Tuesdays and The Infinite Man.
"This recognition from Cannes is very significant for the possibilities of the film in the marketplace," de Heer said. "I am so pleased for David, for all his effort to be rewarded and for...
- 4/17/2014
- by Don Groves
- IF.com.au
The Official Selection for the 66th Cannes Film Festival has been unveiled in Paris.
At a press conference at the Ugc Normandie movie theatre on the Champs-Elysées in Paris, Cannes chief Thierry Frémaux is set to reveal the 49 features from 28 countries selected for inclusion in this year’s festival, which runs from May 14-25.
As previously announced, Olivier Dahan’s Grace of Monaco, starring Nicole Kidman, will be the opening film on May 14, out of competition.
Last week, Party Girl was named as the opening film of the Un Certain Regard strand. The debut feature is from co-directors Marie Amachoukeli, Claire Burger and Samuel Theis.
As previously announced, the competition jury will be presided over by New Zealand director, producer and scriptwriter Jane Campion.
Competition
Jury chair: Jane Campion
Sils Maria by Olivier Assayas
Saint Laurent by Bertrand Bonello
Kis Uykusu (Winter’S Sleep) by Nuri Bilge Ceylan
Maps To The Stars by David Cronenberg
Deux Jours...
At a press conference at the Ugc Normandie movie theatre on the Champs-Elysées in Paris, Cannes chief Thierry Frémaux is set to reveal the 49 features from 28 countries selected for inclusion in this year’s festival, which runs from May 14-25.
As previously announced, Olivier Dahan’s Grace of Monaco, starring Nicole Kidman, will be the opening film on May 14, out of competition.
Last week, Party Girl was named as the opening film of the Un Certain Regard strand. The debut feature is from co-directors Marie Amachoukeli, Claire Burger and Samuel Theis.
As previously announced, the competition jury will be presided over by New Zealand director, producer and scriptwriter Jane Campion.
Competition
Jury chair: Jane Campion
Sils Maria by Olivier Assayas
Saint Laurent by Bertrand Bonello
Kis Uykusu (Winter’S Sleep) by Nuri Bilge Ceylan
Maps To The Stars by David Cronenberg
Deux Jours...
- 4/17/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The Official Selection for the 66th Cannes Film Festival has been unveiled in Paris.
At a press conference at the Ugc Normandie movie theatre on the Champs-Elysées in Paris, Cannes chief Thierry Frémaux is set to reveal the 49 features from 28 countries selected for inclusion in this year’s festival, which runs from May 14-25.
As previously announced, Olivier Dahan’s Grace of Monaco, starring Nicole Kidman, will be the opening film on May 14, out of competition.
Last week, Party Girl was named as the opening film of the Un Certain Regard strand. The debut feature is from co-directors Marie Amachoukeli, Claire Burger and Samuel Theis.
As previously announced, the competition jury will be presided over by New Zealand director, producer and scriptwriter Jane Campion.
Competition
Jury chair: Jane Campion
Sils Maria by Olivier Assayas
Saint Laurent by Bertrand Bonello
Kis Uykusu (Sommeil D’Hiver) by Nuri Bilge Ceylan
Maps To The Stars by David Cronenberg
Deux Jours...
At a press conference at the Ugc Normandie movie theatre on the Champs-Elysées in Paris, Cannes chief Thierry Frémaux is set to reveal the 49 features from 28 countries selected for inclusion in this year’s festival, which runs from May 14-25.
As previously announced, Olivier Dahan’s Grace of Monaco, starring Nicole Kidman, will be the opening film on May 14, out of competition.
Last week, Party Girl was named as the opening film of the Un Certain Regard strand. The debut feature is from co-directors Marie Amachoukeli, Claire Burger and Samuel Theis.
As previously announced, the competition jury will be presided over by New Zealand director, producer and scriptwriter Jane Campion.
Competition
Jury chair: Jane Campion
Sils Maria by Olivier Assayas
Saint Laurent by Bertrand Bonello
Kis Uykusu (Sommeil D’Hiver) by Nuri Bilge Ceylan
Maps To The Stars by David Cronenberg
Deux Jours...
- 4/17/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Cannes Film Festival director Thierry Fremaux sent out mixed messages in his -- very long, as usual -- preamble to announcing this year's Cannes Film Festival lineup. First he mentioned a focus on newer, fresher filmmakers, but mentioned elsewhere that "Cannes is an event for the regulars." Predictably enough, the latter statement turned out to be closer to the truth: of the 18 films competing for this year's Palme d'Or, 13 have been to the dance before. (And of the Competition virgins, Bennett Miller and Xavier Dolan are hardly unknowns.) Early on, meanwhile, Fremaux made the initially bold statement that 15 women were in the Official Selection, promising a bounty of female directors for jury president Jane Campion to consider. It turned out to be a slight manipulation of the truth: several of those women are involved in portmanteau films, while only two of them -- Naomi Kawase and surprise inclusion Alice Rohrwacher...
- 4/17/2014
- by Guy Lodge
- Hitfix
The lineup for the 2014 Cannes Film Festival has been announced, revealing which highly-anticipated films will be premiering and competing for the coveted Palme d’Or.
Cannes 2014 Lineup
Among the most buzzworthy films set to premiere at Cannes is Bennett Miller’s Foxcatcher, which features an all-star cast that includes Mark Ruffalo, Steve Carell and Channing Tatum. The dark movie tells the story of how Olympic Wrestling Champion Mark Schultz’s brother, fellow Olympic Champion Dave Schultz, was killed by John DuPont, a paranoid schizophrenic.
The Homesman, directed and starring Tommy Lee Jones, will be competing for the Palme d’Or. Maps to the Stars, directed by David Cronenberg and starring Julianne Moore, Robert Pattinson and Mia Wasikowska, will also be competiting for the festival’s ultimate prize. Grace Kelly biopic Grace of Monaco, starring Nicole Kidman, will be Canne’s opening night film.
Not all films premiering and/or showing at Cannes are in-competition.
Cannes 2014 Lineup
Among the most buzzworthy films set to premiere at Cannes is Bennett Miller’s Foxcatcher, which features an all-star cast that includes Mark Ruffalo, Steve Carell and Channing Tatum. The dark movie tells the story of how Olympic Wrestling Champion Mark Schultz’s brother, fellow Olympic Champion Dave Schultz, was killed by John DuPont, a paranoid schizophrenic.
The Homesman, directed and starring Tommy Lee Jones, will be competing for the Palme d’Or. Maps to the Stars, directed by David Cronenberg and starring Julianne Moore, Robert Pattinson and Mia Wasikowska, will also be competiting for the festival’s ultimate prize. Grace Kelly biopic Grace of Monaco, starring Nicole Kidman, will be Canne’s opening night film.
Not all films premiering and/or showing at Cannes are in-competition.
- 4/17/2014
- Uinterview
From Robert Redford's ex-radical in The Company You Keep to the uncomfortably intimate father-son relationship in A Woman's Way, cinema has a habit of reframing family relationships
• Interview: Pervert's Guide to Ideology director Sophie Fiennes
• Peter Bradshaw reviews The Pervert's Guide to Ideology
Ideology in Hollywood? You don't have to look for it, because it always finds you. In The King's Speech the cause of the king-to-be's stuttering is precisely his inability to assume his symbolic function and identify with his title. He displays little common sense, seriously accepting that one is a king by divine will; and the task of the Australian coach is to render him stupid enough to accept his sovereignty as natural property. In the film's key scene, the coach sits on the throne. The furious king asks him how he dare do this, to which he replies: "Why not? Why should you have the...
• Interview: Pervert's Guide to Ideology director Sophie Fiennes
• Peter Bradshaw reviews The Pervert's Guide to Ideology
Ideology in Hollywood? You don't have to look for it, because it always finds you. In The King's Speech the cause of the king-to-be's stuttering is precisely his inability to assume his symbolic function and identify with his title. He displays little common sense, seriously accepting that one is a king by divine will; and the task of the Australian coach is to render him stupid enough to accept his sovereignty as natural property. In the film's key scene, the coach sits on the throne. The furious king asks him how he dare do this, to which he replies: "Why not? Why should you have the...
- 10/3/2013
- by Slavoj Žižek
- The Guardian - Film News
Local and international executives come together at second Riding The Greek Wave conference organised by Hellenic Film Academy.
WIth much political and financial upheaval in the country, Greek cinema has finally received a much needed shot in the arm.
This happened during the weekend-long second edition of Riding the Greek Wave, the annual conference organised by the Hellenic Film Academy in the presence of a selected group of foreign film executives.
For the first time since the early June shut down of the public radio and television network (Ert) by the government, a move that blocked all financial backing made more or less regularly available by the network to local productions, the government confirmed in public that the backing to local productions would resume shortly in the wake of the appointment in the very next days of a CEO to head the TV and Radio public network actually in the restructuring process.
A spokesman...
WIth much political and financial upheaval in the country, Greek cinema has finally received a much needed shot in the arm.
This happened during the weekend-long second edition of Riding the Greek Wave, the annual conference organised by the Hellenic Film Academy in the presence of a selected group of foreign film executives.
For the first time since the early June shut down of the public radio and television network (Ert) by the government, a move that blocked all financial backing made more or less regularly available by the network to local productions, the government confirmed in public that the backing to local productions would resume shortly in the wake of the appointment in the very next days of a CEO to head the TV and Radio public network actually in the restructuring process.
A spokesman...
- 10/2/2013
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
Are the brilliantly strange films of Yorgos Lanthimos and Athina Rachel Tsangari a product of Greece's economic turmoil? And will they continue to make films in the troubled country?
It must be the worst kiss in screen history. Two young women face each other in front of a white wall. They crane their necks, lock lips and awkwardly flex their jaws. There's no hint of passion. They look more like two birds trying to feed each other. After an excruciating minute of this, they pause. One of them says she feels like throwing up. They clumsily rub their tongues together a little more, only to end up spitting at each other, then blowing raspberries, before hissing at each other like cats.
Attenberg, by Greek director Athina Rachel Tsangari, doesn't get much more normal from there on in. Its heroine, Marina, is a 23-year-old outsider who's largely disgusted by the idea of human contact.
It must be the worst kiss in screen history. Two young women face each other in front of a white wall. They crane their necks, lock lips and awkwardly flex their jaws. There's no hint of passion. They look more like two birds trying to feed each other. After an excruciating minute of this, they pause. One of them says she feels like throwing up. They clumsily rub their tongues together a little more, only to end up spitting at each other, then blowing raspberries, before hissing at each other like cats.
Attenberg, by Greek director Athina Rachel Tsangari, doesn't get much more normal from there on in. Its heroine, Marina, is a 23-year-old outsider who's largely disgusted by the idea of human contact.
- 8/26/2011
- by Steve Rose
- The Guardian - Film News
Berlin -- Richard Loncraine's "My One and Only," a '50s-era comedy starring Renee Zellweger and Kevin Bacon, was squeezed into the competition lineup for this year's Berlin International Film Festival, barely a week before the event kicks off.
Zellweger plays a glamorous single mom on the hunt for a rich man to foot the bill for her and her sons' lifestyle. Produced by Merv Griffith Entertainment and Ray Gun Prods., "My One and Only" will have its world premiere in Berlin. Essential Entertainment is handling international sales.
Berlin also added Lone Scherfig's Sundance favorite "An Education" with Peter Sarsgaard, Alfred Molina and Emma Thompson and Davis Guggenheim's music documentary "It Might Get Loud" for its Berlinale Special Galas, ensuring the films will get the red carpet treatment without any of the pressure of competition.
All three films should give an added boost of star power to...
Zellweger plays a glamorous single mom on the hunt for a rich man to foot the bill for her and her sons' lifestyle. Produced by Merv Griffith Entertainment and Ray Gun Prods., "My One and Only" will have its world premiere in Berlin. Essential Entertainment is handling international sales.
Berlin also added Lone Scherfig's Sundance favorite "An Education" with Peter Sarsgaard, Alfred Molina and Emma Thompson and Davis Guggenheim's music documentary "It Might Get Loud" for its Berlinale Special Galas, ensuring the films will get the red carpet treatment without any of the pressure of competition.
All three films should give an added boost of star power to...
- 1/27/2009
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
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