Elena Trapé, whose character-driven ensemble pieces “Blog” and “The Distances” marked her out as a talent to watch, is attached to direct “Gwendolyne, Diary of a Fan,”, one of two series being brought onto the market at Ventana Sur’s Spanish Screenings by Barcelona-based Coming Soon Films.
Screenplay for “Gewndlyne” is by Marta Buisán and Jordi Casado and Miguel Ibánez Monroy.
Led by Marta Ramírez, post-production coordinator on J.A. Bayona’s “The Orphanage,” Coming Soon, which already produced Trapé’s “The Distances,” is also introducing in Buenos Aires “The Summer of Dead Toys,” (“El verano de los juguetes muertos”), a procedural adapting Catalan Tony Hill’s acclaimed debut crime novel of the same title, produced with Barcelona’s Corte y Confección de Películas.
“Gwendolyne’s” titular protagonist, now 30, had one of the times of her life – one of the only times of her life – when 15, she was chasing the Sexy Gods,...
Screenplay for “Gewndlyne” is by Marta Buisán and Jordi Casado and Miguel Ibánez Monroy.
Led by Marta Ramírez, post-production coordinator on J.A. Bayona’s “The Orphanage,” Coming Soon, which already produced Trapé’s “The Distances,” is also introducing in Buenos Aires “The Summer of Dead Toys,” (“El verano de los juguetes muertos”), a procedural adapting Catalan Tony Hill’s acclaimed debut crime novel of the same title, produced with Barcelona’s Corte y Confección de Películas.
“Gwendolyne’s” titular protagonist, now 30, had one of the times of her life – one of the only times of her life – when 15, she was chasing the Sexy Gods,...
- 11/25/2022
- by John Hopewell
- Variety Film + TV
When Karen Pirie lies down on the job, this detective isn’t loafing. She’s busy concentrating, trying not to scream in frustration at the chauvinistic bosses who’ve assigned her a perplexing 25-year-old cold case with little confidence she’ll solve it. They should know better. Mystery fans already do, if they’re familiar with the work of prolific Scottish novelist Val McDermid, whose Tony Hill series inspired six seasons of Wire in the Blood. Let’s hope for similar results for BritBox’s Karen Pirie, featuring a scrappy up-and-comer who erupts in fury whenever it’s suggested she only got this case—the 1996 murder of a barmaid that’s the subject of a nagging podcast—because of her gender. Though she’s the first to admit, in an instantly endearing and self-deprecating aside, that it’s “not the greatest time to be called Karen.” The prime suspects in the case,...
- 10/23/2022
- TV Insider
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