Plot: After his mother dies during WW2, a young Japanese boy, Mahito Maki (Soma Santoki), is sent to live with his Aunt, Natsuko (Yoshino Kimura), with whom his munitions factory owner father is trying to start a new family. Traumatized by the death of his mother and struggling to accept his circumstances, Mahito finds himself lured into a fantasy world out of time and space by an antagonistic grey Heron (Masaki Suda). As Mahito struggles to make sense of the new macrocosm, he ends a vicious cycle of generational trauma, ultimately making peace with his new surroundings by accepting the winds of change.
Review: As an animation enthusiast, few cinematic pleasures are more anticipated than experiencing another potential masterpiece from the “Godfather of Anime,” Hayao Miyazaki. The co-founder of Studio Ghibli is responsible for some of animation’s greatest treasures, including Spirited Away, Princess Mononoke, My Neighbor Totoro, Howl’s Moving Castle,...
Review: As an animation enthusiast, few cinematic pleasures are more anticipated than experiencing another potential masterpiece from the “Godfather of Anime,” Hayao Miyazaki. The co-founder of Studio Ghibli is responsible for some of animation’s greatest treasures, including Spirited Away, Princess Mononoke, My Neighbor Totoro, Howl’s Moving Castle,...
- 12/9/2023
- by Steve Seigh
- JoBlo.com
“The Love and Adventures of Kuroki Taro” is a weird film, even by Atg standards. It begins by showing Kuroki Taro and two other stuntmen in their line of work, even stating that “in this film, the stuntman is the star”. However, apart from these introductory scenes, the movie does not show any more behind the scenes footage in a film-about-film fashion, instead focusing on three different stories involving the titular character, and a side one, all of which are narrated by one of the initial characters, Juichi Ito. This last one is a rather personal one for Morisaki since he drew extensively from the war diary of his older brother Minato, who killed himself by harakiri the day after Japan's surrender.
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The first story involves Kuroki playing games with the police, essentially making them chase him by acting...
Follow our coverage of Atg by clicking on the link below
The first story involves Kuroki playing games with the police, essentially making them chase him by acting...
- 9/19/2023
- by Panos Kotzathanasis
- AsianMoviePulse
The great Miyazaki is back!! GKids has revealed a short teaser trailer for The Boy and the Heron, the new feature film from the iconic filmmaker Hayao Miyazaki. This is his 12th feature film, and his latest since The Wind Rises in 2013. After opening in Japan in July, the film is premiering at the 2023 Toronto Film Festival this week with a big theatrical release planned this fall. "A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning. A semi-autobiographical fantasy about life, death, and creation, in tribute to friendship, from the mind of Hayao Miyazaki." With an original score by Joe Hisaishi. Described as a "big fantastical film", it follows a boy who discovers an abandoned tower in his new town and enters a fantastical world with a talking grey heron.
- 9/6/2023
- by Alex Billington
- firstshowing.net
Studio Ghibli has pulled back the curtain on Hayao Miyazaki’s animated fantasy epic “The Boy and the Heron,” the director’s first feature since his 2013 drama “The Wind Rises.” The movie will get a U.S. theatrical release on Dec. 8.
After playing in Japan, the film is now set to open the Toronto International Film Festival — the first animated or Japanese film to do so. It will also screen at the New York Film Festival. “The Boy and the Heron’s” release in Japan came with conspicuously little promotional material, an effort to maintain an air of secrecy around the enigmatic film. The only image of the movie before its Japanese release was of a mysterious heron, and the new trailer marks the first official footage released publicly to audiences.
The film has grossed $52.5 million to date in Japan, eight weeks into its theatrical run. That makes it Studio...
After playing in Japan, the film is now set to open the Toronto International Film Festival — the first animated or Japanese film to do so. It will also screen at the New York Film Festival. “The Boy and the Heron’s” release in Japan came with conspicuously little promotional material, an effort to maintain an air of secrecy around the enigmatic film. The only image of the movie before its Japanese release was of a mysterious heron, and the new trailer marks the first official footage released publicly to audiences.
The film has grossed $52.5 million to date in Japan, eight weeks into its theatrical run. That makes it Studio...
- 9/6/2023
- by Jaden Thompson
- Variety Film + TV
In his 2005 book “Save the Cat!”, the renowned tutor and screenwriter Blake Snyder argues that one tool to make a successful screenplay is to effectively utilize either “save the cat” or “kick the dog” trope in the first five minutes of the film, i.e. make a character either save a cat or kick a dog, in order to give us a clear signal of his intentions if he’s good or evil.
In Takashi Miike’s fabulous “Gozu”, the maniacal yakuza Ozaki doesn’t just kick the dog. He thrashes the living hell out of it, and finishes his beating with swinging it round and round on the leash and smashing it into the restaurant front window in bloody bits at the five-minute mark exactly.
After Ozaki’s (Shô Aikawa) violent antics have become a liability, the boss (Miike mainstay Renji Ishibashi) orders his minion Minami...
In Takashi Miike’s fabulous “Gozu”, the maniacal yakuza Ozaki doesn’t just kick the dog. He thrashes the living hell out of it, and finishes his beating with swinging it round and round on the leash and smashing it into the restaurant front window in bloody bits at the five-minute mark exactly.
After Ozaki’s (Shô Aikawa) violent antics have become a liability, the boss (Miike mainstay Renji Ishibashi) orders his minion Minami...
- 8/27/2019
- by Tristan Priimagi
- AsianMoviePulse
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