Festival to include 18 world premieres and close with Us crime documentary 3½ Minutes, Ten Bullets.
Amit Gupta’s One Crazy Thing (fka Nothing Like This) is to receive its European premiere as the opening film of the 14th East End Film Festival (July 1-12).
Starring and produced by Ray Panthaki, the romantic comedy also stars Daisy Bevan
Panthaki plays a former daytime TV star whose life has hit rock bottom until he meets his dream girl - and has to choose his moment to tell her about the leaked sex tape that made him an internet sensation.
Eeff will this year include 18 world premieres, 8 European premieres and 20 UK premieres.
The closing film will be Marc Silver’s 3½ Minutes, Ten Bullets, which examines the aftermath of a tragic incident at a gas station in Jacksonville, Florida, in which an unarmed 17-year old African-American was gunned down for playing loud music. It marks British documentary filmmaker Silver’s follow-up to Who...
Amit Gupta’s One Crazy Thing (fka Nothing Like This) is to receive its European premiere as the opening film of the 14th East End Film Festival (July 1-12).
Starring and produced by Ray Panthaki, the romantic comedy also stars Daisy Bevan
Panthaki plays a former daytime TV star whose life has hit rock bottom until he meets his dream girl - and has to choose his moment to tell her about the leaked sex tape that made him an internet sensation.
Eeff will this year include 18 world premieres, 8 European premieres and 20 UK premieres.
The closing film will be Marc Silver’s 3½ Minutes, Ten Bullets, which examines the aftermath of a tragic incident at a gas station in Jacksonville, Florida, in which an unarmed 17-year old African-American was gunned down for playing loud music. It marks British documentary filmmaker Silver’s follow-up to Who...
- 5/26/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Adam Kossoff's Moscow Diary does most things a good documentary should. We get a complex, intellectually fascinating subject (a famous writer's trip to Russia in the 1920s, and his thoughts on the nascent Communist party) presented as objectively as circumstances allow. There's an easy hook (the writer's affair with another man's woman) and a deeper, more academic angle (Kossoff shot the whole thing on a mobile phone, in part as a commentary on our relationship with technology and the ways it compels us to view the world). So why is it so dull?Okay, perhaps 'dull' is a little harsh, but a film that should offer any number of ways to engage the audience ends up frustratingly unfulfilling. The story of the German-Jewish writer Walter Benjamin...
- 5/8/2012
- Screen Anarchy
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