A little bit of sex is always appreciated in movies and TV shows and a lot of it also doesn’t go unnoticed I am looking at you Fifty Shades of Grey and its half-a-billion-dollar box office earnings. If you also love steamy movies and shows then this article is for you as we are here to list the most erotic films and TV shows you can find on Max (formerly known as HBO Max), where you will find most of the HBO shows and Warner Bros. movies. So, here are the most steamiest movies and TV shows you should watch on Max.
Euphoria (TV Series) Credit – HBO
Euphoria is a teen drama series created by Sam Levinson. Based on an Israeli miniseries of the same name by Ron Leshem and Daphna Levin, the HBO series follows the story of a troubled 17-year-old drug-addicted girl Rue, and her group of...
Euphoria (TV Series) Credit – HBO
Euphoria is a teen drama series created by Sam Levinson. Based on an Israeli miniseries of the same name by Ron Leshem and Daphna Levin, the HBO series follows the story of a troubled 17-year-old drug-addicted girl Rue, and her group of...
- 5/10/2024
- by Kulwant Singh
- Cinema Blind
French actress Emmanuelle Béart and Belgian-Congolese director/songwriter Baloji will co-preside over the Caméra d’Or jury of the 2024 Cannes Film Festival.
The Caméra d’Or is awarded to the best first feature film in Cannes’ Official Selection, or in the parallel Critics Week or Directors’ Fortnight sections.
Béart’s long list of credits include 8 Women (2002), Mission: Impossible (1996), Nelly & Monsieur Arnaud (1995), Heart In Winter (1992), La Belle Noiseuse (1991) and Manon Des Sources (1986).
Baloji won the New Voice Prize in Un Certain Regard last year for his debut feature Omen.
This year’s Caméra d’Or jury includes director of photography Gilles Porte,...
The Caméra d’Or is awarded to the best first feature film in Cannes’ Official Selection, or in the parallel Critics Week or Directors’ Fortnight sections.
Béart’s long list of credits include 8 Women (2002), Mission: Impossible (1996), Nelly & Monsieur Arnaud (1995), Heart In Winter (1992), La Belle Noiseuse (1991) and Manon Des Sources (1986).
Baloji won the New Voice Prize in Un Certain Regard last year for his debut feature Omen.
This year’s Caméra d’Or jury includes director of photography Gilles Porte,...
- 4/16/2024
- ScreenDaily
Belgian rapper and filmmaker Baloji and French film actress Emmanuelle Béart have been announced as co-presidents of the Cannes Film Festival’s Caméra d’Or jury for the upcoming 77th edition, running from May 14 to 25.
The award for the best first film is open to all the debut feature films presented in Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
The Caméra d’Or Jury has been co-chaired three times before: by actress Françoise Fabian and director Daniel Schmid in 1996, by Marthe Keller and Géraldine Chaplin in 2002, and by brothers Luc and Jean-Pierre Dardenne in 2006.
Announcing the pair today, the festival described Baloji and Béart as “free spirits with no limits, who rely on their art to achieve creative freedom.” Baloji is best known for his directorial debut Omen, which debuted at last year’s Cannes Film Festival, where it picked up the New Voice Prize in Un Certain Regard.
The award for the best first film is open to all the debut feature films presented in Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
The Caméra d’Or Jury has been co-chaired three times before: by actress Françoise Fabian and director Daniel Schmid in 1996, by Marthe Keller and Géraldine Chaplin in 2002, and by brothers Luc and Jean-Pierre Dardenne in 2006.
Announcing the pair today, the festival described Baloji and Béart as “free spirits with no limits, who rely on their art to achieve creative freedom.” Baloji is best known for his directorial debut Omen, which debuted at last year’s Cannes Film Festival, where it picked up the New Voice Prize in Un Certain Regard.
- 4/16/2024
- by Zac Ntim
- Deadline Film + TV
Claude Lelouch, the Oscar-winning director of “A Man and a Woman,” is getting ready to direct “Finalement…,” his next film which he says will be a sort of sequel to his BAFTA-nominated film “Happy New Year” and “L’aventure, l’aventure.” The lighthearted movie will reteam Lelouch with Metropolitan FilmExport which is co-producing with Lelouch’s banner Les Films 13, and will distribute in France.
Scored by popular French singer Ibrahim Maalouf, “Finalement…” will boast a large ensemble cast of French stars, including Kad Merad (“Baron Noir”), Elsa Zylberstein (“Simone”), Sandrine Bonnaire, Raphael Mezrahi, Michel Boujenah and Barbara Pravi.
Merad will play a powerful lawyer who sees his life take an unexpected turn after a health issue removes his ability to lie and forces him to speak without any filter. Merad’s character embarks on a road trip across France, from Paris to the Normandie, to the Mont St Michel, Avignon...
Scored by popular French singer Ibrahim Maalouf, “Finalement…” will boast a large ensemble cast of French stars, including Kad Merad (“Baron Noir”), Elsa Zylberstein (“Simone”), Sandrine Bonnaire, Raphael Mezrahi, Michel Boujenah and Barbara Pravi.
Merad will play a powerful lawyer who sees his life take an unexpected turn after a health issue removes his ability to lie and forces him to speak without any filter. Merad’s character embarks on a road trip across France, from Paris to the Normandie, to the Mont St Michel, Avignon...
- 5/21/2023
- by Elsa Keslassy
- Variety Film + TV
Brussels-based sales company Be For Films has closed a raft of pre-sales on Julien Carpentier’s feature debut “La vie de ma mère,” a mother-and-son dramedy, starring Agnès Jaoui and William Lebghil.
Now in post, the heartwarming film follows Julien, a successful 33-year-old florist whose life is turned upside down when his mother Judith, whom he hasn’t seen for two years, reappears. Mercurial and extravagant, she suffers from bipolar disorder and has recently escaped from a clinic. Pierre has only one idea in mind: Send her back as quickly as possible so his life can get back on track. But nothing happens as he hoped for. Their unexpected reunion, as funny and explosive as it is heart-wrenching, will transform Pierre and Judith forever. Alison Wheeler and Salif Cissé complete the cast. Kmbo will distribute the film in France.
“La vie de ma mere” is produced by Silex Films, the banner behind “Rose,...
Now in post, the heartwarming film follows Julien, a successful 33-year-old florist whose life is turned upside down when his mother Judith, whom he hasn’t seen for two years, reappears. Mercurial and extravagant, she suffers from bipolar disorder and has recently escaped from a clinic. Pierre has only one idea in mind: Send her back as quickly as possible so his life can get back on track. But nothing happens as he hoped for. Their unexpected reunion, as funny and explosive as it is heart-wrenching, will transform Pierre and Judith forever. Alison Wheeler and Salif Cissé complete the cast. Kmbo will distribute the film in France.
“La vie de ma mere” is produced by Silex Films, the banner behind “Rose,...
- 1/16/2023
- by Elsa Keslassy
- Variety Film + TV
The tough guys in Yves Boisset’s crime drama answer revenge with revenge, and Michel Bouquet’s rogue cop commits outrageous acts of lawlessness to nail his partner’s killer. The French censors were up at arms over Boisset’s slight to police honor, yet the subject isn’t corruption — everything is ‘honor and decency.’ A fine gallery of Gallic thugs fills out the cast; both they and the attitude toward law and order are a step beyond Jean-Pierre Melville, but not an improvement. With standout work from Michel Constantin, Théo Sarapo, Henri Garcin and Bernard Fresson.
The Cop aka Un condé
Blu-ray
Kl Studio Classics
1970 / B&w / 1:66 widescreen / 98 min. / Street Date September 6, 2022 / available through Kino Lorber / 24.95
Starring: Michel Bouquet, Françoise Fabian, Gianni Garko, Michel Constantin, Théo Sarapo, Henri Garcin, Anne Carrère, Bernard Fresson, Pierre Massimi, Roger Lumont.
Cinematography: Jean-Marc Ripert
Film Editor: Albert Jurgenson, Vincenzo Tomassi
Original Music:...
The Cop aka Un condé
Blu-ray
Kl Studio Classics
1970 / B&w / 1:66 widescreen / 98 min. / Street Date September 6, 2022 / available through Kino Lorber / 24.95
Starring: Michel Bouquet, Françoise Fabian, Gianni Garko, Michel Constantin, Théo Sarapo, Henri Garcin, Anne Carrère, Bernard Fresson, Pierre Massimi, Roger Lumont.
Cinematography: Jean-Marc Ripert
Film Editor: Albert Jurgenson, Vincenzo Tomassi
Original Music:...
- 9/13/2022
- by Glenn Erickson
- Trailers from Hell
Jean-Louis Trintignant and Anouk Aimée when they reteamed three years ago for The Best Years Of A Life Photo: UniFrance The world of French cinema today is mourning the loss of one its most enduring denizens Jean-Louis Trintignant who died yesterday (17 June) at the age of 91.
Jean-Louis Trintignant: 'Perhaps I should have made 11 films instead of 110' Photo: UniFrance He was a reluctant and sometimes reclusive focus of attention over more than four decades and came to the fore internationally in the Sixties and Seventies when he played the lovelorn racing driver opposite Anouk Aimée in Claude Lelouch’s A Man And A Woman; a mysterious prosector in Costa-Gavras’s Z, a twisted assassin in Bernardo Berloucci’s The Conformist and in the romantic drama (opposite Françoise Fabian) in My Night With Maude by Eric Rohmer.
When he was 82 he emerged from a self-declared “retirement” to rediscover career glory all...
Jean-Louis Trintignant: 'Perhaps I should have made 11 films instead of 110' Photo: UniFrance He was a reluctant and sometimes reclusive focus of attention over more than four decades and came to the fore internationally in the Sixties and Seventies when he played the lovelorn racing driver opposite Anouk Aimée in Claude Lelouch’s A Man And A Woman; a mysterious prosector in Costa-Gavras’s Z, a twisted assassin in Bernardo Berloucci’s The Conformist and in the romantic drama (opposite Françoise Fabian) in My Night With Maude by Eric Rohmer.
When he was 82 he emerged from a self-declared “retirement” to rediscover career glory all...
- 6/18/2022
- by Richard Mowe
- eyeforfilm.co.uk
“Stalk,” Simon Bouisson’s timely French show tackling cyber spying and bullying, has lured a flurry of top TV channels across the world.
Produced by Priscilla Bertin and Judith Nora at Silex Films, the half-hour psychological thriller series was a big hit on France Televisions’s platform Slash and later aired on the broadcaster’s linear channel France 2 in the slot following “Call My Agent! The second season, which won best half-hour series and best music (for Paul Sabin) at La Rochelle TV Festival, recently premiered.
FranceTV Distribution, the commercial arm of the broadcaster, has sold the first two seasons to HB0 Latin America, Gsn in Russia and Shahid in the Middle East. South Korea’s Navel picked up season one, while the second season has been picked up by Wdr and Sony in Germany, Rai Play in Italy and Ici tou.tv in Canada.
Bouisson, who previously helmed the...
Produced by Priscilla Bertin and Judith Nora at Silex Films, the half-hour psychological thriller series was a big hit on France Televisions’s platform Slash and later aired on the broadcaster’s linear channel France 2 in the slot following “Call My Agent! The second season, which won best half-hour series and best music (for Paul Sabin) at La Rochelle TV Festival, recently premiered.
FranceTV Distribution, the commercial arm of the broadcaster, has sold the first two seasons to HB0 Latin America, Gsn in Russia and Shahid in the Middle East. South Korea’s Navel picked up season one, while the second season has been picked up by Wdr and Sony in Germany, Rai Play in Italy and Ici tou.tv in Canada.
Bouisson, who previously helmed the...
- 11/30/2021
- by Elsa Keslassy
- Variety Film + TV
French soccer player-turned-actor Eric Cantona (“Looking for Eric”) is set to star in “Giant With Feet of Clay” (“Le Colosse aux pieds d’argile”), a television drama about sexual harassement and abuse in sports.
The movie is about to start shooting in Southwestern France with French director Stéphanie Murat; and is being produced by Sydney Gallonde’s Make It Happen Studio and Tetra Media Studio (“Paris Police 1900”).
Aude Marcle penned the script which is loosely based on the true story of Sébastien Boueilh, who penned the book “Le Colosse aux pieds d’argile” with Thierry Vildary. The timely movie has been commissioned by French TV network TF1 which is also co-producing.
Cantona as Sébastien, a successful former rugbyman who was raped by someone close to his parents for four years when he was a teenage athlete and has been unable to tell anyone what happened to him. Torn by...
The movie is about to start shooting in Southwestern France with French director Stéphanie Murat; and is being produced by Sydney Gallonde’s Make It Happen Studio and Tetra Media Studio (“Paris Police 1900”).
Aude Marcle penned the script which is loosely based on the true story of Sébastien Boueilh, who penned the book “Le Colosse aux pieds d’argile” with Thierry Vildary. The timely movie has been commissioned by French TV network TF1 which is also co-producing.
Cantona as Sébastien, a successful former rugbyman who was raped by someone close to his parents for four years when he was a teenage athlete and has been unable to tell anyone what happened to him. Torn by...
- 10/18/2021
- by Elsa Keslassy
- Variety Film + TV
Distributor, Kinology reunite after Oscar-nominated Mustang.
Cohen Media Group has picked up all North American rights from Kinology to actress Aurélie Saada’s feature directorial debut Rose starring Françoise Fabian.
The film received its world premiere inat Locarno Film Festival in August and centres on a 78-year-old woman who has just lost her husband of more than 50 years. Devastation gives way to a strong desire to live life to the full even though the woman’s newfound joie de vivre threatens to upset the family balance.
The cast includes Aure Atika, Grégory Montel, Damien Chapelle, Pascal Elbé and Mehdi Nebbou.
Cohen Media Group has picked up all North American rights from Kinology to actress Aurélie Saada’s feature directorial debut Rose starring Françoise Fabian.
The film received its world premiere inat Locarno Film Festival in August and centres on a 78-year-old woman who has just lost her husband of more than 50 years. Devastation gives way to a strong desire to live life to the full even though the woman’s newfound joie de vivre threatens to upset the family balance.
The cast includes Aure Atika, Grégory Montel, Damien Chapelle, Pascal Elbé and Mehdi Nebbou.
- 10/11/2021
- by Jeremy Kay
- ScreenDaily
Actress and now debuting director, writer and composer Aurélie Saada pours a tremendous amount of personal nostalgia into “Rose,” a feature steeped in love for her North African Jewish roots, from music (all written by Saada) to food — the credits even include her recipe for “makroud,” a date-filled cookie. The film stars Françoise Fabian as a recent widow hesitantly engaging with the world while emerging from under her children’s straightjacketing concerns, and . The result is that “Rose” never truly blooms. Notwithstanding such a handicap, its all-embracing effusion of Jewishness, both Sephardic and Ashkenazi, guarantees an easy sell across the Atlantic.
The entire Goldberg family and their friends are literally in a swirl of merriment for the birthday of pater familias Philippe (Bernard Murat), celebrated at a big bash replete with Yiddish songs and the hora. It seems an odd time for his Orthodox doctor son Pierre to tell him his troubling Mri results,...
The entire Goldberg family and their friends are literally in a swirl of merriment for the birthday of pater familias Philippe (Bernard Murat), celebrated at a big bash replete with Yiddish songs and the hora. It seems an odd time for his Orthodox doctor son Pierre to tell him his troubling Mri results,...
- 8/6/2021
- by Jay Weissberg
- Variety Film + TV
The lineup includes five new projects in post-production from Catherine Corsini, Aino Suni, Aurélie Saada, Jacques Doillon and Denis Dercourt. Plus, trailers for Mia Hansen-Løve and Leos Carax. Spring is already here as a launching slogan for the very attractive lineup of French international sales agent Kinology (headed by Grégoire Melin) set to be presented at the European Film Market of the 71st edition of the Berlinale. Pre-sales will begin on five new enticing titles in post-production, including three films from female filmmakers: The Divide (La Fracture) from French director Catherine Corsini, Rose from her fellow countrywoman Aurélie Saada (article - with Françoise Fabian heading the cast) and the psychological thriller The Girl’s Room from Finnish director Aino Suni (read our interview with producer Ulla Simonen) which explores teenage fantasies and...
Aure Atika, Grégory Montel, Damien Chapelle, Pascal Elbé and Mehdi Nebbou likewise star in the cast of this Silex Films and Germaine Films production, distributed by Apollo. Shot in Paris between 2 November and 15 December, Rose, the debut feature film by Aurélie Saada (who forms one half of musical duo Brigitte) is now in post-production. Gracing the cast is seasoned actress Françoise Fabian, Aure Atika, Grégory Montel (known for his role as Gabriel in the series Call My Agent! and recently at his best in...
- 12/23/2020
- Cineuropa - The Best of European Cinema
The Eighth Annual Robert Classic French Film Festival — co-produced by Cinema St. Louis and the Webster University Film Series — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the early 1990s, offering a comprehensive overview of French cinema.
The fest is annually highlighted by significant restorations, and we’re especially pleased to present Jacques Rivette’s long-unavailable epic Out 1: Spectre Additional restoration highlights include Jean-Luc Godard’s A Married Woman and Max Ophüls’ too-little-seen From Mayerling To Sarajevo. Both Ophüls’ film and Louis Malle’s Elevator To The Gallows – with a jazz score by St. Louis-area native Miles Davis — screen from 35mm prints. All films will screen at Webster University’s Moore Auditorium (47- E. Lockwood)
Music fans will further delight in the Rats & People Motion Picture Orchestra’s accompaniment and original score for Carl Th. Dreyer’s...
The fest is annually highlighted by significant restorations, and we’re especially pleased to present Jacques Rivette’s long-unavailable epic Out 1: Spectre Additional restoration highlights include Jean-Luc Godard’s A Married Woman and Max Ophüls’ too-little-seen From Mayerling To Sarajevo. Both Ophüls’ film and Louis Malle’s Elevator To The Gallows – with a jazz score by St. Louis-area native Miles Davis — screen from 35mm prints. All films will screen at Webster University’s Moore Auditorium (47- E. Lockwood)
Music fans will further delight in the Rats & People Motion Picture Orchestra’s accompaniment and original score for Carl Th. Dreyer’s...
- 2/16/2016
- by Tom Stockman
- WeAreMovieGeeks.com
Glenda Jackson: Actress and former Labour MP. Two-time Oscar winner and former Labour MP Glenda Jackson returns to acting Two-time Best Actress Academy Award winner Glenda Jackson set aside her acting career after becoming a Labour Party MP in 1992. Four years ago, Jackson, who represented the Greater London constituency of Hampstead and Highgate, announced that she would stand down the 2015 general election – which, somewhat controversially, was won by right-wing prime minister David Cameron's Conservative party.[1] The silver lining: following a two-decade-plus break, Glenda Jackson is returning to acting. Now, Jackson isn't – for the time being – returning to acting in front of the camera. The 79-year-old is to be featured in the Radio 4 series Emile Zola: Blood, Sex and Money, described on their website as a “mash-up” adaptation of 20 Emile Zola novels collectively known as "Les Rougon-Macquart."[2] Part 1 of the three-part Radio 4 series will be broadcast daily during an...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
In the 1990s, novelist and political activist Nadja Tesich looked back on her days in Paris, specifically the day in the mid-1960s when Eric Rohmer asked her to work with him on Nadja à Paris. Meantime, at the Av Club, Mike D'Angelo picks a scene from Love in the Afternoon, a montage featuring actresses Rohmer had worked with: Françoise Fabian, Béatrice Romand, Marie-Christine Barrault, Haydée Politoff, Laurence De Monaghan and Aurora Cornu. And for Artinfo, Craig Hubert talks with Corina Copp about her first book, titled after and inspired by Rohmer's 1986 film, The Green Ray. » - David Hudson...
- 5/4/2015
- Fandor: Keyframe
In the 1990s, novelist and political activist Nadja Tesich looked back on her days in Paris, specifically the day in the mid-1960s when Eric Rohmer asked her to work with him on Nadja à Paris. Meantime, at the Av Club, Mike D'Angelo picks a scene from Love in the Afternoon, a montage featuring actresses Rohmer had worked with: Françoise Fabian, Béatrice Romand, Marie-Christine Barrault, Haydée Politoff, Laurence De Monaghan and Aurora Cornu. And for Artinfo, Craig Hubert talks with Corina Copp about her first book, titled after and inspired by Rohmer's 1986 film, The Green Ray. » - David Hudson...
- 5/4/2015
- Keyframe
Oldest person in movies? (Photo: Manoel de Oliveira) Following the recent passing of 1931 Dracula actress Carla Laemmle at age 104, there is one less movie centenarian still around. So, in mid-June 2014, who is the oldest person in movies? Manoel de Oliveira Portuguese filmmaker Manoel de Oliveira will turn 106 next December 11; he’s surely the oldest person — at least the oldest well-known person — in movies today. De Oliveira’s film credits include the autobiographical docudrama Memories and Confessions / Visita ou Memórias e Confissões (1982), with de Oliveira as himself, and reportedly to be screened publicly only after his death; The Cannibals / Os Canibais (1988); The Convent / O Convento (1995); Porto of My Childhood / Porto da Minha Infância (2001); The Fifth Empire / O Quinto Império - Ontem Como Hoje (2004); and, currently in production, O Velho do Restelo ("The Old Man of Restelo"). Among the international stars who have been directed by de Oliveira are Catherine Deneuve, Pilar López de Ayala,...
- 6/17/2014
- by Andre Soares
- Alt Film Guide
French president François Hollande's alleged lover wins nomination for ripped-from-the-headlines comedy Quai d'Orsay
• Julie Gayet to sue French magazine Closer over Hollande affair claims
Art appears to be imitating life at the César awards, where French actor Julie Gayet, the star of one political farce, finds herself nominated for her role in another. The alleged lover of president François Hollande is shortlisted as best supporting actress for her performance in Quai d'Orsay, a screwball comedy about a vain French politician.
Directed by Bertrand Tavernier, Quai d'Orsay goes behind the scenes at the French foreign ministry, where harassed government staffers have their hands full attending to the whims of their preening, gnomic boss. Gayet co-stars as a vampish policy adviser on Africa who will reportedly stop at nothing to gain an advantage over her rivals. She is joined on the shortlist by Marisa Borini, Françoise Fabian, Adèle Haenel and Géraldine Pailhas.
• Julie Gayet to sue French magazine Closer over Hollande affair claims
Art appears to be imitating life at the César awards, where French actor Julie Gayet, the star of one political farce, finds herself nominated for her role in another. The alleged lover of president François Hollande is shortlisted as best supporting actress for her performance in Quai d'Orsay, a screwball comedy about a vain French politician.
Directed by Bertrand Tavernier, Quai d'Orsay goes behind the scenes at the French foreign ministry, where harassed government staffers have their hands full attending to the whims of their preening, gnomic boss. Gayet co-stars as a vampish policy adviser on Africa who will reportedly stop at nothing to gain an advantage over her rivals. She is joined on the shortlist by Marisa Borini, Françoise Fabian, Adèle Haenel and Géraldine Pailhas.
- 1/31/2014
- by Xan Brooks
- The Guardian - Film News
Molinaro-Directed Subtitled Comedy Blockbuster Led to Two Sequels and One Highly Popular U.S. Remake
‘La Cage aux Folles’ film: Edouard Molinaro international box office hit (photo: Ugo Tognazzi and Michel Serrault in ‘La Cage aux Folles’) (See previous post: “‘La Cage aux Folles’ Director Edouard Molinaro Dead at 85.”) But Edouard Molinaro’s best-known effort — comedy or otherwise — remains La Cage aux Folles (approximate translation: "The Cage of the Queens"), which sold 5.4 million tickets when it came out in France in 1978. Perhaps because many saw it as a letdown when compared to Jean Poiret’s immensely popular 1973 play, Molinaro’s movie ended up nominated for a single César Award — for eventual Best Actor winner Michel Serrault. Somewhat surprisingly, in the next couple of years La Cage aux Folles would become a major hit in the United States and other countries. Released by Metro-Goldwyn-Mayer in the U.S. in 1979, the film grossed $20.42 million at the North American box office — or about $65 million in 2013 dollars, a remarkable sum for a subtitled release.
- 12/8/2013
- by Andre Soares
- Alt Film Guide
Chicago – The kidnapped industrialist is pretty sure that he heard the voice somewhere before. He’s just not sure where. Perhaps it was at a poker game. Perhaps it belonged to one of the faceless men that watched stealthily as he recklessly risked his fortune on the gambling table. Now the odds are clearly stacked against the industrialist, who hears the familiar voice coming from the masked face of his captor.
Rating: 3.5/5.0
That’s the enticing setup for “Rapt,” an abduction thriller that gets more interesting as it glides along, culminating in a final half hour that achieves an altogether different and more resonant darkness. Belgian filmmaker Lucas Belvaux loosely based his original screenplay on the 1978 abduction of Baron Édouard-Jean Empain, and anyone familiar with the baron’s story will more or less know the outcome of this tense yarn.
Read Matt Fagerholm’s full review of “Rapt” in our reviews section.
Rating: 3.5/5.0
That’s the enticing setup for “Rapt,” an abduction thriller that gets more interesting as it glides along, culminating in a final half hour that achieves an altogether different and more resonant darkness. Belgian filmmaker Lucas Belvaux loosely based his original screenplay on the 1978 abduction of Baron Édouard-Jean Empain, and anyone familiar with the baron’s story will more or less know the outcome of this tense yarn.
Read Matt Fagerholm’s full review of “Rapt” in our reviews section.
- 9/1/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Lorber Films has secured U.S. rights to Belgian director/actor Lucas Belvaux's French thriller "Rapt" and scheduled a theatrical release that starts in New York next July. Starring is Yvan Attal ("Munich," "My Wife is an Actress") as a kidnapped millionaire being held for ransom. Also in the cast are Anne Consigny ("The Diving Bell and the Butterfly"), André Marcon ("The Page Turner") and veteran Françoise Fabian ("Belle de Jour"). The film first screened in the U.S. at the Film Society of Lincoln Center as part of the Rendez-vous with French Cinema series.
- 11/4/2010
- Upcoming-Movies.com
One of the key Cahiers du Cinéma critics, and co-author (with Claude Chabrol) of the first important book on his fellow Catholic Hitchcock, Eric Rohmer was nearly 50 and the Nouvelle Vague had hit the shores and retreated by the time My Night with Maud, now re-released to mark his recent death, brought him serious international attention. But he was to go the distance, working well into his 80s to produce one of the largest, most varied but stylistically and thematically coherent oeuvres in the history of cinema.
The third of his cycle of "Six Moral Tales", though the fourth to be made, My Night with Maud divided audiences on the opening night of the 1969 London film festival. Some were delighted by its wit, intelligence and physical beauty, others bored to distraction by its Gallic discussions on religion, philosophy, politics and love between a divorced doctor (the stunning Françoise Fabian), a...
The third of his cycle of "Six Moral Tales", though the fourth to be made, My Night with Maud divided audiences on the opening night of the 1969 London film festival. Some were delighted by its wit, intelligence and physical beauty, others bored to distraction by its Gallic discussions on religion, philosophy, politics and love between a divorced doctor (the stunning Françoise Fabian), a...
- 7/24/2010
- by Philip French
- The Guardian - Film News
Splice (15)
(Vincenzo Natali, 2009, Us) Adrien Brody, Sarah Polley, Delphine Chanéac. 104 mins
In case anyone thought mucking around with animal genes then raising the resultant mutant as your own child was a good idea, here's a strong warning. Scientists Brody and Polley initially enthuse over their secret breakthrough/lovechild, but several "do you really think we should be doing this?" moments later, they're living out every parent's worst nightmare: that your child grows wings and a venomous tail and turns on you. It's not up to Cronenberg standards, but it's smarter, less predictable and much funnier than it sounds.
Toy Story 3 (U)
(Lee Unkrich, 2010, Us) Tom Hanks, Tim Allen, Joan Cusack. 109 mins
Plaything perils at the daycare centre become a lesson in mortality, comradeship, prison-breaking and waste management in this near-perfect sequel. As usual, it's packed with thrills and gags, but as with Pixar's Up, there are moments when grown-ups...
(Vincenzo Natali, 2009, Us) Adrien Brody, Sarah Polley, Delphine Chanéac. 104 mins
In case anyone thought mucking around with animal genes then raising the resultant mutant as your own child was a good idea, here's a strong warning. Scientists Brody and Polley initially enthuse over their secret breakthrough/lovechild, but several "do you really think we should be doing this?" moments later, they're living out every parent's worst nightmare: that your child grows wings and a venomous tail and turns on you. It's not up to Cronenberg standards, but it's smarter, less predictable and much funnier than it sounds.
Toy Story 3 (U)
(Lee Unkrich, 2010, Us) Tom Hanks, Tim Allen, Joan Cusack. 109 mins
Plaything perils at the daycare centre become a lesson in mortality, comradeship, prison-breaking and waste management in this near-perfect sequel. As usual, it's packed with thrills and gags, but as with Pixar's Up, there are moments when grown-ups...
- 7/23/2010
- by The guide
- The Guardian - Film News
Eric Rohmer's ultra-chaste meditation on sex and religion from 1969 is still a delight, says Peter Bradshaw
Chance and fate, and the present and the past, are the themes of the late Eric Rohmer's black-and-white classic. It is perhaps the world's first "relationship comedy" (a very different thing from a romcom) and originally released in 1969, though as with many of Rohmer's films, the movie now looks and sounds a little antique. This film has always bemused a sizable proportion of its audience with its alleged talkiness and literariness. Yet this is precisely its charm. The story concerns a sanctimonious Catholic thirtysomething (Jean-Louis Trintignant) who finds himself having to stay the night with beautiful divorcee Maud (Françoise Fabian); she insists the snow means it's unsafe to drive home. The earnest style of 60s Catholicism, wrestling with the demands of the flesh and the secular world, looks a little quaint now; yet the film's modernity,...
Chance and fate, and the present and the past, are the themes of the late Eric Rohmer's black-and-white classic. It is perhaps the world's first "relationship comedy" (a very different thing from a romcom) and originally released in 1969, though as with many of Rohmer's films, the movie now looks and sounds a little antique. This film has always bemused a sizable proportion of its audience with its alleged talkiness and literariness. Yet this is precisely its charm. The story concerns a sanctimonious Catholic thirtysomething (Jean-Louis Trintignant) who finds himself having to stay the night with beautiful divorcee Maud (Françoise Fabian); she insists the snow means it's unsafe to drive home. The earnest style of 60s Catholicism, wrestling with the demands of the flesh and the secular world, looks a little quaint now; yet the film's modernity,...
- 7/22/2010
- by Peter Bradshaw
- The Guardian - Film News
The Belgian-born film-maker Lucas Belvaux is best known for his 2002 Trilogie, a three-part film more palimpsest than trilogy, in which the same overlapping events are viewed first as a thriller, then as a romantic farce and finally as a melodrama on the theory that our lives are like genre movies. It revolves around a ruthless terrorist (played by Belvaux himself) returning to the beautiful French city of Grenoble after 15 years in jail, and the overall effect suggests Odd Man Out rewritten by Alan Ayckbourn.
His new film, Rapt, a taut thriller set in and around Paris, begins with the kidnapping of Stanislas Graff (Yvan Attal), the handsome boss of a multi-billion conglomerate based in Paris. To establish their seriousness, the brutal abductors, never seen unmasked, send a severed finger along with a ransom demand for €50m. But there is conflict between Graff's apparently loving family, his conspiratorial associates and the cops,...
His new film, Rapt, a taut thriller set in and around Paris, begins with the kidnapping of Stanislas Graff (Yvan Attal), the handsome boss of a multi-billion conglomerate based in Paris. To establish their seriousness, the brutal abductors, never seen unmasked, send a severed finger along with a ransom demand for €50m. But there is conflict between Graff's apparently loving family, his conspiratorial associates and the cops,...
- 7/17/2010
- by Philip French
- The Guardian - Film News
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