In a Lonely Place: How ‘Perry Mason’ Tweaks Its Cinematography for a New Season of Noirish Mysteries
In its first season, HBO’s “Perry Mason” received Emmy and ASC award nominations for David Franco’s exquisitely atmospheric cinematography, which avoided the desaturated look so common to period shows and evoked the 1930s by referencing early color still photography. One might have thought it would be difficult to improve upon the look established by Franco and alternating cinematographer Darran Tiernan, but the new season of “Perry Mason” that premiered March 6 is even more vivid and involving thanks to slight changes in color and a more subjective approach to the camerawork.
When the gritty origin story of Erle Stanley Gardner’s defense attorney premiered in 2020, cinematographer Eliot Rockett was one of its fans. Now, he joins the series — along with showrunners Jack Amiel and Michael Begler — for Season 2, lensing the premiere and alternating subsequent episodes with Tiernan and John Grillo. “I thought the first season was great, so there...
When the gritty origin story of Erle Stanley Gardner’s defense attorney premiered in 2020, cinematographer Eliot Rockett was one of its fans. Now, he joins the series — along with showrunners Jack Amiel and Michael Begler — for Season 2, lensing the premiere and alternating subsequent episodes with Tiernan and John Grillo. “I thought the first season was great, so there...
- 3/9/2023
- by Jim Hemphill
- Indiewire
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