Robert Emmett Keane was one of Hollywood's more overworked character
players to be found near the bottom of the credit list. An
ex-vaudevillian, he appeared on Broadway from as early as 1914 and at
the London Hippodrome two years later, invariably specialising in
musicals and comedies. Keane did not enter films until 1929, but
thereafter amassed an impressive record of almost 200 screen
appearances, often for the smaller studios like RKO, Columbia and
Monogram.
A natural farceur with immaculate attire and trademark toothbrush
moustache, he turned up in an assortment of roles ranging from timid
clerks to dignified hotel managers, jewellers, headwaiters, judges and
pathologists. In addition, he had a nice sideline in crooked defense
attorneys, drunks and conmen, his expressive features equally adept at
conveying befuddlement, querulousness or exasperation. The congenial
Keane remained gainfully employed until his retirement in 1958. He was
married to the New York-born actress
Claire Whitney.