“Légua” by Filipa Reis and João Miller Guerra has its world premiere in Directors Fortnight. Reis and Miller Guerra previously co-helmed the Cape Verde-set debut feature, “Djon Africa” (2018), and several documentaries.
“Légua” is produced by the company, Uma Pedra no Sapato, which Reis founded in 2008 and ranks as one of Portugal’s leading independent production companies.
The pic is set in the rural village of Légua in the North of Portugal, between Amarante and Marco de Canaveses. One of the main characters is an old country house that has been deserted by its heirs and is looked after by the ailing elderly housekeeper, Emilia, assisted by Ana (played by Carla Maciel (“Diamantino”), whose husband emigrates to work in France, leaving her to look after Emilia and her own restless teenage daughter, Mónica.
The film explores a world in decay, embodied by three women from different generations.
Several scenes dispense with...
“Légua” is produced by the company, Uma Pedra no Sapato, which Reis founded in 2008 and ranks as one of Portugal’s leading independent production companies.
The pic is set in the rural village of Légua in the North of Portugal, between Amarante and Marco de Canaveses. One of the main characters is an old country house that has been deserted by its heirs and is looked after by the ailing elderly housekeeper, Emilia, assisted by Ana (played by Carla Maciel (“Diamantino”), whose husband emigrates to work in France, leaving her to look after Emilia and her own restless teenage daughter, Mónica.
The film explores a world in decay, embodied by three women from different generations.
Several scenes dispense with...
- 5/24/2023
- by Martin Dale
- Variety Film + TV
Xavier Legrand, whose 2017 feature debut “Custody” won two prizes at Venice and swept four Cesar Awards, is back with “The Successor.” The anticipated sophomore outing has been boarded by mk2 films (“Portrait of a Lady on Fire”) which will launch sales at the European Film Market.
“The Successor” will star Marc-André Grondin (“C.R.A.Z.Y.”) as the newly-announced artistic director of a famous Parisian fashion house. But as expectations are high, he starts experiencing chest pain. Out of the blue he is called back to Montreal to organize his estranged father’s funeral and discovers that he may have inherited much worse than his father’s weak heart.
“We don’t want to give much away but will say that ‘The Successor’ is a tense and thrilling read that we can’t wait to share with buyers,” said Fionnuala Jamison, mk2 films’ managing director.
“As much if not more than with “Custody,...
“The Successor” will star Marc-André Grondin (“C.R.A.Z.Y.”) as the newly-announced artistic director of a famous Parisian fashion house. But as expectations are high, he starts experiencing chest pain. Out of the blue he is called back to Montreal to organize his estranged father’s funeral and discovers that he may have inherited much worse than his father’s weak heart.
“We don’t want to give much away but will say that ‘The Successor’ is a tense and thrilling read that we can’t wait to share with buyers,” said Fionnuala Jamison, mk2 films’ managing director.
“As much if not more than with “Custody,...
- 2/2/2023
- by Elsa Keslassy
- Variety Film + TV
No one utters the word “bipolar” until practically the end of Belgian director Joachim Lafosse’s “The Restless,” but you can sense that’s what the character Damien is dealing with from the opening scene, when a father-son day on the sea takes a startling turn. After steering a rented boat a certain distance offshore, the ever-impulsive Damien spontaneously dives overboard, leaving his boy, Amine (Gabriel Merz Chammah), alone at the helm. “I’m swimming back — you take the boat,” he says, leaving the boy with no other choice.
“The Restless” presents this startling rift in parental responsibility from the son’s point of view, suggesting that the episode — the kind of judgment lapse that might qualify as “fun-loving” in an American man-child comedy but feels genuinely alarming here — almost certainly has its origins in Lafosse’s own upbringing. Like that real-world Laurel and Hardy episode when Mom called the paramedics,...
“The Restless” presents this startling rift in parental responsibility from the son’s point of view, suggesting that the episode — the kind of judgment lapse that might qualify as “fun-loving” in an American man-child comedy but feels genuinely alarming here — almost certainly has its origins in Lafosse’s own upbringing. Like that real-world Laurel and Hardy episode when Mom called the paramedics,...
- 7/16/2021
- by Peter Debruge
- Variety Film + TV
Leila Bekhti and Damien Bonnard to star in drama exploring impact of bipolar disorder.
Paris-based sales company Luxbox will kick-off sales on Belgian filmmaker Joachim Lafosse’s upcoming drama The Restless at the upcoming Marché du Film Online.
Leiïa Bekhti and Damien Bonnard are set to star as a couple, who share a child together, whose life together is impacted by bipolarism.
Bonnard, whose recent credits include Les Misérables and The French Dispatch, plays a man called Damien who is battling the high and lows of bipolar disorder.
Bekhti co-stars as his partner (Leila) who valiantly weathers the emotional rollercoaster of his changing moods,...
Paris-based sales company Luxbox will kick-off sales on Belgian filmmaker Joachim Lafosse’s upcoming drama The Restless at the upcoming Marché du Film Online.
Leiïa Bekhti and Damien Bonnard are set to star as a couple, who share a child together, whose life together is impacted by bipolarism.
Bonnard, whose recent credits include Les Misérables and The French Dispatch, plays a man called Damien who is battling the high and lows of bipolar disorder.
Bekhti co-stars as his partner (Leila) who valiantly weathers the emotional rollercoaster of his changing moods,...
- 6/15/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
The project is based on the memoir by controversial former finance minister Yanis Varoufakis.
Adults In The Room, the first feature by Greek director Costa-Gavras to shoot in the filmmaker’s homeland, has sparked a row in the press and on social media in the country when it was announced the project will receive €630,000 in state funding via the country’s new cash rebate scheme.
It is being argued by some opposed to the controversial project that it is not the best use of public money in a cash-strapped country like Greece.
The film is based on the memoir Adults...
Adults In The Room, the first feature by Greek director Costa-Gavras to shoot in the filmmaker’s homeland, has sparked a row in the press and on social media in the country when it was announced the project will receive €630,000 in state funding via the country’s new cash rebate scheme.
It is being argued by some opposed to the controversial project that it is not the best use of public money in a cash-strapped country like Greece.
The film is based on the memoir Adults...
- 4/16/2019
- by Alexis Grivas
- ScreenDaily
Custody, opening in L.A. on July 13th, in New York on June 29th and going wide in August, is a heartbreakingly sad story of a boy caught between two at-war-getting-divorced parents.
On a par with Loveless, the Russian Cannes Competition film in 2017 and Oscar nominated for Best Foreigh Language Film, each of the boys, sentient but powerless, is used as a pawn. This film almost exceeds the threshold of bearable pain, so painful is to watch the father take his rages out on his son.
The boy’s (Thomas Gioria) acting is superlative. This is his first film but next year you will be able to see him in Adoration.
Denis Ménochet playing the father is also outstanding and is 100% hateful. I moaned in agony for the boy in every other scene. The father cajoles his child, blackmails his child, threatens him with force, is mecurial, cruel and unresponsive,...
On a par with Loveless, the Russian Cannes Competition film in 2017 and Oscar nominated for Best Foreigh Language Film, each of the boys, sentient but powerless, is used as a pawn. This film almost exceeds the threshold of bearable pain, so painful is to watch the father take his rages out on his son.
The boy’s (Thomas Gioria) acting is superlative. This is his first film but next year you will be able to see him in Adoration.
Denis Ménochet playing the father is also outstanding and is 100% hateful. I moaned in agony for the boy in every other scene. The father cajoles his child, blackmails his child, threatens him with force, is mecurial, cruel and unresponsive,...
- 7/16/2018
- by Sydney Levine
- Sydney's Buzz
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